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The structure of the second movement is much more problematic. While one analyst sees it as a somewhat blurred ternary scherzo. another argues for "a new original structure, superimposing a sonata-form—with exposition, development and recapitulation—to the principles of the fugue", quoted in
Bentoiu,
220:
Although the broad outline of the work follows the classical model of a four-movement sonata, Enescu’s working-out of the internal structures of the movements is not easy to fit to the conventional schemes. A certain mobility in the transformation of the musical material reaches solutions similar to
232:
relationship. Its structure is complicated by being stated twice, separated by a developmental passage on the second part of the theme. The secondary, rather
Schumanesque theme is assigned mainly to the piano, with occasional pizzicato interjections by the cello. The development is fairly
165:, probably in June 1935, and finished it the following November. The first and second movements were completed in Bucharest on 8 August and 12 September, respectively. The third and fourth movements were completed in Vienna, on 27 September and 30 November.
286:. Varujan Cozighian, violin; Valentin Gheorghiu, piano (Op. 6); Alexandra Guțu, cello; Elena Cosma, piano (Op. 26). LP recording, 1 disc: 12 in, 33⅓ rpm, stereo. Electrecord ST-ECE 01804. Bucharest: Electrecord, 1981.
280:. Stefan Gheorghiu, violin; Valentin Gheorghiu, piano (Op. 28); Ion Fotino, cello; Maria Fotino, piano (Op. 26). LP recording, 1 disc: 12 in, 33⅓ rpm, monaural. Electrecord ECE 076. Bucharest: Electrecord, 1961.
274:. Includes Op. 26, No. 2, Theodor Lupu, cello; George Enescu, piano. Recorded for the Romanian Radio, 1943. CD recording, 2 discs: digital, 4¾ in., monaural. Bucharest: Romanian Radio Broadcasting Corporation, 2005.
326:. Laura Buruiana, cello; Martin Tchiba, piano. Recorded 26–29 August 2007, Muziekcentrum Frits Philips, Eindhoven, The Netherlands. CD recording, 1 disc: digital, 4¾ in., stereo. Naxos 8570582. : Naxos, 2008.
564:
47, nos. 3–4 (Bartók's Orbit: The
Context and Sphere of Influence of His Work: Proceedings of the International Conference Held by the Bartók Archives, Budapest, 22–24 March 2006, Part I): 345–59.
302:, cello (Op. 26, No. 2). Recorded. 25–27 October 1993, in the Konzerthaus, Kronberg/Taunus. CD recording, 1 disc: digital, 4¾ in., stereo. EBS 6043. Bietigheim-Bissingen: EBS Records, 1995.
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308:. Gerhard Zank, cello; Donald Sulzen, piano. Recorded 8, 11, 12 June 1997, Bürgerhaus Pullach. CD recording, 1 disc: digital, 4¾ in., stereo. : Arte Nova Classics, 1997.
499:
Arcu, Ariana. 2011. "Enescu’s Second Cello Sonata: A Synthesis of
Romanian Folkloric Elements and Western Art Tradition". DMA diss. Tuscaloosa: The University of Alabama.
244:
The third, slow movement may be seen as a theme and variations or, alternatively, as a dreamlike sonata form. The rhythm throughout the movement is in the "
314:. Viviane Spanoghe, cello; André De Groote, piano. CD recording, 1 disc: digital, 4¾ in., stereo. Talent DOM 2910 79, Antwerp: Classic Talent, 2002.
292:. Enescu: Cello Sonata No. 2 in C major Op. 26 No. 2; Anssi Karttunen, cello; Tuija Hakkila, piano. Finlandia Records CD (Warner), 1990.
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320:. Edda Erlendsdottir, piano; Bryndis Halla Gylfadottir, cello. CD recording, 1 disc: digital, 4¾ in., stereo. Erma 200.006 . : , 2005.
173:
105:
892:
296:
George Enescu: Sonate für
Klavier fis-moll op. 24/1; Sonate für Klavier und Violoncello op. 26/2; Rapsodia Romina für Klavier, op. 11/1
284:
George Enescu: Sonata nr. 2 pentru pian și vioară in fa minor, op. 6; Sonata nr. 2 pentru pian și violoncel in Do major, op. 26, nr. 2
583:
332:. Valentin Radutiu, cello; Per Rundberg, piano. CD recording, 1 disc: digital, 4¾ in., stereo. Hänssler Classic 98021. 2013.
974:
685:
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George Enescu: Impressions d'enfance, pour violin et piano, op. 28; Sonate no. 2 en ut majeur pour piano et violoncelle, op. 26
188:
191:, Op. 27. What is odd is that he chose to include with it the very much earlier Sonata in F Minor (1898), written before the
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The opus number 26, which Enescu assigned to this work, is chronologically appropriate relative to the preceding
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549:, 2 vols., edited by Mircea Voicana, 739–876. Bucharest: Editura Academiei Republicii Socialiste România.
228:. The first theme is expansive, and falls into two large parts, with the piano and cello in a generally
221:
those of the
Classical era, but interpreted and altered according to the composer’s personal taste.
768:
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maintains that it "contains all the elements to qualify without hesitation for a sonata form".
237:
while yet another sees it as nearly a textbook example of an ABA scherzo, though including the
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conventional, but the recapitulation is unusually concise, and is followed by a lengthy coda.
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The finale is sometimes claimed to be a rondo, at other times a sonata-rondo, whereas
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195:, Op. 6, publishing the two cello sonatas as a pair: Op. 26, Nos. 1 and 2.
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George Enescu: 2 Sonatas for Cello and Piano; Nocturne and
Saltarello
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142:
272:
George Enescu: Compozitor și interpret / Composer & Performer
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534:
Repere arhitectonice în creația muzicală românească contemporană
298:. Lory Wallfisch, piano; Julien Musafia, piano (Op. 11, No. 1);
609:
560:
Firca, Clemensa
Liliana. 2006. "Enesco–Bartók: Interférences".
399:
360:
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return of nearly the entire main theme of the first movement.
511:, translated by Lory Wallfisch. Lanham, MD: Scarecrow Press.
224:
The first movement is relatively unproblematic, cast in a
149:, written in 1935. A performance lasts about 30 minutes.
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306:George Enescu: Cello Sonatas, Op. 26, Nos. 1 and 2
562:Studia Musicologica Academiæ Scientarum Hungaricæ
509:Masterworks of George Enescu: A Detailed Analysis
545:. 1971 "Premiera Operei Oedip (1934–1936)". In
252:" style characteristic of Romanian folk music.
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267:Listed chronologically by date of recording.
145:for cello and piano by the Romanian composer
8:
290:Works by Debussy, Enescu, Janácek and Kodály
980:Music dedicated to ensembles or performers
628:
614:
606:
330:Enescu: Complete Works for Cello and Piano
37:
15:
867:George Enescu National University of Arts
601:International Music Score Library Project
176:in Paris on 4 March 1936, by the cellist
934:
898:George Enescu International Competition
541:Zottoviceanu, Elena, Adrian Rațiu, and
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686:Orchestral Suite No. 3 ("Villageoise")
203:The Cello Sonata is in four movements
7:
862:George Enescu Philharmonic Orchestra
536:. București: Editura Muzicală, 1982.
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216:Final a la roumaine, Allegro sciolto
893:George Enescu International Airport
857:George Enescu International Airport
400:Zottoviceanu, Rațiu, and Marbe 1971
361:Zottoviceanu, Rațiu, and Marbe 1971
213:Andantino cantabile, senza lentezza
157:Enescu began composing his second
14:
597:Cello Sonata No. 2, Op. 26, No. 2
572:George Enescu: His Life and Music
210:Allegro agitato, non troppo mosso
106:École Normale de Musique de Paris
937:
914:
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318:Kodály, Martinů, Enescu, Janáček
965:Chamber music by George Enescu
1:
775:Octet for Strings in C major
324:George Enescu: Cello Sonatas
187:, Op. 25, and the following
207:Allegro moderato ed amabile
168:The sonata is dedicated to
996:
756:Decet for Winds in D major
180:with Enescu at the piano.
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643:
578:. London: Toccata Press.
547:George Enescu: Monografie
172:and was premiered at the
36:
23:
574:, with a preface by Sir
532:Bughici, Dumitru. 1982.
174:École Normale de Musique
975:Compositions in C major
852:George Enescu, Botoșani
696:Romanian Rhapsody No. 2
691:Romanian Rhapsody No. 1
888:George Enescu Festival
189:Third Orchestral Suite
97:4 March 1936
762:Impressions d'enfance
43:George Enesco in 1930
800:String Quartet No. 2
795:String Quartet No. 1
646:List of compositions
193:Second Violin Sonata
810:Violin Sonata No. 3
805:Violin Sonata No. 2
785:Piano Quartet No. 2
780:Piano Quartet No. 1
462:, pp. 360–362.
402:, pp. 767–772.
390:, pp. 352–356.
226:sonata-allegro form
185:Third Violin Sonata
831:Piano Sonata No. 3
826:Piano Sonata No. 1
746:Cello Sonata No. 2
141:. 26, No. 2, is a
131:Cello Sonata No. 2
19:Cello Sonata No. 2
970:1935 compositions
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836:Piano Suite No. 2
525:978-0-8108-7690-3
517:978-0-8108-7665-1
450:, pp. 78–79.
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876:Related articles
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724:(unfinished)
718:(unfinished)
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543:Myriam Marbe
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88:Pablo Casals
819:Piano music
263:Discography
954:Categories
337:References
101:1936-03-04
84:Dedication
729:Vox maris
472:Arcu 2011
120:Movements
94:Performed
64:26, No. 2
919:Category
570:. 1990.
527:(ebook).
519:(cloth)
507:. 2010.
246:parlando
239:cyclical
199:Analysis
112:Duration
69:Composed
903:Luminiș
769:Légende
163:Tescani
153:History
135:C major
99: (
74: (
53:C major
930:Portal
664:(1936)
582:
523:
515:
250:rubato
143:sonata
115:30 min
661:Œdipe
653:Opera
580:ISBN
521:ISBN
513:ISBN
129:The
76:1935
72:1935
60:Opus
161:in
133:in
49:Key
27:by
956::
368:^
139:Op
137:,
932::
629:e
622:t
615:v
586:.
248:-
123:4
103:)
78:)
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