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Cathy Lomax

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paints a bit like Peter Blake. I first came across Cathy’s magazine ‘Arty’ a little art fanzine at the Serpentine gallery bookshop ... the energy in her magazine, and the childishness of it, I thought she would be a teenager, she was my age...and she also was running her own gallery ... She’s been a rock...
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It’s been great to have the support of Cathy Lomax at Transition Gallery, she has been one of the few people to really believe in me ... she’d say, “great do it, just do it all, you shouldn’t censor yourself so much, stop chucking stuff out !” Nice genuine support without any motive. Cathy
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was acquired for the gallery's collection. The second part of a prize was a commissioned essay which was written by academic Paul O'Kane and published in
974: 320:. In 2016 Lomax won the inaugural 'Contemporary British Painting Prize' for her painting "Black Venus". The prize included a solo exhibition at 959: 954: 709: 49:
of the topic and provide significant coverage of it beyond a mere trivial mention. If notability cannot be shown, the article is likely to be
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paintings which often focus on the female image and are inspired by 'the seductive imagery of film, fame and fashion'.
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Published writing includes: 'Ghostly threads: Painting Marilyn Monroe's white dresses',
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Cathy Lomax grew up in Guildford, Surrey where she was co-founder of the New Wave group
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In 2022 she was commissioned to produce cover artwork for the BFI Film Classic book,
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and director of the Transition Gallery. She is mainly known for her
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Please help to demonstrate the notability of the topic by citing
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Fandom as Methodology: A Sourcebook for Artists and Writers
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in East London and also publishes and edits two magazines:
679:"Ghostly threads: Painting Marilyn Monroe's white dresses" 387:(Leicester Gallery at De Montfort University, April 2023) 261:
and Vogue. She earned a Bachelor of Arts in Fine Art from
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The Anomie Review of Contemporary British Painting,
269:(2002). In 2016 she began a PhD in Film Studies at 180: 172: 164: 156: 144: 137: 502:"Edward Enninful's greatest i-D covers of the 90s" 330:The Anomie Review of Contemporary British Painting 339:a painting inspired by the Swindon born actress 267:Central Saint Martins College of Art and Design 8: 899:(an anthology of excerpts from issues 1–16) 393:(All Saints Church, Cambridge, March 2022) 312:and became an Abbey Painting Fellow at the 590:The Anomie Review of Contemporary Painting 567:"Contemporary British Painting Prize 2016" 134: 755:All Saints' Cambridge, The Painted Church 419:(Contemporary Art Projects, London, 2009) 121:Learn how and when to remove this message 474: 399:(Collyer Bristol Galley, London, 2019) 424:(Collective Gallery, Edinburgh, 2008) 7: 36:notability guideline for biographies 201:as Enid in the United Artists film 970:21st-century English women artists 965:20th-century English women artists 345:The Journal of Visual Art Practice 265:(2000), and a Master of Arts from 14: 482:Stenfors, Maria (11 July 2017). 464:The Priseman Seabrook Collection 23: 975:Alumni of Central Saint Martins 828:Michon, Alex (9 October 2015). 683:Film, Fashion & Consumption 358:Film, Fashion & Consumption 271:Queen Mary University of London 925:Cathy Lomax's commentart entry 776:Minton, David (24 July 2019). 619:Journal of Visual Art Practice 406:Swindon Museum and Art Gallery 322:Swindon Museum and Art Gallery 197:by Cathy Lomax 2003 (based on 1: 960:21st-century English painters 955:20th-century English painters 807:Contemporary British Painting 652:Backman Rogers, Anna (2022). 631:10.1080/14702029.2018.1479939 708:Lomax, Cathy (Winter 2019). 656:. London: BFI / Bloomsbury. 484:"Interview With Cathy Lomax" 1005:21st-century women painters 1000:20th-century women painters 439:(Transition Gallery, 2003) 263:London Guildhall University 148:1963 (age 60–61) 1021: 308:In 2014 Lomax received an 43:reliable secondary sources 32:The topic of this article 870:Grant, Catherine (2019). 569:. Artist Newsletter. 2016 276:Lomax is the director of 34:may not meet Knowledge's 299:has commented on Lomax: 151:Croydon, London, England 891:, Transition Editions, 695:10.1386/ffc.4.2-3.177_1 353:by Anna Backman Rogers 995:British women curators 990:English women painters 778:"The Immaculate Dream" 654:Picnic at Hanging Rock 434:(James Coleman, 2004) 351:Picnic at Hanging Rock 314:British School at Rome 208: 930:Stella Vine's website 910:Cathy Lomax's website 727:Lomax, Cathy (2022). 714:Frames Cinema Journal 677:Lomax, Cathy (2015). 613:O'Kane, Paul (2019). 414:(Dolph, London, 2015) 384:Scandal '63 Revisited 379:Exhibitions include: 362:Frames Cinema Journal 193: 168:Central Saint Martins 588:Price, Matt (2018). 542:"Stella Vine: Texts" 417:The Image Duplicator 397:The Immaculate Dream 369:Open Screens Journal 980:Artists from London 889:Arty: Greatest Hits 915:Transition Gallery 592:. London: Anomie. 508:. 25 November 2014 429:(Rosy Wilde, 2006) 278:Transition Gallery 209: 38: 865:978-1-910221-16-7 599:978-1-910221-16-7 422:The Golden Record 214:(born 1963) is a 188: 187: 131: 130: 123: 105: 33: 1012: 985:English curators 885: 845: 844: 842: 840: 825: 819: 818: 816: 814: 803:"The Blind Spot" 799: 793: 792: 790: 788: 773: 767: 766: 764: 762: 747: 741: 740: 724: 718: 717: 705: 699: 698: 689:(2–3): 177–195. 674: 668: 667: 649: 643: 642: 610: 604: 603: 585: 579: 578: 576: 574: 563: 557: 556: 554: 552: 538: 532: 531: 524: 518: 517: 515: 513: 498: 492: 491: 488:The Century Club 479: 318:June 2014 Mostra 135: 126: 119: 115: 112: 106: 104: 63: 27: 26: 19: 1020: 1019: 1015: 1014: 1013: 1011: 1010: 1009: 935: 934: 906: 882: 869: 853: 848: 838: 836: 827: 826: 822: 812: 810: 809:. 16 April 2023 801: 800: 796: 786: 784: 775: 774: 770: 760: 758: 757:. 16 April 2023 749: 748: 744: 726: 725: 721: 707: 706: 702: 676: 675: 671: 664: 651: 650: 646: 612: 611: 607: 600: 587: 586: 582: 572: 570: 565: 564: 560: 550: 548: 540: 539: 535: 526: 525: 521: 511: 509: 500: 499: 495: 481: 480: 476: 472: 445: 435: 430: 425: 420: 415: 400: 377: 235: 233:Life and career 165:Alma mater 152: 149: 140: 127: 116: 110: 107: 64: 62: 40: 28: 24: 17: 16:English painter 12: 11: 5: 1018: 1016: 1008: 1007: 1002: 997: 992: 987: 982: 977: 972: 967: 962: 957: 952: 947: 937: 936: 933: 932: 927: 922: 917: 912: 905: 904:External links 902: 901: 900: 886: 880: 867: 852: 849: 847: 846: 830:"American Tan" 820: 794: 768: 742: 719: 700: 669: 662: 644: 605: 598: 580: 558: 533: 519: 493: 473: 471: 468: 467: 466: 461: 456: 451: 444: 441: 432:She's No Angel 402:The Blind Spot 376: 373: 306: 305: 243:Juergen Teller 239:Shoot! 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Index

notability guideline for biographies
reliable secondary sources
independent
merged
redirected
deleted
"Cathy Lomax"
news
newspapers
books
scholar
JSTOR
Learn how and when to remove this message

Thora Birch
Ghost World
London
artist
curator
figurative
Shoot! Dispute
Juergen Teller
Craig McDean
Corinne Day
I-D
The Face
London Guildhall University
Central Saint Martins College of Art and Design
Queen Mary University of London
Transition Gallery

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