151:. Her professional career of over 50 years began as a biological illustrator, specializing for 20 years in the ecological integration of marine invertebrates and algae of the Pacific Coast. Skinner presently works between studios in Seattle and Santa Fe as a interdisciplinary artist using methods of painting, encaustic, photography, printmaking, book making, and sculpture using cast glass and bronze.
272:/art selected for the U.S. Embassy, Port Moresby, Papua New Guinea 2020-2023 and Acclaimed Artists Series 2020-2022, Art in Public Places, New Mexico Department of Cultural Affairs; Curator, Within/Without, Contemporary Photographs of Cuba, Bumbershoot Art Festival, Seattle, Washington, 2001; Seattle Arts Commission, 1998 - 2000; Santa Fe Art Institute, Nathan Oliviera, 1999 and Anne Truit, 2000.
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Skinner's work is centered on the balance of the five elements - earth, fire, water, air, and space, as well as methods of numerical systems and patterning used to construct an order to our world. Gravitating towards mark-making methods that have been used by peoples and animals to indicate presence
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of Santa Fe, New Mexico, documents her investigation of this symbolic sacred number, using repetition in multiple explorations. Her artwork is included in Art of
Discovery: Exploring a Northwest Art Collection, as well as the cover art of Others Will Enter the Gates and Speak For the Trees.
237:, Las Vegas, Nevada; Abmeyer + Wood Fine Art, Seattle, Washington; Friesen Gallery, Sun Valley, Idaho; Gallery Saoh & Tomos, Tokyo, Japan; and Linda Durham Gallery, Santa Fe, New Mexico. Her work has been in numerous group exhibitions in museum and galleries, including the
160:
in place and construct a deeper relationship with nature, she moves from the simplicity of tantric forms to the complexities of grids, encompassing repetition and multiplicity. Skinner’s poetry has often been published with her work in exhibitions and press.
288:, La Conner, Washington; Virginia Mason Medical Center, Seattle, Washington; Seattle University's Seeds of Compassion Collection, Seattle, Washington; Museum of Encaustic Art, Santa Fe, New Mexico; and Seattle Children's Hospital, Seattle, Washington..
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Skinner states, “Recognizing the importance of the polar energies in our lives is paramount to our survival within our delicate ecosystem. Each of my works becomes an offering to new possibilities; a modern mandala born out of ancient tradition.”
201:; Art Reveal, Magazine 43, Contempo Annual, Saatchi Art's The Women-Only Edition of Invest In Art – Women's History Month, Blink Ink, iō Literary Journal, The Woven Tale Press, Apero, New Mexico Bar Bulletin and Art Folio 2020 and 2022.
257:, Santa Fe, New Mexico; Bellevue Art Museum, Bellevue, Washington; Museum of Northwest Art, La Conner, Washington; Whatcom Museum, Bellingham, Washington; Hall of Awa Japanese Handmade Paper Museum, Tokushima, Japan; and the
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Over 100 publications (magazines, newspapers) have highlighted her work in feature articles and/or cover art work, including LandEscape Art Review,
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296:"Catherine Eaton Skinner/Specialty: Mixed Media." New Mexico State Committee of the National Museum of Women in the Arts,
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Catherine Eaton
Skinner (Catherine Gene Walker) was raised in the Pacific Northwest. She received her BA in Biology from
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253:, Katonah, New York; Museum of Encaustic Art, Santa Fe, New Mexico; Morris Graves Museum of Art, Eureka, California;
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Catherine Eaton
Skinner interview. Art World Innovators, UMFM radio, University of Manitoba, Canada,
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131:(born 1946) is a multimedia artist with studios in Seattle, Washington and Santa Fe, New Mexico.
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Public collections include the Henry Art Museum, University of
Washington, Seattle, Washington;
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The ecology of estuarine channels of the
Pacific Northwest Coast: a community profile
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185:, centers on man’s relationship to various animals with focus through their eyes.
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Seashore Life of Puget Sound, the Strait of
Georgia, and the San Juan Archipelago
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568:"Artist Catherine Eaton Skinner, Ancient Ritual in Contemporary Mark Making"
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24:
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Marine
Wildlife of Puget Sound, the San Juans, and the Straits of Georgia
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https://umfm.com/programming/broadcast/art-world-innovators-march-21-2019
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while simultaneously studying painting with Bay Area
Figurative painters
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Peace, Sarah, Ed.,"WordPower: Language as Medium." L I B R A R Y X,
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Intertidal Life of
Bartlett Cove, Glacier Bay National Monument
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249:, Solvang, California; Gallery Fritz, Santa Fe, New Mexico;
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https://newmexicowomeninthearts.org/catherine-eaton-skinner
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The Art of
Discovery: Exploring a Northwest Art Collection
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Skinner has completed over 50 solo exhibitions, including
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624:"Original Women's History Month March 2019 Art For Sale"
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The City of Santa Fe Arts Commission Community Gallery
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https://libraryx.org.uk/wordpower-language-as-medium/
363:. Washington, D.C.: U.S. Department of the Interior.
378:. Washington, D.C.: U.S. Fish and Wildlife Service.
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930:Henry Art Gallery and the University of Washington
302:"Passages." ArLiJo (Arlington Literary Journal),
217:, Friday Harbor, Washington; Las Cruces Museums:
177:Unleashed, an earlier monograph published by the
520:. Seattle, WA: University of Washington Press.
876:"Awa Traditional Japanese Handmade Paper Hall"
8:
235:Summerlin Library and Performing Arts Center
338:. Seattle: University of Washington Press.
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445:. Seattle, WA: Junior League of Seattle.
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172:Skinner's monograph, 108, published by
548:(Anniversary Edition). January 8, 2019
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797:"Summer Exhibition 2019 Gallery III"
710:. The Woven Tale Press. 23 May 2019
233:, a 6-month, 6-city Missouri tour;
764:New Mexico Bar Association Journal
649:"Blink Ink Issue #35 "Robots / AI"
247:Wilding Museum of Art & Nature
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1023:Artists from Santa Fe, New Mexico
516:Skinner, Catherine Eaton (2009).
441:Junior League of Seattle (2010).
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785:https://www.artfolioannual.com/
374:Simenstad, Charles A. (1983).
179:University of Washington Press
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766:. New Mexico Bar Association
466:Animashaun, Abayomi (2015).
225:, Mount Vernon, Washington;
468:Others Will Enter the Gates
86:1946 (age 77–78)
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1043:Stanford University alumni
821:Skinner, Catherine Eaton.
755:Skinner, Catherine Eaton.
674:Skinner, Catherine Eaton.
414:Skinner, Catherine Eaton.
241:, London, United Kingdom;
227:Enterprise Library Gallery
221:, Las Cruces, New Mexico;
113:https://www.ceskinner.com/
1028:Pacific Northwest artists
851:"Catherine Eaton Skinner"
730:"Catherine Eaton Skinner"
704:"Catherine Eaton Skinner"
594:"Catherine Eaton Skinner"
926:"Henry Collections Home"
880:Discover Tokushima Japan
542:"Catherine Eaon Skinner"
491:Friesen, Andrea (2009).
470:. Black Lawrence Press.
334:Kozloff, Eugene (1973).
270:Art in Embassies Program
265:Awards & Residencies
219:Branigan Cultural Center
213:, Santa Fe, New Mexico;
181:in conjunction with the
135:Early life and education
604:(4): 16–21. Summer 2018
286:Museum of Northwest Art
245:, Novato, California;
129:Catherine Eaton Skinner
77:Catherine Eaton Skinner
38:, as no other articles
1038:American women artists
905:Yellowstone Art Museum
393:. Globe Pequot Press.
359:Duggins, Dave (1980).
304:http://www.arlijo.com/
284:, Tacoma, Washington;
259:Yellowstone Art Museum
125:
951:"Red Dogs Running II"
801:Royal Academy of Arts
546:LandEscape Art Review
389:Yates, Steve (1988).
261:, Billings, Montana.
251:Katonah Museum of Art
239:Royal Academy of Arts
229:, Las Vegas, Nevada;
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1033:Artists from Seattle
708:The Woven Tale Press
231:ILLUMINATIONS/RAVENS
205:Selected exhibitions
199:Buddhist Art Journal
901:"north x northwest"
683:iĹŤ Literary Journal
493:Speak for the Trees
141:Stanford University
95:Stanford University
495:. Marquand Books.
215:Waterworks Gallery
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57:for suggestions.
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400:0871066602
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806:March 9,
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