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Catalan shawm

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1366: 175: 413:. Shawms normally have a larger bore, which makes them louder and more suitable than the oboe for outdoor playing. In addition, the bore is more "sword-shaped" than that of the oboe (it is more like a narrow parabola than a perfect cone). This gives the shawm a stronger, earthier, more fiery tone. Though favored in ancient times, some today find the sound harsh and irritating. The difference in bore shape also gives shawms additional problems with 258: 307: 73: 32: 417:. It was the goals of easier fingering, better intonation, and a sound and volume level more suitable for indoor use that prompted the innovations that turned the shawm into the oboe. The tible and tenora, however, were modernized with a modified bore and fully chromatic keywork without giving up their place in traditional bands and at festivals. 425:
There are many shawms throughout the world (many of them in the Middle East and Asia) but Catalonia is one of the few places in Europe where they are still frequently used, and the only place where they have been given a modern mechanism (keywork) like orchestral woodwind instruments. Shawms used to
1365: 204: 430:. They were chiefly of two types: shawms that evolved from bagpipe chanters, and shawms that evolved from Middle Eastern instruments. The Italian 1420: 1001: 1817: 502: 1812: 1492: 1487: 477:"La sardana de les bruixes" by Enric Sans – played by cobles Marinada, Montgrins, La Jovenívola de Sabadell and la Principal de la Bisbal 1502: 244: 226: 156: 59: 358:
lower than the tible. These shawms are usually used with other instruments to accompany the traditional Catalan circle dance, the
397:), a short, strident instrument with a steep conical bore. Both of these resemble shawms from other parts of Spain, such as the 94: 90: 45: 1276: 137: 1430: 1390: 109: 994: 897: 187: 1400: 197: 191: 183: 116: 83: 1507: 1405: 495: 436:
is an example of the former, and the tible and tenora of the latter. The oboe features aspects of both designs.
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Video of sardana dancers and cobla band, featuring the tibles and tenoras
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There are several distinct differences between shawms and
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of Aragon and Valencia, and both employ open fingering.
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The types of shawm commonly used in Catalonia are the
1759: 1719: 1661: 1516: 1480: 1444: 1373: 1180: 1017: 956: 875: 751: 725: 642: 534: 97:. Unsourced material may be challenged and removed. 354:, Catalan for "tenor"). The tenora is pitched a 196:but its sources remain unclear because it lacks 995: 496: 19:"Tible" redirects here. 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cobla
shawm
oboe
woodwind
musical instrument
Catalonia

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