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Cathy Berberian

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644:, Berberian championed the concept and descriptions of the "New Vocality" which became a major part of her philosophy of performance and legacy as an artist. In contrast to traditional opera practice, wherein singers are to produce beautiful tones and nothing else, the New Vocality employs "the voice which has an endless range of vocal styles at its disposal, embracing the history of music as well as aspects of sound itself." However, the New Vocality is much more than extended vocal techniques, which are "based on the inventory of more or less unedited vocal effects which the composer may devise and the singer regurgitates." Rather, the singer should become the composer of the live performance and "use the voice in all aspects of the vocal process; a process which can be integrated as flexibly as the lines and expressions on a face." This philosophy of vocal performance can be seen as fundamental to the development of vocal performance art as well as to the work of 135: 25: 579:
In the last years of her life Berberian experienced increasing health problems and almost entirely lost her vision. In order to continue performing, she committed all her repertoire to memory. An avid reader, the loss of sight was a great source of frustration for Berberian and she expressed feelings
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In her article "La nuova vocalitĂ  nell'opera contemporanea" ("The New Vocality in Contemporary Music") from 1966, Berberian outlines a new role for vocal performance in contemporary music. Although the ideas were developed along with Luciano Berio during their collaboration on works such as
476:. The album was reissued on CD in 2005 with bonus tracks including a 1975 French radio interview, and three live tracks featuring Berberian performing songs from the album, recorded at French music festivals in the early 1980s, with accompaniment by Italian composer–musician 383:
to continue her studies there. Although she had appeared in several student productions, radio broadcasts and informal concerts during the early 1950s, she made her formal debut in 1957 at Incontri Musicali, a contemporary music festival in
417:, whom she met when they were students at the Milan Conservatory. They had one daughter, Cristina Berio, born in 1953. Berberian became Berio's muse and collaborator both during and after their marriage. He wrote, for her, 468:
plus harpsichord or organ. All the tracks were arranged by Guy Boyer and most of the songs feature him on harpsichord. The original US cover illustration for the album (resembling the Beatles's single "
896:, original soundtrack of the film by Alan Resnais in which Berberian has a very small part and sings the song "Air de la nourrice". The film came out a month after her death. (Trema VT 33006, 1983) 1274: 355:
parents, Yervant and Louise Berberian. The elder of two children, she spent the first 12 years of her life in Attleboro, then the family moved to New York City in 1937 where she graduated from
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of loneliness and depression. She had gained weight and had developed heart problems, but nevertheless continued with an ambitious concert schedule. On 7 March 1983, in a broadcast on
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also composed works for her voice. Although Berberian was based in Milan from the time of her studies there, she taught at both Vancouver University and the Rheinische Musikschule in
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McClary, Susan; Karantonis, Pamela; Placanica, Francesca; Sivuoja-Kauppala, Anne; Verstraete, Pieter Maria Gabriël (2014). "Foreword: Cathy Berberian—Modernism's Bette Midler".
1549: 263:(July 4, 1925 – March 6, 1983) was an American mezzo-soprano and composer based in Italy. She worked closely with many contemporary avant-garde music composers, including 1604: 1544: 1589: 1559: 1574: 1564: 1584: 1539: 1266: 1554: 363:. While still in high school, she was the director and soloist of the Armenian Folk Group in New York City. For a time, she was an undergraduate at 1579: 1469: 1453: 1366: 450:
In 1967 Berberian released a 12-track album (recorded in Paris) that consisted entirely of quirky baroque-style cover versions of songs by
359:'s Julia Richman High School for Girls. From an early age, she showed an interest in Armenian folk music and dance as well as traditional 1322:
Placanica, Francesca (2014). "Cathy Berberian's Legacy: La nuova vocalitĂ  nell'opera contemporanea (1966)". In Karantonis, Pamela (ed.).
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and others. As a recital curator, she presented several vocal genres in a classical context, including arrangements of songs by
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in its world premiere, established her as a major exponent of contemporary vocal music. Her American debut came in 1960 at the
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Her body was cremated in Rome and the urn with her ashes was brought to Milan where, on March 13, a ceremony was held in the
46: 61: 1569: 857: 308: 615:. The ashes were divided between Berberian's brother Ervant and her daughter Cristina, who later dispersed them in the 68: 1386: 1215: 1297: 35: 1342:
Berberian, Cathy. "La nuova vocalitĂ  nell'opera contemporanea" [The New Vocality in Contemporary Music].
469: 397: 75: 1402: 1158: 814:, both especially recorded for the double LP made to celebrate the centenary of the birth of Armenian composer 348: 288: 162: 680: 57: 754:(Philips, 1967) published in France and the UK (Polydor, 1967) with the same title. Published in the US as 1498: 791: 838: 443: 1179: 1534: 1529: 1068: 1053: 795: 531: 931:. Live recording from the Festival di Musica Contemporanea in Venice. Recorded on September 6, 1964. 1508: 892: 368: 364: 193: 888:(TAT, 1981) recorded live on October 17 and 18, 1980 at the Theater Am Turm in Frankfurt, Germany. 1391: 1152: 1095: 589: 431: 376: 300: 296: 198: 1465: 1449: 1435: 1413: 1398: 1362: 1219: 1162: 649: 616: 495: 380: 82: 1072: 738: 487: 481: 316: 280: 1395:, March 8, 1983 (Late City Final Edition, Section A, Page 28). Accessed February 15, 2009. 706: 653: 540: 507: 503: 402: 371:, working during the day to support her studies. She went on to study music in Paris with 292: 1425: 1058: 877: 593: 499: 461: 284: 276: 134: 1523: 1494: 1104: 1038:(There is music and music). Box set of 2 DVD's (Feltrinelli, originally broadcast on 750: 699: 673: 669: 645: 597: 556: 473: 456: 414: 407: 268: 264: 224: 212: 319:
as well as folk songs from several countries and cultures. As a composer, she wrote
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1972 and released on DVD in 2013). Part 5 of this twelve-part series is titled
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featuring interviews with Luciano Berio, Sylvano Bussotti, Louis Andriessen,
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to discuss ideas about the performance, but died the next day of a "massive"
1504: 585: 491: 389: 356: 352: 272: 335:(1969), a composition for the keyboard (with the right hand only) based on 937:(Stradivarius, 1989). Contains live recordings dated 1966, 1967 and 1969. 519: 437: 1127: 815: 620: 567:. This nickname with a different spelling chosen by Berberian herself: 511: 624: 385: 1046:(One thousand and a voice) and is completely dedicated to Berberian. 588:'s death, Berberian had planned to perform the Italian version of " 1064: 865:
Claudio Monteverdi. Lettera Amorosa-Lamento d'Arianna-Orfeo-Poppea
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at her home in Milan, Italy, first broadcast on November 1, 1972
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in 1948, and in 1949 she went to Milan to study singing at the
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was later used as the title of one of her best-known albums.
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that can be seen on Swaan's production company's channel on
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Roman Haubenstock-Ramati. Credential or think, think lucky
1267:"Mezzo-soprano Cathy Berberian is due for a rediscovery" 323:(1966), in which she exploits her vocal technique using 1359:
Cathy Berberian : Pioneer of Contemporary Vocality
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Wie einst in schöner'n Tagen-Salonmusik der Grunderzeit
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Luciano Berio. Sequenza III (for woman's voice). Visage
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remembers the legendary singer who cast musical spells
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during the 1970s. Following her death, Berio composed
460:. The instrumental backing was scored for a classical 1464:(in Spanish). San Juan, Puerto Rico: Riel Editorial. 925:
Ella Fitzgerald/Elisabeth Schwarzkopf/Cathy Berberian
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In 1950, she received a 1497:On the anniversary of Cathy Berberian's death, 902:(RNE - Radio Nacional de Espana, APR 002, 1986) 16:American mezzo-soprano and composer (1925–1983) 8: 1154:The Harvard Biographical Dictionary of Music 967:(Ermitage, 1993, Aura, 2002, Symphonia 2016) 927:(Stradivarius, 1988) contains Bruno Maderna 850:There are faires at the bottom of our garden 1346:. Translated by Francesca Placanica: 47–49. 1094:(Radio Popolare/Sensible Records, 2003) by 744:Recent Stravinsky-Conducted by the Composer 529:song "Your Gold Teeth" from the 1973 album 413:From 1950 to 1964 Berberian was married to 1403:Berio, Luciano (1925–2003) – List of Works 1238: 1236: 1234: 1232: 758:(Fontana Philips, 1967) and in Germany as 742:recorded in December 1964 and included in 732:Das Moderne Cembalo Der Antoinette Vischer 539:"Even Cathy Berberian knows / There's one 133: 122: 1550:20th-century American women opera singers 846:Cathy Berberian at the Edinburgh Festival 480:and arrangements by noted Dutch composer 109:Learn how and when to remove this message 1101:Salomix-Max: In Memoriam Cathy Berberian 1013:(Lilith, 2006). Also available on vinyl. 388:. The following year her performance of 1116: 1605:Julia Richman Education Complex alumni 981:Dimensioni II (Invenzioni su una voce) 1545:20th-century American women composers 1515:Meirion-Bowen.com: Contemporary Cathy 1122: 1120: 987:Berio: Recital I for Cathy/Folk Songs 730:by Luciano Berio, included in the Lp 555:she translated into Italian works by 7: 1337: 1335: 1333: 516:Requies: in memoriam Cathy Berberian 47:adding citations to reliable sources 1590:American people of Armenian descent 1560:20th-century American women writers 900:A la recherche de la musique perdue 886:Cathy Berberian's Second Hand Songs 1575:American women classical composers 1495:MVDaily.com: A musical enchantress 1431:Cathy Berberian and Music's Muses 1277:from the original on July 29, 2020 913:Re-releases and compilations on CD 684:by Luciano Berio (Turnabout, 1958) 14: 1565:20th-century American translators 1444:Karantonis, Pamela et al. (2014) 977:Bruno Maderna. Musica elettronica 971:The Unforgettable Cathy Berberian 1585:American operatic mezzo-sopranos 1540:20th-century classical composers 1298:"Cathy Berberian, Mezzo-Soprano" 1011:Berio Sequenza III/Chamber Music 993:Cathy Berberian sings Monteverdi 698:music by Luciano Berio words by 295:. She also interpreted works by 240: 23: 1555:20th-century American composers 1326:. Farnham: Ashgate. p. 51. 1088:(Atlantic, 1989) by Linda Hirst 1019:(Electrola Collection EMI 2013) 941:Luciano Berio: Passaggio/Visage 627:, Berberian's favorite flower. 236: 34:needs additional citations for 1408:Vila, Marie Christine (2003). 1387:Cathy Berberian, Mezzo-soprano 1246:. Swaan Produkties (via Vimeo) 979:(Stradivarius, 1994) contains 790:, as Messaggera and Speranza. 760:Beatles arias for special fans 1: 1410:Cathy Berberian: Cant'actrice 1128:"Biography - Cathy Berberian" 943:(BMG Ricordi, 1991) contains 921:(Wergo, 1988 reprinted 2005)) 778:Jeu de Miroirs de Votre Faust 1580:American classical composers 1462:Cathy Berberian: Entrevistas 1448:. London: Routledge. 2016. 1265:Swed, Mark (June 19, 2013). 1244:"Music Is The Air I Breathe" 1017:Wie einst in schöner'n Tagen 947:for magnetic tape and voice. 347:Cathy Berberian was born in 1296:Page, Tim (March 8, 1983). 1216:Manchester University Press 1151:Randel, Don Michael (1996) 1626: 1600:New York University alumni 1595:Columbia University alumni 1405:. Accessed April 22, 2010. 1050:Music is the Air I Breathe 619:, in front of the city of 261:Catherine Anahid Berberian 149:Catherine Anahid Berberian 1610:Milan Conservatory alumni 1505:Cathy Berberian interview 1080:Tributes by other artists 999:Hommage Ă  Cathy Berberian 959:L'incoronazione di Poppea 858:L'incoronazione di Poppea 672:, orchestra conducted by 596:. On March 5, she called 398:Tanglewood Music Festival 132: 1212:A Clockwork Counterpoint 1180:"Cathy Berberian : 1159:Harvard University Press 965:Nel labirinto della voce 525:She is mentioned in the 406:by the Italian composer 349:Attleboro, Massachusetts 289:Roman Haubenstock-Ramati 163:Attleboro, Massachusetts 1460:Rivera, Nelson (2019). 1052:(1994): documentary by 681:Thema (Omaggio a Joyce) 419:Thema (Omaggio a Joyce) 139:Cathy Berberian in 1972 1210:Phillips, Paul (2010) 848:, issued in the US as 792:Concentus Musicus Wien 880:. Façade and Façade 2 839:Recital I (for Cathy) 716:Aria with fontana mix 690:, contains the songs 666:The Fairy Queen Suite 547:Berberian was also a 444:Recital I (for Cathy) 394:Aria with Fontana Mix 381:Fulbright scholarship 1361:. Farnham: Ashgate. 1069:Nikolaus Harnoncourt 852:(RCA Red Seal, 1974) 842:(RCA Red Seal, 1973) 796:Nikolaus Harnoncourt 718:(Cage) (Time, 1961) 712:Frammento (Bussotti) 532:Countdown to Ecstasy 400:where she premiered 309:Philipp zu Eulenburg 239: 1950; 43:improve this article 1570:Avant-garde singers 1509:Charles Amirkhanian 1036:C'è musica e musica 893:La vie est un roman 522:on March 26, 1984. 518:which premiered in 369:Columbia University 365:New York University 194:Columbia University 1434:. Jennifer Paull. 1392:The New York Times 1302:The New York Times 1192:. December 6, 2004 1132:Cathyberberian.com 1096:Cristina Zavalloni 1092:Cristina Zavalloni 1007:(Telescopic, 2005) 989:(RCA Victor, 1995) 867:(Telefunken, 1975) 798:(Telefunken, 1969) 623:, along with pink 592:" in the style of 590:The Internationale 377:Milan Conservatory 301:Heitor Villa-Lobos 297:Claudio Monteverdi 199:Milan Conservatory 1499:Jennifer I. Paull 1471:978-1-7330593-1-2 1454:978-1-315-57107-2 1399:Universal Edition 1368:978-1-4094-6984-1 1271:Los Angeles Times 1103:(Wergo, 2008) by 728:Rounds with voice 676:(Angelicum, 1956) 617:Mediterranean Sea 496:Hans Werner Henze 258: 257: 119: 118: 111: 93: 58:"Cathy Berberian" 1617: 1491: 1490: 1488:Official website 1475: 1422: 1373: 1372: 1354: 1348: 1347: 1339: 1328: 1327: 1319: 1313: 1312: 1310: 1308: 1293: 1287: 1286: 1284: 1282: 1262: 1256: 1255: 1253: 1251: 1240: 1227: 1208: 1202: 1201: 1199: 1197: 1176: 1170: 1149: 1143: 1142: 1140: 1138: 1124: 1086:Songs Cathy Sang 1073:Carol Plantamura 1071:, Bruno Canino, 1062: 1044:Mille e una voce 1025:(SWR Music 2016) 908:(Ermitage, 2017) 808:Chem Grna Khagha 802:Stravinsky Songs 746:(Columbia, 1967) 739:Elegy for J.F.K. 631:The New Vocality 543:she can't sing." 488:Sylvano Bussotti 482:Louis Andriessen 317:Louis Andriessen 281:Sylvano Bussotti 244: 242: 238: 177: 158: 156: 137: 123: 114: 107: 103: 100: 94: 92: 51: 27: 19: 1625: 1624: 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Fayard. 1224:0719072042 1111:References 973:(CO, 1993) 756:Revolution 696:Autostrada 549:translator 527:Steely Dan 470:Revolution 432:Folk Songs 337:Morse code 325:comic book 305:Kurt Weill 208:Occupation 155:1925-07-04 69:newspapers 688:Allez hop 586:Karl Marx 492:John Cage 390:John Cage 357:Manhattan 343:Biography 321:Stripsody 273:John Cage 211:Operatic 187:Education 1428:(2007). 1307:July 15, 1275:Archived 929:Hyperion 812:Karoun A 535: : 520:Lausanne 447:(1972). 429:(1961), 425:(1960), 421:(1958), 353:Armenian 327:sounds ( 251:Children 1226:. p. 65 1169:. p. 67 952:L'Orfeo 906:Pop Art 828:, 1971) 816:Komitas 787:L'Orfeo 625:orchids 621:Oneglia 551:. 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Attleboro, Massachusetts
Columbia University
Milan Conservatory
mezzo-soprano
Luciano Berio
Luciano Berio
Bruno Maderna
John Cage
Henri Pousseur
Sylvano Bussotti
Darius Milhaud
Roman Haubenstock-Ramati
Igor Stravinsky
Claudio Monteverdi
Heitor Villa-Lobos
Kurt Weill
Philipp zu Eulenburg
The Beatles

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