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stayed at
Groussay as a guest of Beistegui in 1946. Channon (who was noted for the lavish elegance of his own town and country houses) described the Château as being plain and old fashioned. With the aim of 19th century restoration Beistegui had replaced modern bathrooms with Victorian style ones,
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After
Beistegui's death in 1970, the Château passed to his brother, and then his nephew, who sold it in 1999, realizing $ 26.5 million for the contents alone, many of which had come from another of Carlos de Beistegui's homes, the
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in Sweden. They feature a
Chinese pagoda, a labyrinth, a theater of verdure, a Tartar tent, and other follies. The Gardens are classified by the French government as one of the
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Beistegui created new gardens, inspired by the Anglo-Chinese gardens of the 18th century and by an 18th-century copper tent in the royal gardens of
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and installed stag heads. Channon did however acknowledge "the really remarkable library" as being "sumptuous and superb".
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http://www.societe.com/societe/rubis-international-520369224.html
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The Château was purchased in 1938-39 by the
Spanish
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Louise
Elisabeth de Croÿ-Havré, marquise de Tourzel
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171:, who enlarged it, with the professional help of
226:The château and park of Groussay appeared in
179:'s inspiration for Henry Higgins' library in
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429:"POIDVIN Joelle POIDVIN PRIMEURS 00825262"
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