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Stevens' background and motivation -- she was sexually abused at an early age -- but focuses primarily on her program's clients, who prove remarkably candid while describing past ordeals and future plans. Feisty
Clemmie Greenlee emerges as first among equals, and her response to tragedy provides one of the pic's many emotional highlights. High-def video lensing enhances the pic's intimacy."
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film critic Jim Ridley gave the film a more mixed review, and wrote, "The women’s blunt personal stories form the most compelling parts of Tom Neff’s earnest, polished profile, which amounts to promotion for the program and its good works. As documentary, it’s limited: we see very little of the
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a slickly produced but unmistakably sincere docu about a femme
Episcopalian priest's outreach program to rehabilitate Nashville prostitutes. Theatrical potential is limited, but pic could find appreciative auds through tube and nonprofit exposure...Pic touches briefly yet respectfully on Rev.
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songwriters takes up too much of the movie’s focus—it comes as an intrusion when a son’s funeral turns into a music montage. But the
Magdalene women interviewed on camera have fought for their second chances, and the hard-won hope on their faces can make you forgive a lot."
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