217:....The Moscow theater thrived because at the beginning it was free from Court tutelage...another important factor was the popularity of various fairs and festivals among the Moscovites. It was here, at the turn of the 19th century that a new genre came into being-one inspired by the national comic opera-dance scenes suggested by folk festivals, games,Yule-tide, Shrovetide Festivals, etc. These dances were created by Vasily Balashov, a former inmate of the Orphanage, soloist of the Court Stage at St. Petersburg and choreographer of the Petrovsky Theatre in Moscow. Petersburg's choreographers Ivan Valberg, A. August, and others after them, borrowed and developed Balashov's methods. And in 1812-14 Russian folk dances were successfully shown by Charles Didelot and his colleagues in a "Russian Divertissement" at King's Theatre in London.
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Character dances are usually performed in shoes or boots, with a suede sole and a small heel. Men typically wear black character shoes and women typically wear a flesh coloured shoe with a larger, more feminine heel, but sometimes black shoes too.
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also features many character variations based on traditional
Spanish dances. Popular character dance adaptations for ballet also include the national dances of Hungary , Russia, Poland, Italy and Spain:
147:. It is the stylized representation of a traditional folk or national dance, mostly from European countries, and uses movements and music which have been adapted for the theater.
202:, Statni Konzervator Praha. Most performing companies or schools elsewhere are not familiar with the history or technique of this style. Therefore, the term
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repertoire. A good example of character dance within ballet is the series of national dances which take place at the beginning of Act II of
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