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The church is situated in the centre of the small town of São Gião, in a central square, surrounded by historic buildings. Constructed during the
Baroque period, it included two panels attributed to the Italian, Pascal Parente, then living in Coimbra. The main retable is attributed to sculptor
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The parish was founded in 1756. By the middle of the 18th century, the parochial church was re-constructed; by 1795, during the reign of King D.
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279:(the old church factory) as a heritage site. By 7 February 2003, a dispatch from the vice-president of the IPPAR (forerunner of the
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António Neves and carver Jose
Ribeiro da Fonseca from Beiras, in the last part of the 18th century.
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363:(in Portuguese), Lisbon, Portugal: SIPA – Sistema de Informação para o Património Arquitectónico
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Igreja
Paroquial de São Gião/Igreja de São Gião (IPA.00002607/PT020611150025)
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A view of the town of São Gião, with the church peaking in the middle
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An internal view of painted panels attributed to Pascal
Parente
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18th-century Roman
Catholic church buildings in Portugal
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On 20 July 1991, there was a proposal to classify the
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The high choir was constructed in the 19th century.
384:Gonçalves, Nogueira, A.; Correia, Vergílio (1953),
357:Bonina, Maria; Grilo, Fernando (1996), SIPA (ed.),
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253:The front facade of the parochial church
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388:(in Portuguese), Lisbon, Portugal
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237:), although unrecognized by
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415:Categories
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146:Dedication
367:3 October
222:, in the
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308:See also
212:São Gião
122:Portugal
100:Location
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281:IGESPAR
245:History
239:IGESPAR
206:in the
178:Diocese
140:History
118:Country
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204:church
112:Centro
330:Notes
267:Maria
163:Style
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