Puebla Cathedral - Knowledge (XXG)

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majestic Cathedral of Puebla, which only a few people access. In it are the portraits of the bishops that Puebla has had throughout its history, such as: Rosendo Huesca y Pacheco. In the center is a statue of Saint John Nepomuk, who is there to remember the secrecy of the meetings. It has changed places several times, firstly it is the twin room of the sacristy, which was later inhabited as the Sagrario, remaining, as it has been until today, separated from the main enclosure, even in matters of worship. Later, the room that is currently the Hall of los Gobelinos was built, with its dome for greater solemnity, and then, in the 19th century, the construction of the room that today serves for the aforementioned purposes. The current Chapter House has the Hall of los Gobelinos as an antechamber, although it is somewhat narrower since it measures just 5.07 m. wide by 20 m. of length. It is covered with groin vaults, barely pointed, one of them with a skylight, oculus or "porthole", in the front wall.

3250: 2984: 2890: 3006: 2145: 1807: 635:, in the place called Cuetlaxcoapan, It was necessary to build the first parish church in the city, for which it was decided to do it in front of the Plaza Mayor in what would be called Portal de Borja and from 1852 Portal Iturbide, it was located in the middle of the street bordering on both sides with the lots granted to the first residents of the city, the mayor Hernando de Elgueta and Alonso González, who were given a license to build portals. In the sacristy of this parish, a meeting was held on May 16, 1535, with fifty-seven people who signed before a clerk in order to start the construction of a new larger church, while Bishop 3291:

other equal jars with their bouquets although 1.20 m high, 25 oil lamps and 6 lamps hang from the vaults of the church, of which two stand out that hang on the sides of the tabernacle of more than 2 m high and 30 lights each. One of the beautiful lamps that hang from the largest dome, the second in size, is a masterpiece by the goldsmith Diego Larios, it was premiered on Corpus Christi in 1751, it is a work they call Mestiza because it is made of silver with gold overlays, he maintains 42 lights. It has other sets of candlesticks and lecterns, being one of exquisite workmanship, bronze candlesticks with their sets of pedestals,

3349: 1269: 901: 607: 153: 3109:, an absence attributed to the fact that the older students advantaged of the Palafoxian Seminary was rewarded with an original signature of the prelate as a souvenir. In the same way it suffered other important mutilations such as the evident lack of complete files torn from volumes of lawsuits for tithes or for rights and prerogatives of the cathedral. With all this, the cathedral Chapter Archive is considered one of the most important of the New Spanish period and indispensable for regional history. The archive was rescued and organized by Support for the Development of Archives and Libraries of Mexico. 1250: 1235: 2127: 2272: 1097: 1204: 1356: 1220: 1973: 3071: 2260: 2975: 1591: 2158: 2118: 2248: 1721: 893: 2288: 2095:, it is classified by means of a stepped plinth with eight sides that mark corner pilasters and have gilded doors in their openings, it is closed by a better half and culminates with the statue of the Immaculate Virgin who steps on the biblical serpent in the clouds, it was cast in bronze and weighs 920 kilograms. The base of the cypress, in a round shape and with a flat vault, where there are four small doors for access to the crypts of the bishops, are only opened on November 2, the 693: 2993: 1819: 1470: 2761: 2209: 1579: 2106: 3902: 793: 2877: 2225:

is the largest in this cathedral it has been given the name "International" because three nations participated in its construction: the United States in 1958, in the city of Buffalo the electronic part with four keyboards was built, Germany the artistic and gilded pipes and Mexico the assembly of cedar wood and gold leaf decoration. It was assembled inside the cathedral by artists from Puebla.

4603: 36: 2516:, both by Master Lugardo. The three original Baroque-style altarpieces were removed by the architect José del Castillo to install Neoclassical ones in their place. There are also in small niches some heads carved in wood of Saint Peter and Saint Paul and a sculpture of "Christ the King of Mockery" anonymous painting and on the top of the grille a small "Divine Face". 676:“it is very solemn, and stronger and larger than all those built to date throughout New Spain. It has three naves and the pillars are made of very good black stone and of good grain, with its three doors, in which there are three very carved portals and a lot of work”. Because of the quality of its materials, it had to be repaired on several occasions in which the 926: 817:(...) I found this temple built only up to half of the pillars and everything exposed, without any instruments and materials or effects ready to be bought, without having begun any arch or vault and without hope of continuing. Outlaws of justice were collected in it for being considered sacred. Married Indians lived in the chapels, and other indecencies. 1421:, born in 1746, describes them, but they no longer appear in the Plan of 1754. During the existence of the Major church in the 16th century, the chapel of the natives called the chapel of "San Pedro de los indios" was erected there, and next to it some priestly houses where the priests lived there being able to witness from their balcony the 739: 1451:" and whose entrance was through the atrium. It was closed to worship in 1890, transferring the devotion to the Temple of Los Gozos. Its arches were canceled and today it is used as a cellar. In 1766, as in the old Major church, an underground place was built again in front of the chapel for the mortal remains of the natives. 727:, senior worker, who prepared the layout and model as well as the interior and exterior, showing them to the Dean and the Cathedral Chapter and, upon approval, they were given the land and instructions for laying foundations. At first the works received an important boost and the viceroy himself ordered that the Indians of 1133:, with two stone statues of Villería, one of Saint Peter with book and key; and that of Saint Paul with the sword, in the middle the Puerta del Perdón whose impost runs above the niches and between it and the cornice there are some shields of Villería with the shields of the cathedral: a vase of lilies, symbol of the 3100:, very small for the extensive amount of documents it keeps. It has documents dating back to 1539, such as volume number one of the branch "Actas de cabildo" and the "Asientos de diezmos arrendados" from the period 1539–1583, even before the third Mexican Council of 1585 ordered the establishment of archives for the 2241:. Of the three organs, the two old ones are no longer in service since they stopped working at the end of the 19th century and they were never sent to restore since the chapter wanted to preserve them as artistic relics or decorative jewels, testimonies of the historical and religious trajectory of the cathedral. 2014:, master Pedro Pablo Lezama in the work of marble and masonry, José Ramírez in stucco; The bronze and silver work was done in Mexico by Manuel Camaño, the chiseled Joaquín de Izunsa and the silversmith Simón Salmón who, among other works, cast the beautiful image of the Immaculate Conception of Tolsá. The 3061:

Also known as the Hall of Bishops, it was carved with a certain amount of stone, it was originally covered with “expensive moldings in the manner of those of Mexico, with ribs, an enclosure that was modified by groin vaults made of flagstone and brick. One of the areas less known by the public of the

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or right-hand processional nave, dates from the 18th century, was built from 1710 to 1719 by Félix Izaguirre, and is no longer in use today, the second old organ it was built by Inocencio Maldonado in 1737; The third organ that looks towards the front of the baldachin and towards the Altar del Perdón

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on each front, and thus these, like those on the first floor, are grooved and receive the cornice of the order to which they belong. This body, although it has almost the same height, was skillfully divided by its author into two parts in the middle, with an ergot with dentils, placing four arches on

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Since its foundation, the Spanish colony had been projected to form a set of rectangular blocks, in which a large central space was reserved for said plaza and another one was left next to it, which after the first years of uncertainty about its use became it would become a major church. Construction

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This chapel is better known as del Ochavo, it has a semicircular vault and an 8-sided lantern, its interior is covered by 3 altarpieces that are covered with small paintings and mirrors belonging mostly to historical religious series. This chapel is in the Baroque style of the 17th century, it was a

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The 14 isolated columns that form the middle nave are not round, but form a square post with a column embedded in each face, taking this conception into account, we have a total of 74 columns and six pilasters. These support 12 visible main arches and 4 hidden ones, adding those of the lateral naves

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that covers the third and last body, this breaks from the cornice of the second and is formed by two Corinthian columns on pedestals with their cornice and frontispiece. The architecture of this portal is considered a masterpiece due to its stonework, which is why it is not without reason that it is

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was celebrated with an innumerable turnout. The celebrations were intermingled with the sadness of the next departure of Bishop Palafox to Spain. The Jesuits with whom Palafox had had an open conflict for various reasons, finally managed to transfer him to March 6, 1647. The bishop not only left his

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in July 1640, who resumed the works with determined enthusiasm. The new reforms gave a higher elevation to the central nave above the processional ones, allowing the passage of natural light and giving it the appearance of a pyramidal structure. It was consecrated by Bishop Juan de Palafox y Mendoza

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The silverware of this cathedral church is superb, among other things it has a large silver lamp a little smaller than that of the Cathedral of Mexico but superior to it due to the excellence of the work with which it is made. It has 4 silver statues the height of a man. It stands out above all for

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The Choir is made up of three large walls that open in the shape of a horseshoe in the direction of the high altar, the space it creates is closed by a 17th-century wrought Pueblan iron gate by master Juan Mateo de la Cruz that ends with the Calvary in ivory and in the collaterals, the bell towers.

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who is patron, among other things, of all entrances and exits, since there was behind the door a gigantic statue made of wood of this saint since the inauguration of the cathedral (1649) until the times of the intendant Manuel de Flon Conde de la Cadena (1786-1811) when it was removed, today in its

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totaling ten, eight esquilas or smaller bells and a bell for the clock. The heaviest and most famous is the so-called "Campana María" the maximum registered weight of this with its clapper is 8 tons 572 kilos and 572 grams. The challenge and the tremendous difficulties involved in raising the María

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and later art due to the treasures it houses. Over the centuries it has been enriched in works of painting, sculpture, goldsmithing and carpentry of great artistic quality, as well as its decorations, the large boarded doors, aluminum and the treasures of the sacristy that protect the rich priestly

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style altarpiece, the side murals are covered with two paintings of the Passion, from the 17th century, The Descent and The Calvary, there is controversy about their authorship, on the one hand it is attributes it to the Spanish artist Rodrigo de la Piedra and on the other to Antonio de Santander.

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who transformed the chapel, like the one in front, equipping it with an altarpiece identical to that of la Guadalupana. Artists from the Academy of Fine Arts made the busts that contain in their interior fragments of the bones of male and female saints, whose lists are written down in the boxes on

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was bishop, they tried to make a new one and it was thought to be made of silver, but this idea was discarded and later Manuel Tolsá, director of sculpture at the Academy of Mexico, was consulted who agreed to make the plan and model; once contracted, the demolition was carried out on September 1,

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The temple of 1535 was in the same space that the cathedral occupies today, however its exact position is still being discussed, but not its orientation, from north to south, that is, facing the Plaza Mayor. His factory, according to his contemporaries, was mediocre, however Motolina wrote in 1541

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The space it occupies is rectangular in shape, recharged in the corner of another larger floor, forming a large space for the atrium. The building is organized into five naves: a central one, two lateral ones and two niche chapels, its Renaissance-style façade stands out. Attached to its back is a

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or bouncers, silver with gold overlays, one meter high of exquisite workmanship, with their respective candles, and 8 silver bouncers with gold overlays, 4 beautiful burnished silver jugs with their bouquets silver cupella 1.80 m high are combined with the said bouncers and in the tabernacle four

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The building should be centered longitudinally on the large block that was assigned to it, loaded towards the east with an atrium in front that would have that of a cemetery among its functions, the latter over time would be the object of several construction projects to close it and encompass in

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cathedrals. Since its formation as a repository of documents, it remained in the same place through the centuries without great order or concert, only until 1952 did the Cabildo resolve its ordering, but not its classification, since it did not have indexes or catalogues. Without due control and

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commissioned by a chapter session who approved the work in the year 1674. It was designed on an octagonal floor plan then called Ochavada enclosed in a box of almost 10 m per side with walls of 7.30 m high to the base of the dome which is covered with bricks and finished off with a lantern with

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The chocolate room is located next to the Hall of los Gobelinos and its windows adjoin the old Calle del Obispado (now 5 Oriente). It was used by the prebendaries and canons to store their belongings in the narrow cabinets that each one was assigned, it was also provided with breakfast or snack

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The large space is surrounded by a large chest of drawers made of fine wood that houses the rich and abundant liturgical ornaments and in the middle a large table made of fine wood in the Renaissance style. The upper part of the sacristy is full of paintings. The large canvas in the background

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was moved to this chapel, which was in his chapel to one side of the high altar, so its numerous devotees interfered with the ceremonial of the Eucharist. In the same way as the other chapels, it was converted to the Neoclassical style; the sculpture of Saint Nicholas stands out, attributed to

1288:, former Seminary, and its atrium is only as wide as the portal because it is boxed in on both sides by constructions of the same church. The grille of this access was built by José Mariano Saavedra. It was opened to the public in September 2010 after having been closed for more than 50 years. 861:

That same year in July, in a town hall session, the work for the construction of the "Ochavo" was approved, a place to store valuable religious ornaments, commissioning its construction to the renowned architect Carlos García Durango, who had intervened in the enclosure of some vaults and the

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The middle one, which protects the so-called "Puerta del Perdón", rises 34 meters and opens only on big occasions, the same as in the Mexico City Cathedral and others. It was finished in 1664. This portal is divided into three bodies: the first of the Doric order with four fluted half

937:, without cost of lives and under the charge of the major master Carlos García Durango, according to the inscription engraved on the inner wall of the first body of the tower. The south tower was built later in 1731 and opened on September 29, 1768, during the episcopal government of 1077:

On the afternoon of May 5, 1862, when a tremendous downpour ended and the troops of the French army began to withdraw, according to the chronicles, "virtually no one slept that night in Puebla when the celebration for the victory began... with great ringing and fluttering of

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cathedral was built between the 16th and 17th centuries, and replaced the previous one that existed in what is now the atrium. Seventy-four years passed from the beginning of its construction in 1575 to its consecration, during the reigns of three successive kings of Spain,

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These neighbors did not make their portals of the same height, as a result of which, when this first temple was dismantled to regularize the square and continue the portal, it was left with the deformity that is still notable today, since a part is lower and its arches are

1528:, the largest of all, in addition to 14 spherical or half-plate cupolas, which belong to the lateral naves; in addition, those of the chapels must be counted, which are 14 of the type of truncated vaulted ceiling or handkerchief, being a total of 39, all adorned with their 598:

ornaments embroidered with gold and silver thread, sacred vessels, chalices, ciboria, reliquaries and crosses bathed in gold inlaid with jewels and diamonds. Its historical archive has documents dating back to the founding of the city and many are waiting to be classified.

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The altarpiece inaugurated in the year 1830 is of a composite order with two columns, six pilasters and a niche where Saint Peter is placed and that of Saint Paul in another, the oil paintings of Jesus walking in the sea, Christ tied and Saint Francis of Assisi. works by

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To finish the cathedral, Palafox insisted that the tithes of the numerous properties of the Jesuits be paid, which represented their only income, in addition, what triggered an open confrontation with the society was the application by Palafox of the provisions of the

2182:, with fine wood, bone and ivory forming different grecados, on the backs of each chair. The two small doors that give access to the choir were inlaid on both sides and with reliefs of Saint Peter and Saint Paul; these stalls and doors were donated by the 14th bishop 837:, giving it a pyramidal appearance seen from the front, not as a whim or aesthetic, but to give more lighting to the interior, however when the cathedral was finally consecrated on Sunday, April 18, 1649, the towers were missing and the facade had not been completed. 716:(Huesca) recommended that they get down to work and even the help offered by the king in the year 1560 was not taken advantage of by lack of resources. It had to be bought from Alonso Martín Partidor himself, owner of the houses where the cathedral would be built. 1052:

bell through a narrow opening gave rise to the famous legend that it was the angels who raised it and held it in place. The reality is that it was raised on the day of Saint Mark in 1732 by the Indian Juan Bautista Santiago, major master in charge of the works.

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on each side, it was released on June 1, 1727. There is another gold one of about a meter high, it is made of gold of various shades and is mounted with pearls, emeralds, diamonds, topazes, amethysts and garnets, it was premiered in September 1803, the work of

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The city, in common agreement with the bishop, decided to hold a solemn novena with the concurrence of the religious communities and in which there would be a mass and a sermon and in the afternoon whatever the aldermen liked, who determined jousting games of

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with crystals, inside of which are placed the images of the saints to whom they are dedicated, on beautiful silver bases and four bouquets of the same metal. The image of the Archangel Michael has his cane and other silver decorations, and on the sides in the

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97.67 meters long, from the façade (Puerta del Perdón) to the sidewalk of Calle 2 Sur, from West to East, by 51 meters wide, from South to North; if we have to consider only the cathedral temple without the Miter, that is to say, from the

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The fourth body and auction is made up of the oil painting of the Coronation of the Virgin Mary by the Holy Trinity placed between paired columns of the compound order, the large central space is made up of the second and third body with

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from the 18th century. On the sides of the entrance doors are two ovals, one of Saint Joseph and the other of Archangel Michael, both by the painter Ibarra. In one corner of the large space is a 3 m high tecali marble fountain or ewer.

2010:, was blessed on December 5, 1819. The burial and transfer of the mortal remains of the Angelopolitan bishops to the bishops' crypt took place on May 14, 1824. The main artists who worked on it, in addition to Tolsá and Manzo, were: 3376:

are celebrated from Monday to Saturday, while on Sundays there is a great deal of activity, with up to ten masses being celebrated. The schedules are subject to changes or variations depending on the patron saint festivities,

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of Mary. The second body is of the Ionic order, with four half columns and in its intercolumns there are niches and shields like the first with the statues of Saint Joseph, holding the baby Jesus by the hand on the left, and

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In these circumstances, Palafox undertook a fundraising campaign that included the entire society of Puebla, contributing his own inheritance, asking for contributions to the secular Cabildo, the highest, and raising the

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based on turbines and electricity, the largest tube measures 12 m and the smallest 1 cm, it plays on big occasions such as weddings, graduations, concerts, etc. It was inaugurated on December 8, 1973, by Archbishop

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were not lacking. Its vaults are edge or handkerchief divided into several sections. Along its three walls are the oil portraits of distinguished canons of the Puebla cathedral who would later attain episcopal dignity.

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that starts from a very ornate pedestal, which constitutes four pilasters, two on each side, and in the center a window with a carved frame of good taste, and the intercolumns have niches and medals with the statues of

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The dome of the Chapel of the Kings is smaller, its shell has four windows and as many stairs, between each one it ends with a statuette of Saint Joseph. This dome shines a lot at night when the church is illuminated.

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began on August 29, 1535, with the financial help of Bishop Ojacastro and settlers from the city where the first stone was laid, with the assistance of Corregidor Hernández de Elgueta and Mayor Alonso Martín Partidor.

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dated January 19, 1640 that ordered the works to be finished and concluded, the new bishop of Puebla ordered its resumption, but not before visiting the cathedral that, seeing it in total carelessness, described it:

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since Garcés had died the previous year. Meanwhile, the space dedicated to the temple next to the Plaza Mayor had been occupied by primitive residents and there was a need to buy the houses recently built by them.

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The modest Major church did not correspond to the claims of the inhabitants of the city of los Angéles who had requested its expansion until they finally obtained the consent of the king to build a new cathedral.

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because it was considered a pile of old papers, the archive suffered the theft of documents, many times unconsciously and others self-interested, such as the fact that there is not a single signature of Bishop

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each front, two in the lower division with a balustrade, and the same number in the upper one without it, which is pleasing to the eye and avoided the many subdivisions so repeated in the architectural bodies.

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and clouds in white stucco finishes off, the lower part it was decorated in a very sumptuous way in keeping with the rest of the monument, the building leaves a large hollow space for the tabernacle and the

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took over the direction. They worked hard and without consideration of expenses until completing the splendid work that kept the people of Puebla in expectation for 20 years. The current main altar, called

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is topped with the arms of Spain, which from 1827 to 1930 was covered with mixture with the intention of putting the Mexican shield, however, and finally the place bears the Mary's monogram but keeping the

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finish off, followed by an octagonal plinth, three times higher than the balustrade, which in each angle has a merlon like the previous ones, leaving these higher than the others and in the middle of them.

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The plot where the cathedral or basilica floor is built comprises the same as any city block: 120 meters long by 80 meters wide. The cathedral measures 97.67 meters long by 51 meters wide, is traced in a

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The Choir that is located in front of the Puerta del Perdón, was built in the last decade of the 17th century and the beginning of the 18th century with the purpose that this place was destined for the

2869:, Mexico. The chapel called del Sagrario responded to the need to have a space apart from the cathedral to deal with matters related to the Sacraments and spiritual services originally imparted to the 1315:, life-size and of Villería; the impost of the arch runs to the sides, there are also medals with portraits of founding kings in low relief and white stone and of the same some children that adorn the 1885:, achieving a large set of figures in bright colors in the manner of the great Italian masters of the seventeenth century. He himself decorated the pendentives with images of the four Jewish heroines 1509:

of the upper nave and 18 columns embedded in the side walls of 9.78 meters from plinth to capital, they support the vaults of the lower naves. All the pillars carry the weight of forty vaults and two

1677:. On the south side the patronage of Saint Joseph is represented and on the opposite side Stages of the Life of Saint John Nepomucene, martyr of the secret of confession, by the 19th century painter 590:

building for offices of the Mitra, its former headquarters, and the building of the chapel called Ochavo. With its little more than 70 meters high, it was the tallest church in the Spanish colonies.

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and worked in the eighteenth century by the master Pedro Muñoz, in the center of the choir on a tecali stone baluster there is a cedar lectern where it supports four books of the 16th century with

655:; therefore the bishop's cathedral would occupy small and provisional buildings until there was the definitive one. In 1543, the construction of a temple for the new episcopal seat was approved by 1397:, its octagonal basement with three Ionic pilasters at each angle and on its cornice on the four front walls there are as many windows, the exterior surface included a coating of yellow and green 1570:

The paving is of alternating red and black marble,'0 called Santo Tomás. The building is illuminated by 124 windows, of which 27 are round, using 2,215 panes that were originally placed in 1664.

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crowned by a white stone scotia called Villería (variety of opaque white marble) that supports a globe of the same stone approximately 1 meter in diameter, ending with a cross three meters high.

2504:, which according to legend was said to have been made in Europe and blessed by Pope Paul VI, said without support, since the piece is made of corn cane paste, a raw material from the state of 1996:, had collected the spoils of his predecessors in the year 1649, which were in other churches in Puebla and thus began the pantheon of bishops in the old tabernacle. Around the year 1798, when 1684:

In the second body of the crossing naves, the four evangelists, Saint Matthew, Saint Mark, Saint John and Saint Luke, are represented in 19th-century tempera paintings by the Pueblan painter

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in Rome, to the east the altar of the Kings, to the west the main entrance called del Perdón or Papal, to the north the portada real, and to the south a simple portal without any adornment.

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The place was probably occupied by the Major church, antecedent to the current one, which later, when it was demolished, the rubble remained for a time while the cathedral was being built,

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The cathedral bells have rung on special occasions such as coronations of kings and births of the crown's first-born, however, history records the peals in independent Mexico as memorable:

3249: 2650:. On the altar there is a copy of the Dolorosa de Acatzingo and under it is the Roman wax figure of Saint Florence martyr, with his relics inside. Among the relics are the femur of Beato 1432:

Once these buildings disappeared according to a plan of 1754, a new chapel was built for the natives and at their expense, this time on one side of the south tower, it had the shape of a

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Between 1618 and 1640 the works were suspended at the height of the walls and cornices, missing the altar, chapels, vaults and the floor that at that time was made of dirt floor, however

1619:, on some shelves, two statues of Archangel Gabriel and Archangel Raphael are placed on beautiful silver bases and their candle holders of the same metal; these figures being life-size. 1249: 1234: 2333:. The altarpiece of the gospel is by San José María Yermo y Parres and on the opposite side a gate that covered the old communication door with the Tabernacle, on this same side are: a 4640: 833:

The resumption of the factory required the workforce of 1,500 officers and peons that Palafox supervised every week. Gómez de Trasmonte's project gave more elevation to the central

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The main dome, which from the floor to its lantern is 43 m high, shows the evangelists and major prophets in the niches next to the windows, it is adorned with caissons and in its

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to the counterpoint of straight lines and curves, in this monument there is a wide variety of materials such as Tecali marble, stucco, bronze, brass and cedar wood in the crypts.

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In the 18th century, the entire atrium was paved with stairways for access and was surrounded by attic posts on whose cusps there were statues of saints and between the posts 17

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The Norte and Sur portals are similar in architecture although they vary in details, the Sur being simpler without statues or decorations, the latter is located in front of the

4250: 2144: 3658: 3005: 1610:. These two altars are equally gilded and Corinthian order. They are made up of four large columns in the first body and two small ones in the second. Each altar has a large 2641:. At the end of the 17th century, the council decided that the relics be moved here, so that the celebrant could admire them from the high altar. It was again the architect 5433: 5184: 4106: 2925:. Other canvases on the Revelations of the Apocalypse, also by Echave Rioja, crown the midpoints of the side panels. All these paintings are framed in gilt altarpieces of 2440:

style by removing the Baroque altarpieces and thus consecrating it to (María Salus Infirmorum) "Mary health of the sick" whose painting was the work of the Pueblan master

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Adjoining the Puerta del Perdón, on both sides, are two posts that end in a semicircular point and ergot. When the archbishopric of Puebla was erected in 1904 by bull of

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front of the feet of the temple the cathedral Tabernacle. The direction of the building would be east–west, so the Plaza Mayor of the city would be on its north side.

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small oratory and deposit, today reduced to its minimum expression and disuse, the oil paintings alternate with framed and embroidered reliquaries, they are works by

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of terracotta in whose three quarters shine the same number of stars distributed at equal distances, and ends with a graceful cusp and a statuette of the Conception.

4759: 3910: 2873:-Spanish population and their servants, as it was also that the interior of the cathedral as an episcopal see should not, for practical reasons, serve as a parish. 1513:, all of which are made of gray quarry stone that was brought from the neighboring towns of the city and carved with such precision that the work seems error-free. 1335:. It continues upwards with a cornice, this yes, its frieze adorned with triglyphs, next to it run two magnificent posts that give the whole a majestic appearance. 1087:

On Sunday, January 28, 1979, for the arrival of Pope John Paul II in the center of the city, passing in an open car, to one side of the north side of the cathedral.

3846: 3190:: seven sets of Christmas carols belonging to the years 1551, 1552, 1553, 1555, 1556 and 1557 for eight voices, in addition to the one from 1559 for seven voices. 2377:, who was in charge of transforming the Baroque decoration of some spaces of the cathedral into the Neoclassical style, placed the painting of the famous Oaxacan 5273: 4369: 1461:

The current trellis began to be built in 1878, being financed in each section by private donors according to the red stone inscriptions that can be seen today.

553:. It has the prerogative of being the first sumptuous temple that under fine architectural designs was built in the Americas, consecrated in 1649, ahead of the 3516:

VI Encuentro Internacional de investigadores de la Red Latinoamericana de Cooperación Universitaria - Puebla Patrimonial: Los Tesoros Pictóricos de La Catedral

773:

had already been working since 1634 on reforming the Becerra project, since he had been designated as major master, but it was not until the arrival of Bishop

2271: 5413: 5153: 5012: 4484: 505: 1952:

on a base and silver column, in the collaterals of this tabernacle there are two oil paintings: the birth of the Child Jesus where the 9th bishop of Puebla

5403: 4633: 4080: 1219: 1622:

The altar table has a silver front and supports a tabernacle more than a meter high made of the same metal, with a niche in the middle where a Christ by

168: 2321:

stands out, patron saint of maids or lawyer to find honest servitude, it is the work of the 19th century artist Rafael Morante, in the other niches are

4530: 2508:, possibly brought by Bishop Antonio Ruíz de Morales y Molina, who ruled the diocese from 1572 to 1576, the sculpture is accompanied on the sides by a 1582:

The processional nave of the Gospel, in the background the altar dedicated to Saint Joseph, on the left paintings of the Stations of the Cross made by

840:

On the afternoon of the Tuesday following the consecration, the remains of five bishops of the eight that the diocese had had were transferred and the

3514: 1142:

on the right with a gourd on a staff and above a pine. The third body consists of two fluted Doric half-columns on pedestals and its cornice without

5179: 4966: 4440: 4374: 3871: 1806: 3221:

The cathedral in Puebla had a distinguished musical tradition, dating from the late sixteenth century. One of the most distinguished musicians was

2410:, in front of the altarpiece of the Virgin, a cartouche says: (Non Fecit Taliter Omni Nationi), "He did not the same with all nations" phrase that 5189: 5104: 5097: 5090: 5083: 5076: 5067: 5022: 4515: 3953: 1023:

This cornice is crowned by a sober balustrade intersected with pedestals in the corners and in the median of the fronts, in which round pyramidal

4626: 3863: 3918: 5372: 5062: 4400: 4006: 3759: 1700:

and the architect Francisco Gutiérrez intervened in the regency of the work, highlighting three reliefs on the main gates: in the center the

1629:

The altar of Saint Joseph, to the right of the Altar of the Kings, has the same silver decoration and the statues between the columns are of

4410: 2259: 3045:

Generalissimo of the Hellenes. The last gobelin is the embarkation of the Argonauts in search of the golden belloniso, they come from the

3928: 2432:, which is why his sculpture and his X-shaped cross, symbol of his martyrdom, are still preserved in the middle of the fence. Here again 1162:, two commemorative plaques were installed on the poles with Latin inscriptions, one of them (on the left) referring to the first bishop 800:

in Puebla meant the resumption of work that had been interrupted for years, as he soon became an enthusiastic promoter of its completion.

5210: 5133: 4121: 3776: 2671: 4343: 4204: 5423: 4322: 4199: 3839: 2764:

One of the two gigantic wall paintings on the sides of the Chapel of Nuestra Señora de la Soledad, attributed to Rodrigo de la Piedra.

781: 677: 554: 252: 3991: 3340:

its wealth, the monstrance of solid gold adorned with precious stones, among which there is a diamond valued, it is said, at 10,000

3996: 2178:

The interior is made up of 52 chairs in two exclusive rows for the ecclesiastical council, the stalls are made of beautiful Pueblan

1637:. The one of Saint Joseph is by Cora. Another Holy Christ with the Virgin and Saint John is placed in the tabernacle of this altar. 119: 53: 4505: 4281: 4178: 4029: 3667: 3263: 2807:, which is why many call this chapel in her name, the patron saint of Puebla and Tlaxcala. It is a replica of the original made by 1882: 4500: 4379: 5377: 5256: 5138: 5002: 4854: 4576: 4384: 4142: 1697: 5408: 5148: 5117: 5042: 5027: 4982: 4894: 4566: 4353: 4230: 2905:

The access to the Sacristy is through the first chapel on the side of the epistle, its measurements are 17 m and 10.40 m wide.

1918: 664: 100: 1851: 1414: 5326: 5052: 5032: 4997: 4784: 3614: 72: 57: 4520: 4312: 4157: 3966: 3938: 3348: 2105: 1268: 948:

at the front of the temple are equal and square, whose cubes are at the same height as the main façade, finished off with a

900: 606: 152: 3631: 2345:. The remains are found, under a large bronze tombstone, of the first constitutional governor of the state of Puebla Gral. 2126: 5205: 5112: 5017: 4987: 4839: 4704: 4649: 4560: 4474: 4405: 4014: 3933: 3901: 3832: 3225:, active as chapel master from 1629 to 1664. His wrote extended and complex works, including polychoral masses as well as 2174:

de Puebla, for which the installation was required, in successive periods, of organs for the harmonization of ceremonies.

3943: 2247: 5367: 5294: 5047: 5037: 4799: 4085: 4060: 3855: 3222: 3187: 2862: 1104:

The cathedral has five portals with access to the interior, one on both sides, three on the front, and all obey a sober

1067: 858:

At later dates, covers and facades were completed, such as the main one, called the Puerta del Perdón, finished in 1664.

755: 660: 624: 245: 79: 4193: 3986: 3604: 2444:. The emphasis on the heart of the Virgin caused people to call it the "Sweet Heart of Mary". On the sides there is an 2346: 1594:

Cancellation of the door of San Cristóbal and painting of the saint, by the author Lara and the Christ by the sculptor

4992: 4914: 4296: 3886: 3434: 2830:, it was brought to Mexico by Archdeacon Fernando Gutiérrez Pacheco. Accompanying the sides are two paintings, one of 2800: 4291: 3259: 2746: 2646:

the fence. Inside the central niche, reliquaries of different shapes and materials are kept, along with paintings by

2535: 2441: 2396: 1878: 1811: 1004:, being all of this first body eight, the space between these and the cornice, is divided by a strip, the rest being 938: 313: 4479: 1355: 5057: 5007: 4065: 4019: 3971: 3328: 2033: 2011: 1997: 1949: 1922: 1148: 883:

brought from the Tepozuchil hill, placed instead of the original brickwork called petatillo left by Bishop Palafox.

4173: 3981: 3891: 2555:

and the miracles that were performed in his tomb. This chapel is the last of the processional nave of the gospel.

1960:. All the paintings on this altar, with the exception of the dome, were made by the Spanish architect and painter 1096: 933:

The north tower, the only one that has bells, also called the Old Tower, was finished in 1678 during the reign of

762:, leaving the works on the cathedral unfinished, which were resumed between 1587 and 1590 by order of the viceroy 86: 46: 5331: 4950: 4884: 4864: 4458: 4415: 4225: 3122:

Briefs of certificates and trades, episcopal governments of Fabián y Fuero, López Gonzalo and Pérez de Echeverría

3106: 2945: 2849: 2780: 2626: 2437: 2029: 1993: 1953: 1863: 1709: 805: 797: 774: 582: 538: 454: 330: 3809: 2712: 2544: 1623: 1285: 5336: 4050: 3229:(for the Christmas season). His music shows between others the evidence of New Spain's non-white population in 2808: 2754: 2400: 2378: 2238: 1972: 1914: 1652: 1583: 1291:

The portal facing North (Norte) is approximately 30 meters high, consists of three bodies, the first is of the

754:

In 1580 Francisco Becerra left Mexico called by the viceroy of Peru to carry out the works on the cathedral of

483: 4075: 3070: 2651: 2342: 2028:

The height of the Cypress, from the ground to the head of the statue of Saint Peter, is 17.50 meters. It is a

1678: 1595: 1544:

hang on each one along the temple and turning it. With the exception of the shell of the largest dome made of

1418: 4024: 3314:

that serves the day of Corpus and circular jubilee, is made of gold, almost a meter high with a multitude of

3143: 2415: 2001:

1799, beginning the new work with enormous expenses, after some changes in the administration, the architect

1255: 1167: 770: 298: 68: 5226: 4874: 4764: 4276: 4183: 3876: 3292: 2974: 2932:

The walls of the following vault are also covered with large-format canvases: In the front interspace, in a

2630: 2552: 1525: 1394: 914: 651:

requested, among other things, his transfer, which occurred on October 3, 1539, with the consent of Viceroy

180: 3685:"Archivo Histórico del Venerable Cabildo Metropolitano de Puebla. Inventario y Guía de series documentales" 3270: 1590: 1501:

It has 14 colossal Doric style columns almost 15 meters high from the plinth to the capital, all fluted, 6

4849: 4834: 4525: 4430: 4245: 4152: 3961: 3881: 3546: 3523: 3324: 2835: 2604: 2548: 2334: 2322: 2313:, the Baroque altarpieces were removed to make way for a Doric Neoclassical one, which has a sculpture of 2183: 2157: 2117: 1961: 1859: 1564: 1537: 1296: 1071: 846: 308: 3976: 3701:

Alice Ray Catalyne, "Music of the Sixteenth to Eighteenth Centuries in the Cathedral of Puebla, Mexico."

2804: 2500:

The chapel "del Cristo", as it was formerly called because of the magnificent life-size sculpture of the

2388: 1281:

place there is a large-format canvas of the same saint and the statue is kept in the Temple of Santiago.

826:, the latter action that caused him a confrontation with the religious orders and in particular with the 5321: 4869: 4556: 4535: 4448: 4070: 3714:

Robert M. Stevenson, "Puebla chapelmasters and Organists: sixteenth and seventeenth centuries." Part I.

2788: 2383: 2092: 1985: 1701: 1648: 1134: 993: 526: 192: 5143: 4111: 4034: 724: 3819: 2704: 2678:

called in his time The Mexican Murillo of the 19th century. The crossing continues after this chapel.

2287: 1720: 876:, the one that surrounds it and those of the chancel of the Altar of the Kings were added around 1691. 692: 4879: 4789: 4674: 4453: 4188: 4116: 3046: 2917:" and on the right another of the "Triumph of the religion", all by the 17th-century Mexican painter 2834:

and the other of the dead Christ, whose origin is unknown but they are presumed to have been made by

2742: 2663: 2501: 2483: 2078:

The cornice is interrupted in each section of the pillars to house in its gaps large gleams with the

2047:

This cypress is placed on a stone pedestal 2.61 meters high in square and sits on a circular plan of

1941: 1910: 1827: 1611: 1556: 1437: 1130: 1081:

On May 5, 1962, at noon, in commemoration of the First Centenary of the Battle of Loreto y Guadalupe.

620: 4618: 2509: 1862:, and inspired by a sketch by Sebastián de Arteaga, it was consecrated on April 18, 1649. by Bishop 1685: 5314: 4844: 4814: 4694: 4348: 4240: 4235: 4055: 3748:

Un siglo de platería en la Catedral de Puebla. A través de sus inventarios de Alhajas (siglo XVIII)

3042: 2964: 2949: 2918: 2898: 2689: 2330: 2135: 1674: 1607: 1376: 1368: 1312: 1308: 934: 892: 574: 546: 442: 321: 4664: 3802: 2992: 2941: 2563:

The following chapels correspond to the right processional nave known as the nave of the Epistle:

2309:(Tabernacle), the symbols on the fan of the grille indicate that it was originally consecrated to 2191: 2055:, 5.66 meters high, grouped by four at each angle that enclose the doctors of the church in white 1818: 1705: 1469: 1240: 1163: 1084:

On October 30, 1964, the fall of Governor Nava Castillo due to the unpopularity of his government.

636: 5309: 4729: 4607: 4327: 4255: 4147: 3814: 3572: 2659: 2647: 2634: 2531: 2474:, which had its respective ordinance, and the altarpiece consists of a statue of the Immaculate, 2449: 2445: 2429: 2428:

Originally it housed the relics of saints and other sacred objects, then it was dedicated to the

2414:

said on la Guadalupana; On the floor are the mortuary remains of the first Archbishop of Puebla,

2361: 2068: 1937: 1673:

carrying the Child Jesus and in front of it is the archangel Michael by the 18th-century painter

759: 709: 652: 578: 570: 558: 4754: 3576: 2776: 2642: 2433: 2374: 2002: 1307:

there are ledges with well-defined niches topped with shells and in it there are two statues of

1226: 1182: 697: 696:

Processional nave of the gospel of the cathedral of Puebla, early-19th century, oil painting by

2952:, and in the blades of its half point, the apparitions of Our Lady of Pilar to Saint James and 2760: 2220:

that make up the choral ensemble are three: the first, whose main decoration faces the epistle

719:

Finally, on November 18, 1575, construction work began. The initial architect was the Spaniard

5346: 5263: 5236: 4734: 4709: 4669: 4510: 4425: 4286: 4260: 3755: 3610: 3093: 2922: 2796: 2724: 2716: 2675: 2612: 2578: 2475: 2453: 2411: 2306: 2171: 2167: 2096: 2052: 1945: 1909:, it is occupied by the oil painting of the Assumption of Mary, on the left side intercolumns 1847: 1670: 1616: 1549: 1304: 1277: 1186: 969: 841: 728: 720: 648: 294: 93: 3096:

is a space of 14 m by 4 m adjacent to the sidewalk of 5 Oriente with only access through the

1810:

The tempera painting of the dome of the Altar of the Kings is the work of the Baroque artist

1651:

located along both processional naves is the work of the famous 18th-century Oaxacan painter

700:, who transformed some of the Baroque altarpieces of the chapels into the Neoclassical style. 647:

In 1537, once the new city had the minimum conditions for Bishop Garcés to reside there, the

4929: 4889: 4540: 4209: 4137: 3923: 3590: 3275: 2938:

Immaculate Conception stands out under the patronage of the bishops of the Diocese of Puebla

2792: 2720: 2513: 2048: 1906: 1152: 743: 3746: 2317:

in the central niche, which must have come from the destroyed altarpieces. The painting of

2208: 1602:

Each collateral nave has its altar at its head: the one on the Gospel side is dedicated to

1578: 1563:

are found in the drum of the main dome. Its creator was the Spanish architect and sculptor

1299:

with carved ovos in its fourth bocel, finished off with well-proportioned cornices without

5362: 5304: 4919: 4714: 4689: 4580: 4090: 3022: 2933: 2926: 2819: 2728: 2708: 2697: 2655: 2392: 2338: 2310: 2195: 2187: 2015: 1139: 565: 326: 173: 4809: 3405:

7 a.m., 8 a.m., 9 a.m., 10 a.m., 11 a.m., 12 a.m., 13 p.m., 18 p.m., 19 p.m. and 20 p.m.

3210:

Manuscripts of an indeterminate number of authors: Eguiranta, Palafox, Clavijero, Alegre,

1981: 303: 3735:, Michael S. Werner, editor. Chicago: Fitzroy Dearborn Publishers 1997, volume 2, p.977. 1173:

The side portals both show a relief with its Villería frames, on the left it represents

639:

announced, in a general meeting with the people, their intention to build a new temple.

5299: 4934: 4904: 3418: 3373: 2870: 2831: 2693: 2539: 2526:

The space of this chapel was used as access to the stairs of the old tower and later a

2314: 2060: 1894: 1886: 1693: 1000:

and bands that garnish them, breaking these on the pedestal and secured with stonework

809: 705: 656: 628: 530: 201: 3824: 792: 766:

on the basis of a new trace and in which natives of Tlaxcala and Cholula had to work.

5392: 5231: 4824: 3684: 3097: 2866: 2667: 2036:

of its time of decline, which involves volumetric searches breaking into complicated

1957: 1933: 1630: 1478: 1455: 1447: 542: 237: 2876: 2745:, Puebla, on the side walls are covered by two large chrome oil paintings signed by 1498:: the main nave, the crossing nave, two processional naves and two for the chapels. 704:

The orders to carry out the projects and preparatory matters took many years, and a

4859: 3593:

that forced the Jesuits to present licenses to preach and confess in the bishopric.

3490: 3439: 3287: 2608: 2590: 2586: 2487: 2387:, already made in 1756 in her new altarpiece, accompanied by images of the Blessed 1890: 1603: 1433: 1210: 1174: 1036: 941:. Both are 70 meters high, being at the time the highest in the American colonies. 208: 17: 2547:

and the paintings on the genealogy of the Virgin Mary by the 17th century painter

2505: 784:, adapted the project, giving it a more classical appearance and a basilica plan. 2551:, the other paintings on the sides refer to the action of the Holy Bishop in the 1440:, its measurements are 6 m. high, 7.5 wide, and 15 m. long and was dedicated to " 4804: 4744: 4570: 3640: 3030: 2815: 2538:. At the beginning of the 20th century, by decision of the chapter, the cult of 2479: 2457: 2406: 2083: 2037: 1529: 1495: 1323: 1292: 1105: 1012: 953: 910: 35: 4602: 2822:, which is perhaps the oldest work in the cathedral, since it has the legend: " 2295:

The left processional nave known as the Gospel nave has the following chapels:

2051:

forming an open tower with four fronts. The first body is made up of 16 fluted

865:

The side facade called San Cristóbal, which faces north, was completed in 1690.

4819: 4779: 4739: 4719: 3357: 3311: 3038: 2953: 2727:. The lateral walls are adorned with two paintings in each one with scenes of 2638: 2527: 2233: 2229: 2217: 1843: 1839: 1634: 1360: 1332: 1328: 1001: 977: 3689:

Support for the Development of Archives and Libraries of Mexico, A.C. website

3037:, the chariot of the aurora excels as a nurse of nature and the encounter of 2948:

to conclude the works of the cathedral, this beautiful canvas was painted by

2818:

the canopy is crossed and the altarpiece is opened revealing the copy of the

267: 254: 4699: 3606:

La creación del imaginario del indio en la literatura mexicana del siglo XIX

3382: 3101: 3080: 3026: 2741:

This statue of the Señor de los Azotes (Lord of the Whips) was brought from

2318: 2179: 1874: 1541: 1524:, one over the Altar of the Kings without a dome and another with it in the 1422: 594: 289: 197: 4684: 3360:, made by José Inzunza. An elegant tenebrio of 5 and a half meters high in 3112:

Among the most important branches of the archive, the following stand out:

2018:

for the readings and the pulpit were the work of Joseph de Medina in 1719.

1483: 868:

The iron dressing: the bars of the chapels, the railing that runs from the

845:

cathedral to Puebla but also the San Pedro Colleges and the nucleus of the

713: 143:

Basílica Catedral Metropolitana de Nuestra Señora de la Purísima Concepción

738: 5251: 5241: 5169: 4679: 3304: 3034: 2784: 2574: 2341:

who offers the language that was cut as a tribute to the Virgin; work of

2041: 1929: 1826:

It gets its name from the images of holy kings and queens in the lateral

1666: 1502: 1316: 1300: 1143: 1122: 985: 973: 957: 732: 632: 1185:

in the moments in which an angel wounds her with an arrow in the heart (

925: 5246: 4909: 4794: 4774: 3660:

El Archivo del Cabildo Metropolitano de Puebla y sus Papeles de Diezmos

3319: 3315: 3300: 3296: 3181:

Music: series containing 145 files, 86 choral books and 21 minor books.

3050: 3018: 3010: 2603:

At the foot of this altarpiece is the image on canvas of a portrait of

2582: 2534:

in 1700, adorning it with three altarpieces and paintings, the work of

2326: 2079: 2064: 2007: 1977: 1870: 1855: 1831: 1536:

ordered from largest to smallest towards the vertices that are covered

1444:". It was known at the end of the 18th century and during the 19th as " 1426: 1398: 1385: 1372: 1126: 1032: 1005: 949: 869: 827: 334: 3468:

Combination of stones and slaked lime with which some walls are built.

2086:

and stucco finials of angels, on the dome a Saint Peter surrounded by

1948:

with four Solomonic columns, in the glass niche there is the image of

1873:

paintings preserved in Mexico and that consecrates the triumph of the

1719: 879:

The entire cathedral was paved in 1772 with the so-called Santo Tomás

5341: 4769: 4749: 3522:. Puebla: University of the Americas. 30 October 2009. Archived from 3378: 3341: 2087: 2072: 2056: 1901:, strong women decked out in the elitist manner of the 17th century. 1689: 1560: 1545: 1533: 1364: 1159: 1118: 1024: 1016: 1011:

The second body follows, slightly narrowed in width, which is of the

989: 981: 880: 823: 550: 495: 3731:

Craig H. Russell, "Music: Mesoamerica through seventeenth century",

3417:(On Mondays, at 12:00 p.m., the mass is celebrated in honor of 3364:

wood richly adorned with silver, the work of José Mariano Castillo.

631:, the foundation of a town of Spanish Christians in the province of 5278: 4924: 4899: 4829: 4724: 3386: 3361: 3248: 3069: 3004: 2888: 2875: 2471: 2286: 2207: 2156: 1971: 1589: 1577: 1487: 1468: 1380: 1354: 1276:

The door that leads to the Plaza Mayor is called San Cristóbal by

1267: 945: 924: 899: 891: 873: 791: 737: 691: 418: 1858:

style was the work of master Lucas Méndez under the direction of

593:

The cathedral is considered one of the most important museums of

3356:

Among the sacred vessels, two gold ones stand out, as well as a

2915:

The Triumph of the faith of Jesus Christ over the pagan theogony

2221: 2198:

martyr of the secret of confession and patron saint of priests.

1898: 1835: 1521: 1510: 1506: 1491: 1339: 1048: 997: 965: 961: 834: 407: 5419:

Roman Catholic Ecclesiastical Province of Puebla de los Angeles

4622: 3828: 3703:

Yearbook of the Inter-American Institute for Musical Research 2

2913:, the lateral panels cover them, on the left, the painting of " 2607:, an image that miraculously appeared on the cuff of a Mexican 1429:

for the bones that were taken from the Hospital de San Pedro.

1166:

and the other (right) to the last bishop and first Archbishop

980:

and carved friezes-rosettes on the cornice propecture, in the

29: 3639:. Meritorious Autonomous University of Puebla. Archived from 1477:

As has been said, the interior plan of the cathedral forms a

2811:. Above the altar there is a magnificent "Catalan calvary". 1517:

are a total of 30 visible and 4 embedded in the main walls.

1473:

Section of the Basilica Cathedral and Sagrario (Tabernacle).

1458:

topped with lions and shields of white stone from Villería.

746:

defeating the French, painting of 1863 (cathedral pictured).

586:

on April 18, 1649, without having been completely finished.

537:(Mexico). It is one of the most important buildings in the 780:

Gómez de Trasmonte, who had served as Major Master of the

3195:

Palafox y Mendoza: about 50 volumes of his printed works.

2404:

and on the opposite side repeats Miguel Cabrera with the

1559:

with sculptures of the prophets and evangelists in white

1015:

and has three pilasters without a pedestal, but rather a

2880:

Access portal to the Capilla del Sagrario Metropolitano.

1626:

is placed, and others on the sides with various relics.

1177:

receiving roses from the Virgin and a shield that says (

976:

and receive the corresponding cornice, highlighting the

2865:

of Puebla is a chapel of the cathedral, of the city of

913:

and is placed in the same cardinal position as that of

5439:

17th-century Roman Catholic church buildings in Mexico

2470:

This chapel was entrusted to the Puebla silversmiths'

2228:

The so-called International organ has a total of 3376

627:

authorized on January 18, 1531, at the request of the

3079:

during the long sessions of chapter in which cups of

2530:

with a baptismal font. The Jesuits consecrated it to

1869:

The sumptuous painting of the dome is one of the few

1704:, in the lateral ones that of the first bishop Friar 777:

that his plan could pass from the plan to the works.

3754:. ADABI de México A.C. Fundación Alfredo Harp Helú. 3053:

of the fifteenth century, brought by the Spaniards.

3025:

shine in all their magnificence, representing Queen

2848:

The last chapel next to the door of this nave has a

2194:, this beautiful lectern finishes off the statue of 1243:

first bishop of the diocese of Puebla de los Ángeles

5355: 5287: 5219: 5198: 5162: 5126: 4975: 4959: 4943: 4657: 4549: 4493: 4467: 4439: 4393: 4362: 4336: 4305: 4269: 4218: 4166: 4130: 4099: 4043: 4005: 3952: 3909: 3862: 2757:in the passage of the metal serpent of the desert. 1389:, the work of the Frenchman Georges Clere, in 1892. 952:, above this rises the first body, which is of the 501: 491: 476: 468: 460: 449: 440: 428: 417: 405: 397: 389: 381: 376: 358: 340: 320: 288: 283: 244: 233: 228: 207: 191: 179: 167: 162: 134: 60:. Unsourced material may be challenged and removed. 3561:Bishop Palafox arrived in Puebla on July 22, 1640. 1393:It is half orange and rises majestically over the 929:North tower of the cathedral called the Old Tower. 735:participate in the construction of the cathedral. 3262:. It was built under the episcopal government of 2577:, in the altarpiece is the representation of the 1490:of the Kings, the measurement is 82 meters. Five 1129:, in the intercolumns there are two well-crafted 992:. The arches are of double proportion with their 3333:Description of the City of Puebla de los Ángeles 2911:The Triumph of the Catholic Church over paganism 2824:copied from the original of Turin, April 8, 1594 2779:intervened in this one to transform it into the 3337: 2482:, on the side walls two oil paintings of Friar 815: 2395:, martyred in Japan. On the side, the work of 1964:, a close relative of Bishop Juan de Palafox. 1881:made in the year 1688, commissioned by Bishop 1505:of the same height, supporting the vaults and 1193:) you hurt my heart and the one on her right ( 557:that was dedicated in 1653. It was founded by 4634: 3840: 3415:7 a.m., 8 a.m., 9 a.m., 9.45 a.m., y 19 p.m. 3269:Its factory is due to the renowned architect 2692:, it was decided to consecrate it in 1678 to 1936:and in each intercolumnium the sculptures of 610:The cathedral from the Plaza Mayor or Zócalo. 141: 8: 2615:and the journalist Trinidad Sánchez Santos. 2418:. The crossing continues after this chapel. 1665:Through the access on the north side of the 1425:that took place opposite, there was also an 1031:The towers are topped by domes of brick and 3720:Inter-American Music Review 6:1 (Fall 1984) 3278:decorations ending in an iron weathervane. 3166:Building of the churches from 1570 to 1829. 3144:Francisco Pablo Vászquez y Sánchez Vizcayno 2703:On the altar you can see a painting of the 1980:, built between 1799 and 1819, the work of 4641: 4627: 4619: 3847: 3833: 3825: 3603:Conrado Gilberto Cabrera Quintero (2005). 3491:"City of Puebla Shines as Mexican 'Jewel'" 3176:Books of payments to the Holy Inquisition. 2329:of stupendous workmanship by the sculptor 1988:, 2 meters high and weighing almost a ton. 1850:. The chapel was designed by the Spaniard 1338:The top of the posts serves to receive an 1258:last bishop and first archbishop of Puebla 151: 131: 27:Roman Catholic cathedral of Puebla, Mexico 5434:Roman Catholic churches completed in 1690 5269:Colonial universities in Hispanic America 3540: 3538: 3536: 2826:" thus like a sign with capital letters: 2803:bronze baldachin houses the image of the 2668:adoration of the kings to the child Jesus 1944:, in the middle part of this body is the 1647:The series of paintings that recount the 723:, designated major master, together with 120:Learn how and when to remove this message 5399:Roman Catholic churches in Puebla (city) 5274:Colonial universities in the Philippines 4650:Spanish / Hispanic Colonial architecture 3391: 3347: 2759: 1956:is represented and the adoration of the 1877:, it is the work of the Baroque painter 1817: 1805: 1758:Chapel of Nuestra Señora de los Dolores. 1669:there is a large-format oil painting of 1095: 1066:On August 2, 1821 with the entry of the 678:Temple of Nuestra Señora de la Concordia 605: 5429:Spanish Colonial architecture in Mexico 3481: 3451: 3253:Altarpiece inside the Chapel del Ochavo 2970: 2662:from the Sumaya brush by the Valencian 2436:intervened for the redecoration in the 2243: 2101: 1776:Chapel of Nuestra Señora de la Soledad. 1752:Chapel del Señor de la Preciosa Sangre. 1696:that were completed by the 10th Bishop 1520:The main body of the cathedral has two 1199: 1047:The Old Tower is the only one that has 193:Ecclesiastical or organizational status 3372:In the cathedral basilica, five daily 2843:Chapel of Nuestra Señora de la Soledad 2495:Chapel del Señor de la Preciosa Sangre 1984:, focuses on the bronze figure of the 1417:, who was born in 1718, saw them, and 525:, as the Cathedral of Our Lady of the 3718:5:2 (Spring-Summer 1983) and Part 2, 3352:Puebla Cathedral illuminated at night 2625:Chapel of the Relics. The 9th bishop 2032:style building with the influence of 1921:, mother of Emperor Constantine, and 1854:and its main altarpiece in Solomonic 1688:, the doors' gates were assembled in 1181:) Rose of my heart, and on the right 500: 490: 475: 467: 459: 448: 439: 7: 3745:María Leticia Garduño Pérez (2014). 2715:from the 18th century. On the sides 2611:, as well as the remains of General 1928:The first body is made up of square 1866:and its factory lasted seven years. 1761:Chapel del Sagrado Corazón de Jesús. 1746:Chapel del Sagrado Corazón de María. 1574:Altars of the Gospel and the Epistle 1494:rise in this space in the form of a 663:which received the new bishop Friar 535:Archdiocese of Puebla de los Ángeles 186:Archdiocese of Puebla de los Ángeles 58:adding citations to reliable sources 5414:Roman Catholic cathedrals in Mexico 5134:Baroque Churches of the Philippines 3856:Roman Catholic cathedrals in Mexico 3029:of the Amazons on the banks of the 2838:, a relative of Palafox y Mendoza. 2672:Presentation of Jesus at the Temple 2598:Chapel del Sagrado Corazón de Jesús 2465:Chapel of the Immaculate Conception 2423:Chapel del Sagrado Corazón de María 1797:Chapel del Espíritu Santo (Ochavo). 1749:Chapel of la Inmaculada Concepción. 1552:and stone were used in the others. 5404:Baroque church buildings in Puebla 5363:California Churrigueresque Revival 3245:Chapel del Espíritu Santo (Ochavo) 2863:Capilla del Sagrario Metropolitano 2573:This chapel communicates with the 2305:This chapel communicates with the 2277:The organ and grille of the Choir. 1822:Reredos of the Altar of the Kings. 1731:High altar or baldachin (Cypress). 1351:Domes: Major and that of the Kings 782:Mexico City Metropolitan Cathedral 25: 3815:Puebla Cathedral - Puebla, Mexico 3633:Rodrigo de la Piedra y su familia 3489:Crowe, Gretchen R. (2006-12-14). 3286:The cypress is decorated with 48 3132:Cédulas Reales from 1540 to 1796. 3117:Acts of council from 1539 to 1558 2111:Cypress of the cathedral in 1900. 1942:Saint Elizabeth, Queen of Hungary 1295:with four fluted columns and its 5257:Haciendas in the Valley of Ameca 4601: 3900: 3435:List of buildings in Puebla City 3335:speaks of some of these pieces: 2991: 2982: 2973: 2921:that were copied from prints by 2895:"Triumph of the Catholic Church" 2270: 2258: 2246: 2143: 2134: 2125: 2116: 2104: 1743:Chapel of Our Lady of Guadalupe. 1698:Diego Osorio de Escobar y Llamas 1248: 1233: 1218: 1202: 1189:), the shield on her left says ( 1100:The Cathedral of Puebla in 1873. 34: 5149:Mendicant monasteries in Mexico 3545:Melitón Salazar Monroy (1946). 2452:and the anonymous paintings of 2442:Francisco Morales Van den Eyden 2369:Chapel of Our Lady of Guadalupe 2161:The second organ built in 1737. 1773:Chapel of la Virgen de Ocotlán. 1770:Chapel del Señor de la Columna. 1764:Chapel of las Santas Reliquias. 1728:Altar of the Catholic Monarchs. 602:The foundation of the cathedral 506:Latin America and the Caribbean 166: 45:needs additional citations for 3303:, salvillas, pitchforks, gold 3264:Manuel Fernández de Santa Cruz 2736:Chapel del Señor de la Columna 2448:painted by the Italian artist 1883:Manuel Fernández de Santa Cruz 1834:. The complex is made up of a 1767:Chapel of San Juan Nepomuceno. 1755:Chapel of San Nicolás De Bari. 1606:and the one on the Epistle to 862:conclusion of the north tower. 533:, is the episcopal see of the 1: 5206:Camino Real de Tierra Adentro 4561:Melkite Greek Catholic Church 3911:Province of Antequera, Oaxaca 3013:in the Hall of los Gobelinos. 2828:Extractu ab originali Taurini 2799:, famous Marian Jesuits. The 2683:Chapel of San Juan Nepomuceno 2631:Saint Catherine of Alexandria 2568:Chapel of Our Lady of Sorrows 2521:Chapel of San Nicolás de Bari 2265:The Choir from the baldachin. 1998:Salvador Bienpica y Sotomayor 1791:Hall of the Cathedral Chapter 1548:stone to lighten its weight, 972:: these pilasters have their 896:The Puebla Cathedral in 1875. 665:Martín Sarmiento de Ojacastro 4468:Province of Tuxtla Gutiérrez 3939:San Pedro y San Pablo Ayutla 3161:Edicts and pastoral letters. 3092:The physical Archive of the 3017:In this room, 4 tapestries ( 2666:, on the sides those of the 1737:Chapel del Apóstol Santiago. 1567:, nephew of Bishop Palafox. 1068:Army of the Three Guarantees 788:The era of Palafox y Mendoza 661:Carlos V, Holy Roman Emperor 625:Carlos V, Holy Roman Emperor 523:Basilica Cathedral of Puebla 364:; 287 years ago 135:Cathedral Basilica of Puebla 4597:no longer used as cathedral 4337:Province of San Luis Potosí 4158:Santiago Apóstol, Querétaro 3716:Inter-American Music Review 2929:of great aesthetic appeal. 2654:. In paintings you can see 2300:Chapel del Apóstol Santiago 1846:, two side reredos and the 1708:and that of the 9th bishop 1692:in the 17th century in the 1586:and on the right the Choir. 1383:. The main lamp is made of 1112:Puerta del Perdón and sides 5455: 4475:San Cristóbal de las Casas 4401:Chalco de Díaz Covarrubias 3934:San Juan Bautista Tuxtepec 3898: 3329:Francisco Javier Clavijero 3212:among many other branches. 2940:", beside it stands Friar 2751:The descent from the Cross 2713:José Antonio Villegas Cora 2545:José Antonio Villegas Cora 2034:ancient Roman architecture 1923:Margaret Queen of Scotland 1624:José Antonio Villegas Cora 1540:with nail and in turn the 1367:reliefs of the archangels 1343:engraved on the pedestal ( 1264:Norte and Sur side portals 529:is known according to its 443:UNESCO World Heritage Site 393:97.67 m (320 ft) 5424:Historic centre of Puebla 5175:Caribbean coast of Panama 4590: 4550:Non-Latin rite Cathedrals 4411:Ecatepec de Morelos (New) 4406:Ecatepec de Morelos (Old) 3944:Santo Domingo Tehuantepec 3579:, Puebla Cathedral, p.12. 3223:Juan Gutiérrez de Padilla 3188:Juan Gutiérrez de Padilla 3156:Tithes from 1539 to 1856. 3142:Correspondence of Bishop 2946:Juan de Palafox y Mendoza 2809:Bernardo Olivares Iriarte 2770:Chapel of la Sábana Santa 2690:Saint John the Evangelist 2627:Juan de Palafox y Mendoza 2620:Chapel of the Holy Relics 2291:Chapels of the cathedral. 2239:Octaviano Márquez y Toriz 2232:or musical sounds, it is 1994:Juan de Palafox y Mendoza 1954:Juan de Palafox y Mendoza 1710:Juan de Palafox y Mendoza 1532:in the middle and golden 1442:Las Lágrimas de San Pedro 1313:Saint Matthew the Apostle 1309:Saint John the Evangelist 798:Juan de Palafox y Mendoza 775:Juan de Palafox y Mendoza 764:Álvaro Manrique de Zúñiga 708:of 1552 signed by Prince 583:Juan de Palafox y Mendoza 515: 511: 455:Historic Centre of Puebla 436: 150: 139: 5373:Spanish Colonial Revival 5127:Churches and monasteries 4951:List of Spanish missions 4658:Notable historic centers 4531:Túxpam de Rodríguez Cano 4394:Province of Tlalnepantla 4200:Mexico City Metropolitan 3657:Arístides Medina Rubio. 3260:Cristóbal de Villalpando 2919:Baltasar de Echave Rioja 2783:style, who also painted 2755:Transfiguration of Jesus 2747:Cristóbal de Villalpando 2688:Originally dedicated to 2660:Saint Ignatius of Loyola 2532:Saint Ignatius of Loyola 2397:Cristóbal de Villalpando 2343:Miguel Jerónimo Zendejas 1919:Helena of Constantinople 1915:Ferdinand III of Castile 1879:Cristóbal de Villalpando 1812:Cristóbal de Villalpando 1679:Miguel Jerónimo Zendejas 939:Francisco Fabián y Fuero 314:Cristóbal de Villalpando 4875:Santa Cruz de la Sierra 4205:Tenancingo de Degollado 4167:Province of Mexico City 4044:Province of Guadalajara 3775:Archdiocese of Puebla. 2797:Saint Stanislaus Kostka 2775:As in several chapels, 2717:Saint Francis of Assisi 2476:Saint Louis of Toulouse 2454:Saint Alphonsus Liguori 2416:Ramón Ibarra y González 2384:The Virgin of Guadalupe 2012:Pedro Patiño Ixtolinque 1256:Ramón Ibarra y González 1197:) consumes me of love. 1168:Ramón Ibarra y González 960:on each front, and two 771:Juan Gómez de Trasmonte 432:70 m (230 ft) 413:82 m (270 ft) 401:51 m (170 ft) 346:; 448 years ago 299:Juan Gómez de Trasmonte 215:; 375 years ago 5409:Herrerian architecture 4608:Catholicism portal 4441:Province of Tulancingo 4100:Province of Hermosillo 3733:Encyclopedia of Mexico 3551:. pp. 12, 13, 31. 3419:Saint Nicholas of Bari 3385:, or depending on the 3353: 3346: 3254: 3233:(Nahua influence) and 3171:Cathedral inventories. 3075: 3014: 2936:-style painting, the " 2902: 2881: 2793:Saint Aloysius Gonzaga 2765: 2721:Saint Francis of Paola 2694:Saint Nicholas of Bari 2559:Chapels of the Epistle 2540:Saint Nicholas of Bari 2514:Saint John the Baptist 2401:The Coronation of Mary 2292: 2213: 2162: 1989: 1852:Juan Martínez Montañés 1823: 1815: 1785:Hall of los Gobelinos. 1724: 1599: 1587: 1474: 1390: 1322:The second body is of 1273: 1101: 930: 905: 897: 819: 801: 796:The arrival of Bishop 747: 701: 611: 555:Metropolitan of Mexico 246:Geographic coordinates 142: 5356:Modern Revival styles 4870:San Miguel de Allende 4421:Teotihuacán de Arista 4219:Province of Monterrey 4081:San Juan de los Lagos 3954:Province of Chihuahua 3630:Viela Morales Pérez. 3351: 3271:Carlos García Durango 3252: 3073: 3008: 3001:Hall of los Gobelinos 2892: 2879: 2763: 2729:Saint John of Nepomuk 2709:Saint John of Nepomuk 2707:, and a sculpture of 2698:Saint John of Nepomuk 2652:Sebastián de Aparicio 2536:Juan Rodríguez Juárez 2393:Saint Philip of Jesus 2339:Saint John of Nepomuk 2311:Saint James the Great 2290: 2211: 2196:Saint John of Nepomuk 2160: 2093:Immaculate Conception 1986:Immaculate Conception 1975: 1821: 1809: 1723: 1702:coat of arms of Spain 1649:Stations of the Cross 1642:Stations of the Cross 1593: 1581: 1472: 1358: 1271: 1227:Saint Teresa of Ávila 1225:Religious ecstasy of 1213:in stone of Villerías 1183:Saint Teresa of Ávila 1140:Saint James the Great 1135:Immaculate Conception 1099: 1057:Some memorable chimes 928: 903: 895: 795: 741: 695: 680:served as cathedral. 609: 527:Immaculate Conception 344:18 November 1575 268:19.04278°N 98.19833°W 5220:Other building types 3864:Province of Acapulco 3609:. BUAP. p. 73. 3325:Antonio de Villafañe 3307:among other things. 3033:who was defeated by 2857:Sagrario (Sanctuary) 2605:Our Lady of La Manga 2549:José Rubí de Marimón 2484:John Scotus Eriugena 2430:apostle Saint Andrew 2315:Saint James the Less 2184:Pedro Nogales Dávila 1911:Edward the Confessor 1740:Chapel of San Pedro. 1706:Julián Garcés Romano 915:St. Peter's Basilica 643:The old major church 621:Isabella of Portugal 311:(Altar of the Kings) 54:improve this article 5378:Territorial Revival 4695:Cartagena de Indias 4363:Province of Tijuana 4270:Province of Morelia 4007:Province of Durango 3992:Nuevo Casas Grandes 3410:Monday to Saturday 3043:Alexander the Great 2836:Pedro García Ferrer 2389:Bartolomé Gutiérrez 2354:Chapel of San Pedro 2347:José María Calderón 1962:Pedro García Ferrer 1950:Our Lady of Defense 1860:Pedro García Ferrer 1565:Pedro García Ferrer 1345:Hoc opus, Hic labor 1072:Agustín de Iturbide 935:Charles II of Spain 547:World Heritage Site 382:Direction of façade 309:Pedro García Ferrer 273:19.04278; -98.19833 264: / 18:Cathedral of Puebla 5288:Architecture types 5013:Dominican Republic 4960:Lists of buildings 4567:San José de Gracia 4516:Papantla de Olarte 4494:Province of Xalapa 4306:Province of Puebla 3982:Hidalgo del Parral 3919:Huautla de Jiménez 3892:Tlapa de Comonfort 3820:Puebla's Cathedral 3810:Cathedral Interior 3573:Moros y cristianos 3548:Catedral de Puebla 3354: 3255: 3076: 3047:French manufacture 3015: 2903: 2899:Baltasar de Echave 2882: 2766: 2629:consecrated it to 2591:Saint John Vianney 2587:Saint Rose of Lima 2450:Vincenzo Camuccini 2446:Assumption of Mary 2362:Vincenzo Camuccini 2293: 2214: 2190:and engravings by 2163: 2053:Corinthian columns 1992:The ninth bishop, 1990: 1938:Louis IX of France 1917:on the right side 1824: 1816: 1802:Altar of the Kings 1725: 1600: 1596:José Zacarías Cora 1588: 1475: 1419:Bermúdez de Castro 1391: 1286:Casa de la Cultura 1274: 1211:Saint Rose of Lima 1191:Vulnerasti cor meu 1175:Saint Rose of Lima 1102: 931: 906: 898: 847:Palafoxian Library 802: 748: 742:Image showing the 710:Philip II of Spain 702: 653:Antonio de Mendoza 612: 559:Philip II of Spain 492:Reference no. 362:(South tower) 1737 238:Puebla de Zaragoza 213:18 April 1649 69:"Puebla Cathedral" 5386: 5385: 5327:Monterey Colonial 5237:Balconies of Lima 5199:Bridges and roads 5107: 5100: 5093: 5086: 5079: 4885:Santiago de Chile 4670:Antigua Guatemala 4616: 4615: 4521:San Andrés Tuxtla 4313:Huajuapan de León 4297:Zamora de Hidalgo 4179:Atlacomulco (New) 4174:Atlacomulco (Old) 3967:Ciudad Cuauhtémoc 3887:Ciudad Altamirano 3761:978-607-416-297-4 3426: 3425: 3422: 3299:, 6 rods for the 3094:Cathedral Chapter 2963:" of the painter 2959:On the sides is " 2944:first bishop and 2805:Virgin of Ocotlán 2749:in the year 1683 2725:Bernardo Guerrero 2585:and on the sides 2579:Virgin of Sorrows 2553:Council of Nicaea 2480:Saint Bonaventure 2458:Saint Bonaventure 2412:Pope Benedict XIV 2234:electro-pneumatic 2172:cathedral chapter 1958:Saints Magi Kings 1907:Solomonic columns 1734:Choir and organs. 1671:Saint Christopher 1608:Archangel Michael 1278:Saint Christopher 1187:religious ecstasy 842:Blessed Sacrament 725:Juan de Cigorondo 721:Francisco Becerra 688:The new cathedral 531:Marian invocation 519: 518: 295:Francisco Becerra 130: 129: 122: 104: 16:(Redirected from 5446: 5103: 5096: 5089: 5082: 5075: 4944:Spanish missions 4890:Santiago de Cuba 4643: 4636: 4629: 4620: 4606: 4605: 4485:Tuxtla Gutiérrez 4131:Province of León 3929:Puerto Escondido 3904: 3849: 3842: 3835: 3826: 3806: 3805: 3803:Official website 3788: 3787: 3785: 3783: 3772: 3766: 3765: 3753: 3742: 3736: 3729: 3723: 3712: 3706: 3699: 3693: 3692: 3681: 3675: 3674: 3672: 3666:. Archived from 3665: 3654: 3648: 3647: 3645: 3638: 3627: 3621: 3620: 3600: 3594: 3591:Council of Trent 3586: 3580: 3568: 3562: 3559: 3553: 3552: 3542: 3531: 3530: 3528: 3521: 3511: 3505: 3504: 3502: 3501: 3486: 3469: 3466: 3460: 3456: 3416: 3392: 3200:Poor and widows. 3151:Council Decrees. 3137:Confraternities. 3074:Chocolatier hall 3066:Chocolatier hall 3009:One of the four 2995: 2986: 2977: 2954:Saint Ildefonsus 2901:in the Sacristy. 2705:Virgin of la Luz 2674:by the brush of 2323:John the Baptist 2274: 2262: 2250: 2212:Retrochoir door. 2147: 2138: 2129: 2120: 2108: 2049:Corinthian order 1436:made up of four 1252: 1237: 1222: 1206: 744:Battle of Puebla 615:The first church 487: 372: 370: 365: 354: 352: 347: 279: 278: 276: 275: 274: 269: 265: 262: 261: 260: 257: 223: 221: 216: 209:Year consecrated 157:Puebla Cathedral 155: 145: 132: 125: 118: 114: 111: 105: 103: 62: 38: 30: 21: 5454: 5453: 5449: 5448: 5447: 5445: 5444: 5443: 5389: 5388: 5387: 5382: 5368:Mission Revival 5351: 5305:Churrigueresque 5283: 5215: 5194: 5180:Coasts of Chile 5158: 5122: 4971: 4955: 4939: 4865:San Luis Potosí 4835:Saint Augustine 4653: 4647: 4617: 4612: 4600: 4586: 4581:Maronite Church 4571:Anglican Church 4545: 4489: 4463: 4459:Tula de Allende 4435: 4389: 4358: 4332: 4301: 4282:Lázaro Cárdenas 4265: 4226:Ciudad Victoria 4214: 4162: 4126: 4095: 4086:San Luis Potosí 4039: 4001: 3948: 3905: 3896: 3858: 3853: 3801: 3800: 3797: 3792: 3791: 3781: 3779: 3777:"Mass Schedule" 3774: 3773: 3769: 3762: 3751: 3744: 3743: 3739: 3730: 3726: 3713: 3709: 3700: 3696: 3683: 3682: 3678: 3670: 3663: 3656: 3655: 3651: 3643: 3636: 3629: 3628: 3624: 3617: 3602: 3601: 3597: 3587: 3583: 3569: 3565: 3560: 3556: 3544: 3543: 3534: 3526: 3519: 3513: 3512: 3508: 3499: 3497: 3495:Catholic Herald 3488: 3487: 3483: 3478: 3473: 3472: 3467: 3463: 3457: 3453: 3448: 3431: 3370: 3284: 3247: 3219: 3090: 3068: 3059: 3023:Greek mythology 3003: 2996: 2987: 2978: 2934:Churrigueresque 2927:composite order 2887: 2859: 2664:Baltasar Echave 2656:Saint Sebastian 2609:Hieronymite nun 2561: 2502:crucified Jesus 2319:Saint Philomena 2285: 2278: 2275: 2266: 2263: 2254: 2251: 2188:Gregorian music 2155: 2148: 2139: 2130: 2121: 2112: 2109: 2069:Saint Augustine 1970: 1804: 1718: 1576: 1467: 1446:Capilla de los 1411: 1353: 1266: 1259: 1253: 1244: 1238: 1229: 1223: 1214: 1209:High relief of 1207: 1179:Cordis mei rosa 1114: 1094: 1045: 923: 890: 855: 853:Later additions 790: 690: 645: 617: 604: 566:Herrerian-style 539:historic center 481: 445: 368: 366: 363: 350: 348: 345: 327:Herrerian style 312: 307: 302: 272: 270: 266: 263: 258: 255: 253: 251: 250: 224: 219: 217: 214: 158: 146: 126: 115: 109: 106: 63: 61: 51: 39: 28: 23: 22: 15: 12: 11: 5: 5452: 5450: 5442: 5441: 5436: 5431: 5426: 5421: 5416: 5411: 5406: 5401: 5391: 5390: 5384: 5383: 5381: 5380: 5375: 5370: 5365: 5359: 5357: 5353: 5352: 5350: 5349: 5344: 5339: 5334: 5329: 5324: 5319: 5318: 5317: 5312: 5307: 5302: 5291: 5289: 5285: 5284: 5282: 5281: 5276: 5271: 5266: 5261: 5260: 5259: 5249: 5244: 5239: 5234: 5229: 5223: 5221: 5217: 5216: 5214: 5213: 5208: 5202: 5200: 5196: 5195: 5193: 5192: 5187: 5182: 5177: 5172: 5166: 5164: 5163:Fortifications 5160: 5159: 5157: 5156: 5151: 5146: 5141: 5136: 5130: 5128: 5124: 5123: 5121: 5120: 5115: 5110: 5109: 5108: 5101: 5094: 5087: 5080: 5072:United States 5070: 5065: 5060: 5055: 5050: 5045: 5040: 5035: 5030: 5025: 5020: 5015: 5010: 5005: 5000: 4995: 4990: 4985: 4979: 4977: 4973: 4972: 4970: 4969: 4963: 4961: 4957: 4956: 4954: 4953: 4947: 4945: 4941: 4940: 4938: 4937: 4932: 4927: 4922: 4917: 4912: 4907: 4902: 4897: 4892: 4887: 4882: 4877: 4872: 4867: 4862: 4857: 4852: 4847: 4842: 4837: 4832: 4827: 4822: 4817: 4812: 4807: 4802: 4797: 4792: 4787: 4782: 4777: 4772: 4767: 4762: 4757: 4752: 4747: 4742: 4737: 4732: 4727: 4722: 4717: 4712: 4707: 4702: 4697: 4692: 4687: 4682: 4677: 4672: 4667: 4661: 4659: 4655: 4654: 4648: 4646: 4645: 4638: 4631: 4623: 4614: 4613: 4611: 4610: 4598: 4595: 4591: 4588: 4587: 4585: 4584: 4574: 4564: 4553: 4551: 4547: 4546: 4544: 4543: 4538: 4533: 4528: 4523: 4518: 4513: 4508: 4503: 4497: 4495: 4491: 4490: 4488: 4487: 4482: 4477: 4471: 4469: 4465: 4464: 4462: 4461: 4456: 4451: 4445: 4443: 4437: 4436: 4434: 4433: 4428: 4423: 4418: 4416:Nezahualcóyotl 4413: 4408: 4403: 4397: 4395: 4391: 4390: 4388: 4387: 4382: 4377: 4372: 4366: 4364: 4360: 4359: 4357: 4356: 4351: 4346: 4340: 4338: 4334: 4333: 4331: 4330: 4325: 4320: 4315: 4309: 4307: 4303: 4302: 4300: 4299: 4294: 4289: 4284: 4279: 4273: 4271: 4267: 4266: 4264: 4263: 4258: 4253: 4251:Piedras Negras 4248: 4243: 4238: 4233: 4228: 4222: 4220: 4216: 4215: 4213: 4212: 4207: 4202: 4197: 4191: 4186: 4181: 4176: 4170: 4168: 4164: 4163: 4161: 4160: 4155: 4150: 4145: 4140: 4134: 4132: 4128: 4127: 4125: 4124: 4119: 4114: 4109: 4107:Ciudad Obregón 4103: 4101: 4097: 4096: 4094: 4093: 4088: 4083: 4078: 4073: 4068: 4063: 4058: 4053: 4051:Aguascalientes 4047: 4045: 4041: 4040: 4038: 4037: 4032: 4027: 4022: 4017: 4011: 4009: 4003: 4002: 4000: 3999: 3994: 3989: 3984: 3979: 3974: 3969: 3964: 3958: 3956: 3950: 3949: 3947: 3946: 3941: 3936: 3931: 3926: 3921: 3915: 3913: 3907: 3906: 3899: 3897: 3895: 3894: 3889: 3884: 3879: 3874: 3868: 3866: 3860: 3859: 3854: 3852: 3851: 3844: 3837: 3829: 3823: 3822: 3817: 3812: 3807: 3796: 3795:External links 3793: 3790: 3789: 3767: 3760: 3737: 3724: 3707: 3694: 3676: 3673:on 2015-06-10. 3649: 3646:on 2013-05-12. 3622: 3615: 3595: 3581: 3563: 3554: 3532: 3529:on 2011-08-16. 3506: 3480: 3479: 3477: 3474: 3471: 3470: 3461: 3450: 3449: 3447: 3444: 3443: 3442: 3437: 3430: 3427: 3424: 3423: 3412: 3411: 3407: 3406: 3402: 3401: 3397: 3396: 3395:Mass schedule 3369: 3366: 3283: 3280: 3246: 3243: 3218: 3215: 3214: 3213: 3207: 3202: 3197: 3192: 3183: 3178: 3173: 3168: 3163: 3158: 3153: 3148: 3139: 3134: 3129: 3124: 3119: 3089: 3086: 3067: 3064: 3058: 3055: 3002: 2999: 2998: 2997: 2990: 2988: 2981: 2979: 2972: 2886: 2883: 2858: 2855: 2846: 2845: 2832:Saint Veronica 2773: 2772: 2739: 2738: 2686: 2685: 2676:José de Ibarra 2623: 2622: 2613:Miguel Miramón 2601: 2600: 2571: 2570: 2560: 2557: 2524: 2523: 2510:Virgin of Hope 2498: 2497: 2468: 2467: 2426: 2425: 2379:Miguel Cabrera 2372: 2371: 2357: 2356: 2303: 2302: 2284: 2283:Gospel chapels 2281: 2280: 2279: 2276: 2269: 2267: 2264: 2257: 2255: 2252: 2245: 2206: 2205: 2154: 2151: 2150: 2149: 2142: 2140: 2133: 2131: 2124: 2122: 2115: 2113: 2110: 2103: 2097:All Souls' Day 2026: 2025: 1969: 1966: 1934:Ionic capitals 1803: 1800: 1799: 1798: 1795: 1792: 1789: 1786: 1783: 1780: 1777: 1774: 1771: 1768: 1765: 1762: 1759: 1756: 1753: 1750: 1747: 1744: 1741: 1738: 1735: 1732: 1729: 1717: 1714: 1686:Julián Ordóñez 1663: 1662: 1653:Miguel Cabrera 1645: 1644: 1617:intercolumnios 1584:Miguel Cabrera 1575: 1572: 1466: 1463: 1456:Tuscan columns 1410: 1407: 1352: 1349: 1305:intercolumnios 1265: 1262: 1261: 1260: 1254: 1247: 1245: 1239: 1232: 1230: 1224: 1217: 1215: 1208: 1201: 1151:and the royal 1113: 1110: 1093: 1090: 1089: 1088: 1085: 1082: 1079: 1075: 1060: 1059: 1044: 1041: 1035:topped with a 970:intercolumnium 968:, one in each 922: 919: 889: 886: 885: 884: 877: 866: 863: 859: 854: 851: 789: 786: 689: 686: 644: 641: 629:Real Audiencia 616: 613: 603: 600: 517: 516: 513: 512: 509: 508: 503: 499: 498: 493: 489: 488: 478: 474: 473: 470: 466: 465: 462: 458: 457: 451: 447: 446: 441: 438: 437: 434: 433: 430: 426: 425: 422: 415: 414: 411: 403: 402: 399: 395: 394: 391: 387: 386: 383: 379: 378: 377:Specifications 374: 373: 360: 356: 355: 342: 341:Groundbreaking 338: 337: 324: 318: 317: 292: 286: 285: 281: 280: 248: 242: 241: 235: 231: 230: 226: 225: 211: 205: 204: 202:Minor basilica 195: 189: 188: 183: 177: 176: 174:Roman Catholic 171: 165: 164: 160: 159: 156: 148: 147: 140: 137: 136: 128: 127: 42: 40: 33: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 5451: 5440: 5437: 5435: 5432: 5430: 5427: 5425: 5422: 5420: 5417: 5415: 5412: 5410: 5407: 5405: 5402: 5400: 5397: 5396: 5394: 5379: 5376: 5374: 5371: 5369: 5366: 5364: 5361: 5360: 5358: 5354: 5348: 5345: 5343: 5340: 5338: 5335: 5333: 5330: 5328: 5325: 5323: 5320: 5316: 5313: 5311: 5308: 5306: 5303: 5301: 5298: 5297: 5296: 5293: 5292: 5290: 5286: 5280: 5277: 5275: 5272: 5270: 5267: 5265: 5262: 5258: 5255: 5254: 5253: 5250: 5248: 5245: 5243: 5240: 5238: 5235: 5233: 5232:Bahay na bato 5230: 5228: 5225: 5224: 5222: 5218: 5212: 5209: 5207: 5204: 5203: 5201: 5197: 5191: 5190:Santo Domingo 5188: 5186: 5183: 5181: 5178: 5176: 5173: 5171: 5168: 5167: 5165: 5161: 5155: 5152: 5150: 5147: 5145: 5142: 5140: 5137: 5135: 5132: 5131: 5129: 5125: 5119: 5116: 5114: 5111: 5106: 5102: 5099: 5095: 5092: 5088: 5085: 5081: 5078: 5074: 5073: 5071: 5069: 5066: 5064: 5061: 5059: 5056: 5054: 5051: 5049: 5046: 5044: 5041: 5039: 5036: 5034: 5031: 5029: 5026: 5024: 5021: 5019: 5016: 5014: 5011: 5009: 5006: 5004: 5001: 4999: 4996: 4994: 4991: 4989: 4986: 4984: 4981: 4980: 4978: 4974: 4968: 4965: 4964: 4962: 4958: 4952: 4949: 4948: 4946: 4942: 4936: 4933: 4931: 4928: 4926: 4923: 4921: 4918: 4916: 4913: 4911: 4908: 4906: 4903: 4901: 4898: 4896: 4895:Santo Domingo 4893: 4891: 4888: 4886: 4883: 4881: 4878: 4876: 4873: 4871: 4868: 4866: 4863: 4861: 4858: 4856: 4855:San Francisco 4853: 4851: 4848: 4846: 4843: 4841: 4838: 4836: 4833: 4831: 4828: 4826: 4823: 4821: 4818: 4816: 4813: 4811: 4808: 4806: 4803: 4801: 4798: 4796: 4793: 4791: 4788: 4786: 4783: 4781: 4778: 4776: 4773: 4771: 4768: 4766: 4763: 4761: 4758: 4756: 4753: 4751: 4748: 4746: 4743: 4741: 4738: 4736: 4733: 4731: 4728: 4726: 4723: 4721: 4718: 4716: 4713: 4711: 4708: 4706: 4703: 4701: 4698: 4696: 4693: 4691: 4688: 4686: 4683: 4681: 4678: 4676: 4673: 4671: 4668: 4666: 4663: 4662: 4660: 4656: 4651: 4644: 4639: 4637: 4632: 4630: 4625: 4624: 4621: 4609: 4604: 4599: 4596: 4593: 4592: 4589: 4582: 4578: 4575: 4572: 4568: 4565: 4562: 4558: 4555: 4554: 4552: 4548: 4542: 4539: 4537: 4534: 4532: 4529: 4527: 4524: 4522: 4519: 4517: 4514: 4512: 4509: 4507: 4504: 4502: 4501:Coatzacoalcos 4499: 4498: 4496: 4492: 4486: 4483: 4481: 4478: 4476: 4473: 4472: 4470: 4466: 4460: 4457: 4455: 4452: 4450: 4447: 4446: 4444: 4442: 4438: 4432: 4429: 4427: 4424: 4422: 4419: 4417: 4414: 4412: 4409: 4407: 4404: 4402: 4399: 4398: 4396: 4392: 4386: 4383: 4381: 4378: 4376: 4373: 4371: 4368: 4367: 4365: 4361: 4355: 4352: 4350: 4347: 4345: 4344:Ciudad Valles 4342: 4341: 4339: 4335: 4329: 4326: 4324: 4321: 4319: 4316: 4314: 4311: 4310: 4308: 4304: 4298: 4295: 4293: 4290: 4288: 4285: 4283: 4280: 4278: 4275: 4274: 4272: 4268: 4262: 4259: 4257: 4254: 4252: 4249: 4247: 4244: 4242: 4239: 4237: 4234: 4232: 4229: 4227: 4224: 4223: 4221: 4217: 4211: 4208: 4206: 4203: 4201: 4198: 4196:(Mexico City) 4195: 4192: 4190: 4187: 4185: 4182: 4180: 4177: 4175: 4172: 4171: 4169: 4165: 4159: 4156: 4154: 4151: 4149: 4146: 4144: 4141: 4139: 4136: 4135: 4133: 4129: 4123: 4120: 4118: 4115: 4113: 4110: 4108: 4105: 4104: 4102: 4098: 4092: 4089: 4087: 4084: 4082: 4079: 4077: 4074: 4072: 4069: 4067: 4066:Ciudad Guzmán 4064: 4062: 4059: 4057: 4054: 4052: 4049: 4048: 4046: 4042: 4036: 4033: 4031: 4028: 4026: 4025:Gómez Palacio 4023: 4021: 4018: 4016: 4013: 4012: 4010: 4008: 4004: 3998: 3995: 3993: 3990: 3988: 3985: 3983: 3980: 3978: 3975: 3973: 3972:Ciudad Juárez 3970: 3968: 3965: 3963: 3960: 3959: 3957: 3955: 3951: 3945: 3942: 3940: 3937: 3935: 3932: 3930: 3927: 3925: 3922: 3920: 3917: 3916: 3914: 3912: 3908: 3903: 3893: 3890: 3888: 3885: 3883: 3880: 3878: 3875: 3873: 3870: 3869: 3867: 3865: 3861: 3857: 3850: 3845: 3843: 3838: 3836: 3831: 3830: 3827: 3821: 3818: 3816: 3813: 3811: 3808: 3804: 3799: 3798: 3794: 3778: 3771: 3768: 3763: 3757: 3750: 3749: 3741: 3738: 3734: 3728: 3725: 3721: 3717: 3711: 3708: 3704: 3698: 3695: 3690: 3686: 3680: 3677: 3669: 3662: 3661: 3653: 3650: 3642: 3635: 3634: 3626: 3623: 3618: 3612: 3608: 3607: 3599: 3596: 3592: 3585: 3582: 3578: 3574: 3567: 3564: 3558: 3555: 3550: 3549: 3541: 3539: 3537: 3533: 3525: 3518: 3517: 3510: 3507: 3496: 3492: 3485: 3482: 3475: 3465: 3462: 3455: 3452: 3445: 3441: 3438: 3436: 3433: 3432: 3428: 3420: 3414: 3413: 3409: 3408: 3404: 3403: 3399: 3398: 3394: 3393: 3390: 3388: 3384: 3380: 3375: 3367: 3365: 3363: 3359: 3350: 3345: 3343: 3336: 3334: 3330: 3326: 3321: 3317: 3313: 3308: 3306: 3302: 3298: 3294: 3289: 3281: 3279: 3277: 3272: 3267: 3265: 3261: 3251: 3244: 3242: 3240: 3236: 3232: 3228: 3224: 3216: 3211: 3208: 3206: 3203: 3201: 3198: 3196: 3193: 3191: 3189: 3184: 3182: 3179: 3177: 3174: 3172: 3169: 3167: 3164: 3162: 3159: 3157: 3154: 3152: 3149: 3147: 3145: 3140: 3138: 3135: 3133: 3130: 3128: 3125: 3123: 3120: 3118: 3115: 3114: 3113: 3110: 3108: 3103: 3099: 3098:Chapter house 3095: 3087: 3085: 3082: 3072: 3065: 3063: 3057:Chapter House 3056: 3054: 3052: 3048: 3044: 3040: 3036: 3032: 3028: 3024: 3020: 3012: 3007: 3000: 2994: 2989: 2985: 2980: 2976: 2971: 2969: 2966: 2965:Luis Berrueco 2962: 2957: 2955: 2951: 2950:Luis Berrueco 2947: 2943: 2942:Julián Garcés 2939: 2935: 2930: 2928: 2924: 2920: 2916: 2912: 2906: 2900: 2896: 2891: 2884: 2878: 2874: 2872: 2868: 2864: 2856: 2854: 2851: 2844: 2841: 2840: 2839: 2837: 2833: 2829: 2825: 2821: 2817: 2812: 2810: 2806: 2802: 2798: 2794: 2790: 2786: 2782: 2778: 2771: 2768: 2767: 2762: 2758: 2756: 2752: 2748: 2744: 2737: 2734: 2733: 2732: 2730: 2726: 2722: 2718: 2714: 2710: 2706: 2701: 2699: 2695: 2691: 2684: 2681: 2680: 2679: 2677: 2673: 2669: 2665: 2661: 2657: 2653: 2649: 2644: 2640: 2637:and later to 2636: 2632: 2628: 2621: 2618: 2617: 2616: 2614: 2610: 2606: 2599: 2596: 2595: 2594: 2592: 2588: 2584: 2580: 2576: 2569: 2566: 2565: 2564: 2558: 2556: 2554: 2550: 2546: 2541: 2537: 2533: 2529: 2522: 2519: 2518: 2517: 2515: 2511: 2507: 2503: 2496: 2493: 2492: 2491: 2489: 2485: 2481: 2477: 2473: 2466: 2463: 2462: 2461: 2459: 2455: 2451: 2447: 2443: 2439: 2435: 2431: 2424: 2421: 2420: 2419: 2417: 2413: 2409: 2408: 2403: 2402: 2398: 2394: 2390: 2386: 2385: 2380: 2376: 2370: 2367: 2366: 2365: 2363: 2355: 2352: 2351: 2350: 2348: 2344: 2340: 2336: 2332: 2331:Zacarías Cora 2328: 2327:Saint Eligius 2324: 2320: 2316: 2312: 2308: 2301: 2298: 2297: 2296: 2289: 2282: 2273: 2268: 2261: 2256: 2249: 2244: 2242: 2240: 2235: 2231: 2226: 2223: 2219: 2210: 2204: 2201: 2200: 2199: 2197: 2193: 2189: 2185: 2181: 2175: 2173: 2169: 2159: 2152: 2146: 2141: 2137: 2132: 2128: 2123: 2119: 2114: 2107: 2102: 2100: 2098: 2094: 2089: 2085: 2081: 2076: 2074: 2070: 2066: 2065:Saint Ambrose 2062: 2061:Saint Gregory 2058: 2054: 2050: 2045: 2043: 2039: 2035: 2031: 2024: 2021: 2020: 2019: 2017: 2013: 2009: 2004: 1999: 1995: 1987: 1983: 1979: 1974: 1967: 1965: 1963: 1959: 1955: 1951: 1947: 1943: 1939: 1935: 1931: 1926: 1924: 1920: 1916: 1912: 1908: 1902: 1900: 1896: 1892: 1888: 1884: 1880: 1876: 1872: 1867: 1865: 1861: 1857: 1853: 1849: 1845: 1841: 1837: 1833: 1829: 1820: 1813: 1808: 1801: 1796: 1793: 1790: 1788:Chapter House 1787: 1784: 1781: 1778: 1775: 1772: 1769: 1766: 1763: 1760: 1757: 1754: 1751: 1748: 1745: 1742: 1739: 1736: 1733: 1730: 1727: 1726: 1722: 1715: 1713: 1711: 1707: 1703: 1699: 1695: 1694:Mudéjar style 1691: 1687: 1682: 1680: 1676: 1675:Luis Berrueco 1672: 1668: 1661: 1658: 1657: 1656: 1654: 1650: 1643: 1640: 1639: 1638: 1636: 1632: 1627: 1625: 1620: 1618: 1613: 1609: 1605: 1597: 1592: 1585: 1580: 1573: 1571: 1568: 1566: 1562: 1558: 1553: 1551: 1547: 1543: 1539: 1535: 1531: 1527: 1523: 1518: 1514: 1512: 1508: 1504: 1499: 1497: 1493: 1489: 1485: 1480: 1479:parallelogram 1471: 1464: 1462: 1459: 1457: 1452: 1450: 1449: 1443: 1439: 1435: 1430: 1428: 1424: 1420: 1416: 1408: 1406: 1402: 1400: 1396: 1388: 1387: 1382: 1378: 1374: 1370: 1366: 1362: 1357: 1350: 1348: 1346: 1341: 1336: 1334: 1330: 1325: 1320: 1319:of the arch. 1318: 1314: 1310: 1306: 1302: 1298: 1294: 1289: 1287: 1282: 1279: 1270: 1263: 1257: 1251: 1246: 1242: 1241:Julián Garcés 1236: 1231: 1228: 1221: 1216: 1212: 1205: 1200: 1198: 1196: 1195:Amore langueo 1192: 1188: 1184: 1180: 1176: 1171: 1169: 1165: 1164:Julián Garcés 1161: 1156: 1154: 1150: 1149:golden fleece 1145: 1141: 1136: 1132: 1128: 1124: 1120: 1111: 1109: 1107: 1098: 1091: 1086: 1083: 1080: 1076: 1073: 1069: 1065: 1064: 1063: 1058: 1055: 1054: 1053: 1050: 1042: 1040: 1038: 1034: 1029: 1026: 1021: 1018: 1014: 1009: 1007: 1003: 999: 995: 991: 987: 983: 979: 975: 971: 967: 963: 959: 955: 951: 947: 942: 940: 936: 927: 920: 918: 916: 912: 902: 894: 887: 882: 878: 875: 871: 867: 864: 860: 857: 856: 852: 850: 848: 843: 838: 836: 831: 829: 825: 818: 814: 811: 807: 799: 794: 787: 785: 783: 778: 776: 772: 767: 765: 761: 757: 752: 745: 740: 736: 734: 730: 726: 722: 717: 715: 711: 707: 699: 694: 687: 685: 681: 679: 673: 669: 666: 662: 658: 654: 650: 642: 640: 638: 637:Julián Garcés 634: 630: 626: 622: 614: 608: 601: 599: 596: 591: 587: 584: 580: 576: 572: 567: 562: 560: 556: 552: 548: 544: 540: 536: 532: 528: 524: 514: 510: 507: 504: 497: 494: 485: 479: 471: 463: 456: 452: 450:Official name 444: 435: 431: 427: 423: 420: 416: 412: 409: 404: 400: 396: 392: 388: 384: 380: 375: 361: 357: 343: 339: 336: 332: 328: 325: 323: 319: 315: 310: 305: 300: 296: 293: 291: 287: 282: 277: 249: 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in the 1301:triglyphs 1123:pedestals 986:triglyphs 974:pedestals 958:pilasters 804:Bringing 579:Philip IV 571:Philip II 359:Completed 306:(cypress) 198:Cathedral 5322:Chilotan 5252:Hacienda 5242:Bullring 5170:Presidio 5053:Paraguay 5033:Honduras 4998:Colombia 4920:Veracruz 4915:Trujillo 4880:Santa Fe 4860:San Juan 4690:Campeche 4680:Arequipa 4652:articles 4536:Veracruz 4449:Huejutla 4380:Mexicali 4370:Ensenada 4328:Tlaxcala 4323:Tehuacán 4256:Saltillo 4148:Irapuato 4112:Culiacán 4030:Mazatlán 4020:El Salto 3872:Acapulco 3429:See also 3400:Sundays 3320:emeralds 3316:diamonds 3297:scepters 3276:Talavera 3035:Heracles 3019:Gobelins 3011:gobelins 2885:Sacristy 2753:and the 2711:made by 2581:and the 2575:sacristy 2486:and the 2307:Sagrario 2088:seraphim 1814:in 1688. 1794:Archive. 1667:transept 1660:Transept 1538:fleurons 1530:rosettes 1526:crossing 1465:Interior 1399:azulejos 1395:crossing 1297:capitals 1144:pediment 1033:azulejos 944:The two 888:Exterior 733:Tlaxcala 633:Tlaxcala 469:Criteria 464:Cultural 240:, Mexico 234:Location 229:Location 181:District 163:Religion 110:May 2022 5315:Mexican 5295:Baroque 5264:Cabildo 5247:Convent 5211:Tayabas 5113:Uruguay 5091:Florida 5077:Arizona 5018:Ecuador 4988:Bolivia 4910:Tayabas 4820:Popayán 4795:Morelia 4775:Malolos 4730:Granada 4511:Orizaba 4506:Córdoba 4426:Texcoco 4385:Tijuana 4287:Morelia 4261:Tampico 4231:Linares 4122:Nogales 4035:Torreón 4015:Durango 3877:Chilapa 3705:(1966). 3691:. 2017. 3459:uneven. 3342:escudos 3331:in his 3301:pallium 3282:Jewelry 3205:Graves. 3107:Palafox 3088:Archive 3021:) from 2871:Criollo 2583:Calvary 2335:descent 2170:of the 2168:oratory 2082:of the 2080:anagram 2008:Cypress 1978:cypress 1871:tempera 1864:Palafox 1856:Baroque 1832:reredos 1830:of its 1631:Joachim 1534:coffers 1486:to the 1427:ossuary 1386:tumbaga 1377:Raphael 1373:Gabriel 1369:Michael 1127:cornice 1119:columns 1108:style. 1092:Facades 1025:merlons 1006:bossage 994:imposts 990:metopes 950:cornice 872:to the 870:chancel 828:Jesuits 806:Palafox 729:Cholula 649:Cabildo 484:session 406:Width ( 367: ( 349: ( 335:Baroque 218: ( 94:scholar 5342:Rococo 5300:Andean 5144:Chiloé 5048:Panama 5038:Mexico 4967:Oldest 4825:Puebla 4805:Oaxaca 4790:Mompox 4780:Manila 4770:Malabo 4750:La Paz 4745:Iloílo 4740:Havana 4715:Cuenca 4685:Bogotá 4541:Xalapa 4375:La Paz 4318:Puebla 4210:Toluca 4138:Celaya 4061:Colima 4056:Autlán 3987:Madera 3924:Oaxaca 3758: 3613: 3387:saints 3379:Easter 3374:masses 2867:Puebla 2814:Every 2512:and a 2478:, and 2337:and a 2218:organs 2203:Organs 2057:stucco 2016:ambons 1895:Esther 1887:Judith 1828:niches 1561:stucco 1557:niches 1555:Eight 1546:pumice 1507:arches 1484:façade 1438:vaults 1434:barrel 1415:Veytia 1409:Atrium 1365:stucco 1160:Pius X 1131:niches 1078:bells" 1017:plinth 982:frieze 962:arches 946:towers 921:Towers 881:marble 824:tithes 714:Monzón 551:UNESCO 543:Puebla 502:Region 482:(11th 472:ii, iv 390:Length 96: 89: 82: 75: 67: 5279:Plaza 5139:Bohol 5105:Texas 4993:Chile 4925:Vigan 4900:Sucre 4830:Quito 4725:Cusco 4665:Agaña 4091:Tepic 3752:(PDF) 3671:(PDF) 3664:(PDF) 3644:(PDF) 3637:(PDF) 3527:(PDF) 3520:(PDF) 3446:Notes 3362:ebony 3293:paxes 3217:Music 2472:guild 2230:pipes 2153:Choir 1690:cedar 1612:niche 1522:domes 1511:domes 1492:naves 1488:Altar 1381:Uriel 1153:crown 1049:bells 1043:Bells 998:jambs 966:bells 874:choir 760:Cusco 756:Quito 480:1987 419:Spire 398:Width 322:Style 101:JSTOR 87:books 5058:Peru 5023:Guam 5008:Cuba 4905:Taal 4765:Lima 4755:León 4710:Coro 4700:Cebú 4143:León 3784:2010 3756:ISBN 3611:ISBN 3318:and 3310:The 3237:and 3041:and 2893:The 2861:The 2795:and 2719:and 2658:and 2589:and 2456:and 2391:and 2222:nave 2216:The 2071:and 2040:and 1976:The 1940:and 1932:and 1913:and 1899:Jael 1897:and 1891:Ruth 1836:dome 1716:Plan 1633:and 1550:lime 1379:and 1363:the 1340:arch 1331:and 1311:and 1125:and 964:for 835:nave 758:and 731:and 577:and 521:The 461:Type 408:nave 369:1737 297:and 200:and 73:news 3049:of 2897:by 2787:to 2381:of 1838:on 1347:). 712:in 659:of 549:by 541:of 496:416 421:(s) 56:by 5395:: 3687:. 3575:. 3535:^ 3493:. 3421:.) 3389:. 3381:, 3327:. 3295:, 3266:. 2956:. 2791:, 2731:. 2700:. 2593:. 2490:. 2460:. 2364:. 2349:. 2099:. 2075:. 2067:, 2063:, 2059:, 1925:. 1893:, 1889:, 1712:. 1681:. 1655:. 1375:, 1371:, 1170:. 1155:. 1008:. 996:, 849:. 830:. 573:, 561:. 333:, 4642:e 4635:t 4628:v 4583:) 4579:( 4573:) 4569:( 4563:) 4559:( 3848:e 3841:t 3834:v 3786:. 3764:. 3722:. 3619:. 3503:. 3344:. 3146:. 1598:. 1074:. 486:) 424:2 410:) 371:) 353:) 222:) 123:) 117:( 112:) 108:( 98:· 91:· 84:· 77:· 50:. 20:)

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