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396:, Darcy's estate. When Mr Darcy returns unexpectedly, he is exceedingly gracious with Elizabeth and the Gardiners. Elizabeth is surprised by Darcy's behaviour and grows fond of him, even coming to regret rejecting his proposal. She receives news that her sister Lydia has run off with Wickham. She tells Mr Darcy, then departs in haste. After an agonising interim, Wickham agrees to marry Lydia. Lydia and Wickham visit the Bennet family at Longbourn, where Lydia tells Elizabeth that Mr Darcy was at her wedding. Though Mr Darcy had sworn everyone involved to secrecy, Mrs Gardiner now feels obliged to inform Elizabeth that he secured the match, at great expense and trouble to himself.
1608:"How despicably have I acted!" she cried; "I, who have prided myself on my discernment! I, who have valued myself on my abilities! who have often disdained the generous candour of my sister, and gratified my vanity in useless or blameable distrust. How humiliating is this discovery! yet, how just a humiliation! Had I been in love, I could not have been more wretchedly blind. But vanity, not love, has been my folly. Pleased with the preference of one, and offended by the neglect of the other, on the very beginning of our acquaintance, I have courted prepossession and ignorance, and driven reason away, where either were concerned. Till this moment I never knew myself."
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particularly harsh terms when she conveys what
Elizabeth's marriage to Darcy will become, "Will the shades of Pemberley be thus polluted?" Although Elizabeth responds to Lady Catherine's accusations that hers is a potentially contaminating economic and social position (Elizabeth even insists she and Darcy, as gentleman's daughter and gentleman, are "equals"), Lady Catherine refuses to accept the possibility of Darcy's marriage to Elizabeth. However, as the novel closes, "...through curiosity to see how his wife conducted herself", Lady Catherine condescends to visit them at Pemberley.
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1647:
historical investigation of the development of a particular literary form and then transitioning into empirical verifications, it reveals free indirect discourse as a tool that emerged over time as practical means for addressing the physical distinctness of minds. Seen in this way, free indirect discourse is a distinctly literary response to an environmental concern, providing a scientific justification that does not reduce literature to a mechanical extension of biology, but takes its value to be its own original form.
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1347: – Colonel Fitzwilliam is the younger son of an earl and the nephew of Lady Catherine de Bourgh and Lady Anne Darcy; this makes him the cousin of Anne de Bourgh and the Darcy siblings, Fitzwilliam and Georgiana. He is about 30 years old at the beginning of the novel. He is the coguardian of Miss Georgiana Darcy, along with his cousin, Mr Darcy. According to Colonel Fitzwilliam, as a younger son, he cannot marry without thought to his prospective bride's dowry.
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1331: – Georgiana is Mr Darcy's quiet, amiable and shy younger sister, with a dowry of £30,000, and is 16 when the story begins. When still 15, Miss Darcy almost eloped with Mr Wickham but was saved by her brother, whom she idolises. Thanks to years of tutelage under masters, she is accomplished at the piano, singing, playing the harp, drawing, and modern languages and is therefore described as Caroline Bingley's idea of an "accomplished woman".
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1299: – Wickham has been acquainted with Mr Darcy since infancy, being the son of Mr Darcy's father's steward. An officer in the militia, he is superficially charming and rapidly forms an attachment with Elizabeth Bennet. He later runs off with Lydia with no intention of marriage, which would have resulted in her and her family's complete disgrace, but for Darcy's intervention to bribe Wickham to marry her by paying off his immediate debts.
1315: – the overbearing aunt of Mr Darcy. Lady Catherine is the wealthy owner of Rosings Park, where she resides with her daughter Anne and is fawned upon by her rector, Mr Collins. She is haughty, pompous, domineering, and condescending and has long planned to marry off her sickly daughter to Darcy to 'unite their two great estates', claiming it to be the dearest wish of both her and her late sister, Lady Anne Darcy (née Fitzwilliam).
1154: – the second-eldest of the Bennet daughters, she is attractive, witty and intelligent – but with a tendency to form tenacious and prejudiced first impressions. As the story progresses, so does her relationship with Mr Darcy. The course of Elizabeth and Darcy's relationship is ultimately decided when Darcy overcomes his pride, and Elizabeth overcomes her prejudice, leading them both to surrender to their love for each other.
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of themselves and each other, which frees them to truly fall in love. This does not eliminate the challenges of the real differences in their technically equivalent social status as gentry and their female relations. It does however provide them with a better understanding of each other's point of view from the different ends of the rather wide scale of differences within that category.
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1341: – Elizabeth's 27-year-old friend. She marries Mr Collins for financial security, fearing becoming a burden to her family. Austen uses Charlotte's decision to illustrate how women of the time often married out of convenience rather than love, without condemning her choice. Charlotte is the daughter of Sir William Lucas and Lady Lucas, neighbours of the Bennet family.
1271: – the youngest Bennet sister. She is frivolous and headstrong. Her main activity in life is socialising, especially flirting with the officers of the militia. This leads to her running off with George Wickham, although he has no intention of marrying her. Lydia shows no regard for the moral code of her society; as Ashley Tauchert says, she "feels without reasoning".
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1434:, the failure of Mr and Mrs Bennet as parents is blamed for Lydia's lack of moral judgment. Darcy has been taught to be principled and scrupulously honourable but he is also proud and overbearing. Kitty, rescued from Lydia's bad influence and spending more time with her older sisters after they marry, is said to improve greatly in their superior society.
1558:. Bingley, unlike Darcy, does not own his property but has portable and growing wealth that makes him a good catch on the marriage market for poorer daughters of the gentry, like Jane Bennet, or of ambitious merchants. Class plays a central role in the evolution of the characters and Jane Austen's radical approach to class is seen as the plot unfolds.
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follow events from
Elizabeth's viewpoint, sharing her prejudices and misapprehensions. "The learning curve, while undergone by both protagonists, is disclosed to us solely through Elizabeth's point of view and her free indirect speech is essential ... for it is through it that we remain caught, if not stuck, within Elizabeth's misprisions."
1259: – the fourth Bennet daughter. Though older than Lydia, she is her shadow and follows her in her pursuit of the officers of the militia. She is often portrayed as envious of Lydia and is described as a "silly" young woman. However, it is said that she improved when removed from Lydia's influence. According to James Edward Austen-Leigh's
370:. Elizabeth and her hosts are invited to Rosings Park, Lady Catherine's home. Mr Darcy and his cousin, Colonel Fitzwilliam, are also visiting Rosings Park. Fitzwilliam tells Elizabeth how Mr Darcy recently saved a friend, presumably Bingley, from an undesirable match. Elizabeth realises that the prevented engagement was to Jane.
329:, the second-eldest Bennet daughter, as she is "not handsome enough". Although she jokes about it with her friend, Elizabeth is deeply offended. Despite this first impression, Mr Darcy secretly begins to find himself drawn to Elizabeth as they continue to encounter each other at social events, appreciating her wit and frankness.
1321: – Edward Gardiner is Mrs Bennet's brother and a successful tradesman of sensible and gentlemanly character. Aunt Gardiner is genteel and elegant and is close to her nieces Jane and Elizabeth. The Gardiners are the parents of four children. They are instrumental in bringing about the marriage between Darcy and Elizabeth.
1237:– the eldest Bennet sister. She is considered the most beautiful young lady in the neighbourhood and is inclined to see only the good in others (but can be persuaded otherwise on sufficient evidence). She falls in love with Charles Bingley, a rich young gentleman recently moved to Hertfordshire and a close friend of Mr Darcy.
1170:, so others frequently mistake his initially haughty reserve as proof of excessive pride. A new visitor to the Meryton setting of the novel, he is ultimately Elizabeth Bennet's love interest. Though he appears to be proud and is largely disliked by people for this reason, his servants vouch for his kindness and decency.
1506:, which in the case of the Longbourn estate restricted inheritance to male heirs only. In the case of the Bennet family, Mr Collins was to inherit the family estate upon Mr Bennet's death in the absence of any closer male heirs, and his proposal to Elizabeth would have ensured her security; but she refuses his offer.
1291: – the snobbish sister of Charles Bingley, with a fortune of £20,000. She harbours designs on Mr Darcy and is jealous of his growing attachment to Elizabeth. She also disapproves of her brother's admiration for Jane Bennet and is disdainful of Meryton society, driven by her vanity and desire for social elevation.
1281: – a handsome, amiable, and wealthy young gentleman who leases Netherfield Park with hopes of purchasing it. Though generally well-mannered, he is easily influenced by his friend Mr Darcy and his sisters, which leads to the disruption of his romance with Jane Bennet. He inherited a fortune of £100,000.
1245: – the middle Bennet sister, and the plainest of her siblings. Mary has a serious disposition and mostly reads and plays music, although she is often impatient to display her accomplishments and is rather vain about them. She frequently moralises to her family. According to James Edward Austen-Leigh's
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The militia were mobilised after the French declaration of war on
Britain in February 1793, and there was initially a lack of barracks for all the militia regiments, requiring the militia to set up huge camps in the countryside, which the novel refers to several times. The Brighton camp for which the
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Austen creates her characters with fully developed personalities and unique voices. Though Darcy and
Elizabeth are very alike, they are also considerably different. By using narrative that adopts the tone and vocabulary of a particular character (in this case, Elizabeth), Austen invites the reader to
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who imagines herself susceptible to attacks of tremors and palpitations (her "poor nerves") whenever things are not going her way. Her main ambition in life is to marry her daughters off to wealthy men. Whether or not any such matches will give her daughters happiness is of little concern to her. She
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in modern-day
Cincinnati, where the Bennet parents, erstwhile Cincinnati social climbers, have fallen on hard times. Elizabeth, a successful and independent New York journalist, and her single older sister Jane must intervene to salvage the family's financial situation and get their unemployed adult
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The few times the reader is allowed to gain further knowledge of another character's feelings, is through the letters exchanged in this novel. Darcy's first letter to
Elizabeth is an example of this as through his letter, the reader and Elizabeth are both given knowledge of Wickham's true character.
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Tanner writes that Mrs Bennet in particular, "has a very limited view of the requirements of that performance; lacking any introspective tendencies she is incapable of appreciating the feelings of others and is only aware of material objects". Mrs Bennet's behaviour reflects the society in which she
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Inheritance laws benefited males because married women did not have independent legal rights until the second half of the 19th century. For the upper-middle and aristocratic classes, marriage to a man with a reliable income was almost the only route to security for the woman and the children she was
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The
Bennets' marriage is an example that the youngest Bennet, Lydia, re-enacts with Wickham and the results are far from felicitous. Although the central characters, Elizabeth and Darcy, begin the novel as hostile acquaintances and unlikely friends, they eventually work toward a better understanding
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Marriage is a complex social activity that takes political and financial economy into account. In the case of
Charlotte Lucas, the seeming success of her marriage lies in the comfortable financial circumstances of their household, while the relationship between Mr and Mrs Bennet serves to illustrate
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Mr
Bingley and Mr Darcy return to Netherfield. Jane accepts Mr Bingley's proposal. Lady Catherine, having heard rumours that Elizabeth intends to marry Mr Darcy, visits her and demands she promise never to accept Mr Darcy's proposal, as she and Darcy's late mother had already planned his marriage to
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has consistently appeared near the top of lists of "most-loved books" among literary scholars and the reading public. It has become one of the most popular novels in
English literature, with over 20 million copies sold, and has inspired many derivatives in modern literature. For more than a century,
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The Bingleys present a particular problem for navigating class. Though Caroline Bingley and Mrs Hurst behave and speak of others as if they have always belonged in the upper echelons of society, Austen makes it clear that the Bingley fortunes stem from trade. The fact that Bingley rents Netherfield
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Elizabeth dances with Mr Darcy at a ball, where Mrs Bennet hints loudly that she expects Jane and Bingley to become engaged. Elizabeth rejects Mr Collins' marriage proposal, to her mother's fury and her father's relief. Mr Collins subsequently proposes to Charlotte Lucas, a friend of Elizabeth, and
325:, his dearest friend. Mr Bingley's friendly and cheerful manner earns him popularity among the guests. He appears interested in Jane, the eldest Bennet daughter. Mr Darcy, reputed to be twice as wealthy as Mr Bingley, is haughty and aloof, causing a decided dislike of him. He declines to dance with
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The arrival of Mr Bingley, a rich bachelor who rents the neighbouring Netherfield estate, gives her hope that one of her daughters might contract an advantageous marriage, because "It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife".
1425:"The whole of this unfortunate business," said Dr Lyster, "has been the result of PRIDE and PREJUDICE. ... if to PRIDE and PREJUDICE you owe your miseries, so wonderfully is good and evil balanced, that to PRIDE and PREJUDICE you will also owe their termination." (capitalisation as in the original)
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Marvel has also published their take on this classic by releasing a short comic series of five issues that stays true to the original storyline. The first issue was published on 1 April 2009 and was written by Nancy Hajeski. It was published as a graphic novel in 2010 with artwork by Hugo Petrus.
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the authoritarian hierarchy retained from traditional, paternalistic society". Johnson wrote that Austen's view of a power structure capable of reformation was not an "escape" from conflict. Johnson wrote the "outrageous unconventionality" of Elizabeth Bennet was in Austen's own time very daring,
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A notable exception is Charlotte Lucas, Elizabeth Bennet's close friend and confidant. She accepts Mr Collins's proposal of marriage once Lizzie rejects him, not out of sentiment but acute awareness of her circumstances as "one of a large family". Charlotte's decision is reflective of her prudent
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Marrying a woman of a rich family also ensured a linkage to a higher-class family, as is visible in the desires of Bingley's sisters to have their brother married to Georgiana Darcy. Mrs Bennet is frequently seen encouraging her daughters to marry a wealthy man of high social class. In chapter 1,
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When Elizabeth rejects Darcy's first proposal, the argument of marrying for love is introduced. Elizabeth only accepts Darcy's proposal when she is certain she loves him and her feelings are reciprocated. Austen's complex sketching of different marriages ultimately allows readers to question what
1646:
Austen is known to use irony throughout the novel especially from viewpoint of the character of Elizabeth Bennet. She conveys the "oppressive rules of femininity that actually dominate her life and work, and are covered by her beautifully carved trojan horse of ironic distance." Beginning with a
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Mr Darcy proposes to Elizabeth, declaring his love for her despite her low social connections. She is shocked, as she was unaware of Mr Darcy's interest, and rejects him angrily, saying that he is the last person she would ever marry and that she could never love a man who caused her sister such
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Having heard Mrs Bennet's words at the ball and disapproving of the marriage, Mr Darcy joins Mr Bingley in a trip to London and, with the help of his sisters, persuades him not to return to Netherfield. A heartbroken Jane visits her Aunt and Uncle Gardiner in London to raise her spirits, while
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When Darcy proposes to Elizabeth, he cites their economic and social differences as an obstacle his excessive love has had to overcome, though he still anxiously harps on the problems it poses for him within his social circle. His aunt, Lady Catherine, later characterises these differences in
1307: – Mr Collins is Mr Bennet's distant second cousin, a clergyman, and the current heir presumptive to his estate of Longbourn House. He is an obsequious and pompous man, prone to making long and tedious speeches, who is excessively devoted to his patroness, Lady Catherine de Bourgh.
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was excessive, complaining in a letter to her sister Cassandra in 1813 that the novel lacked "shade" and should have had a chapter "of solemn specious nonsense, about something unconnected with the story; an essay on writing, a critique on Walter Scott or the history of Buonaparté".
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would sell out its edition, making her £140, she passed the copyright to Egerton for a one-off payment, meaning that all the risk (and all the profits) would be his. Jan Fergus has calculated that Egerton subsequently made around £450 from just the first two editions of the book.
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lives, as she knows that her daughters will not succeed if they do not get married. "The business of her life was to get her daughters married: its solace was visiting and news." This shows that Mrs Bennet is only aware of "material objects" and not of her feelings and emotions.
1429:
A theme in much of Austen's work is the importance of environment and upbringing in developing young people's character and morality. Social standing and wealth are not necessarily advantages in her works, and a further theme common to Austen's work is ineffectual parents. In
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Money plays a fundamental role in the marriage market, for the young ladies seeking a well-off husband and for men who wish to marry a woman of means. George Wickham tries to elope with Georgiana Darcy, and Colonel Fitzwilliam states that he will marry someone with wealth.
1635:, which has been defined as "the free representation of a character's speech, by which one means, not words actually spoken by a character, but the words that typify the character's thoughts, or the way the character would think or speak, if she thought or spoke".
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and can only be passed to a male heir. His wife also lacks an inheritance, so his family faces becoming poor upon his death. Thus, it is imperative that at least one of the daughters marry well to support the others, which is a primary motivation driving the plot.
385:. Mr Darcy also writes that he separated Jane and Bingley because he believed her to be indifferent to Bingley and because of the lack of propriety displayed by her family. Elizabeth is ashamed by her family's behaviour and her own prejudice against Mr Darcy.
2666:, develops the story and imagined what might have happened to the original novel's characters. It is written in the style of Austen after extensive research into the period and language and published in 2011 under the pen name of Ava Farmer.
1683:, and was written between October 1796 and August 1797. On 1 November 1797 Austen's father sent a letter to London bookseller Thomas Cadell to ask if he had any interest in seeing the manuscript, but the offer was declined by return post.
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The qualities of the title are not exclusively assigned to one or the other of the protagonists; both Elizabeth and Darcy display pride and prejudice." The phrase "pride and prejudice" had been used over the preceding two centuries by
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militia regiment leaves in May after spending the winter in Meryton was opened in August 1793, and the barracks for all the regiments of the militia were completed by 1796, placing the events of the novel between 1793 and 1795.
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sisters to move out of the house and onward in life. In the process they encounter Chip Bingley, a young doctor and reluctant reality TV celebrity, and his medical school classmate, Fitzwilliam Darcy, a cynical neurosurgeon.
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unhappiness; she further accuses him of treating Wickham unjustly. Mr Darcy brags about his success in separating Bingley and Jane and sarcastically dismisses the accusation regarding Wickham without addressing it.
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and a problem in the novel. Readers are poised to question whether or not these single men need a wife, or if the need is dictated by the "neighbourhood" families and their daughters who require a "good fortune".
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between 1811 and 1812. As nothing remains of the original manuscript, study of the first drafts of the novel is reduced to conjecture. From the large number of letters in the final novel, it is assumed that
234:
1603:
Through their interactions and their critiques of each other, Darcy and Elizabeth come to recognise their faults and work to correct them. Elizabeth meditates on her own mistakes thoroughly in chapter 36:
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her daughter Anne. Elizabeth refuses and asks the outraged Lady Catherine to leave. Darcy, heartened by his aunt's indignant relaying of Elizabeth's response, again proposes to her and is accepted.
1762:
Austen sold the copyright for the novel to Thomas Egerton from the Military Library, Whitehall in exchange for £110 (Austen had asked for £150). This proved a costly decision. Austen had published
1554:
Hall – it is, after all, "to let" – distinguishes him significantly from Darcy, whose estate belonged to his father's family and who through his mother is the grandson and nephew of an
1354:
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was a disappointment, "a carefully fenced, highly cultivated garden, with neat borders and delicate flowers; but no open country, no fresh air, no blue hill, no bonny beck". Along with her,
1828:". This began to consolidate a conception of Austen as an author, albeit anonymously. Her subsequent novels were similarly attributed to the anonymous author of all her then-published works.
381:" his father had arranged for him and was instead given money for it. Wickham quickly squandered the money and tried to elope with Darcy's 15-year-old sister, Georgiana, for her considerable
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The opening line of the novel announces: "It is a truth universally acknowledged, that a single man in possession of a good fortune must be in want of a wife." This sets marriage as a
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speculated that Mrs Bennet may have been a carrier of a rare genetic disease, explaining why the Bennets didn't have any sons, and why some of the Bennet sisters are so silly.
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Roberts, Sarah A.; Simpson, Deborah M.; Armstrong, Stuart D.; Davidson, Amanda J.; Robertson, Duncan H.; McLean, Lynn; Beynon, Robert J.; Hurst, Jane L. (1 January 2010).
1223:
In a letter to Cassandra dated May 1813, Jane Austen describes a picture she saw at a gallery which was a good likeness of "Mrs Bingley" – Jane Bennet. Deirdre Le Faye in
1444:
is also about that thing that all great novels consider, the search for self. And it is the first great novel that teaches us this search is as surely undertaken in the
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to have. The irony of the opening line is that generally within this society it would be a woman who would be looking for a wealthy husband to have a prosperous life.
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to the male line. His affection for his wife wore off early in their marriage and is now reduced to mere toleration. He is often described as 'indolent' in the novel.
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for £110 (equivalent to £9,300 in 2023). In renaming the novel, Austen probably had in mind the "sufferings and oppositions" summarised in the final chapter of
1391:, nothing would have seemed more natural than to bring out another novel of the same author using again the formula of antithesis and alliteration for the title."
343:, who tells Elizabeth in confidence about Mr Darcy's unpleasant treatment of him in the past. Elizabeth, blinded by her prejudice toward Mr Darcy, believes him.
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1794:, priced at 18s. Favourable reviews saw this edition sold out, with a second edition published in October that year. A third edition was published in 1817.
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of the book, who learns about the repercussions of hasty judgments and comes to appreciate the difference between superficial goodness and actual goodness.
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The irony of the opening sentence is revealed when we find Mrs Bennett needs a single man with a good fortune....for...any one of her five single daughters
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335:, the heir to the Longbourn estate, visits the Bennet family with the intention of finding a wife among the five girls under the advice of his patroness
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Fletcher, Angus; Benveniste, Mike (Winter 2013). "A Scientific Justification for Literature: Jane Austen's Free Indirect Style as Ethical Tool".
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Other characters rarely exhibit this depth of understanding or at least are not given the space within the novel for this sort of development.
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4493:"'Top Chef's' 'Last Chance Kitchen,' 'Oprah's Lifeclass,' the Nick App, and 'The Lizzie Bennet Diaries' to Receive Interactive Media Emmys"
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especially given the strict censorship that was imposed in Britain by the Prime Minister, William Pitt, in the 1790s when Austen wrote
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Foreign language translations first appeared in 1813 in French; subsequent translations were published in German, Danish, and Swedish.
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It is possible that the novel's original title was altered to avoid confusion with other works. In the years between the completion of
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4195:"Happy 200th Birthday, Pride & Prejudice...and Happy Sundance, Too: The writer/director of the Sundance hit 'Austenland' talks to
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362:. The clothing styles reflect the time the illustration was engraved (the 1830s), not the time in which the novel was written or set.
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The next day, Mr Darcy gives Elizabeth a letter, explaining that Wickham, the son of his late father's steward, had refused the "
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Elizabeth tells her father that Darcy was responsible for uniting Lydia and Wickham, in one of the two earliest illustrations of
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upper class is hinted at in the story, as suggested by the names of Fitzwilliam Darcy and his aunt, Lady Catherine de Bourgh;
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in Derbyshire, said to be worth at least £10,000 a year. Although he is handsome, tall, and intelligent, Darcy lacks ease and
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Baker, Amy. "Caught in the Act Of Greatness: Jane Austen's Characterization Of Elizabeth And Darcy By Sentence Structure In
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Tauchert, Ashley (2003). "Mary Wollstonecraft and Jane Austen: 'Rape' and 'Love' as (Feminist) Social Realism and Romance".
1816:
The novel was originally published anonymously, as were all of Austen's novels. However, whereas her first published novel,
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1813:, first published in 1923, has become the standard edition on which many modern published versions of the novel are based.
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Austen might be known now for her "romances" but the marriages in her novels engage with economics and class distinction.
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339:, also revealed to be Mr Darcy's aunt. He decides to pursue Elizabeth. The Bennet family meet the charming army officer
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forms of alliance are desirable especially when it comes to privileging economic, sexual, or companionate attraction.
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has also inspired works of scientific writing. In 2010, scientists named a pheromone identified in male mouse urine
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is an attempt to hedge the conflict between the "individualistic perspective inherent in the bourgeois value system
1538:, on the title page of the first illustrated edition. This is the other of the first two illustrations of the novel.
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2706:, produced by Random House Films and StudioCanal. The novel was also adapted for radio, appearing on BBC Radio 4's
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on 9 April 2012, and concluded on 28 March 2013 – is an Emmy award-winning web-series which recounts the story via
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the publisher against any losses and received any profits, less costs and the publisher's commission. Unaware that
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wrote in his journal, "Read again and for the third time at least, Miss Austen's very finely written novel of
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5146:"Darcin: a male pheromone that stimulates female memory and sexual attraction to an individual male's odour"
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A Successful Novel Must Be in Want of a Sequel: Second Takes on Classics from The Scarlet Letter to Rebecca
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The American novelist Anna Quindlen observed in an introduction to an edition of Austen's novel in 1995:
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At a ball, the family is introduced to the Netherfield party, including Mr Bingley, his two sisters and
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Jane Austen's literary manuscripts: a study of the novelist's development through the surviving papers
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2742:, after Mr Darcy, because it strongly attracted females. In 2016, a scientific paper published in the
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The novel was well received, with three favourable reviews in the first months following publication.
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bad marriages based on an initial attraction and surface over substance (economic and psychological).
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3335:, 1813, edited by Donald Gray and Mary A. Favret, fourth Norton critical edition (2016). pp. 370–381.
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Elizabeth's hatred for Mr Darcy grows as she suspects he was responsible for Mr Bingley's departure.
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1206: – the middle-aged wife of Mr Bennet, and the mother of their five daughters. Mrs Bennet is a
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The novel has inspired a number of other works that are not direct adaptations. Books inspired by
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2015:
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defended the novel from the criticism that it has an unrealistic fairy-tale quality. One critic,
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by way of magic massage, has a fling with Darcy and unknowingly changes the rest of the story.
1251:, Mary ended up marrying one of her Uncle Philips' law clerks and moving into Meryton with him.
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3484:. Writers and Their Work. Tavistock: Northcote House in association with the British Council.
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2607:, a historical sex parody that parallels the original plot and writing style of Jane Austen.
1385:), because commercial factors may have played a role in its selection. "After the success of
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Fergus, Jan (1997). "The professional woman writer". In Copeland, E.; McMaster, J. (eds.).
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2351:." The movie was released in June 2022 and features a main cast of Asian-American actors.
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have portrayed the memorable characters and themes of the novel, reaching mass audiences.
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In summer 2014, Udon Entertainment's Manga Classics line published a manga adaptation of
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1724:, called "Pride and Prejudice", where the phrase appears three times in block capitals.
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4153:"Queensbridge Publishing: Pride and Prejudice 200th Anniversary Edition by Jane Austen"
4112:"Video: Jane Austen celebrated on 200th anniversary of Pride and Prejudice publication"
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suggests that "Portrait of Mrs Q" is the picture Austen was referring to. (pp. 201–203)
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This theory is defended in "Character and Caricature in Jane Austen" by DW Harding in
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of a more modest income of £2,000 per annum, and the dryly sarcastic patriarch of the
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but Robert Fox cautions against reading too much into the title (which was initially
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2714:. It was first broadcast in May 2014; and again on Radio 4 Extra in September 2018.
2347:. Booster describes the movie "as an unapologetic and modern twist on Jane Austen's
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when Mr Bingley arrives, she declares "I am thinking of his marrying one of them".
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Death Comes to Pemberley: Amazon.co.uk: Baroness P. D. James: 9780571283576: Books
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4009:
5008:
2007:
on 28 January 2013 was celebrated around the globe by media networks such as the
298:
Mr Darcy says Elizabeth is "not handsome enough to tempt him" to dance. (Artist:
5979:
5878:
5398:
5035:"New direction for 'literary chameleon' Jo Baker to Transworld – The Bookseller"
2652:, which is a murder mystery set six years after Elizabeth and Darcy's marriage.
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in Kent with her brother Edward and his wife in 1796. It was originally titled
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dramatic adaptations, reprints, unofficial sequels, films, and TV versions of
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2969:
Fox, Robert C. (September 1962). "Elizabeth Bennet: Prejudice or Vanity?".
2892:
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and ultraviolent mayhem. In March 2010, Quirk Books published a prequel by
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3535:
1136:
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2433:
Precipitation – A Continuation of Miss Jane Austen's Pride and Prejudice
2285:
2256:
from the 1995 film and text by Gill Hornby was performed in the UK, with
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322:
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Throughout the 19th century, not all reviews of the work were positive.
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around 1811/1812, when she sold the rights to publish the manuscript to
310:
live at their Longbourn estate, situated near the village of Meryton in
6180:
4306:
3729:. Oxford World's Classics (ed. James Kinley). Oxford University Press.
3670:(New ed.). London: the Athlone press / Continuum. pp. 58–59.
2990:
1892:
I want to dig up and beat her over the skull with her own shin-bone."
1809:'s Standard Novel series in 1833. R. W. Chapman's scholarly edition of
5354:
3620:
The Cambridge Edition of the Works of Jane Austen: Pride and Prejudice
3512:
72.3 (2014): 169–178. Academic Search Complete. Web. 16 February 2016.
1888:
was overwhelmingly negative of the work. He stated, "Everytime I read
1377:
Many critics take the title as the start when analysing the themes of
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as a gay drama set on the quintessential gay vacation destination of
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Austen for her part thought the "playfulness and epigrammaticism" of
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in three hardcover volumes on 28 January 1813. It was advertised in
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to her sister Cassandra (11 June 1799) in which she first mentions
1162: – Mr Bingley's friend and the wealthy owner of the estate of
5121:
5096:
3290:
Bhattacharyya, Jibesh (2005). "A critical analysis of the novel".
3269:"Gender and class oppression in Jane Austen's Pride and Prejudice"
2574:
that deals with Elizabeth Bennet's early days as a zombie hunter,
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1654:
1631:, like most of Austen's works, employs the narrative technique of
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230:
4235:
Happily Ever After: Celebrating Jane Austen's Pride and Prejudice
3294:. New Delhi: Atlantic Publishers & Distributors. p. 19.
2541:, who had played Mr Darcy in the successful 1990s TV adaptation.
1735:, two other works had been published under that name: a novel by
4667:"'Orgulho e Paixão': novela se inspira em livros de Jane Austen"
2234:
1555:
1364:
Diagram showing relationships among the principal characters of
367:
5851:
5371:
4819:
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compare the different kinds of marriages described in the novel
1855:, called it "the fashionable novel". Noted critic and reviewer
388:
Months later, Elizabeth accompanies the Gardiners on a tour of
5847:
5253:
Manga Classics: Pride and Prejudice (2014) UDON Entertainment
2405:
An Unequal Marriage: Or Pride and Prejudice Twenty Years Later
2195:, New York, with Colin Donnell as Darcy. The Swedish composer
2093:
2057:
1502:
Inheritance was by descent but could be further restricted by
1411:. Austen is thought to have taken her title from a passage in
2260:
as the narrator This adaptation was presented in 2024 at the
2161:
of scenes from the novel was made into a TV programme by the
2045:
Numerous screen adaptations have contributed in popularising
151:
2237:
recorded primarily by the Bennet sisters. It was created by
366:
In the spring, Elizabeth visits Charlotte and Mr Collins in
3995:
3993:
3991:
3989:
3222:
The role of marriage in Jane Austen's 'Pride and Prejudice'
1801:
was first published in the United States in August 1832 as
1263:, Kitty later married a clergyman who lived near Pemberley.
1186:, with five unmarried daughters. His estate, Longbourn, is
3151:. By Austen, Jane. New York: Modern Library. p. vii.
177:
5364:
from the British Library's Discovering Literature website
3803:
Cossy, Valérie; Saglia, Diego (2005). "Translations". In
2617:
is the author of a trilogy of books telling the story of
2052:
The first television adaptation of the novel, written by
1996:
In a 2008 survey of more than 15,000 Australian readers,
2000:
came first in a list of the 101 best books ever written.
1690:
Austen made significant revisions to the manuscript for
4199:
about why we still love Mr Darcy centuries years later"
3664:(BC Southam Edition, London 1968) and Brian Southam in
5705:
Pride and Prejudice and Zombies: Dawn of the Dreadfuls
2577:
Pride and Prejudice and Zombies: Dawn of the Dreadfuls
2250:
Pride and Prejudice – An adaptation in Words and Music
6263:
5097:"An Eligible Bachelor: Austen, Love, and Marriage in
5053:"Jo Baker – Longbourn, Book at Bedtime – BBC Radio 4"
3331:
Michie, Elsie B. "Social Distinction in Jane Austen,
30:
This article is about the novel. For other uses, see
5203:
Stern, William (1 March 2016). "Pride and protein".
4986:. Chawton, Hampshire, England: Chawton House Press.
2774:. Monstersandcritics.com. 7 May 2009. Archived from
2584:
of Grahame-Smith's adaptation was released starring
2041:
Jane Austen in popular culture – Pride and Prejudice
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6088:
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5905:
5898:
5816:
5782:
5739:
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5459:
5411:
4032:"Aussie readers vote Pride and Prejudice best book"
2686:was due to start filming in late 2018, directed by
2449:
Darcy & Elizabeth: Nights and Days at Pemberley
2361:
List of literary adaptations of Pride and Prejudice
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123:
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3004:
2189:Jane Austen's Pride and Prejudice, The New Musical
2183:. In 1995, a musical concept album was written by
1178: – A logical and reasonable late-middle-aged
4339:. Janeaustensworld.wordpress.com. 6 November 2008
2874:
2872:
2473:is the author of seven Regency-set variations on
2380:The Exploits and Adventures of Miss Alethea Darcy
2248:In 2017, the bicentenary year of Austen's death,
2191:, was presented in concert on 21 October 2008 in
4639:(Spiritworks & Theatre Tours International)"
3321:. Vol. 3 (1813 ed.). pp. 322–323.
3189:"Jane Austen's Ideal Man in Pride and Prejudice"
2798:"Austen power: 200 years of Pride and Prejudice"
2500:Bella Breen is the author of nine variations on
1921:You could not shock her more than she shocks me,
1675:Austen began writing the novel after staying at
2491:Mr Fitzwilliam Darcy: The Last Man in the World
1918:
1606:
1439:
1423:
4606:"Oscar winner takes us through a glass, Darcy"
4579:"Cute Web series: 'The Lizzie Bennet Diaries'"
1421:(1782), a novel she is known to have admired:
5863:
5383:
4172:"Talks to celebrate the 200th anniversary of
3725:Stafford, Fiona (2004). "Notes on the Text".
3348:Jane Austen's Names: Riddles, Persons, Places
2171:was a 1959 Broadway musical version starring
8:
6348:British novels adapted into television shows
4223:
4221:
3431:. W.W. Norton & Company Inc. p. 7.
2064:. Some of the notable film versions include
1859:declared that he "would rather have written
1820:was presented as being written "by a Lady,"
1755:Title page of a 1907 edition illustrated by
266:Mr Bennet, owner of the Longbourn estate in
39:
5283:has original text related to this article:
3935:. University of Chicago Press. p. 73.
3933:Jane Austen: Women, Politics, and the Novel
3082:. T. Payne and son and T. Cadell. pp.
3036:
3034:
2477:. Her Pemberley Variations series includes
2401:Pemberley: Or Pride and Prejudice Continued
5902:
5870:
5856:
5848:
5484:Pride & Prejudice: A Latter-Day Comedy
5390:
5376:
5368:
3903:"'Pride and Prejudice': What critics said"
3832:
3830:
3828:
3560:. Goodnestone Park Gardens. Archived from
3454:Knowledge and Opinion: Pride and Prejudice
3404:Knowledge and Opinion: Pride and Prejudice
1979:In 2003 the BBC conducted a poll for the "
1957:, wrote that the "romantic conclusion" of
407:
270:, has five daughters, but his property is
255:, it follows the character development of
45:
38:
5355:Digital resources relating to Jane Austen
5179:
5161:
5120:
4673:(in Brazilian Portuguese). 29 August 2022
4135:"'Pride and Prejudice' 200th Anniversary"
3964:. Anderson, W.E.K. Edinburgh: Canongate.
3750:
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3639:
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3583:
3581:
3579:
3204:
3097:
3095:
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2092:. Television versions include two by the
1534:Lady Catherine confronts Elizabeth about
4722:. Jefferson, North Carolina: McFarland.
4079:Schuessler, Jennifer (28 January 2013).
3475:
3473:
3456:. Macmillan Education Ltd. p. 124.
3406:. Macmillan Education Ltd. p. 124.
1935:Reveal so frankly and with such sobriety
1933:Describe the amorous effects of 'brass',
1803:Elizabeth Bennet or, Pride and Prejudice
145:Print (hardback, 3 volumes), digitalized
6270:
5095:Gomez-Galisteo, Carmen (October 2022).
4788:"Pride and Prejudice, Now with Zombies"
4170:Kate Torgovnick May (28 January 2013).
4081:"Austen Fans to Celebrate 200 Years of
3780:Howse, Christopher (28 December 2012).
3193:Theory and Practice in Language Studies
2763:
1931:An English spinster of the middle class
1784:Egerton published the first edition of
5205:Journal of Inherited Metabolic Disease
3757:The Cambridge Companion to Jane Austen
3720:
3718:
3716:
3714:
3044:"How Pride And Prejudice got its name"
2745:Journal of Inherited Metabolic Disease
2710:, abridged by Sara Davies and read by
2678:imagines the lives of the servants of
2275:In 2018, part of the storyline of the
247:is the second novel by English author
5328:Pride and Prejudice (Chapman edition)
4433:"Episode 1: My Name is Lizzie Bennet"
2495:The Man Who Loved Pride and Prejudice
2209:. Works inspired by the book include
2088:(an Oscar-nominated performance) and
1929:It makes me most uncomfortable to see
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51:Title page of the first edition, 1813
7:
5070:Sittenfeld, Curtis (19 April 2016).
4694:"Pride and Prejudice on Fire Island"
4365:. Bernardjtaylor.com. Archived from
4010:"BBC – The Big Read – Top 100 Books"
3841:. Vol. 1. New York: Routledge.
3590:Jane Austen: The World of Her Novels
3057:from the original on 11 January 2022
3025:participating institution membership
32:Pride and Prejudice (disambiguation)
2943:Rothman, Joshua (7 February 2013).
2163:Australian Broadcasting Corporation
2066:the 1940 Academy Award-winning film
1880:, in a letter to Lewes, wrote that
1595:, are traditional Norman surnames.
1319:Mr Edward Gardiner and Mrs Gardiner
238:LibriVox recording by Karen Savage.
4718:Gómez-Galisteo, M. Carmen (2018).
4389:"PRIDE AND PREJUDICE, the Musical"
3839:Jane Austen: The Critical Heritage
3079:Cecilia: Or, Memoirs of an Heiress
25:
6318:British novels adapted into films
6196:Georgian society in Austen novels
4193:Rothman, Lily (28 January 2013).
4118:. 28 January 2013. Archived from
3697:. London: Routledge. p. 56.
3345:Doody, Margaret (14 April 2015).
3292:Jane Austen's Pride and prejudice
2605:Pride and Prejudice: Hidden Lusts
2229:– which premiered on a dedicated
1824:was attributed to "the Author of
1805:. The novel was also included in
6285:
6273:
6248:
6247:
6150:Eliza de Feuillide (née Hancock)
6048:
5338:
5298:
5273:
4393:prideandprejudice-themusical.com
4034:. thewest.com.au. Archived from
1838:Reception history of Jane Austen
1522:Lady Catherine and Elizabeth by
1353:
5772:Pride and Prejudice* (*sort of)
5697:Pride and Prejudice and Zombies
5516:Pride and Prejudice and Zombies
4542:Koski, Genevieve (3 May 2012).
4062:: A HuffPost Books Austenganza"
3960:The journal of Sir Walter Scott
3041:Dexter, Gary (10 August 2008).
2621:from Mr Darcy's point of view:
2551:Pride and Prejudice and Zombies
2535:feature film of Fielding's work
1937:The economic basis of society.
306:In the early 19th century, the
4744:"Abigail Reynolds Author Page"
3867:The Brontës: A Life in Letters
3811:. Cambridge University Press.
3759:. Cambridge University Press.
3662:Critical Essays on Jane Austen
3622:. Cambridge University Press.
2914:Austen, Jane (5 August 2010).
2829:Johns Hopkins University Press
2518:The Rescue of Elizabeth Bennet
2506:Pride and Prejudice and Poison
2131:in New York in 1935, starring
2080:'s 1935 stage adaptation) and
2056:, was produced in 1938 by the
1:
4510:Hasan, Heba (24 April 2012).
4313:. 2 February 1957. p. 31
3592:. New York: Harry N. Abrams.
3267:Chung, Ching-Yi (July 2013).
3187:Gao, Haiyan (February 2013).
2945:"On Charlotte Lucas's Choice"
1458:public punishment of adultery
5837:List of literary adaptations
5649:Fitzwilliam Darcy, Gentleman
5007:Baker, Jo (8 October 2013).
4844:. Marvel.com. Archived from
4786:Grossman, Lev (April 2009).
4633:Jo Litson (16 August 2024).
2682:. A cinematic adaptation of
2624:Fitzwilliam Darcy, Gentleman
2523:Helen Fielding's 1996 novel
2143:in London in 1936, starring
2035:Film, television and theatre
1706:She later renamed the story
6328:Novels set in Hertfordshire
6145:Philadelphia Austen Hancock
5348:public domain audiobook at
4548:? It's back, in vlog form!"
3837:Southam, B.C., ed. (1995).
3524:Journal of Narrative Theory
3353:University of Chicago Press
2123:A stage version created by
1561:An undercurrent of the old
6369:
6338:Novels adapted into comics
6333:Novels adapted into operas
4290:Pride and Prejudice (2005)
4273:Pride and Prejudice (1940)
4241:Frances Lincoln Publishers
4157:queensbridgepublishing.com
3907:Jane Austen Summer Program
3129:Pride and Prejudice, Ch 61
2971:Nineteenth-Century Fiction
2864:Cambridge University Press
2672:'s bestselling 2013 novel
2646:has written a book titled
2537:, released in 2001, stars
2459:'s comedic romance novel,
2423:Jane Austen Ruined My Life
2358:
2038:
1851:, later to be the wife of
1835:
1667:, using its working title
1215:of £4,000 from her father.
1140:Elizabeth and Mr Darcy by
29:
6243:
6046:
5885:
5798:The Lizzie Bennet Diaries
5217:10.1007/s10545-015-9908-7
4769:"Bella Breen Author Page"
4467:The Lizzie Bennet Diaries
4437:The Lizzie Bennet Diaries
3869:(2016 ed.). London:
3618:Rogers, Pat, ed. (2006).
3174:Pride and Prejudice, Ch 1
3012:Oxford English Dictionary
2825:The Making of Jane Austen
2603:expanded on the novel in
2493:. Her modern adaptation,
2226:The Lizzie Bennet Diaries
2062:lost television broadcast
2003:The 200th anniversary of
1546:is hardly the exception.
1100:
1098:
1091:
1074:
1072:
1066:
1057:
1050:
1040:
1038:
1032:
1004:
996:
992:
988:
964:
951:
941:
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929:
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797:
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766:
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540:
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516:
512:
510:
496:
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454:
452:
44:
27:1813 novel by Jane Austen
6021:The Beautifull Cassandra
5713:Death Comes to Pemberley
5655:An Assembly Such as This
5607:Death Comes to Pemberley
5446:Lady Catherine de Bourgh
4873:An Assembly Such as This
4516:, the Web Diary Edition"
3588:Le Faye, Deidre (2002).
3558:"History of Goodnestone"
3220:Schmidt, Katrin (2004).
3206:10.4304/tpls.3.2.384-388
3104:A Jane Austen. Companion
2823:Looser, Devoney (2017).
2772:"Monstersandcritics.com"
2649:Death Comes to Pemberley
2629:An Assembly Such as This
2554:takes Austen's work and
2221:(1985 Hindi TV series).
1927:seems innocent as grass.
1659:Page 2 of a letter from
1651:Development of the novel
1312:Lady Catherine de Bourgh
1256:Catherine "Kitty" Bennet
1055:Lady Catherine de Bourgh
793:Catherine "Kitty" Bennet
337:Lady Catherine de Bourgh
6207:A Memoir of Jane Austen
6035:Catharine, or The Bower
3782:"Anniversaries of 2013"
3691:Irvine, Robert (2005).
3646:Irvine, Robert (2005).
3017:Oxford University Press
2920:Oxford University Press
2727:sets the characters of
2642:Detective novel author
2463:, the heroine lands in
2439:Searching for Pemberley
2427:Mr Darcy Broke My Heart
2369:include the following:
1452:as in the pursuit of a
1261:A Memoir of Jane Austen
1248:A Memoir of Jane Austen
1225:The World of Her Novels
251:, published in 1813. A
6353:British romance novels
6140:Thomas Langlois Lefroy
6028:The History of England
5806:Stride & Prejudice
5163:10.1186/1741-7007-8-75
4938:. Simon and Schuster.
4463:"Episode 100: The End"
4058:"200th Anniversary of
3956:Scott, Walter (1998).
3809:Jane Austen in Context
3666:Southam, B.C. (2001).
3480:Miles, Robert (2003).
3145:(1995). Introduction.
3076:Burney, Fanny (1782).
2893:10.1080/09574040310107
2860:Jane Austen in Context
2497:, is set on Cape Cod.
2487:What Would Mr Darcy Do
2335:is a movie written by
1946:
1849:Anne Isabella Milbanke
1759:
1731:and its revision into
1672:
1620:nature and awareness.
1610:
1539:
1527:
1462:
1427:
1228:
1145:
1133:
363:
303:
239:
6343:Novels about nobility
6323:Novels by Jane Austen
5914:Sense and Sensibility
5825:Pride & Prejudice
5689:Love, Lies and Lizzie
5642:Mr. Darcy's Daughters
5634:Bridget Jones's Diary
5500:Pride & Prejudice
5476:Bridget Jones's Diary
5105:by Curtis Sittenfeld"
5039:www.thebookseller.com
4906:. Wytherngate Press.
4337:the Broadway Musical"
3536:10.1353/jnt.2013.0011
3452:Tanner, Tony (1986).
3427:Austen, Jane (2016).
3402:Tanner, Tony (1986).
3252:Austen, Jane (1813).
3226:University of Münster
2693:Bridget Jones's Diary
2526:Bridget Jones's Diary
2445:Mr Darcy Takes a Wife
2266:Arts Centre Melbourne
2199:based his 2011 opera
1990:The Lord of the Rings
1949:The American scholar
1826:Sense and Sensibility
1818:Sense and Sensibility
1791:The Morning Chronicle
1778:Sense and Sensibility
1765:Sense and Sensibility
1754:
1658:
1533:
1521:
1388:Sense and Sensibility
1222:
1139:
1123:
357:
297:
237:
193:Sense and Sensibility
89:Classic Regency novel
6110:Edward Austen Knight
5360:4 April 2019 at the
5309:at Wikimedia Commons
4982:Farmer, Ava (2011).
4698:Penguin Random House
4418:3 March 2016 at the
3863:Barker, Juliet R. V.
3792:on 31 December 2012.
3650:. London: Routledge.
3102:Pinion, F B (1973).
2699:Bridget Jones's Baby
2690:, who also directed
2479:Mr Darcy's Obsession
2393:(a best seller) and
2375:Mr Darcy's Daughters
2277:Brazilian soap opera
2139:, and opened at the
2137:Colin Keith-Johnston
1987:came second, behind
1981:UK's Best-Loved Book
1633:free indirect speech
1159:Mr Fitzwilliam Darcy
411:Character genealogy
40:Pride and Prejudice
6313:1813 British novels
6308:Pride and Prejudice
6233:Miss Austen Regrets
6115:Henry Thomas Austen
6014:Love and Freindship
5922:Pride and Prejudice
5764:Stolthet och fördom
5756:Pride and Prejudice
5583:Pride and Prejudice
5567:Pride and Prejudice
5559:Pride and Prejudice
5551:Pride and Prejudice
5492:Bride and Prejudice
5468:Pride and Prejudice
5404:Pride and Prejudice
5345:Pride and Prejudice
5314:Pride and Prejudice
5306:Pride and Prejudice
5288:Pride and Prejudice
5099:Pride and Prejudice
5013:. Alfred A. Knopf.
4822:. Quirkclassics.com
4820:"Quirkclassics.com"
4692:Booster, Joel Kim.
4637:Pride and Prejudice
4614:. 11 September 2017
4546:Pride And Prejudice
4514:Pride and Prejudice
4411:Pride and Prejudice
4407:Stolthet och fördom
4361:Pride and Prejudice
4307:"Elizabeth refuses"
4229:Fullerton, Susannah
4174:Pride and Prejudice
4122:on 29 January 2013.
4083:Pride and Prejudice
4066:The Huffington Post
4060:Pride And Prejudice
3999:Johnson (1988) p.74
3929:Johnson, Claudia L.
3727:Pride and Prejudice
3564:on 17 February 2010
3506:Pride and Prejudice
3429:Pride and Prejudice
3389:Pride and Prejudice
3333:Pride and Prejudice
3254:Pride and Prejudice
3148:Pride and Prejudice
3050:The Daily Telegraph
3015:(Online ed.).
2916:Pride and Prejudice
2753:Pride and Prejudice
2736:Pride and Prejudice
2729:Pride and Prejudice
2680:Pride and Prejudice
2660:Pride and Prejudice
2619:Pride and Prejudice
2531:Pride and Prejudice
2502:Pride and Prejudice
2483:To Conquer Mr Darcy
2475:Pride and Prejudice
2465:Pride and Prejudice
2395:Dialogue with Darcy
2367:Pride and Prejudice
2349:Pride and Prejudice
2341:Pride and Prejudice
2212:Bride and Prejudice
2207:Pride and Prejudice
2202:Stolthet och fördom
2047:Pride and Prejudice
2022:The Daily Telegraph
2005:Pride and Prejudice
1998:Pride and Prejudice
1985:Pride and Prejudice
1968:Pride and Prejudice
1959:Pride and Prejudice
1908:Pride and Prejudice
1897:Pride and Prejudice
1890:Pride and Prejudice
1882:Pride and Prejudice
1861:Pride and Prejudice
1822:Pride and Prejudice
1811:Pride and Prejudice
1799:Pride and Prejudice
1786:Pride and Prejudice
1772:basis, whereby she
1747:Publication history
1733:Pride and Prejudice
1708:Pride and Prejudice
1665:Pride and Prejudice
1629:Pride and Prejudice
1544:Pride and Prejudice
1442:Pride and Prejudice
1432:Pride and Prejudice
1379:Pride and Prejudice
1366:Pride and Prejudice
1345:Colonel Fitzwilliam
1126:Pride and Prejudice
1094:Colonel Fitzwilliam
360:Pride and Prejudice
284:Pride and Prejudice
279:Pride and Prejudice
244:Pride and Prejudice
219:Pride and Prejudice
41:
6186:In popular culture
6135:Anna Austen Lefroy
6100:Rev. George Austen
6065:Jane Austen Centre
5671:These Three Remain
5419:List of characters
4984:Second Impressions
4959:Hislop, Victoria.
4934:These Three Remain
4369:on 7 February 2012
4321:– via Trove.
4090:The New York Times
4068:. 28 January 2013.
3319:Pride and Pejudice
2778:on 26 October 2009
2664:Second Impressions
2637:These Three Remain
2546:Seth Grahame-Smith
2510:Four Months to Wed
2321:Alessandra Negrini
2262:Sydney Opera House
2159:Margaret Macnamara
2141:St James's Theatre
2076:(based in part on
2016:The New York Times
1951:Claudia L. Johnson
1869:, than any of the
1857:George Henry Lewes
1760:
1673:
1540:
1528:
1304:Mr William Collins
1229:
1146:
1134:
812:Mr William Collins
632:Mr Edward Gardiner
567:Mr Charles Bingley
364:
304:
240:
67:Working title
6261:
6260:
6201:Reception history
6191:Styles and themes
6155:Catherine Hubback
6044:
6043:
5845:
5844:
5828:(2005 soundtrack)
5809:(2013 video game)
5801:(2012 web series)
5748:First Impressions
5591:Will be Somewhere
5543:Elizabeth Refuses
5436:Fitzwilliam Darcy
5333:Project Gutenberg
5303:Media related to
4945:978-0-7432-9137-8
4913:978-0-9728529-1-3
4883:978-0-7432-9134-7
4575:Matheson, Whitney
4499:. 22 August 2013.
4335:First Impressions
3848:978-0-415-13456-9
3818:978-0-521-82644-0
3766:978-0-521-49867-8
3736:978-0-19-280238-5
3704:978-0-415-31435-0
3629:978-0-521-82514-6
3599:978-0-8109-3285-2
3491:978-0-7463-0876-9
3438:978-0-393-26488-3
3158:978-0-679-60168-5
3113:978-0-333-12489-5
3023:(Subscription or
2929:978-0-19-278986-0
2827:. Baltimore, MD:
2804:. 19 January 2013
2725:Curtis Sittenfeld
2572:Steve Hockensmith
2529:is also based on
2461:Seducing Mr Darcy
2185:Bernard J. Taylor
2168:First Impressions
2154:Elizabeth Refuses
2129:Music Box Theatre
2127:premiered at the
2090:Matthew Macfadyen
1944:(1937) on Austen
1729:First Impressions
1697:First Impressions
1692:First Impressions
1681:First Impressions
1669:First Impressions
1454:great white whale
1383:First Impressions
1118:
1117:
1114:
1113:
972:Fitzwilliam Darcy
903:Mr George Wickham
235:
229:
228:
134:Publication place
71:First Impressions
16:(Redirected from
6360:
6290:
6289:
6288:
6278:
6277:
6269:
6251:
6250:
6120:Cassandra Austen
6052:
5946:Northanger Abbey
5903:
5872:
5865:
5858:
5849:
5429:Elizabeth Bennet
5392:
5385:
5378:
5369:
5342:
5341:
5335:
5302:
5277:
5261:
5251:
5245:
5244:
5200:
5194:
5193:
5183:
5165:
5141:
5135:
5134:
5124:
5092:
5086:
5085:
5074:. Random House.
5067:
5061:
5060:
5049:
5043:
5042:
5031:
5025:
5024:
5004:
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4979:
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4855:
4853:
4838:
4832:
4831:
4829:
4827:
4816:
4810:
4809:
4807:
4805:
4796:. Archived from
4783:
4777:
4776:
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4759:
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4740:
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4715:
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4532:
4530:
4528:
4507:
4501:
4500:
4489:
4483:
4482:
4480:
4478:
4469:. Archived from
4459:
4453:
4452:
4450:
4448:
4439:. Archived from
4429:
4423:
4403:
4397:
4396:
4385:
4379:
4378:
4376:
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4355:
4349:
4348:
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4320:
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4280:
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4262:
4238:
4225:
4216:
4215:
4213:
4211:
4190:
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4183:
4167:
4161:
4160:
4149:
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4142:
4130:
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4101:
4099:
4097:
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4070:
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4054:
4048:
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4019:
4017:
4006:
4000:
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3984:
3983:
3963:
3953:
3947:
3946:
3925:
3919:
3918:
3916:
3914:
3909:. 3 October 2018
3899:
3893:
3892:
3859:
3853:
3852:
3834:
3823:
3822:
3800:
3794:
3793:
3788:. Archived from
3777:
3771:
3770:
3752:
3741:
3740:
3722:
3709:
3708:
3688:
3682:
3681:
3658:
3652:
3651:
3643:
3634:
3633:
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3603:
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3554:
3548:
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3502:
3496:
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3442:
3424:
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3417:
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3073:
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3046:
3038:
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3001:
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2994:
2966:
2960:
2959:
2957:
2955:
2940:
2934:
2933:
2911:
2905:
2904:
2876:
2867:
2856:Books.Google.com
2849:
2843:
2842:
2820:
2814:
2813:
2811:
2809:
2794:
2788:
2787:
2785:
2783:
2768:
2702:, screenplay by
2627:. The books are
2599:In 2011, author
2471:Abigail Reynolds
2451:by Linda Berdoll
2441:by Mary Simonsen
2429:by Beth Pattillo
2414:The Book of Ruth
2339:that reimagines
2337:Joel Kim Booster
2318:
2281:Orgulho e Paixão
2181:Hermione Gingold
2102:Elizabeth Garvie
2074:Laurence Olivier
1878:Charlotte Brontë
1739:and a comedy by
1737:Margaret Holford
1701:epistolary novel
1677:Goodnestone Park
1357:
1289:Caroline Bingley
1203:
1180:landed gentleman
1151:Elizabeth Bennet
663:Elizabeth Bennet
521:Caroline Bingley
477:Mrs Louisa Hurst
417:
416:
408:
257:Elizabeth Bennet
253:novel of manners
236:
201:Followed by
188:Preceded by
179:
153:
125:Publication date
49:
42:
21:
6368:
6367:
6363:
6362:
6361:
6359:
6358:
6357:
6298:
6297:
6296:
6286:
6284:
6272:
6264:
6262:
6257:
6239:
6212:
6176:Causes of death
6164:
6092:
6084:
6053:
6040:
6001:
5996:Plan of a Novel
5960:
5894:
5881:
5876:
5846:
5841:
5812:
5778:
5735:
5663:Duty and Desire
5613:
5530:
5455:
5441:William Collins
5407:
5396:
5362:Wayback Machine
5339:
5325:
5319:Standard Ebooks
5295:
5294:
5293:
5292:
5278:
5269:
5264:
5252:
5248:
5202:
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5197:
5143:
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5050:
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4976:
4958:
4957:
4953:
4946:
4926:
4925:
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4914:
4903:Duty and Desire
4896:
4895:
4891:
4884:
4866:
4865:
4861:
4851:
4849:
4848:on 24 July 2010
4840:
4839:
4835:
4825:
4823:
4818:
4817:
4813:
4803:
4801:
4800:on 4 April 2009
4785:
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4730:
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4702:
4700:
4691:
4690:
4686:
4676:
4674:
4671:Revista Galileu
4665:
4664:
4660:
4650:
4648:
4632:
4631:
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4617:
4615:
4611:Henley Standard
4604:
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4456:
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4431:
4430:
4426:
4420:Wayback Machine
4404:
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4127:
4116:Telegraph.co.uk
4110:
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3786:Daily Telegraph
3779:
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2983:10.2307/2932520
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2807:
2805:
2802:The Independent
2796:
2795:
2791:
2781:
2779:
2770:
2769:
2765:
2761:
2712:Sophie Thompson
2708:Book at Bedtime
2633:Duty and Desire
2544:In March 2009,
2514:Forced to Marry
2447:and its sequel
2397:by Janet Aylmer
2384:Elizabeth Aston
2363:
2357:
2325:Natália do Vale
2312:
2306:Gabriela Duarte
2231:YouTube channel
2086:Keira Knightley
2043:
2037:
2032:
2025:, among others.
2010:Huffington Post
1976:
1947:
1939:
1936:
1934:
1932:
1930:
1928:
1922:
1916:
1871:Waverley Novels
1845:
1840:
1834:
1807:Richard Bentley
1749:
1653:
1626:
1601:
1516:
1492:
1467:
1375:
1370:
1369:
1368:
1363:
1358:
1339:Charlotte Lucas
1329:Georgiana Darcy
1279:Charles Bingley
1089:Earl of Matlock
1024:Georgiana Darcy
1017:Lady Anne Darcy
868:Charlotte Lucas
406:
292:
231:
168:
142:Media type
129:28 January 1813
126:
91:
52:
35:
28:
23:
22:
18:Charles Bingley
15:
12:
11:
5:
6366:
6364:
6356:
6355:
6350:
6345:
6340:
6335:
6330:
6325:
6320:
6315:
6310:
6300:
6299:
6295:
6294:
6282:
6259:
6258:
6256:
6255:
6244:
6241:
6240:
6238:
6237:
6229:
6220:
6218:
6214:
6213:
6211:
6210:
6203:
6198:
6193:
6188:
6183:
6178:
6172:
6170:
6166:
6165:
6163:
6162:
6157:
6152:
6147:
6142:
6137:
6132:
6130:Charles Austen
6127:
6125:Francis Austen
6122:
6117:
6112:
6107:
6102:
6096:
6094:
6086:
6085:
6083:
6082:
6072:
6067:
6061:
6059:
6055:
6054:
6047:
6045:
6042:
6041:
6039:
6038:
6031:
6024:
6017:
6009:
6007:
6003:
6002:
6000:
5999:
5992:
5984:
5976:
5968:
5966:
5962:
5961:
5959:
5958:
5950:
5942:
5934:
5930:Mansfield Park
5926:
5918:
5909:
5907:
5900:
5896:
5895:
5893:
5892:
5886:
5883:
5882:
5877:
5875:
5874:
5867:
5860:
5852:
5843:
5842:
5840:
5839:
5834:
5829:
5820:
5818:
5814:
5813:
5811:
5810:
5802:
5794:
5786:
5784:
5780:
5779:
5777:
5776:
5768:
5760:
5759:(1993 musical)
5752:
5751:(1959 musical)
5743:
5741:
5737:
5736:
5734:
5733:
5725:
5717:
5709:
5701:
5693:
5685:
5677:
5676:
5675:
5667:
5659:
5646:
5638:
5630:
5621:
5619:
5615:
5614:
5612:
5611:
5603:
5599:Lost in Austen
5595:
5587:
5579:
5571:
5563:
5555:
5547:
5538:
5536:
5532:
5531:
5529:
5528:
5520:
5512:
5504:
5496:
5488:
5480:
5472:
5463:
5461:
5457:
5456:
5454:
5453:
5451:George Wickham
5448:
5443:
5438:
5433:
5432:
5431:
5421:
5415:
5413:
5409:
5408:
5397:
5395:
5394:
5387:
5380:
5372:
5366:
5365:
5352:
5336:
5323:
5321:
5310:
5284:
5279:
5272:
5271:
5270:
5268:
5267:External links
5265:
5263:
5262:
5259:978-1927925188
5246:
5211:(2): 321–324.
5195:
5136:
5109:Anglo Saxonica
5087:
5081:978-1400068326
5080:
5062:
5044:
5026:
5020:978-0385351232
5019:
4999:
4993:978-1613647509
4992:
4974:
4951:
4944:
4919:
4912:
4889:
4882:
4876:. Touchstone.
4859:
4833:
4811:
4778:
4760:
4735:
4729:978-1476672823
4728:
4710:
4684:
4658:
4625:
4597:
4577:(4 May 2012).
4566:
4534:
4502:
4484:
4473:on 15 May 2013
4454:
4443:on 25 May 2013
4424:
4422:, work details
4398:
4380:
4350:
4324:
4298:
4281:
4264:
4250:978-0711233744
4249:
4217:
4185:
4162:
4144:
4125:
4103:
4071:
4049:
4038:on 29 May 2008
4023:
4001:
3985:
3970:
3948:
3941:
3920:
3894:
3880:978-1408708316
3879:
3854:
3847:
3824:
3817:
3795:
3772:
3765:
3742:
3735:
3710:
3703:
3683:
3676:
3653:
3635:
3628:
3605:
3598:
3575:
3549:
3514:
3497:
3490:
3469:
3463:978-0333323175
3462:
3444:
3437:
3419:
3413:978-0333323175
3412:
3394:
3383:Austen, Jane.
3375:
3361:
3355:. p. 72.
3337:
3324:
3310:
3300:
3282:
3259:
3244:
3234:
3212:
3199:(2): 384–388.
3179:
3172:Austen, Jane.
3164:
3157:
3143:Quindlen, Anna
3134:
3127:Austen, Jane.
3119:
3112:
3089:
3068:
3030:
2996:
2977:(2): 185–187.
2961:
2949:The New Yorker
2935:
2928:
2906:
2868:
2844:
2838:978-1421422824
2837:
2831:. p. 76.
2815:
2789:
2762:
2760:
2757:
2688:Sharon Maguire
2453:
2452:
2442:
2436:
2435:by Helen Baker
2430:
2420:
2411:
2398:
2386:
2359:Main article:
2356:
2353:
2298:Agatha Moreira
2294:Thiago Lacerda
2268:, narrated by
2177:Farley Granger
2133:Adrianne Allen
2036:
2033:
2031:
2028:
2027:
2026:
2001:
1994:
1975:
1972:
1919:
1917:
1915:
1912:
1844:
1841:
1836:Main article:
1833:
1830:
1748:
1745:
1712:Thomas Egerton
1652:
1649:
1625:
1622:
1600:
1599:Self-knowledge
1597:
1515:
1512:
1491:
1488:
1466:
1463:
1409:Samuel Johnson
1405:Joseph Addison
1374:
1371:
1360:
1359:
1352:
1351:
1350:
1349:
1348:
1342:
1333:
1332:
1323:
1322:
1316:
1308:
1300:
1296:George Wickham
1292:
1283:
1282:
1273:
1272:
1264:
1252:
1238:
1217:
1216:
1211:was settled a
1202: Gardiner
1191:
1171:
1155:
1116:
1115:
1112:
1110:
1109:
1107:
1105:
1102:
1101:
1099:
1096:
1095:
1092:
1090:
1087:
1085:
1083:
1080:
1078:
1077:
1075:
1073:
1071:
1068:
1067:
1065:
1062:
1061:
1060:Anne de Bourgh
1058:
1056:
1053:
1051:
1049:
1046:
1044:
1043:
1041:
1039:
1037:
1034:
1033:
1031:
1029:
1026:
1025:
1022:
1020:
1018:
1015:
1013:
1011:
1008:
1007:
1005:
1003:
1000:
999:
997:
995:
993:
991:
989:
987:
985:
983:
980:
979:
976:
975:
967:
965:
963:
962:(Old) Mr Darcy
960:
958:
955:
954:
952:
950:
948:
945:
944:
942:
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938:
936:
934:
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928:
926:
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895:
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891:
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871:
869:
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861:
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852:
849:
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845:
843:
841:
839:
837:
835:
832:
831:
828:
827:
825:
823:
821:
819:
817:
815:
813:
810:
808:
806:
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802:
799:
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791:
789:
787:
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781:
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774:
773:
771:
768:
767:
765:
763:
761:
759:
757:
755:
753:
750:
748:
746:
743:
742:
740:
738:
736:
733:
732:
730:
728:
725:
723:
721:
719:
717:
715:
713:
711:
708:
707:
705:
703:
701:
698:
697:
695:
693:
691:
689:
687:
685:
683:
681:
678:
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674:
671:
670:
667:
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659:
657:
655:
653:
651:
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647:
645:
642:
641:
638:
637:
635:
633:
630:
628:
626:
623:
622:
620:
617:
616:
613:
611:
609:
607:
605:
603:
601:
599:
597:
594:
592:
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589:
587:
585:
583:
580:
578:
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573:
572:
569:
568:
565:
563:
561:
559:
557:
555:
553:
551:
548:
547:
545:
542:
541:
539:
537:
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522:
519:
517:
515:
513:
511:
509:
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500:
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497:
495:
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488:
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479:
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475:
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460:
458:
457:
455:
453:
451:
449:
447:
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441:
439:
436:
434:
433:
430:
428:
426:
424:
422:
420:
413:
412:
405:
402:
341:George Wickham
291:
288:
227:
226:
215:
211:
210:
206:Mansfield Park
202:
198:
197:
189:
185:
184:
181:
173:
172:
169:
164:
161:
160:
155:
147:
146:
143:
139:
138:
137:United Kingdom
135:
131:
130:
127:
124:
121:
120:
114:
110:
109:
100:
96:
95:
86:
82:
81:
78:
74:
73:
68:
64:
63:
58:
54:
53:
50:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
6365:
6354:
6351:
6349:
6346:
6344:
6341:
6339:
6336:
6334:
6331:
6329:
6326:
6324:
6321:
6319:
6316:
6314:
6311:
6309:
6306:
6305:
6303:
6293:
6283:
6281:
6276:
6271:
6267:
6254:
6246:
6245:
6242:
6235:
6234:
6230:
6227:
6226:
6225:Becoming Jane
6222:
6221:
6219:
6215:
6209:
6208:
6204:
6202:
6199:
6197:
6194:
6192:
6189:
6187:
6184:
6182:
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6167:
6161:
6158:
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6153:
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6148:
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6143:
6141:
6138:
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6133:
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6128:
6126:
6123:
6121:
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6111:
6108:
6106:
6103:
6101:
6098:
6097:
6095:
6091:
6087:
6080:
6076:
6075:Chawton House
6073:
6071:
6068:
6066:
6063:
6062:
6060:
6056:
6051:
6037:
6036:
6032:
6030:
6029:
6025:
6023:
6022:
6018:
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6015:
6011:
6010:
6008:
6004:
5998:
5997:
5993:
5990:
5989:
5985:
5982:
5981:
5977:
5975:
5974:
5970:
5969:
5967:
5963:
5956:
5955:
5951:
5948:
5947:
5943:
5940:
5939:
5935:
5932:
5931:
5927:
5924:
5923:
5919:
5916:
5915:
5911:
5910:
5908:
5904:
5901:
5897:
5891:
5888:
5887:
5884:
5880:
5873:
5868:
5866:
5861:
5859:
5854:
5853:
5850:
5838:
5835:
5833:
5830:
5827:
5826:
5822:
5821:
5819:
5815:
5808:
5807:
5803:
5800:
5799:
5795:
5792:
5791:Beyond a Joke
5788:
5787:
5785:
5781:
5774:
5773:
5769:
5766:
5765:
5761:
5758:
5757:
5753:
5750:
5749:
5745:
5744:
5742:
5738:
5731:
5730:
5726:
5723:
5722:
5718:
5715:
5714:
5710:
5708:(2010 parody)
5707:
5706:
5702:
5700:(2009 parody)
5699:
5698:
5694:
5691:
5690:
5686:
5683:
5682:
5678:
5673:
5672:
5668:
5665:
5664:
5660:
5657:
5656:
5652:
5651:
5650:
5647:
5644:
5643:
5639:
5636:
5635:
5631:
5628:
5627:
5626:Darcy's Story
5623:
5622:
5620:
5616:
5609:
5608:
5604:
5601:
5600:
5596:
5593:
5592:
5588:
5585:
5584:
5580:
5577:
5576:
5572:
5569:
5568:
5564:
5561:
5560:
5556:
5553:
5552:
5548:
5545:
5544:
5540:
5539:
5537:
5533:
5526:
5525:
5521:
5518:
5517:
5513:
5510:
5509:
5505:
5502:
5501:
5497:
5494:
5493:
5489:
5486:
5485:
5481:
5478:
5477:
5473:
5470:
5469:
5465:
5464:
5462:
5458:
5452:
5449:
5447:
5444:
5442:
5439:
5437:
5434:
5430:
5427:
5426:
5425:
5424:Bennet family
5422:
5420:
5417:
5416:
5414:
5410:
5406:
5405:
5400:
5393:
5388:
5386:
5381:
5379:
5374:
5373:
5370:
5363:
5359:
5356:
5353:
5351:
5347:
5346:
5337:
5334:
5330:
5329:
5324:
5322:
5320:
5316:
5315:
5311:
5308:
5307:
5301:
5297:
5296:
5291:
5290:
5289:
5282:
5276:
5266:
5260:
5256:
5250:
5247:
5242:
5238:
5234:
5230:
5226:
5222:
5218:
5214:
5210:
5206:
5199:
5196:
5191:
5187:
5182:
5177:
5173:
5169:
5164:
5159:
5155:
5151:
5147:
5140:
5137:
5132:
5128:
5123:
5122:10.5334/as.92
5118:
5115:(1, art. 9).
5114:
5110:
5106:
5104:
5100:
5091:
5088:
5083:
5077:
5073:
5066:
5063:
5058:
5054:
5048:
5045:
5040:
5036:
5030:
5027:
5022:
5016:
5012:
5011:
5003:
5000:
4995:
4989:
4985:
4978:
4975:
4970:
4966:
4962:
4955:
4952:
4947:
4941:
4936:
4935:
4929:
4928:Aidan, Pamela
4923:
4920:
4915:
4909:
4905:
4904:
4899:
4898:Aidan, Pamela
4893:
4890:
4885:
4879:
4875:
4874:
4869:
4868:Aidan, Pamela
4863:
4860:
4847:
4843:
4837:
4834:
4821:
4815:
4812:
4799:
4795:
4794:
4789:
4782:
4779:
4774:
4770:
4764:
4761:
4749:
4745:
4739:
4736:
4731:
4725:
4721:
4714:
4711:
4699:
4695:
4688:
4685:
4672:
4668:
4662:
4659:
4646:
4645:
4640:
4638:
4629:
4626:
4613:
4612:
4607:
4601:
4598:
4586:
4585:
4580:
4576:
4570:
4567:
4555:
4554:
4553:The A.V. Club
4549:
4547:
4538:
4535:
4523:
4522:
4517:
4515:
4506:
4503:
4498:
4494:
4488:
4485:
4472:
4468:
4464:
4458:
4455:
4442:
4438:
4434:
4428:
4425:
4421:
4417:
4414:
4412:
4408:
4402:
4399:
4394:
4390:
4384:
4381:
4368:
4364:
4362:
4354:
4351:
4338:
4336:
4328:
4325:
4312:
4311:A.B.C. Weekly
4308:
4302:
4299:
4296:
4292:
4291:
4285:
4282:
4279:
4275:
4274:
4268:
4265:
4260:
4256:
4252:
4246:
4242:
4237:
4236:
4230:
4224:
4222:
4218:
4206:
4205:
4200:
4198:
4189:
4186:
4181:
4177:
4175:
4166:
4163:
4158:
4154:
4148:
4145:
4140:
4136:
4129:
4126:
4121:
4117:
4113:
4107:
4104:
4092:
4091:
4086:
4084:
4075:
4072:
4067:
4063:
4061:
4053:
4050:
4037:
4033:
4027:
4024:
4011:
4005:
4002:
3996:
3994:
3992:
3990:
3986:
3981:
3977:
3973:
3967:
3962:
3961:
3952:
3949:
3944:
3942:9780226401393
3938:
3934:
3930:
3924:
3921:
3908:
3904:
3898:
3895:
3890:
3886:
3882:
3876:
3872:
3871:Little, Brown
3868:
3864:
3858:
3855:
3850:
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3700:
3696:
3695:
3687:
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3679:
3677:9780826490704
3673:
3669:
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3649:
3642:
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3507:
3501:
3498:
3493:
3487:
3483:
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3470:
3465:
3459:
3455:
3448:
3445:
3440:
3434:
3430:
3423:
3420:
3415:
3409:
3405:
3398:
3395:
3390:
3386:
3379:
3376:
3364:
3362:9780226196022
3358:
3354:
3350:
3349:
3341:
3338:
3334:
3328:
3325:
3320:
3314:
3311:
3307:
3303:
3301:9788126905492
3297:
3293:
3286:
3283:
3278:
3274:
3270:
3263:
3260:
3255:
3248:
3245:
3241:
3237:
3235:9783638849210
3231:
3227:
3223:
3216:
3213:
3207:
3202:
3198:
3194:
3190:
3183:
3180:
3175:
3168:
3165:
3160:
3154:
3150:
3149:
3144:
3138:
3135:
3130:
3123:
3120:
3115:
3109:
3106:. Macmillan.
3105:
3098:
3096:
3094:
3090:
3085:
3081:
3080:
3072:
3069:
3056:
3052:
3051:
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3026:
3018:
3014:
3013:
3007:
3000:
2997:
2992:
2988:
2984:
2980:
2976:
2972:
2965:
2962:
2950:
2946:
2939:
2936:
2931:
2925:
2922:. p. 2.
2921:
2917:
2910:
2907:
2902:
2898:
2894:
2890:
2886:
2882:
2875:
2873:
2869:
2865:
2861:
2857:
2853:
2852:Janet M. Todd
2848:
2845:
2840:
2834:
2830:
2826:
2819:
2816:
2803:
2799:
2793:
2790:
2777:
2773:
2767:
2764:
2758:
2756:
2754:
2749:
2747:
2746:
2741:
2737:
2733:
2730:
2726:
2722:
2721:
2717:In the novel
2715:
2713:
2709:
2705:
2704:Jessica Swale
2701:
2700:
2695:
2694:
2689:
2685:
2681:
2677:
2676:
2671:
2667:
2665:
2661:
2658:'s sequel to
2657:
2656:Sandra Lerner
2653:
2651:
2650:
2645:
2640:
2638:
2634:
2630:
2626:
2625:
2620:
2616:
2612:
2608:
2606:
2602:
2601:Mitzi Szereto
2597:
2595:
2591:
2587:
2583:
2579:
2578:
2573:
2569:
2565:
2561:
2557:
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2507:
2503:
2498:
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2466:
2462:
2458:
2450:
2446:
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2440:
2437:
2434:
2431:
2428:
2424:
2421:
2419:
2415:
2412:
2410:
2406:
2402:
2399:
2396:
2392:
2391:
2390:Darcy's Story
2387:
2385:
2381:
2377:
2376:
2372:
2371:
2370:
2368:
2362:
2354:
2352:
2350:
2346:
2342:
2338:
2334:
2333:
2328:
2326:
2322:
2316:
2311:
2310:Marcelo Faria
2307:
2303:
2302:Rodrigo Simas
2299:
2295:
2291:
2290:Nathalia Dill
2287:
2283:
2282:
2278:
2273:
2271:
2270:Nadine Garner
2267:
2263:
2259:
2255:
2251:
2246:
2244:
2240:
2236:
2232:
2228:
2227:
2222:
2220:
2219:
2214:
2213:
2208:
2204:
2203:
2198:
2197:Daniel Nelson
2194:
2190:
2186:
2182:
2178:
2174:
2170:
2169:
2164:
2160:
2156:
2155:
2150:
2149:Hugh Williams
2146:
2145:Celia Johnson
2142:
2138:
2134:
2130:
2126:
2121:
2119:
2115:
2114:Jennifer Ehle
2111:
2107:
2106:David Rintoul
2103:
2099:
2095:
2091:
2087:
2083:
2079:
2075:
2071:
2067:
2063:
2059:
2055:
2054:Michael Barry
2050:
2048:
2042:
2034:
2029:
2024:
2023:
2018:
2017:
2012:
2011:
2006:
2002:
1999:
1995:
1992:
1991:
1986:
1982:
1978:
1977:
1973:
1971:
1969:
1964:
1960:
1956:
1952:
1945:
1943:
1938:
1926:
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1911:
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1414:
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1406:
1402:
1401:Jeremy Taylor
1398:
1392:
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1372:
1367:
1362:
1356:
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1249:
1244:
1243:
1239:
1236:
1235:
1231:
1230:
1226:
1221:
1214:
1209:
1208:hypochondriac
1205:
1201:
1196:
1192:
1189:
1185:
1184:Bennet family
1181:
1177:
1176:
1172:
1169:
1168:social graces
1165:
1161:
1160:
1156:
1153:
1152:
1148:
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1138:
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1127:
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790:
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397:
395:
392:. They visit
391:
386:
384:
380:
375:
371:
369:
361:
356:
352:
348:
347:is accepted.
344:
342:
338:
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328:
324:
319:
315:
313:
312:Hertfordshire
309:
308:Bennet family
301:
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268:Hertfordshire
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178:LC Class
174:
170:
167:
166:Dewey Decimal
162:
159:
156:
154:
148:
144:
140:
136:
132:
128:
122:
118:
115:
111:
108:
104:
103:Hertfordshire
101:
97:
94:
93:Romance novel
90:
87:
83:
79:
75:
72:
69:
65:
62:
59:
55:
48:
43:
37:
33:
19:
6231:
6223:
6205:
6160:Martha Lloyd
6105:James Austen
6070:House Museum
6033:
6026:
6019:
6012:
5994:
5991:(unfinished)
5986:
5983:(unfinished)
5978:
5971:
5952:
5944:
5936:
5928:
5921:
5920:
5912:
5824:
5804:
5796:
5770:
5767:(2011 opera)
5762:
5754:
5746:
5727:
5719:
5711:
5703:
5695:
5687:
5679:
5669:
5661:
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5632:
5624:
5606:
5597:
5589:
5582:
5573:
5566:
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5541:
5522:
5515:
5506:
5499:
5490:
5482:
5475:
5467:
5403:
5402:
5344:
5326:
5312:
5305:
5286:
5285:
5249:
5208:
5204:
5198:
5153:
5149:
5139:
5112:
5108:
5102:
5098:
5090:
5071:
5065:
5056:
5047:
5038:
5029:
5009:
5002:
4983:
4977:
4960:
4954:
4933:
4922:
4902:
4892:
4872:
4862:
4850:. Retrieved
4846:the original
4842:"Marvel.com"
4836:
4824:. Retrieved
4814:
4802:. Retrieved
4798:the original
4791:
4781:
4772:
4763:
4751:. Retrieved
4747:
4738:
4719:
4713:
4701:. Retrieved
4697:
4687:
4675:. Retrieved
4670:
4661:
4649:. Retrieved
4642:
4636:
4628:
4616:. Retrieved
4609:
4600:
4588:. Retrieved
4582:
4569:
4557:. Retrieved
4551:
4545:
4537:
4525:. Retrieved
4519:
4513:
4505:
4496:
4487:
4475:. Retrieved
4471:the original
4466:
4457:
4445:. Retrieved
4441:the original
4436:
4427:
4410:
4406:
4401:
4392:
4383:
4371:. Retrieved
4367:the original
4360:
4353:
4341:. Retrieved
4334:
4327:
4315:. Retrieved
4310:
4301:
4289:
4284:
4272:
4267:
4234:
4208:. Retrieved
4202:
4196:
4188:
4179:
4173:
4165:
4156:
4147:
4138:
4128:
4120:the original
4115:
4106:
4094:. Retrieved
4088:
4082:
4074:
4065:
4059:
4052:
4040:. Retrieved
4036:the original
4026:
4014:. Retrieved
4004:
3959:
3951:
3932:
3923:
3911:. Retrieved
3906:
3897:
3866:
3857:
3838:
3808:
3798:
3790:the original
3785:
3775:
3756:
3726:
3693:
3686:
3667:
3661:
3656:
3647:
3619:
3589:
3566:. Retrieved
3562:the original
3552:
3527:
3523:
3517:
3509:
3505:
3500:
3481:
3453:
3447:
3428:
3422:
3403:
3397:
3388:
3378:
3366:. Retrieved
3347:
3340:
3332:
3327:
3318:
3313:
3305:
3291:
3285:
3276:
3272:
3262:
3256:. p. 3.
3253:
3247:
3239:
3221:
3215:
3196:
3192:
3182:
3173:
3167:
3147:
3137:
3128:
3122:
3103:
3078:
3071:
3059:. Retrieved
3048:
3010:
2999:
2974:
2970:
2964:
2952:. Retrieved
2948:
2938:
2915:
2909:
2884:
2880:
2859:
2847:
2824:
2818:
2806:. Retrieved
2801:
2792:
2780:. Retrieved
2776:the original
2766:
2752:
2750:
2743:
2739:
2735:
2734:
2728:
2718:
2716:
2707:
2697:
2691:
2683:
2679:
2673:
2668:
2663:
2659:
2654:
2647:
2641:
2636:
2632:
2628:
2622:
2618:
2615:Pamela Aidan
2613:
2609:
2604:
2598:
2575:
2549:
2543:
2530:
2524:
2522:
2517:
2513:
2509:
2505:
2501:
2499:
2494:
2490:
2486:
2482:
2478:
2474:
2469:
2464:
2460:
2454:
2448:
2444:
2438:
2432:
2426:
2422:
2413:
2409:Emma Tennant
2404:
2400:
2394:
2388:
2379:
2373:
2366:
2364:
2348:
2340:
2330:
2329:
2279:
2274:
2258:Hayley Mills
2252:to music by
2249:
2247:
2224:
2223:
2216:
2210:
2206:
2200:
2188:
2173:Polly Bergen
2166:
2152:
2125:Helen Jerome
2122:
2110:1995 version
2098:1980 version
2082:that of 2005
2078:Helen Jerome
2070:Greer Garson
2051:
2046:
2044:
2020:
2014:
2008:
2004:
1997:
1988:
1984:
1974:21st century
1967:
1962:
1958:
1948:
1940:
1920:
1914:20th century
1907:
1904:Walter Scott
1902:
1896:
1894:
1889:
1881:
1875:
1864:
1860:
1846:
1843:19th century
1825:
1821:
1817:
1815:
1810:
1802:
1798:
1796:
1789:
1785:
1783:
1777:
1763:
1761:
1741:Horace Smith
1732:
1728:
1726:
1719:
1716:Fanny Burney
1707:
1705:
1696:
1691:
1689:
1685:
1680:
1674:
1668:
1664:
1645:
1641:
1637:
1628:
1627:
1618:
1614:
1611:
1607:
1602:
1590:
1589:), and even
1584:
1578:
1572:
1566:
1563:Anglo-Norman
1560:
1552:
1548:
1543:
1541:
1508:
1501:
1497:
1493:
1484:
1480:
1476:
1468:
1446:drawing room
1441:
1440:
1436:
1431:
1428:
1424:
1416:
1413:Fanny Burney
1393:
1386:
1382:
1378:
1376:
1373:Major themes
1365:
1344:
1338:
1334:
1328:
1324:
1318:
1310:
1302:
1294:
1288:
1284:
1278:
1274:
1268:Lydia Bennet
1266:
1260:
1254:
1246:
1240:
1232:
1224:
1193:
1173:
1157:
1149:
1142:Hugh Thomson
1125:
1124:Scenes from
969:
851:Lydia Bennet
661:
582:Mrs Gardiner
398:
387:
376:
372:
365:
359:
349:
345:
331:
320:
316:
305:
290:Plot summary
283:
278:
277:
265:
243:
242:
241:
217:
204:
191:
70:
36:
6236:(2007 film)
6228:(2007 film)
5980:The Watsons
5879:Jane Austen
5775:(2018 play)
5524:Fire Island
5511:(2013 film)
5399:Jane Austen
5150:BMC Biology
4042:24 February
3805:Todd, Janet
3694:Jane Austen
3648:Jane Austen
3482:Jane Austen
3006:"pride, n."
2644:P. D. James
2564:cannibalism
2558:it up with
2539:Colin Firth
2457:Gwyn Cready
2418:Helen Baker
2345:Fire Island
2332:Fire Island
2313: [
2284:, aired on
2118:Colin Firth
2112:, starring
2084:, starring
2068:, starring
2030:Adaptations
1983:" in which
1955:Mary Poovey
1942:W. H. Auden
1923:Beside her
1774:indemnified
1757:C. E. Brock
1661:Jane Austen
1568:Fitzwilliam
1524:C. E. Brock
1397:Joseph Hall
1242:Mary Bennet
1234:Jane Bennet
1130:C. E. Brock
727:Mary Bennet
615:Jane Bennet
536:Mrs Philips
261:protagonist
249:Jane Austen
119:, Whitehall
99:Set in
61:Jane Austen
6302:Categories
6292:Literature
6217:Portrayals
6093:and people
5973:Lady Susan
5954:Persuasion
5681:Austenland
5535:Television
5508:Austenland
5412:Characters
5281:Wikisource
4969:0571283578
4852:27 January
4826:27 January
4544:"Remember
4373:27 January
4343:27 January
4259:1310745594
4210:7 February
4133:ABC News.
4096:7 February
4012:. May 2003
3971:0862418283
3913:20 January
3510:Explicator
3368:27 January
3224:(thesis).
3027:required.)
2887:(2): 144.
2808:7 December
2782:27 January
2759:References
2594:Matt Smith
2586:Lily James
2355:Literature
2254:Carl Davis
2239:Hank Green
2157:a play by
2060:. It is a
2039:See also:
1886:Mark Twain
1853:Lord Byron
1770:commission
1504:entailment
1450:small talk
1195:Mrs Bennet
680:Mrs Bennet
492:Mr Philips
404:Characters
390:Derbyshire
333:Mr Collins
300:C.E. Brock
224:Wikisource
183:PR4034 .P7
117:T. Egerton
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2100:starring
1866:Tom Jones
1832:Reception
1580:de Bourgh
1175:Mr Bennet
1164:Pemberley
1132:(c. 1885)
752:Mr Bennet
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