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called him "Cavaliere", which is why he later referred to himself as "Ritter" (Knight). He left
England a few years later and returned to Italy. While there, in the 1750s, he was employed by a branch of the
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were especially influential. He first gained attention at this time with portraits of the
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That year, he settled in London. His portraits were so well thought of that King
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Mit Pinsel, Feder und Stift – Meisterzeichnungen der
Graphischen Sammlung.
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then, in 1737, on to
Potsdam and Berlin, where he painted for the
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65:(1 January 1693 – 11 May 1769) was an itinerant
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His connection with
Germany began when he married in
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77:Little is known of his early life. He was born in
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101:. Later, he returned to Switzerland, working in
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244:Christiane Lukatis, Hans Ottomeyer (Ed.):
50:Vision of St. John the Evangelist (1737)
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69:painter, best known for his portraits.
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228:Historical Dictionary of Switzerland
181:"Rusca, Carlo Francesco (Cavaliere)"
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321:18th-century Italian male artists
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120:at the invitation of Landgrave
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188:Lexicon on art in Switzerland
42:Portrait of an Actor (1730s)
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306:Italian portrait painters
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205:Rusca, Carlo Francesco
116:. In 1733, he went to
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301:Italian male painters
273:at Wikimedia Commons
271:Francesco Carlo Rusca
130:Prussian royal family
59:Carlo Francesco Rusca
55:Francesco Carlo Rusca
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150:Spanish royal family
132:. He also worked in
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140:from 1738 to 1739.
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89:. The works of
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280:Categories
160:References
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145:George II
103:Solothurn
126:Hannover
222:Italian
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216:French
210:German
186:SIKART
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154:Milan
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