403:) describes the content of art databases by articulating a conceptual framework for describing and accessing information about works of art, architecture, other material culture, groups and collections of works, and related images. The CDWA includes 532 categories and subcategories. A small subset of categories are considered core in that they represent the minimum information necessary to identify and describe a work. The CDWA includes discussions, basic guidelines for cataloging, and examples.
187:
289:
129:
63:
22:
465:
to describe core records for works of art and material culture based on CDWA and the
Cataloging Cultural Objects (CCO) content standard. The schema was created because of the absence of a data content standard specifically designed for unique cultural works and a technical format for expressing this
432:
Formed in the early 1990s, the task force was made up of representatives from the communities that provide and use art information: art historians, museum curators and registrars, visual resource professionals, art librarians, information managers, and technical specialists. The work of the AITF was
428:
The CDWA was created by the Art
Information Task Force (AITF), which encouraged dialog between art historians, art information professionals, and information providers so that together they could develop guidelines for describing works of art, architecture, groups of objects, and visual and textual
415:
The use of the CDWA framework contributes to the integrity and longevity of data and facilitates its inevitable migration to new systems as informational technology continues to evolve. It also helps to give end-users consistent, reliable access to information, regardless of the system in which it
411:
The
Categories provide a framework to which existing art information systems are mapped and upon which new systems can be developed. In addition, the discussions in the CDWA identify vocabulary resources and descriptive practices that will make information residing in diverse systems both more
419:
These guidelines, in theory, provide a common ground for reaching an agreement on what information should be included in art information systems and what information will be shared or exchanged with other institutions or systems. The CDWA framework is targeted towards curators, registrars,
466:
data in a machine-readable format. CDWA Lite records are intended for contribution to union catalogs and other repositories using the Open
Archives Initiative (OAI) harvesting protocol. The CDWA Lite schema has been enlarged and integrated into the
204:
35:
41:
357:
251:
329:
223:
556:
299:
336:
230:
343:
237:
438:
325:
219:
143:
139:
73:
544:
306:
92:
383:
270:
110:
49:
161:
150:
523:
314:
208:
562:
350:
244:
616:
606:
487:
576:
611:
601:
510:
88:
197:
570:
482:
565:
442:
539:
581:
596:
550:
458:
434:
492:
84:
559:
Indiana
University Digital Library Program; Metadata Librarian Jenn Riley; 2007 handout.
590:
511:
http://www.getty.edu/research/conducting_research/standards/cdwa/introduction.html
288:
186:
454:
467:
462:
545:
CDWA Lite and
Museumdat: New Developments in Metadata Standards
547:
2008 Annual
Conference of CIDOC; Regine Stein and Erin Coburn.
282:
180:
122:
56:
15:
420:
researchers, information managers, and systems vendors.
524:"Categories for the Description of Works of Art (CDWA)"
310:
157:
80:
582:
Data
Harvesting and Interchange Working Group (CIDOC)
557:
Choosing a
Metadata Standard for your Digital Project
91:, and by adding encyclopedic content written from a
211:. Unsourced material may be challenged and removed.
571:Training materials for Vocabularies and Standards
468:Lightweight Information Describing Objects (LIDO)
326:"Categories for the Description of Works of Art"
220:"Categories for the Description of Works of Art"
470:schema, which is available on the CIDOC site.
397:Categories for the Description of Works of Art
8:
315:introducing citations to additional sources
563:Museum Computer Network Standards Resources
50:Learn how and when to remove these messages
573:Maintained by the Getty Vocabulary Program
437:, with a two-year matching grant from the
384:Learn how and when to remove this message
271:Learn how and when to remove this message
111:Learn how and when to remove this message
305:Relevant discussion may be found on the
503:
453:CDWA Lite is an XML schema created by
72:contains content that is written like
439:National Endowment for the Humanities
7:
209:adding citations to reliable sources
553:Marcia L. Zeng and Jian Qin, 2008.
14:
412:compatible and more accessible.
31:This article has multiple issues.
298:relies largely or entirely on a
287:
185:
127:
61:
20:
551:Metadata Textbook Website Index
196:needs additional citations for
39:or discuss these issues on the
1:
488:Visual Resources Association
479:Cataloging Cultural Objects
633:
483:Getty Vocabulary Program
566:Museum Computer Network
443:College Art Association
93:neutral point of view
617:Works about the arts
577:Conference.Archimuse
311:improve this article
205:improve this article
158:improve this article
607:XML-based standards
461:, and RLG Programs/
459:J. Paul Getty Trust
435:J. Paul Getty Trust
162:independent sources
85:promotional content
612:Museum informatics
602:Metadata standards
493:Metadata standards
87:and inappropriate
513:CDWA Introduction
394:
393:
386:
376:
375:
361:
281:
280:
273:
255:
179:
178:
149:largely based on
121:
120:
113:
54:
624:
528:
527:
520:
514:
508:
389:
382:
371:
368:
362:
360:
319:
291:
283:
276:
269:
265:
262:
256:
254:
213:
189:
181:
174:
171:
165:
151:routine coverage
131:
130:
123:
116:
109:
105:
102:
96:
74:an advertisement
65:
64:
57:
46:
24:
23:
16:
632:
631:
627:
626:
625:
623:
622:
621:
587:
586:
536:
531:
522:
521:
517:
509:
505:
501:
476:
451:
426:
409:
390:
379:
378:
377:
372:
366:
363:
320:
318:
304:
292:
277:
266:
260:
257:
214:
212:
202:
190:
175:
169:
166:
155:
140:a press release
132:
128:
117:
106:
100:
97:
78:
66:
62:
25:
21:
12:
11:
5:
630:
628:
620:
619:
614:
609:
604:
599:
589:
588:
585:
584:
579:
574:
568:
560:
554:
548:
542:
540:CDWA home page
535:
534:External links
532:
530:
529:
515:
502:
500:
497:
496:
495:
490:
485:
480:
475:
472:
450:
447:
433:funded by the
425:
422:
408:
405:
392:
391:
374:
373:
309:. Please help
295:
293:
286:
279:
278:
193:
191:
184:
177:
176:
144:a news article
135:
133:
126:
119:
118:
89:external links
69:
67:
60:
55:
29:
28:
26:
19:
13:
10:
9:
6:
4:
3:
2:
629:
618:
615:
613:
610:
608:
605:
603:
600:
598:
595:
594:
592:
583:
580:
578:
575:
572:
569:
567:
564:
561:
558:
555:
552:
549:
546:
543:
541:
538:
537:
533:
525:
519:
516:
512:
507:
504:
498:
494:
491:
489:
486:
484:
481:
478:
477:
473:
471:
469:
464:
460:
456:
448:
446:
444:
441:(NEH) to the
440:
436:
430:
429:surrogates.
423:
421:
417:
413:
406:
404:
402:
398:
388:
385:
370:
359:
356:
352:
349:
345:
342:
338:
335:
331:
328: –
327:
323:
322:Find sources:
316:
312:
308:
302:
301:
300:single source
296:This article
294:
290:
285:
284:
275:
272:
264:
253:
250:
246:
243:
239:
236:
232:
229:
225:
222: –
221:
217:
216:Find sources:
210:
206:
200:
199:
194:This article
192:
188:
183:
182:
173:
163:
159:
153:
152:
146:
145:
141:
136:This article
134:
125:
124:
115:
112:
104:
94:
90:
86:
82:
76:
75:
70:This article
68:
59:
58:
53:
51:
44:
43:
38:
37:
32:
27:
18:
17:
518:
506:
452:
431:
427:
418:
414:
410:
400:
396:
395:
380:
364:
354:
347:
340:
333:
321:
297:
267:
258:
248:
241:
234:
227:
215:
203:Please help
198:verification
195:
167:
156:Please help
148:
137:
107:
98:
83:by removing
79:Please help
71:
47:
40:
34:
33:Please help
30:
597:Art history
147:and may be
138:reads like
591:Categories
416:resides.
337:newspapers
231:newspapers
81:improve it
36:improve it
499:Footnotes
449:CDWA Lite
367:June 2020
307:talk page
261:June 2020
170:June 2020
101:June 2020
42:talk page
474:See also
160:and add
455:ARTstor
445:(CAA).
424:History
407:Purpose
351:scholar
245:scholar
457:, the
353:
346:
339:
332:
324:
247:
240:
233:
226:
218:
358:JSTOR
344:books
252:JSTOR
238:books
463:OCLC
401:CDWA
330:news
224:news
313:by
207:by
142:or
593::
45:.
526:.
399:(
387:)
381:(
369:)
365:(
355:·
348:·
341:·
334:·
317:.
303:.
274:)
268:(
263:)
259:(
249:·
242:·
235:·
228:·
201:.
172:)
168:(
164:.
154:.
114:)
108:(
103:)
99:(
95:.
77:.
52:)
48:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
