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46:, Milan and prominent singers there. Particularly outstanding among these are his stately, authoritative late-1920s and early-1930s electrical recordings of Don Pasquale (with
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as a formidable Iago) and Bohème (a superb understated, but highly distinguished, collaboration with excellent, if lesser-known, singers).
111:- Teresa Chelotti, Orazio Cosentino, Vittoria Colombati, Giovanni Novelli, Alfredo Brondi; Orchestra and Chorus of La Scala, Milan
251:– Valentina Bartolomasi, Enrico Trentini, Rosita Pagani, Adolfo Pacini, Guido Fernandez; Orchestra and Chorus of La Scala, Milan
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in his only complete opera recording as
Ernesto), Traviata (sadly limited by more than the usual cuts, but with silvery-voiced
305:– Giuliano Romagnoli, Fernando Autori, Gemma Bosini, Adolfo Pacini, Gilda Timitz; Orchestra and Chorus of La Scala, Milan
428:: – Aureliano Pertile, Maria Carena, Irene Minghini-Cattaneo, Apollo Granforte; Orchestra and Chorus of La Scala, Milan
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38:) was an Italian conductor. From 1904 to 1932, he was the
227:, Adolfo Pacini; Orchestra and Chorus of La Scala, Milan
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Centre for the
History and Analysis of Recorded Music,
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541:20th-century Italian conductors (music)
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488:"The House Conductor: Carlo Sabajno"
90:– Antonio Paoli, Giuseppina Huguet,
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493:Gaisberg, Frederick William,
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62:'s Radamès), Otello (with
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237:Il barbiere di Siviglia
56:Irene Minghini-Cattaneo
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380:Cavalleria rusticana
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444:Gabriella Besanzoni
334:Aristodemo Giorgini
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225:Attilio Salvaneschi
151:– Giuseppe Danise,
472:– Ernesto Badini,
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52:Alessandro Ziliani
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136:La traviata
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