214:(Stone of Sacrifice, 1924), often depicted serene and halcyon landscapes. During his later period, however, Pellicer explored the historical and spiritual implications of his experience of nature. Octavio Paz said of his work: "A great poet, Pellicer taught to us to see the world through different eyes, and in doing so modified Mexican poetry. His work, poetry with a plurality of sorts, is solved in a luminous metaphor, an interminable praise of the world."
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143:, pictures, and literature. An enthusiastic traveler, his work is filled with depictions of nature and a certain sexual energy that is shared with his contemporary
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and served as the director of the
Department of Fine Arts. He helped establish a number of museums, including the
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museums in Mexico City. There is a small archeology museum named for Carlos
Pellicer in
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A statue of Carlos
Pellicer at the Panteon Civil de Dolores cemetery in
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Academic staff of the
National Conservatory of Music of Mexico
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Mexican
Political Biographies, 1935-2009: Fourth Edition
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159:on 10 January 1897. The young Pellicer studied in
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