Knowledge (XXG)

Cello Sonata No. 2 (Enescu)

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The structure of the second movement is much more problematic. While one analyst sees it as a somewhat blurred ternary scherzo. another argues for "a new original structure, superimposing a sonata-form—with exposition, development and recapitulation—to the principles of the fugue", quoted in Bentoiu,
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Although the broad outline of the work follows the classical model of a four-movement sonata, Enescu’s working-out of the internal structures of the movements is not easy to fit to the conventional schemes. A certain mobility in the transformation of the musical material reaches solutions similar to
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relationship. Its structure is complicated by being stated twice, separated by a developmental passage on the second part of the theme. The secondary, rather Schumanesque theme is assigned mainly to the piano, with occasional pizzicato interjections by the cello. The development is fairly
165:, probably in June 1935, and finished it the following November. The first and second movements were completed in Bucharest on 8 August and 12 September, respectively. The third and fourth movements were completed in Vienna, on 27 September and 30 November. 286:. Varujan Cozighian, violin; Valentin Gheorghiu, piano (Op. 6); Alexandra Guțu, cello; Elena Cosma, piano (Op. 26). LP recording, 1 disc: 12 in, 33⅓ rpm, stereo. Electrecord ST-ECE 01804. Bucharest: Electrecord, 1981. 280:. Stefan Gheorghiu, violin; Valentin Gheorghiu, piano (Op. 28); Ion Fotino, cello; Maria Fotino, piano (Op. 26). LP recording, 1 disc: 12 in, 33⅓ rpm, monaural. Electrecord ECE 076. Bucharest: Electrecord, 1961. 274:. Includes Op. 26, No. 2, Theodor Lupu, cello; George Enescu, piano. Recorded for the Romanian Radio, 1943. CD recording, 2 discs: digital, 4¾ in., monaural. Bucharest: Romanian Radio Broadcasting Corporation, 2005. 326:. Laura Buruiana, cello; Martin Tchiba, piano. Recorded 26–29 August 2007, Muziekcentrum Frits Philips, Eindhoven, The Netherlands. CD recording, 1 disc: digital, 4¾ in., stereo. Naxos 8570582. : Naxos, 2008. 564:
47, nos. 3–4 (Bartók's Orbit: The Context and Sphere of Influence of His Work: Proceedings of the International Conference Held by the Bartók Archives, Budapest, 22–24 March 2006, Part I): 345–59.
302:, cello (Op. 26, No. 2). Recorded. 25–27 October 1993, in the Konzerthaus, Kronberg/Taunus. CD recording, 1 disc: digital, 4¾ in., stereo. EBS 6043. Bietigheim-Bissingen: EBS Records, 1995. 979: 308:. Gerhard Zank, cello; Donald Sulzen, piano. Recorded 8, 11, 12 June 1997, Bürgerhaus Pullach. CD recording, 1 disc: digital, 4¾ in., stereo. : Arte Nova Classics, 1997. 499:
Arcu, Ariana. 2011. "Enescu’s Second Cello Sonata: A Synthesis of Romanian Folkloric Elements and Western Art Tradition". DMA diss. Tuscaloosa: The University of Alabama.
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The third, slow movement may be seen as a theme and variations or, alternatively, as a dreamlike sonata form. The rhythm throughout the movement is in the "
314:. Viviane Spanoghe, cello; André De Groote, piano. CD recording, 1 disc: digital, 4¾ in., stereo. Talent DOM 2910 79, Antwerp: Classic Talent, 2002. 292:. Enescu: Cello Sonata No. 2 in C major Op. 26 No. 2; Anssi Karttunen, cello; Tuija Hakkila, piano. Finlandia Records CD (Warner), 1990. 866: 600: 964: 897: 627: 596: 918: 645: 524: 516: 861: 320:. Edda Erlendsdottir, piano; Bryndis Halla Gylfadottir, cello. CD recording, 1 disc: digital, 4¾ in., stereo. Erma 200.006 . : , 2005. 173: 105: 892: 296:
George Enescu: Sonate für Klavier fis-moll op. 24/1; Sonate für Klavier und Violoncello op. 26/2; Rapsodia Romina für Klavier, op. 11/1
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George Enescu: Sonata nr. 2 pentru pian și vioară in fa minor, op. 6; Sonata nr. 2 pentru pian și violoncel in Do major, op. 26, nr. 2
583: 332:. Valentin Radutiu, cello; Per Rundberg, piano. CD recording, 1 disc: digital, 4¾ in., stereo. Hänssler Classic 98021. 2013. 974: 685: 278:
George Enescu: Impressions d'enfance, pour violin et piano, op. 28; Sonate no. 2 en ut majeur pour piano et violoncelle, op. 26
188: 191:, Op. 27. What is odd is that he chose to include with it the very much earlier Sonata in F Minor (1898), written before the 856: 799: 794: 929: 809: 804: 784: 779: 695: 690: 192: 184: 830: 825: 620: 969: 851: 835: 750: 183:
The opus number 26, which Enescu assigned to this work, is chronologically appropriate relative to the preceding
761: 721: 715: 710: 705: 700: 299: 959: 943: 887: 789: 613: 549:, 2 vols., edited by Mircea Voicana, 739–876. Bucharest: Editura Academiei Republicii Socialiste România. 228:. The first theme is expansive, and falls into two large parts, with the piano and cello in a generally 221:
those of the Classical era, but interpreted and altered according to the composer’s personal taste.
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maintains that it "contains all the elements to qualify without hesitation for a sonata form".
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while yet another sees it as nearly a textbook example of an ABA scherzo, though including the
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conventional, but the recapitulation is unusually concise, and is followed by a lengthy coda.
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The finale is sometimes claimed to be a rondo, at other times a sonata-rondo, whereas
953: 636: 146: 29: 24: 882: 567: 542: 169: 158: 87: 38: 238: 229: 225: 138: 59: 902: 728: 195:, Op. 6, publishing the two cello sonatas as a pair: Op. 26, Nos. 1 and 2. 245: 162: 134: 52: 312:
George Enescu: 2 Sonatas for Cello and Piano; Nocturne and Saltarello
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George Enescu: Compozitor și interpret / Composer & Performer
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Repere arhitectonice în creația muzicală românească contemporană
298:. Lory Wallfisch, piano; Julien Musafia, piano (Op. 11, No. 1); 609: 560:
Firca, Clemensa Liliana. 2006. "Enesco–Bartók: Interférences".
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return of nearly the entire main theme of the first movement.
511:, translated by Lory Wallfisch. Lanham, MD: Scarecrow Press. 224:
The first movement is relatively unproblematic, cast in a
149:, written in 1935. A performance lasts about 30 minutes. 371: 369: 927: 875: 844: 818: 738: 671: 652: 119: 111: 93: 83: 68: 58: 48: 18: 306:George Enescu: Cello Sonatas, Op. 26, Nos. 1 and 2 562:Studia Musicologica Academiæ Scientarum Hungaricæ 509:Masterworks of George Enescu: A Detailed Analysis 545:. 1971 "Premiera Operei Oedip (1934–1936)". In 252:" style characteristic of Romanian folk music. 621: 267:Listed chronologically by date of recording. 145:for cello and piano by the Romanian composer 8: 290:Works by Debussy, Enescu, Janácek and Kodály 980:Music dedicated to ensembles or performers 628: 614: 606: 330:Enescu: Complete Works for Cello and Piano 37: 15: 867:George Enescu National University of Arts 601:International Music Score Library Project 176:in Paris on 4 March 1936, by the cellist 934: 898:George Enescu International Competition 541:Zottoviceanu, Elena, Adrian Rațiu, and 483: 459: 447: 435: 423: 411: 387: 375: 348: 341: 686:Orchestral Suite No. 3 ("Villageoise") 203:The Cello Sonata is in four movements 7: 862:George Enescu Philharmonic Orchestra 536:. București: Editura Muzicală, 1982. 471: 216:Final a la roumaine, Allegro sciolto 893:George Enescu International Airport 857:George Enescu International Airport 400:Zottoviceanu, Rațiu, and Marbe 1971 361:Zottoviceanu, Rațiu, and Marbe 1971 213:Andantino cantabile, senza lentezza 157:Enescu began composing his second 14: 597:Cello Sonata No. 2, Op. 26, No. 2 572:George Enescu: His Life and Music 210:Allegro agitato, non troppo mosso 106:École Normale de Musique de Paris 937: 914: 913: 318:Kodály, Martinů, Enescu, Janáček 965:Chamber music by George Enescu 1: 775:Octet for Strings in C major 324:George Enescu: Cello Sonatas 187:, Op. 25, and the following 207:Allegro moderato ed amabile 168:The sonata is dedicated to 996: 756:Decet for Winds in D major 180:with Enescu at the piano. 911: 643: 578:. London: Toccata Press. 547:George Enescu: Monografie 172:and was premiered at the 36: 23: 574:, with a preface by Sir 532:Bughici, Dumitru. 1982. 174:École Normale de Musique 975:Compositions in C major 852:George Enescu, Botoșani 696:Romanian Rhapsody No. 2 691:Romanian Rhapsody No. 1 888:George Enescu Festival 189:Third Orchestral Suite 97:4 March 1936 762:Impressions d'enfance 43:George Enesco in 1930 800:String Quartet No. 2 795:String Quartet No. 1 646:List of compositions 193:Second Violin Sonata 810:Violin Sonata No. 3 805:Violin Sonata No. 2 785:Piano Quartet No. 2 780:Piano Quartet No. 1 462:, pp. 360–362. 402:, pp. 767–772. 390:, pp. 352–356. 226:sonata-allegro form 185:Third Violin Sonata 831:Piano Sonata No. 3 826:Piano Sonata No. 1 746:Cello Sonata No. 2 141:. 26, No. 2, is a 131:Cello Sonata No. 2 19:Cello Sonata No. 2 970:1935 compositions 925: 924: 836:Piano Suite No. 2 525:978-0-8108-7690-3 517:978-0-8108-7665-1 450:, pp. 78–79. 127: 126: 987: 942: 941: 940: 933: 917: 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337:References 101:1936-03-04 84:Dedication 729:Vox maris 472:Arcu 2011 120:Movements 94:Performed 64:26, No. 2 919:Category 570:. 1990. 527:(ebook). 519:(cloth) 507:. 2010. 246:parlando 239:cyclical 199:Analysis 112:Duration 69:Composed 903:Luminiș 769:Légende 163:Tescani 153:History 135:C major 99: ( 74: ( 53:C major 930:Portal 664:(1936) 582:  523:  515:  250:rubato 143:sonata 115:30 min 661:Œdipe 653:Opera 580:ISBN 521:ISBN 513:ISBN 129:The 76:1935 72:1935 60:Opus 161:in 133:in 49:Key 27:by 956:: 368:^ 139:Op 137:, 932:: 629:e 622:t 615:v 586:. 248:- 123:4 103:) 78:)

Index

Chamber music
George Enescu

C major
Opus
Pablo Casals
École Normale de Musique de Paris
C major
Op
sonata
George Enescu
cello sonata
Tescani
Pablo Casals
École Normale de Musique
Diran Alexanian
Third Violin Sonata
Third Orchestral Suite
Second Violin Sonata
sonata-allegro form
heterophonic
cyclical
parlando
rubato
Pascal Bentoiu
Julius Berger
Bentoiu 2010
Zottoviceanu, Rațiu, and Marbe 1971

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