314:"Armer junger Hirt" may be thought of as the scherzo of the cycle. It has a pastoral theme, about a young shepherd who fears being kissed as if it might be like the sting of a bee. There are five stanzas of five lines each, where the last line of each stanza repeats the first, and the fifth stanza is a repetition of the first stanza. Instead of following the patterns in the text, Stockhausen varies his musical settings. For example, the opening line is presented softly in two mid-range voices, but returns at the end of the stanza loudly in five voices, subsiding again to the quiet sound of single, low-range voices. On the larger scale, the final stanza is made to begin like a slight variation of the first, but continues quite differently to achieve a powerful conclusion. The three stanzas in between are rich in tone painting, using the full choir in rising and falling movements and ostinato formations.
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306:"Die Nachtigall" is a poem concerning a lone nightingale singing melodiously against a crowd of noisy, frightened birds. Vring's German translation of the text of employs assonance and alliteration in a manner that recalls medieval poetry. The solo soprano, as the nightingale, represents the lost beloved, who remains alive only in remorseful memory. In the first stanza, she asserts
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197:. The first and third choruses were completed on 3 and 1 August 1950, respectively. The exact date of composition of the second is unknown. Stockhausen, who had not considered himself a composer up to this point, decided shortly after finishing these choruses to attempt something more ambitious in his subsequent score, the
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independence against the syllabic setting of the chorus. The second stanza, a variant of the first, closes with a long soprano solo. In the third stanza the chorus, as a symbol of nature and personal memory, steps into the foreground, creating in the image of the moon a contrast with the image of the
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The third movement, "Agnus Dei", opens with an archaising two-voice texture for the first stanza, followed by a four-voiced choral texture in the following stanzas. The text of the first two stanzas portray the lamb. The rhythmic independence of the voices and suggestions of polyphony contrast
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construction, characterising the gentleness of the lamb. This periodic interruption of the lyrical flow breaks the dramatic mood and suggests windows into a different world. The chorus comes to a close on an archaic open fifth, recalling and balancing the pseudo-medieval duet that opened the
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added to the first), while the central chorus is for eight voices, SSAATTBB. According to another opinion, the second movement is for a mixed choir subdivided in up to seven parts. The texts employed are all German translations from
Verlaine's French. The first two are translated by
417:, with works by eleven other composers. Recorded at the Resurrection Church in Gdańsk, 16–18 June 2014. CD recording, 1 sound disc: digital, stereo, 12 cm. DUX 1177. Warsaw: DUX Recording Producers, 2014.
439:
recorded 2 February 1998, Danish Radio
Concert Hall. CD recording, 1 sound disc: digital, stereo, 12 cm. Chandos, CHAN 9663. Colchester, Essex, England: Chandos, 1999.
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sharply with the homophonic, chordal setting of the remainder of the movement, which follows the conventional text arrangement of the liturgy: the penultimate stanza invokes the
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recorded 14 May 1975. LP recording, 1 disc, 33⅓ rpm, stereo, 12 in. Deutsche
Grammophon 2530 641. Hamburg: Deutsche Grammophon, 1976.
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The three texts have little in common to connect the three movements, though they all concern faith, hope, and love, in various ways.
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All of these student works and a number of later ones remained unpublished until 1971, when
Stockhausen rediscovered his early work
407:. CD recording, 1 sound disc: digital, stereo. 12 cm. Stockhausen Complete Edition CD1. Kürten: Stockhausen-Verlag, 2002.
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Karlheinz
Stockhausen II: Die Werke 1950–1977; Gespräch mit Karlheinz Stockhausen, "Es geht aufwärts"
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asked for a new piece to be performed at the Journées de
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413:. Chór Kameralny 441 Hz; Anna Wilczewska, cond. "Die Nachtigall" from
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for chamber orchestra, and noticed affinities with his then-just-completed
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are the earliest of these works that
Stockhausen allowed to be published.
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for violin and piano. On this same programme, on 22 October 1971 at the
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higher than the previous one, each time followed by an expanded-
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698:, 32–40. DuMont Dokumente. Cologne: DuMont Buchverlag, 1978.
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Stockhausen
Edition no. 1 (Chöre für Doris, Kreuzspiel etc)
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Choir; Jesper Grove Jørgensen, conductor. With works by
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During his third year of music-education studies at the
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669:. Lanham, Maryland, Toronto, Oxford: Scarecrow Press.
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667:Other Planets: The Music of Karlheinz Stockhausen
326:. Stockhausen sets each invocation of the lamb a
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721:. Sonoloco Reviews (Accessed 15 June 2013).
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276:The first and last pieces are scored for
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203:for alto voice and chamber orchestra.
2081:Compositions by Karlheinz Stockhausen
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218:for two pianos and electronics. When
142:(Choruses for Doris), after poems by
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2096:Music dedicated to family or friends
1888:Center for Art and Media Karlsruhe
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379:); Karlheinz Stockhausen, cond.
266:Die Nachtigall (The Nightingale)
250:("Wer uns trug mit Schmerzen").
682:Stockhausen, Karlheinz. 1978. "
311:bird in the first two stanzas.
387:Reissued on CD, together with
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399:Sonatine for violin and piano
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411:Modern Choral Masterpieces
242:'s chamber choir sang the
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1943:Gottfried Michael Koenig
635:Stockhausen: A Biography
262:The three choruses are:
1392:Klavierstücke Nos. 1–19
696:Christoph von Blumröder
616:Frisius, Rudolf. 2008.
347:Karlheinz Stockhausen:
727:, incl. audio sample,
633:Kurtz, Michael. 1992.
373:NDR Symphony Orchestra
153:choral composition by
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129:(four and eight parts)
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1893:Collegium Vocale Köln
1010:Hymnen (Third Region)
777:Karlheinz Stockhausen
717:Nordin, Ingvar Loco.
425:Danish National Radio
155:Karlheinz Stockhausen
36:Karlheinz Stockhausen
1828:Stockhausen Ensemble
1463:Gesang der Jünglinge
1154:Aus den sieben Tagen
805:Atmen gibt das Leben
786:List of compositions
358:Atmen gibt das Leben
171:Musikhochschule Köln
2091:Choral compositions
1170:Für kommende Zeiten
287:Georg von der Vring
280:choir (with a solo
236:Théâtre de la Ville
191:Chöre nach Verlaine
48:Chöre nach Verlaine
1779:Markus Stockhausen
1729:Alphabet für Liège
1713:Musik für ein Haus
421:Pupils of Messiaen
298:Rainer Maria Rilke
2086:1950 compositions
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1963:Mesías Maiguashca
1928:Nicolaus A. Huber
1883:Boudewijn Buckinx
1785:Simon Stockhausen
1773:Doris Stockhausen
1755:Mary Bauermeister
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1503:Unsichtbare Chöre
1408:Natürliche Dauern
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729:Universal Edition
626:978-3-7957-0249-6
576:, pp. 17–18.
540:, pp. 37–39.
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1098:Kontra-Punkte
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1037:With soloists
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610:Cited sources
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146:, is a three-
145:
144:Paul Verlaine
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101:Doris Andreae
99:
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68:Paul Verlaine
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37:
32:
28:
24:
19:
16:
2032:
2013:Thomas Wells
1973:John McGuire
1873:Junsang Bahk
1835:Péter Eötvös
1814:Richard Toop
1735:
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1232:
1226:Europa-Gruss
1224:
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1184:
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1168:
1162:Dr K–Sextett
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725:Work details
691:
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666:
639:Richard Toop
634:
617:
601:Maconie 2005
596:
589:Frisius 2008
574:Frisius 2008
569:
562:Maconie 2005
557:
550:Maconie 2005
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533:
526:Frisius 2008
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514:Frisius 2008
492:
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473:Maconie 2005
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135:
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31:Choral music
15:
2003:Tim Souster
1968:Tomás Marco
1948:Jerome Kohl
1933:Alden Jenks
1918:Georg Heike
1898:Hugh Davies
1868:David Ahern
1855:David Tudor
1697:Other works
1416:Himmelfahrt
1395:(1952–2003)
1357:Drei Lieder
931:Himmels-Tür
899:Herbstmusik
394:Drei Lieder
342:Discography
290: [
228:Drei Lieder
200:Drei Lieder
2075:Categories
1993:Otto Piene
1819:Jill Purce
1802:Assistants
1775:(1st wife)
1757:(2nd wife)
1721:Sternklang
1594:Kurzwellen
1586:Prozession
1511:Oktophonie
1428:Electronic
1373:Litanei 97
1234:Trumpetent
1138:Plus-Minus
1106:Schlagtrio
1090:Kreuzspiel
942:Orchestral
828:Donnerstag
497:Kurtz 1992
456:Kurtz 1992
444:References
404:Kreuzspiel
338:movement.
308:melismatic
238:in Paris,
151:a cappella
127:a cappella
97:Dedication
43:Other name
2008:Avo Sõmer
1769:(partner)
1763:(partner)
1487:Telemusik
1455:Studie II
1274:Schönheit
1258:Harmonien
1202:Tierkreis
907:Originale
649:(cloth);
335:cadential
320:Agnus Dei
272:Agnus Dei
107:Published
55:Catalogue
2039:Category
1740:(2004–7)
1705:Ensemble
1674:Paradies
1666:Orvonton
1626:Strahlen
1527:Strahlen
1519:Weltraum
1471:Kontakte
1447:Studie I
1384:Keyboard
1365:Stimmung
1314:Hoffnung
1290:Erwachen
1266:Katikati
1186:Harlekin
1114:Zeitmaße
1083:Sonatine
1026:Jubiläum
868:Mittwoch
852:Dienstag
665:. 2005.
552:, 32–33.
369:NDR Chor
328:semitone
258:Analysis
232:Sonatine
230:and the
148:movement
82:Composed
74:Language
1658:Nebadon
1650:Jerusem
1634:Edentia
1282:Balance
1122:Refrain
1076:Chamber
1045:Momente
970:Gruppen
891:Theatre
876:Sonntag
860:Freitag
836:Samstag
740:YouTube
282:soprano
248:Chorale
183:sonatas
165:History
122:Scoring
112: (
87: (
2051:Portal
1748:Family
1732:(1972)
1724:(1971)
1716:(1968)
1708:(1967)
1685:(2007)
1682:Uversa
1677:(2007)
1669:(2007)
1661:(2007)
1653:(2007)
1645:(2007)
1642:Havona
1637:(2007)
1629:(2002)
1621:(1970)
1613:(1970)
1605:(1968)
1602:Spiral
1597:(1968)
1589:(1967)
1581:(1966)
1573:(1965)
1565:(1964)
1546:(2006)
1538:(2006)
1530:(2002)
1522:(1994)
1514:(1991)
1506:(1979)
1498:(1967)
1495:Hymnen
1490:(1966)
1482:(1964)
1479:Mixtur
1474:(1960)
1466:(1956)
1458:(1954)
1450:(1953)
1442:(1952)
1419:(2005)
1411:(2006)
1403:(1970)
1400:Mantra
1376:(1997)
1368:(1968)
1360:(1950)
1352:(1950)
1344:(1950)
1341:Choral
1325:(2007)
1317:(2007)
1309:(2007)
1301:(2007)
1293:(2007)
1285:(2007)
1277:(2006)
1269:(2006)
1261:(2006)
1253:(2005)
1250:Freude
1245:(1997)
1242:Rotary
1237:(1995)
1229:(1992)
1221:(1977)
1213:(1976)
1205:(1975)
1197:(1975)
1189:(1975)
1181:(1972)
1173:(1971)
1165:(1969)
1157:(1968)
1149:(1966)
1141:(1963)
1133:(1959)
1130:Zyklus
1125:(1959)
1117:(1956)
1109:(1952)
1101:(1952)
1093:(1951)
1085:(1951)
1064:(1974)
1056:(1964)
1053:Mixtur
1048:(1964)
1029:(1977)
1021:(1971)
1013:(1969)
1005:(1969)
1002:Fresco
997:(1965)
989:(1962)
986:Punkte
981:(1960)
973:(1957)
965:(1952)
957:(1951)
954:Formel
934:(2005)
926:(1993)
918:(1977)
915:Sirius
910:(1961)
902:(1974)
879:(2003)
871:(1997)
863:(1994)
855:(1991)
847:(1988)
844:Montag
839:(1983)
831:(1980)
808:(1977)
793:Operas
702:
688:Choral
673:
657:(pbk).
653:
645:
624:
401:, and
389:Choral
377:Punkte
364:Punkte
353:Choral
224:Formel
215:Mantra
209:Formel
175:fugues
125:choir
77:German
1787:(son)
1781:(son)
1737:Klang
1543:Türin
1333:Vocal
1322:Treue
1306:Glück
1298:Glanz
1210:Amour
1146:Adieu
1061:Inori
1018:Trans
978:Carré
962:Spiel
818:Licht
735:Audio
332:tonal
294:]
159:Doris
1618:Pole
1610:Expo
1578:Solo
1178:Ylem
994:Stop
700:ISBN
686:und
671:ISBN
651:ISBN
643:ISBN
622:ISBN
431:and
375:(in
278:SATB
114:1971
110:1971
89:1950
85:1950
63:Text
58:1/11
738:on
33:by
2077::
581:^
504:^
463:^
435:.
423:.
397:,
391:,
371:;
361:,
355:,
351:,
300:.
292:de
181:,
177:,
161:.
2053::
769:e
762:t
755:v
706:.
677:.
628:.
528:.
116:)
91:)
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