379:, which were installed at Kunst-Werke in Berlin in 1998 and 1999. Höller described their title, "The Valerio Phenomenon…supposedly originated at a rock concert in Italy. It’s an interesting example of mass hysteria. A sound technician at a concert disappeared, and someone in the audience, pretending to know his name, shouted 'Valerio!', and more and more people joined in. It was apparently infectious, and it spread from Brindisi to Rimini and other cities. There is something about the sound of this name that makes you want to shout it loud. You feel a little better after you’ve done it, just like after having traveled down a slide."
595:, doesn’t get us anywhere, because R B merely stands for Robles Bouso, the name of the now-defunct Spanish company that made the fairground device. The year of manufacture is 1969, the year of the failed revolution." Roitmeister goes on to make comparisons of the failure of the revolution with the action of the carrousel, the revolution of a clock, or time passing, in relation to the fact that the carousels move at a reduced speed, another failure—the failure to produce amusement. He goes further to say that "the carrousel resembles a huge clock—that is, a time-measuring device rather than a time-diverting machine…"
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368:, an instalment in his ongoing series of slide works which started in 1998. Höller's interest in slides ranges from their use as a practical and alternative means of transportation and the effect of sliding itself, which involves a loss of control, vertigo and an emotional response from the sliders, often delight. He is also interested in the shape of slides as a counterpoint to rectangular architecture, as in the Turbine Hall.
419:. It consisted of a box-like house structure with a concrete surface. Inside, the space was divided by a sheet of glass, separating two sections of the house—one side for pigs, the other side for people. The partition was one-way mirror glass, enabling the people to see the pigs, but not the other way around. The piece is a metaphor of ecological and social division, as well as an epistemological critique.
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dice with black holes in that participants were able to crawl inside. The work, "Reason", which the exhibition was titled after, was constructed from five mirrored revolving doors and was designed to make participants feel dizzy on entry. As in previous exhibitions, this exhibition called the nature of perception into question, investigating sensory relationships to logic through the experience of play.
269:, Höller continues, "…It is difficult for us to believe that our consciousness—my consciousness—can correspond to an other’s. Only if others behave like me, am I prepared to accept it—and still consider my own being unique, as do all other humans. Perhaps it is only this uniqueness that a bird doesn’t believe in. Is it missing the process of a feedback with its ‹own›". Other animal works include
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environments". In their form, Höller's works are occasionally reminiscent of scientific laboratory arrangements, allowing the viewer to become the subject of an experiment. His work since the early 1990s has encompassed buildings, vehicles, slides, toys, games, narcotics, animals, performances, lectures, 3D films, flashing lights, mirrors, eyewear and sensory deprivation tanks.
390:'s ideas regarding art and science as two different powers that inform culture in distinct ways. "When Nietzsche speaks of art’s potential to create intensities and vital energies, for him these creations are extraordinary—but they need not be true. While the scientist deals with truth and its cognition, the artist, after Nietzsche, creates and transforms reality."
440:. It was installed in a warehouse in Islington, London, and was open from 20 November 2008 – 12 July 2009. The club was divided into equal amounts of floor space representing the "Congo" and the "West". Each division contained exclusively elements from each culture, including the furnishings, wall decors and food.
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on West 24th Street from 20 June to 1 September 2017. The exhibition combined elements of science and phenomenology, resulting in immersive sensory experiences for willing participants. Included in this exhibition were giant mushrooms in a circular formation not unlike a planetary orbit, and a large
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Höller's carousels (sometimes spelled carrousel, with two R's, intentionally like the original word in French) and amusement park works, are some of his most well-known projects. Dating back to 1998, the key feature with Höller's carousels are that they are modified in some way than what we expect
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in their food, which are part of their customary diet in the wild, and turn their urine into a hallucinogen. The reindeer urine was collected by handlers and then stored in on-site refrigerators for use. The experiment was extended to canaries, which were housed in two hanging cage pieces, to mice,
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was also drawn from a fascination with the phi phenomenon, "…phi was of course interesting in a double sense…the jumping to and fro between two points, the eternal back and forth. And in that way this third form arises, which is an illusion and which moves, while the two other forms, by contrast,
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presented a series of identical works at two different Paris galleries, removing all differences of style or ownership; and his exhibition "One Day One Day" (2003) at Färgfabriken in
Stockholm, where two works were shown opposite each other and changed every day without the public's knowledge. His
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Höller's artistic practice reflects the interaction between work and public in various ways, sometimes chemically analyzing the nature of human emotions. His avid interest in the double harks back to the start of his career, when Höller designed a series of works with his then girlfriend, artist
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who worked across disciplines to reimagine the experience and the space of art. In his work, Höller creates situations which question familiar forms of perception and allow exhibition visitors to experiment on themselves, often inviting the public's active participation in so-called "influential
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In a book produced for the project, Höller and
Trockel contribute a text that consists of a series of questions involving the relationship between humans and animals. Some of the questions ask: "Does not human consciousness originate primarily as a project of the sociological conditions of its
591:, Carl Roitmeister writes of the carrousel works, "This is the age-old artistic ploy of defamiliarizing the commonplace in combination with the age-old artistic ploy represented by the Duchamp-style readymade. But two age-old ploys do not add up to a new one…The title of the carrousel,
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consisting of at least nine panels. Each panel holds a grid of light bulbs flickering at a frequency of between seven and twelve hertz, combined with a clicking stereo signal that continues back and forth between two audio speakers. This induces optic and acoustic
606:(2011). The pair of carousels anthropomorphically suggests a couple, "I thought it would be nice to have two interacting as if they were in love or something. To bring people together and then further away ... It is romantic and tragic at the same time."
265:, which Höller described as a "monument of incomprehensibility. The amazement that comes back every time we observe an animal… the pigs are so similar to us, they set off strong biophile sentiments, mainly among children…." In a conversation with
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A second edition of Double Club took place at Miami Art Basel this year where the artist exposes his on going concept on duality and oppositions in the shape of two installations where one side is monochromatic and other, full of neon colours.
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coming into being? Doesn’t animal consciousness have to be something quite different, something we cannot imagine? Or is there a basic measure of consciousness, which is part of man’s biological makeup and also occurs in animals?"
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at the
Hamburger Bahnhof, two herds of reindeer were housed in the large main exhibition hall, along with canaries, mice and flies. The project was modeled after a scientific experiment. Other works that include animals include
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Höller's interaction with the culture of the Congo began when he started making regular visits to
Kinshasa since 2001, interested in the role of music on public opinion and in turn in effecting politics. In an interview with
117:; the title of his dissertation is "Efficiency Analysis of the Parasitoids of Cereal Aphids". Only during the late 1980s, did he first begin making art. However, he worked as a research entomologist until 1994.
521:, contains 114 hymns to "creative juice", supposed to offer immortality. The recipe was lost, but in the 1960s researcher Gordon Wasson hypothesized that soma was based on the fly agaric mushroom.
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656:. Since given the imposing scale of the surfaces, the lights are always seen out of the corner of the eye, one's proprioception is affected so that a feeling of rotation is induced.
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in Los
Angeles. His fly-agaric replicas are large-scale and often spin or hang upside down from the ceiling. He has also created photographic works based on the fly-agaric, entitled
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is a piece that is just that: dangerous frogs submerged in water in a baby's bottle. The works in this series have been usually installed on bright bubble-gum pink carpet.
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in New York in 2011/2012, a slide was installed inside, spiraling straight through the third and fourth floors of the museum, ejecting the sliders on the second floor.
464:, (2004 and 2005) which took footage from Congolese musicians and dancers presented on overlapping projections, which created a sculptural, quasi-holographic effect.
202:, visitors could pay 1,000 euros ($ 1,370) for a night on an exposed circular platform perched above 12 castrated reindeer, 24 canaries, eight mice and two flies. In
206:, which can be used alone or with others, visitors float weightlessly on the surface of a sensory deprivation pool. Equally encouraging visitors' participation,
186:(2003), a series of electronic sliding doors with a mirrored surface through which the audience passes in a seemingly endless passage. In 2008, Höller installed
241:(2010) –, two-quarters of each sculpture replicate the looks of two random fungi, while the other two both represent the large red-and-white fly agaric fungus,
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Among Höller's works is a series of corkscrewing tubular metal slides made from 1998, that is an ongoing project. His slides include one made for the office of
245:, which occurs wild in Eurasia. A fungus with psychoactive, hallucinogenic properties, it is thought to have been used by Siberian shamans as an intoxicant.
644:: viewers experience modulating fields of color with their eyes open or shut, or perceive themselves or what is said by others around them in altered ways.
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Höller, Carsten, Barbara-Brigitte Mak, and Erik Smith. Carsten Höller 2001-2010: 184 Objects, Experiments, Events. Ostfildern: Hatje Cantz, 2010. Print.
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in Berlin in 2010. Its main element were 12 reindeer in two pens running the length of the former railway station. Half of the reindeer were fed the
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in North Adams, 2006, the degree of slowness and direction changed every day. A local fairground operator, Art
Gillette, engineered the changes.
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works are discreet objects made between 1990 and 1994. Some consist of such things as a comforter containing a piece of dried fly agaric titled
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Carsten Höller in Daniel
Birnbaum and Carsten Höller, Tuotanto/Production, exh. cat., Kiasma Museum of Contemporary Art, Helsinki 2000, p. 10.
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from an amusement park ride, either most often through speed, or sometimes rotational direction, or surface material, as is the case with his
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Article on
Carsten Höller and the "Amusement Park" installation at the Massachusetts Museum of Contemporary Art
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Roitmeister, Carl, Eckhard
Schneider, and Carsten Höller. Carsten Höller, Carrousel . Köln: König, 2008. Print.
940:"The Relationship between Primary Parasitoids and Hyperparasitoids of Cereal Aphids: An Analysis of Field Data"
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Mushrooms became a regular feature of Höller's work from 1994. He has since realized several works with the
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was installed in the middle of the space, and visitors could spend the night on the premise for a fee.
863:"Cliff Hanger - The Ghanaian home of artists Carsten Höller and Marcel Odenbach goes above—and beyond"
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was a project in the form of a bar, restaurant and nightclub produced in collaboration with
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comes from the name of the sacred libation drunk by the Indo-European followers of the
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Höller, Carsten, and
Germano Celant. Carsten Höller - Register: . Milano, 2000. Print.
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Interview with Carsten Höller on 'Divided Divided' Installation at Arttube (Boijmans)
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210:(2011) is an aperture which emits a white pill onto a growing pile every 15 seconds.
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1251:"Carsten Höller: REASON, 555 West 24th Street, New York, June 20–September 1, 2017"
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Höller came to prominence in the 1990s, alongside a group of artists including
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749:, Petra Gördüren, Dirk Luckow (eds), Kiel, Germany: DuMont Buchverlag, 2010,
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Take a Virtual Tour of Carsten Holler's Art Amusement Park at the New Museum
834:, Theodora Vischer (ed.), catalogue, Museum für Gegenwartskunst, Basel, 1998
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225:(2000), which was shown in 2000 at Fondazione Prada in Milan and in 2005 at
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763:, Carl Roitmeister, Eckhard Schneider, Kunsthaus Bregenz, Köln: König, 2008
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Höller is represented by Air de Paris, Paris; Massimo de Carlo, Milan; and
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Birnbaum, Daniel. "Mice And Man - Carsten Höller and Rosemarie Trockel",
1294:"Why this summer is mushroom season at Gagosian | Art | Agenda"
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1466:"Carsten Höller creates pop-up club with two sides for Prada in Miami"
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Carsten Höller, Christian Borgemeister, Helmut Haardt and Wilf Powell,
787:, Daniel Birnbaum and Jennifer Allen, London: Gagosian Gallery, 2005,
547:, a bicycle for children rigged with a fuse, match, and petrol titled
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1064:"Carsten Höller to undertake next commission in The Unilever Series"
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Giant Triple Mushrooms - Carsten Höller, 29 May – 10 October 2010
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Carsten Höller: 2001-2010 : 184 Objects, Experiments, Events
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A House for Pigs and People = Ein Haus für Schweine und Menschen
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Magic-Mushroom Reindeer Bored by $ 1,370 Museum Slumber Parties
1565:(25th anniversary ed.). Köln: Taschen. pp. 136–139.
769:, Francesco Bonami and Caroline Corbetta. Milano: Electa, 2007
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Carsten Höller: Experience, 26 October 2011 – 15 January 2012
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Carsten Höller/Vadim Zakharov - Peter Mertes Stipendium 1995
177:. Other examples include an exhibition in which Höller and
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Kennedy, Randy. "Is It Art, Science or a Test of People?"
733:, Udo Kittelmann and Dorothée Brill, Ostfildern, Germany:
517:, Hinduism's 5,000-year-old parent. Its ancient text, the
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Animals have figured in Höller's work: at his exhibition
539:, a trap made from an upside-down playpen baited with a
190:, a hotel room for two, as part of an exhibition at the
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in 2009, Höller also explains that the impetus for the
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explorations often involve playful elements such as in
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Test Site by Carsten Höller at the Tate Modern, London.
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Grosenick, Uta; Riemschneider, Burkhard, eds. (2005).
1533:"Directions - Low-Speed Chase On Carousel Of the Mind"
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386:, Dorothea von Hantelmann compares Höller's slides to
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For the seventh commission in The Unilever Series, in
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Carsten Höller: Test Site. London: Tate, 2006, p. 27.
1221:"Carsten Höller in New York: all the fun of the fair"
743:, Barbara-Brigitte Mak, Ostfildern: Hatje Cantz, 2010
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In a catalogue essay for Höller's 2008 exhibition at
1375:. Köln: Verlag der Buchhandlung Walther König, 1997.
775:, Jan Åman and Nathalie Ergino, Cologne: König, 2006
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On 18 June 2014 the 31-meter-high observation tower
237:(2008). In a series of giant sculptures of funghi –
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1308:"The Unilever Series: Carsten Höller: Test site"
914:"Carsten Höller "Carrousel" - Kunsthaus Bregenz"
806:, Germano Celant, Milano: Fondazione Prada, 2000
747:Dopplereffekt. Bilder in Kunst und Wissenschaft.
1210:Garage Center for Contemporary Culture, Moscow.
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303:Eyeball: a House for Pigeons, People, and Rats
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1835:Touch: Relational Art from the 1990s to Now
946:, Vol. 62, No. 1 (January 1993), pp. 12–21.
840:, catalogue, Bonn, Bonner Kunstverein, 1995
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1451:Höller, Carsten and Barbara-Brigitte Mak.
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1595:Article on Carsten Höller's 'Double Club'
1371:Höller, Carsten, and Trockel, Rosemarie.
1004:"Juxtaposing Works From Congo and Japan"
635:(2007), constitute a series of variable
1455:. Ostfildern: Hatje Cantz, 2010. Print.
1238:Production: Birnbaum, Höller = Tuotanto
1046:Is It Art, Science or a Test of People?
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810:Production: Birnbaum, Höller = Tuotanto
105:Born to German parents working for the
1236:Holler, Carsten, and Daniel Birnbaum.
1143:Catherine Hickley (25 November 2010),
1531:Hilarie M. Sheets (29 January 2006),
1219:Charlotte Higgins (25 October 2011),
1182:Charlotte Cripps (10 February 2010),
323:, London, New York, and Los Angeles.
285:(2009), and, with Rosemarie Trockel,
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1480:"Carsten Höller: deer of perception"
604:Double Carousel with Zöllner Stripes
543:egg attached to fishing wire titled
1412:(London location), Collard, James,
1184:J G Ballard: High impact on artists
1126:Francesca Martin (27 August 2008),
1002:Nazanin Lankarani (22 March 2011),
598:For Höller's exhibition in 2011 at
1513:Rachel Spence (16 December 2011),
1128:"A room for two at the Guggenhei"m
955:Jonathan Jones (13 October 2006),
257:, a construction Höller made with
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1600:biography and list of exhibitions
1478:Sam Williams (20 December 2010),
1044:Randy Kennedy (25 October 2011),
773:Carsten Höller: One Day - One Day
478:at Hamburger Bahnhof, Berlin 2010
460:was explored earlier in Höller's
85:(born December 1961) is a German
1442:. Milan: Fondazione Prada, 2011.
1240:. Helsinki: Kiasma, 2000. Print.
861:Alice Rawsthorn (January 2012),
708:. Cologne, Oktagon Verlag, 1999.
545:Komm Kleines, kriegst was Feines
502:and to flies. A mushroom-shaped
336:Reason took place in New York’s
327:Works, projects, and exhibitions
1159:Kyle Chayka (26 October 2011),
882:"The Inventory: Carsten Höller"
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828:(ed.), Cologne: Oktagon, 1998
674:. Monografie, Katalog, 2005,
364:Turbine Hall, Höller created
1103:Anna Sansom (8 March 2011),
880:Hester Lacey (13 May 2011),
822:Carsten Höller's Spiele Buch
371:Earlier slide works include
1949:German contemporary artists
1741:Dominique Gonzalez-Foerster
1035:, Issue 85, September 2004.
537:Sucette aux Fausses Oranges
221:series (2001/2008) and the
107:European Economic Community
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576:(2005). In his exhibition
557:Three Venomous Frogs from
198:. At his 2010 show at the
1954:German conceptual artists
1427:"The Double Club, London"
944:Journal of Animal Ecology
832:Carsten Höller. Neue Welt
779:Carsten Höller: Test Site
761:Carsten Höller, Carrousel
719:Carsten Höller Over There
413:House for Pigs and People
406:House for Pigs and People
255:House for Pigs and People
223:Upside Down Mushroom Room
1023:Before and After Science
886:Financial Times Magazine
816:Carsten Höller: Ny Värld
812:, Helsinki: Kiasma, 2000
648:(2008), as installed at
188:The Revolving Hotel Room
101:Early life and education
89:. He lives and works in
1206:11 October 2011 at the
1166:28 October 2011 at the
986:22 October 2011 at the
960:profile: Carsten Höller
283:Singing Canaries Mobile
1713:Henrik Plenge Jakobsen
1387:Artforum International
1094:949, July/August 2011.
1073:, Tate Modern, London.
1069:29 August 2011 at the
800:, Moderna Museet, 2004
670:Carsten Höller (ed.):
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261:that was exhibited in
239:Giant Triple Mushrooms
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1736:Felix Gonzalez-Torres
785:Carsten Höller: Logic
493:was installed at the
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71:relational aesthetics
781:, London: Tate, 2006
499:fly agaric mushrooms
109:, Höller grew up in
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1797:Martin Kippenberger
1429:. 20 November 2008.
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1414:The Times of London
1403:, 25 November 2008.
1110:14 May 2011 at the
1028:24 May 2011 at the
900:Enel Contemporanea.
279:The Belgian Problem
215:fly-agaric mushroom
1874:Julia Peyton-Jones
1869:Hans-Ulrich Obrist
1777:Art & Language
1756:Rirkrit Tiravanija
1537:The New York Times
1468:. 6 December 2017.
1362:, 25 October 2011.
1360:The New York Times
1085:(22 August 2011),
1083:Massimiliano Gioni
1049:The New York Times
1021:Alex Farquharson,
1009:The New York Times
826:Hans-Ulrich Obrist
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446:Hans Ulrich Obrist
393:In his exhibition
382:In an essay about
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143:Rirkrit Tiravanija
115:University of Kiel
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1856:Nicolas Bourriaud
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1399:Allen, Jennifer,
755:978-3-8321-9295-2
702:Rosemarie Trockel
687:>Register<.
650:Kunsthaus Bregenz
589:Kunsthaus Bregenz
551:, a piece titled
541:Kinder Schokolade
495:Hamburger Bahnhof
417:Rosemarie Trockel
316:was inaugurated.
310:Vitra Slide Tower
259:Rosemarie Trockel
219:Mushroom Suitcase
200:Hamburger Bahnhof
192:Guggenheim Museum
179:Maurizio Cattelan
175:Rosemarie Trockel
127:Maurizio Cattelan
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533:Killing Children
526:Killing Children
438:Fondazione Prada
338:Gagosian Gallery
321:Gagosian Gallery
299:Silverfish House
243:Amanita muscaria
217:, including the
139:Philippe Parreno
75:installation art
61:contemporary art
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1770:Related artists
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1944:1961 births
1887:Eric Troncy
1878:Jérôme Sans
1746:Jorge Pardo
1663:Abel Azcona
1515:Just Höller
1274:. July 2017
993:, New York.
735:Hatje Cantz
637:Light Walls
561:in a Bottle
450:Double Club
301:(1999) and
263:documenta X
235:Soma Series
233:(2003) and
204:Psycho Tank
49:Nationality
1933:Categories
1865:Maria Lind
1787:Franz West
1782:Dan Graham
1727:Honoré d'O
1673:Henry Bond
1105:JAPANCONGO
991:New Museum
868:W Magazine
845:References
725:Experience
713:Catalogues
654:LED lights
611:Light Wall
559:Costa Rica
509:The title
399:New Museum
395:Experience
377:Valerio II
208:Pill Clock
1818:Backstage
1581:191239335
1148:Bloomberg
1087:My Africa
646:Lichtraum
615:Lichtraum
582:MASS MoCA
567:Carousels
531:Höller's
388:Nietzsche
384:Test Site
373:Valerio I
366:Test Site
354:Test Site
295:Bee House
169:in 1998.
91:Stockholm
1896:See also
1844:Curators
1204:Archived
1164:Archived
1108:Archived
1067:Archived
1026:Archived
984:Archived
804:Register
631:(2002),
627:(2001),
623:(2000),
593:R B Ride
553:220 Volt
305:(2000).
297:(1999),
293:(1997),
289:(1996),
281:(2007),
277:(1996),
275:Aquarium
196:New York
111:Brussels
67:Movement
38:Brussels
1824:Traffic
1656:Artists
1563:Art Now
1171:ARTINFO
519:Rigveda
397:at the
42:Belgium
1579:
1569:
1401:Frieze
1278:23 May
924:23 May
818:, 1999
791:
753:
737:, 2011
693:
689:2002,
678:
345:Slides
332:Reason
291:Addina
145:, and
95:Sweden
87:artist
52:German
1811:Shows
1317:4 May
1268:(PDF)
1091:Domus
665:Books
600:MACRO
1577:OCLC
1567:ISBN
1319:2016
1280:2023
926:2023
789:ISBN
751:ISBN
691:ISBN
676:ISBN
613:and
511:Soma
491:Soma
484:SOMA
476:Soma
456:The
375:and
250:Soma
227:MOCA
121:Work
31:Born
580:at
312:in
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