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paints a bit like Peter Blake. I first came across Cathy’s magazine ‘Arty’ a little art fanzine at the
Serpentine gallery bookshop ... the energy in her magazine, and the childishness of it, I thought she would be a teenager, she was my age...and she also was running her own gallery ... She’s been a rock...
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It’s been great to have the support of Cathy Lomax at
Transition Gallery, she has been one of the few people to really believe in me ... she’d say, “great do it, just do it all, you shouldn’t censor yourself so much, stop chucking stuff out !” Nice genuine support without any motive. Cathy
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was acquired for the gallery's collection. The second part of a prize was a commissioned essay which was written by academic Paul O'Kane and published in
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of the topic and provide significant coverage of it beyond a mere trivial mention. If notability cannot be shown, the article is likely to be
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paintings which often focus on the female image and are inspired by 'the seductive imagery of film, fame and fashion'.
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364:(2019), 'Kirsten Glass: Swimming Witches', Karsten Schubert London catalogue essay (2020),
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729:"Blu-Ray Review: Girlfriends [Criterion Collection, 2020] (Claudia Weill, 1978)"
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Published writing includes: 'Ghostly threads: Painting
Marilyn Monroe's white dresses',
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Cathy Lomax grew up in
Guildford, Surrey where she was co-founder of the New Wave group
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In 2022 she was commissioned to produce cover artwork for the BFI Film
Classic book,
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and director of the
Transition Gallery. She is mainly known for her
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Please help to demonstrate the notability of the topic by citing
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367:'Girlfriends' a review of the Criterion Collection Blu-Ray,
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Fandom as
Methodology: A Sourcebook for Artists and Writers
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in East London and also publishes and edits two magazines:
679:"Ghostly threads: Painting Marilyn Monroe's white dresses"
387:(Leicester Gallery at De Montfort University, April 2023)
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and Vogue. She earned a
Bachelor of Arts in Fine Art from
615:"Painting the scene of the self: the art of Cathy Lomax"
324:, the subsequent show 'The Blind Spot' was reviewed by
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528:"People - School of Languages, Linguistics and Film"
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269:(2002). In 2016 she began a PhD in Film Studies at
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502:"Edward Enninful's greatest i-D covers of the 90s"
330:The Anomie Review of Contemporary British Painting
339:a painting inspired by the Swindon born actress
267:Central Saint Martins College of Art and Design
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899:(an anthology of excerpts from issues 1–16)
393:(All Saints Church, Cambridge, March 2022)
312:and became an Abbey Painting Fellow at the
590:The Anomie Review of Contemporary Painting
567:"Contemporary British Painting Prize 2016"
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755:All Saints' Cambridge, The Painted Church
419:(Contemporary Art Projects, London, 2009)
121:Learn how and when to remove this message
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399:(Collyer Bristol Galley, London, 2019)
424:(Collective Gallery, Edinburgh, 2008)
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36:notability guideline for biographies
201:as Enid in the United Artists film
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265:(2000), and a Master of Arts from
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482:Stenfors, Maria (11 July 2017).
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975:Alumni of Central Saint Martins
828:Michon, Alex (9 October 2015).
683:Film, Fashion & Consumption
358:Film, Fashion & Consumption
271:Queen Mary University of London
925:Cathy Lomax's commentart entry
776:Minton, David (24 July 2019).
619:Journal of Visual Art Practice
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322:Swindon Museum and Art Gallery
197:by Cathy Lomax 2003 (based on
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807:Contemporary British Painting
652:Backman Rogers, Anna (2022).
631:10.1080/14702029.2018.1479939
708:Lomax, Cathy (Winter 2019).
656:. London: BFI / Bloomsbury.
484:"Interview With Cathy Lomax"
1005:21st-century women painters
1000:20th-century women painters
439:(Transition Gallery, 2003)
263:London Guildhall University
148:1963 (age 60–61)
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308:In 2014 Lomax received an
43:reliable secondary sources
32:The topic of this article
870:Grant, Catherine (2019).
569:. Artist Newsletter. 2016
276:Lomax is the director of
34:may not meet Knowledge's
299:has commented on Lomax:
151:Croydon, London, England
891:, Transition Editions,
695:10.1386/ffc.4.2-3.177_1
353:by Anna Backman Rogers
995:British women curators
990:English women painters
778:"The Immaculate Dream"
654:Picnic at Hanging Rock
434:(James Coleman, 2004)
351:Picnic at Hanging Rock
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930:Stella Vine's website
910:Cathy Lomax's website
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714:Frames Cinema Journal
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613:O'Kane, Paul (2019).
414:(Dolph, London, 2015)
384:Scandal '63 Revisited
379:Exhibitions include:
362:Frames Cinema Journal
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168:Central Saint Martins
588:Price, Matt (2018).
542:"Stella Vine: Texts"
417:The Image Duplicator
397:The Immaculate Dream
369:Open Screens Journal
980:Artists from London
889:Arty: Greatest Hits
915:Transition Gallery
592:. London: Anomie.
508:. 25 November 2014
429:(Rosy Wilde, 2006)
278:Transition Gallery
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422:The Golden Record
214:(born 1963) is a
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251:Corinne Day
212:Cathy Lomax
204:Ghost World
199:Thora Birch
195:Fetish Girl
157:Nationality
139:Cathy Lomax
47:independent
939:Categories
470:References
391:Fabulation
341:Diana Dors
326:Matt Price
289:Garageland
227:figurative
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443:See also
408:, 2017)
259:The Face
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