314:, on November 10, 1901. His father, Charles Goeller was born 1876 in Germany and brought to the United States by his parents in 1879. Apart from the few years in Irvington between 1900 and 1910, he lived most of his life in Newark. He was living in nearby Elizabeth when he died in 1961, having outlived his son Charles by six years. In 1884 Goeller's paternal grandfather, Frederick Goeller, founded the Goeller Iron Works in Newark, specializing in ornamental structures. By 1917 Goeller's father had assumed control of the business and renamed it the Charles Goeller Steel Co. In 1942, he again reorganized it, this time as Charles Goeller, Inc., contractors in structural iron and steel. Goeller's mother was Hulda Weiss Goeller, born in 1878, who emigrated to the United States with her parents and seven siblings in 1883. He had an older brother, Leopold, born in Newark in 1899, and a younger sister, Hulda, born in Newark in 1907.
98:(1901–1955) was an American artist best known for precise and detailed paintings and drawings in which, he once said, he aimed to achieve "emotion expressed by precision." Employing, as one critic wrote, an "exquisitely meticulous realism," he might take a full year to complete work on a single picture. Early in his career he achieved critical recognition for his still lifes, in which one critic saw an "acumen of genius" working to produce "truly superb achievement of team work between eyes that see and hands that do." Later, he also became known for cityscapes in which he employed
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referred to
Goeller and the show's other artists as practitioners of "pure painting." By this he meant the group focused the experience of the observer. He said the artists aimed to draw the viewer's attention to "what lies beyond or beneath or above." Another reviewer of that show said one of Goeller's paintings in the exhibition was "a good illustration of the modern use of color as an integral part of the expression form." In 1933 Goeller showed still lifes, figure studies, and landscapes in a solo exhibition at Argent Gallery. In reviewing the show, Howard Devree of the
1085:.. and here is another piece of fabric wizardry by Charles Goeller, whose table with its blue and white checked cloth at the Museum of Modern Art has been attracting so much attention. The present fabric is more sumptuous; it is a ravishing blue brocade, rumpled, of course, to accommodate virtuosity that would look far before finding a rival—the kind of virtuosity one associates with the goldsmiths of the early Renaissance. Here, once more, in this expert solution of a painter's problem, the centuries become but as a day.
203:, said his still life, with its "fabric wizardry," was attracting much attention. The same year Jewell commented on "Blue Brocade," a still life of Goeller's included in a group show at the Daniel Gallery. Calling it "sumptuous" and "ravishing," he said its virtuosity made it comparable to the work of early-Renaissance goldsmiths and concluded: "Here, once more, in this expert solution of a painter's problem, the centuries become but as a day."
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Homer, Thomas Eakins, Charles
Sheeler, Preston Dickinson, who once experimented with Cezannesque or cubistic formulae, have become of recent years only slightly stylized realists, while Edward Hopper definitely continues the tradition of Homer. Reginald Marsh, Charles Burchfield, Charles Goeller, Peter Blume, Stefan Hirsch, Luigi Lucioni and Katherine Schmidt are some of the younger Americans who might be classed as New Objectivists.
1968:""United States Passport Applications, 1795-1925," database with images, FamilySearch; citing Passport Application, New Jersey, United States, source certificate #508962, Passport Applications, January 2, 1906 - March 31, 1925, 2700, NARA microfilm publications M1490 and M1372 (Washington D.C.: National Archives and Records Administration, n.d.); FHL microfilm 1,763,401
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249:, he painted the highly regarded "Third Avenue" in 1934. In a style that was identified as precisionist, this painting used geometric forms and flat planes to emphasize "the scale and power of modern technology," according to a biographer, Following his employment in the Public Works of Art Project, Goeller joined the
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Charles
Goeller in his still life gives due weight to a heavy table, textile quality to a white towel with red-lined border, and the acumen of genius to the discriminated planes and color regulations of a checked tablecloth. A truly superb achievement of team work between eyes that see and hands that
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The still-lifes are outstanding both in color and in the remarkable fabric textures obtained. Figure studies among the paintings seem not so maturely realized; and landscapes are more flatly mural in "feel" than his other work. But the carefully distinguished textures in the still-life subjects make
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Fleetwings did not win government contracts to build complete warplanes but did become a successful supplier of wings, control surfaces, and other components, such as solenoid-operated flap valves. It also made specialized tools, including a "light-weight long-reach jaw for rivet squeezers, enabling
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The Modern
Artists of New Jersey group was headed by Raymond O'Neill, an artist who taught art at Columbia University during the 1930s, and who was chairman of the New Jersey State Art Committee in 1939. The group staged exhibitions of work by New Jersey artists, particularly young, unknown artists,
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style that, in opposition to abstraction and emotionally charged imagery, was characterized by ultrasharp focus in depicting "the autonomy of the objective world" and "the wonder of matter" in such a way that objects would be "seen anew." The quoted text appears in Lois
Parkinson Zamora and Wendy B.
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In 1952, not long before his untimely death, a landscape of
Goeller's appeared in the Whitney Museum annual exhibition of contemporary painting. In reviewing the show Howard Devree listed it along with others that he deemed to be outstanding, describing it as a "moody monochromatic interpretation of
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During the 1940s
Goeller was represented by the Bonestell Gallery. In reviewing the first of his shows with that gallery Howard Devree noted a wide range in style, "from almost stereoscopic realism to a misty impression of New Jersey meadows and veritable silver point drawings of great delicacy and
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Charles
Goeller, at the Bonestell, ranges from almost stereoscopic realism to a misty impression of the New Jersey meadows and veritable silver point drawings of great delicacy and technical perfection. This dozen small pictures, imaginative and well realized, constitutes some of the artist's most
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In
America, if one may diverge geographically for a moment, the New Objectivity has spread with amazing speed, in large part because the formal, abstract qualities of much fashionable French painting are essentially foreign to American art, which is naturally more naive and more realistic. Winslow
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Goeller was given solo exhibitions at the
Bonestell Gallery in 1945 and 1947. The Bonestell Gallery, operated by Blanche Bonestell at 18 East 57th Street, showed modern painting and sculpture by a wide variety of artists, including especially American women, Hispanics, and, in general, avant-garde
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At the outset of his artistic career Goeller said he aimed to achieve coherence in his work and a freedom from exaggeration. He said he wished to avoid "sacrifices to obtain an effect." At the end of his career his work was noted as evoking a pervasive mood of "wistful loneliness" and possessing a
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cited Goeller as one of a group of young Americans whom he called "New Objectivists." A year later Goeller exhibited work in a show called "American Scenes and Subjects" put on by the College Art Association at the Rehn Gallery. Reviewing a group exhibition at the Daniel Gallery in 1931, a critic
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annual exhibition of 1943, at the Bonestell Gallery in 1945, and in museum exhibitions in 1943, 1949, and 1953. In 1941 and 1942 he showed with a group called Modern Artists of New Jersey. In 1943 Goeller joined the Associated Artists of New Jersey and showed with them at the Riverside Museum in
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Charles L. Goeller, at the Bonestell Gallery, continues to find reluctant beauty in the Jersey meadows. Goeller's work is individual—most of all when with stereoscopic foreground and misty of flatly brushed background he obtains strange mood. Sparingly used intense color heightens his
369:(New York, N.Y.: Gallery, 2003). The essay was by Gail Stavitsky. The exhibition was held at three New York galleries: Gallery, Franklin Riehlman Fine Art, and Megan Moynihan Fine Art. Gallery is the name of a gallery, now called Gallery Schlesinger, on 24 East 73rd Street, Manhattan.
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1992:"United States World War I Draft Registration Cards, 1917-1918," database with images, FamilySearch; citing Newark City no 9, New Jersey, United States, NARA microfilm publication M1509 (Washington D.C.: National Archives and Records Administration, n.d.); FHL microfilm 1,753,733
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Charles Goeller's "Checkered Table Cloth" makes a handsome painting in which shapes and colors and lines all get accounted for in plastic design. There is something of "Neues Sachlichkeit" in this exquisitely meticulous realism, a fact which shows how art currents are
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Founded in 1911, the College Art Association aimed to establish art and art history as subjects for academic study. It has accomplished this objective through conferences, standards-setting, sponsored exhibitions, and the publication of influential journals, including
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said Goeller had made a "very commendable achievement." He praised the still lifes for his outstanding use of color and the remarkable fabric textures he was able to achieve, but felt the figure studies were not maturely realized and the landscapes overly flat.
577:(1848-1914), founded the gallery in 1918. Although its official name was the Frank K. M. Rehn Galleries, it was often called the Rehn Gallery or simply Rehn's. Goeller was not represented by the gallery and apparently only showed there on this one occasion.
2088:"New York, New York Passenger and Crew Lists, 1909, 1925-1957," database with images, FamilySearch; citing Immigration, New York, New York, United States, NARA microfilm publication T715 (Washington, D.C.: National Archives and Records Administration, n.d.)
1891:"New York, New York Passenger and Crew Lists, 1909, 1925-1957," database with images, FamilySearch; citing Immigration, New York, New York, United States, NARA microfilm publication T715 (Washington, D.C.: National Archives and Records Administration, n.d.)
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The list of artists, diverse and impressive, includes Man Ray and Alexander Archipenko, Joseph Stella and Marsden Hartley, Charles Demuth and Charles Sheeler, Peter Blume and Yasuo Kuniyoshi, Marguerite Zorach and William Zorach, Raphael Soyer and Glenn O.
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After his return to the United States Goeller joined the young American artists associated with the Daniel Gallery located on Madison Avenue in New York. In March 1929 the gallery included his work in an exhibition that also included paintings by
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Goeller lived at his parents' Newark home through the 1920s, he shared an apartment in New York in the 1930s, and returned to his parents' home in the early 1940s. He lived in and around northern New Jersey during the remainder of his life.
2139:"United States Census, 1940," database with images, FamilySearch; citing enumeration district (ED) 7-221, sheet 14A, family 306, NARA digital publication T627 (Washington, D.C.: National Archives and Records Administration, 2012), roll 2336
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Charles Goeller is another new man, whose name ought to become familiar enough if he continues to paint as well as he has painted in "The Checkered Tablecloth." The fabric, humble but brightly blue and white, drapes itself
1944:"United States Census, 1900," database with images, FamilySearch; citing sheet 7B, family 149, NARA microfilm publication T623 (Washington, D.C.: National Archives and Records Administration, n.d.); FHL microfilm 1,240,969
329:. The cartoon featured a female character, Evangeline, who represented the contributions that young women were making to homefront production work. Goeller's wartime contribution also included evening classes he taught at
2064:"New Jersey, Births, 1670-1980," database, FamilySearch; citing Newark, Essex, New Jersey, United States, Division of Archives and Record Management, New Jersey Department of State, Trenton.; FHL microfilm 494,243
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on West 57th Street. Founded in 1930, they were mainly used to show work by the group's members, but, in between these shows, they were made available for outsiders' use, particularly one-man exhibitions such as
191:. Called "Forty-six Painters and Sculptors Under Thirty-One Years of Age," it contained an international mix of art by younger artists, including many whose careers would later flourish. One critic for the
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Marion Clyde McCarroll (1930-05-12). "Women and Artists May Be Traditionally Impractical, But Here's a Combination of the Two Things That Isn't; Argent Galleries Are Tangible Proof of Their Ability".
325:, a firm that made airplanes and aircraft components, located in Bristol, Pennsylvania. In addition to preparing technical drawings Goeller wrote a cartoon for the firm's bi-weekly tabloid newspaper,
2040:"New York Passenger Lists, 1820-1891," database with images, FamilySearch; citing NARA microfilm publication M237 (Washington, D.C.: National Archives and Records Administration, n.d.); FHL microfilm
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Charles Goeller's "Blue Box" is almost virtuosity, yet sheers well away from that dangerous reef. It is a good illustration of the modern use of color as an integral part of the expression form.
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self-portrait entitled "How Does It Feel to be a Piece of Paper?" The drawing makes it seem as if the viewer's eye is the paper on which the artist's pencil is descending. He showed it in the
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Having achieved critical recognition for his still lifes in the early 1930s, Goeller painted a larger number of landscapes during the middle and late years of the decade. After joining the
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1379:"Detailed description of the Federal Art Project, Photographic Division collection, circa 1920-1965, bulk 1935-1942 | Archives of American Art, Smithsonian Institution"
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He moved from New York to New Jersey in 1939 to work in his father's iron and steel factory. During World War II he was employed in the graphic art department of
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Edward Alden Jewell (1947-03-04). "IRISH ART DISPLAY OPENS AT GALLERY: Exhibition of Work by Painters in Ireland Is Presented by Associated Artists Group".
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Charles Goeller, self portrait, "How Does It Feel to be a Piece of Paper?" (crayon on paper, 15 in × 12 in, 380 mm × 300 mm)
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technical perfection." In reviewing the second he added that Goeller found "reluctant beauty" in the landscapes and was able to obtain a "strange mood."
1132:"Centennial | College Art Association | CAA | Advancing the history, interpretation, and practice of the visual arts for over a century"
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Goeller's statement appears in an undated clipping (ca. 1827–28) quoted by Gail Stavitsky in the art exhibition catalog of 2003, already cited.
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122:. Afterwards his grandfather agreed to support five years of art and architecture study in France. Beginning in 1923 he received art instruction from
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The Daniel Gallery had opened in 1913. Run by Charles Daniel, with help from Alanson Hartpence, it showed the work of young American artists such as
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Five shows are held yearly, including two new membership Jury Shows. The balance of the season is filled with one-man shows by both men and women.
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artists of the 1940s and 1950s. In 1939 the gallery held an exhibition of a group of experimental artists known as "The Ten" whose members were
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women to take over what had been strictly a man's job." In 1943 the firm ran two ten-hour shifts with a total of close to 5,000 employees.
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Elizabeth Luther Cary (1930-04-13). "THE LEXICON OF YOUTH: A Stimulating Mixed Exhibition Is Now Presented at the Museum of Modern Art".
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Edward Alden Jewell (1929-04-20). "BEAUTY STILL ORACULAR: Birthday Armor at Metropolitan--Young Moderns--Edzard Wins His Battle--Cats".
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Edward Alden Jewell (1929-03-10). "BEAUTIFUL FRENCH WORK: Water-Colors and Drawings Yield No Dull Moment--Coleman and Other Artists".
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Edward Alden Jewell (1931-09-29). "ART: Three New Exhibitions. Art From the Andes. Americans' Work Shown. Burr's Etchings on View".
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Alfred H. Barr (May 1931). "Postwar Painting in Europe; Paper read at the Twentieth Annual Meeting of the College Art Association".
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1061:"MODERN ART MUSEUM OPENS 'UNDER 35' SHOW: Exhibition of Painting and Sculpture Intended to Show Vitality of Younger Artists".
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The Associated Artists of New Jersey was founded in 1941 in the studio of artist Anne Steele Marsh, sister-in-law of artist
1915:"Deutschland Geburten und Taufen, 1558-1898," database, FamilySearch; citing Speyer, Bayern, Germany; FHL microfilm 192,373
1572:"CAFE VENUS RULING CITED IN ART ROW: Modern Artists Group in Jersey Hails Burnett as Better Critic Than Montclair Museum".
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persuasive work. The large desktop still-life, "Dream of Fair Women," is an ambitious undertaking spiritedly carried out.
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Howard Devree (1944-11-12). "A REVIEWER'S NOTES: Brief Comment on Some Recently Opened Group and One-Man Exhibitions".
665:. Limited to a membership of fifty, the group staged exhibitions in galleries and museums and sponsored public forums.
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1652:"FOURTH SHOW HERE BY JERSEY ARTISTS: 85 Works Included in Display of Paintings, Drawings and Sculpture at Riverside".
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Charles Goeller, "Checked Tablecloth," oil on canvas, 40 in × 25 in (1,020 mm × 640 mm)
1820:) for the exhibition Power Line: The Art of Leo Dee, held February 18 through April 30, 2005 at the Boston Athenæum.
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Howard Devree (1943-05-16). "A REVIEWER'S NOTEBOOK: Brief Comment on Some Recently Opened Group and One-Man Shows".
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Goeller's father and grandfather were structural engineers who ran a successful iron and steel fabricating plant in
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Announcement of the College of Architecture for 1932-33; Architecture, Landscape Architecture, Painting, Sculpture
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Announcement of the College of Architecture for 1931-32; Architecture, Landscape Architecture, Painting, Sculpture
1176:"Detailed description of the Frank K.M. Rehn Galleries records, 1858-1969, bulk 1919-1968 - Digitized Collection"
398:. One of the relatively few galleries that showed art by women, it had a stable of artists that included many of
1940:"Leopold F Goeller in household of Charles Goeller, District 2 Irvington town, Essex, New Jersey, United States"
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Warholstars, a site by Gary Comenas dedicated to the memory of the art writer and collector, William S. Wilson
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114:. Upon graduating from high school Goeller studied mathematics, civil engineering, and architecture first at
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1592:. Federal Writers' Project of the Works Progress Administration for the State of New Jersey. 1939. p.
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Howard Devree (1947-05-04). "Exhibitions by Four Sculptors -- Painting From Traditional to Ultra-Modern".
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2135:"Charles L Goeller in household of Charles Goeller, Maplewood Township, Essex, New Jersey, United States"
419:("46 Painters and Sculptors Under 35 Years of Age") and in Goeller's one-man show at the Argent Gallery.
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Goeller's full name was Charles Louis Goeller. He signed his works either Goeller or Charles L. Goeller.
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Margaret Breuning (1931-11-07). "Retrospective Exhibition of Works by Henri Matisse at Modern Museum".
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is said to be difficult to define. It seems generally agreed that the style evolved as an extension to
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Margaret Breuning (1929-03-09). "Many Group Exhibitions of Water Colors and Prints Feature the Week".
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638:, San Francisco; in 1949 at the Irvington Art and Museum Association, New Jersey; and in 1953 at the
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Goeller, who has been called a "passionate advocate for art education," was an art instructor in the
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and sponsored lectures, demonstrations, and public forums to further the advancement of modern art.
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1278:"Women Artists in New Quarters; Hold Opening Exhibition in Recently Acquired Argent Galleries".
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Howard Devree (1945-10-07). "A DOZEN ONE-MAN SHOWS: Genre and Abstraction Surrealism to Dogs".
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253:. Subsequently, a mural of his won a cash prize in a 1935 competition and was exhibited at the
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Goeller made the statement to an interviewer in 1953. The quote appeared in an article in the
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286:"haunting, disquieting aspect" which bore out his belief in "emotion expressed by precision."
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of June 28, 1953. The article is cited in a critical essay within an art exhibition catalog,
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Howard Devree (1952-11-09). "BALANCED ANNUAL: Contemporary Painting at the Whitney".
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flat planes and geometric forms to show the physical structures of his subjects.
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Michael Kimmelman (1994-01-07). "Review/Art; An Early Champion of Modernists".
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2262:"[Finding Aid:] James M. Shimer Kaiser-Fleetwings papers, 1942-1958"
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Howard Devree (1941-11-16). "Brief Comment on Some Shows Recently Opened".
415:, Paris. Subsequent to the Daniel Gallery show it appeared in 1930 at the
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to help prepare for young people for factory work. He died at his home in
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The following year the same still life appeared in a group exhibit at the
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German Post-Expressionism : The Art of the Great Disorder 1918Ð1924
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Edward Alden Jewell (1931-11-04). "ART: Exhibition at Daniel Gallery".
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Blume, Dickinson, Driggs, Goeller, Knaths, Kuniyoshi; 600 Madison Ave.
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The Argent Galleries were located in the headquarters building of the
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at Cornell University between 1931 and 1933 and an instructor in the
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Cornell University College of Architecture, Art, and Planning alumni
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American Salons : Encounters with European Modernism, 1885–1917
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John R. Mayor (December 1951). "What Is Going on in Your School?".
910:"Oral history interview with Katherine Schmidt, 1969 December 8–15"
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In addition to Goeller, the American artists in this show included
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Vivien Raynor (1990-05-27). "ART; Eclectic Works at an Old Mill".
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Charles Goeller, "Third Avenue," oil on canvas, 36 in ×
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Oral Histories; Archives of American Art, Smithsonian Institution
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2112:"United States Census, 1930", database with images, FamilySearch
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Mr. Goeller's first one-man show a very commendable achievement.
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402:'s friends from the Art Students League and Whitney Studio Club.
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Emotion Expressed Through Precision: The Art of Charles Goeller
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Philadelphia Area Consortium of Special Collections Libraries
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2012:"CHARLES GOELLER INC - ROSELLE PARK, NJ - Business Page"
1773:(9). Ithaca, New York: Cornell University: 3. 1931-12-12
1741:(9). Ithaca, New York: Cornell University: 3. 1930-12-15
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Philippa Whiting (February 1935). "Speaking About Art".
1864:"New Jersey State Census, 1915", database, FamilySearch
2108:"Charles L Goeller in entry for Charles Goeller, 1930"
1860:"Charles L Goeller in entry for Charles Goeller, 1915"
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Frank Knox Morton Rehn (1886-1956), son of the artist
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essay was excerpted from the illustrated catalogue (
1308:"A Descriptive Calendar of the New York Galleries".
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National Association of Women Painters and Sculptors
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2182:. University of Oklahoma Press. pp. 174–175.
2179:Big Dams and Other Dreams: The Six Companies Story
888:"Display ad: Daniel Gallery; Special Exhibition".
1316:(5). New York: Stanley Lewis: 26–33. March 1934.
1180:Archives of American Art, Smithsonian Institution
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634:In 1943 Goeller showed the self portrait at the
445:(Durham and London: Duke University Press, 1995)
2214:(2). Chicago, Ill.: Ziff-Davis: 66. August 1942
564:was a common translation of Neues Sachlichkeit.
2243:(1). Chicago, Ill.: Ziff-Davis: 102. July 1943
1259:Howard Devree (1933-11-26). "Argent Gallery".
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411:The still life was first shown in 1928 at the
960:. Oxford University Press, USA. p. 414.
130:. During this period Goeller also studied at
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1686:. Hackettstown, N.J. 1977-02-23. p. 25.
1019:"Daniel Gallery Opens With American Group".
1589:New Jersey: A Guide to Its Present and Past
443:Magical Realism: Theory, History, Community
1498:"Display Ad: Shum From Spain; Paintings".
869:"Home - L'Académie de la Grande Chaumière"
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892:. Brooklyn, N.Y. 1929-03-03. p. E7.
300:Newark School of Fine and Industrial Arts
241: in (910 mm × 770 mm)
2290:New York Art Resources Consortium; Frick
1023:. Brooklyn, N.Y. 1929-11-03. p. E7.
739:Gail Stavitsky; Charles Goeller (2003).
126:and other members of the faculty at the
1682:"N. J. Artists to Exhibit in Chatham".
1470:"Display Ad: Blanche Bonesteil Gallery"
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1108:(5). New York: Stanley Lewis: 20–22.
954:Robert M. Austin (11 December 1992).
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2286:"Artist File: Charles Louis Goeller"
1355:"Third Avenue by Charles L. Goeller"
617:(then known as Marcus Rothkowitz ),
269:Sometime before 1943 Goeller drew a
741:Emotion Expressed Through Precision
2360:20th-century American male artists
2350:Artists from Elizabeth, New Jersey
1797:Traditional Fine Arts Organization
743:. New York: Gallery. pp. 32 .
503:The others mentioned by Barr were
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2355:People from Irvington, New Jersey
2060:"Leopold F. Goeller, 24 Jul 1899"
1040:. Penn State Press. p. 156.
128:École Américaine de Fontainebleau
1480:(1). New York: 124. January 1948
854:The Register, Cornell University
116:Rensselaer Polytechnic Institute
1359:Smithsonian American Art Museum
814:Smithsonian American Art Museum
132:Académie de la Grande Chaumière
2325:20th-century American painters
1322:10.1080/15436314.1934.11466516
275:Society of Independent Artists
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636:M.H. de Young Memorial Museum
613:, Louis Harris, Jack Kufeld,
261:Art career, 1940s–1950s
1988:"Charles Goeller, 1917-1918"
1964:"Hulda Louise Goeller, 1925"
1204:Burchfield Penney Art Center
1200:"Frank K. M. Rehn Galleries"
278:1943, 1944, 1947, and 1950.
851:Cornell University (1919).
247:Public Works of Art Project
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2345:Cornell University faculty
1502:. 1946-11-10. p. X11.
1138:. New York. Archived from
413:Société du Salon d'Automne
2165:. 1955-03-08. p. 27.
2016:Dun & Bradstreet, Inc
1671:. 1941-07-20. p. X7.
1561:. 1942-04-26. p. X5.
1282:. 1930-05-07. p. 20.
1065:. 1930-04-13. p. 33.
936:"Man With a New Method".
840:. 1961-08-01. p. 31.
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2335:American modern painters
1911:"Karl Friedrich Goeller"
1656:. 1950-02-11. p. 8.
1576:. 1936-03-24. p. 2.
1400:American Magazine of Art
1034:Dennis Crockett (1999).
940:. 1914-01-25. p. 8.
2176:Donald E. Wolf (1996).
1887:"Charles Goeller, 1925"
1136:College Art Association
640:New Jersey State Museum
296:College of Architecture
208:College Art Association
206:In a paper read at the
2330:American male painters
2161:"Charles L. Goeller".
575:Frank Knox Morton Rehn
242:
154:
2084:"Hulda Goeller, 1925"
2036:"Johanna Weiss, 1883"
1793:"Leo Dee (1931–2004)"
1667:"Essex Fells, N.J.".
1295:New York Evening Post
1240:New York Evening Post
759:New York Evening Post
335:Elizabeth, New Jersey
312:Irvington, New Jersey
282:the Jersey meadows."
226:
152:
78:Elizabeth, New Jersey
59:Irvington, New Jersey
45:Charles Louis Goeller
1791:David B. Dearinger.
1021:Brooklyn Daily Eagle
890:Brooklyn Daily Eagle
810:"Charles L. Goeller"
417:Museum of Modern Art
337:, on March 6, 1955.
310:Goeller was born in
302:in the early 1950s.
255:Architectural League
189:Museum of Modern Art
1834:Mathematics Teacher
1557:"Along the Trail".
836:"Charles Goeller".
392:Maurice Prendergast
251:Federal Art Project
201:Edward Alden Jewell
509:Charles Burchfield
438:post-expressionist
430:Neues Sachlichkeit
363:Newark Sunday News
243:
181:Neues Sachlichkeit
155:
120:Cornell University
112:Newark, New Jersey
2189:978-0-8061-2853-5
967:978-0-19-536220-6
525:Katherine Schmidt
488:Marjorie Phillips
400:Katherine Schmidt
164:Preston Dickinson
145:Art career, 1930s
93:
92:
55:November 10, 1901
2367:
2300:
2299:
2297:
2296:
2282:
2276:
2275:
2273:
2272:
2258:
2252:
2251:
2249:
2248:
2229:
2223:
2222:
2220:
2219:
2200:
2194:
2193:
2173:
2167:
2166:
2158:
2149:
2148:
2146:
2145:
2131:
2122:
2121:
2119:
2118:
2104:
2098:
2097:
2095:
2094:
2080:
2074:
2073:
2071:
2070:
2056:
2050:
2049:
2047:
2046:
2032:
2026:
2025:
2023:
2022:
2008:
2002:
2001:
1999:
1998:
1984:
1978:
1977:
1975:
1974:
1960:
1954:
1953:
1951:
1950:
1936:
1925:
1924:
1922:
1921:
1907:
1901:
1900:
1898:
1897:
1883:
1874:
1873:
1871:
1870:
1856:
1850:
1849:
1829:
1823:
1822:
1809:
1808:
1799:. Archived from
1788:
1782:
1781:
1779:
1778:
1764:
1756:
1750:
1749:
1747:
1746:
1732:
1724:
1718:
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1709:
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1694:
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1664:
1658:
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1649:
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1642:
1634:
1628:
1627:
1619:
1613:
1612:
1604:
1598:
1597:
1584:
1578:
1577:
1569:
1563:
1562:
1554:
1548:
1547:
1539:
1533:
1532:
1530:
1529:
1520:. Archived from
1510:
1504:
1503:
1495:
1489:
1488:
1486:
1485:
1466:
1460:
1459:
1447:
1438:
1437:
1425:
1416:
1415:
1395:
1389:
1388:
1386:
1385:
1375:
1369:
1368:
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1351:
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1305:
1299:
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1269:
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1235:
1229:
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1220:
1214:
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1190:
1189:
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1172:
1166:
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1157:
1151:
1150:
1148:
1147:
1128:
1122:
1121:
1097:
1088:
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1067:
1066:
1058:
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1031:
1025:
1024:
1016:
1010:
1009:
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991:
990:
978:
972:
971:
951:
942:
941:
933:
924:
923:
921:
920:
906:
897:
896:
885:
879:
878:
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865:
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848:
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833:
824:
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820:
806:
789:
788:
776:
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766:
754:
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736:
685:
681:
675:
672:
666:
659:
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649:
643:
632:
626:
598:
592:
584:
578:
571:
565:
558:
552:
534:
528:
501:
495:
452:
446:
426:
420:
409:
403:
376:
370:
359:
331:Drexel Institute
240:
239:
235:
232:
210:meeting in 1931
73:
54:
52:
33:
19:
16:American painter
2375:
2374:
2370:
2369:
2368:
2366:
2365:
2364:
2305:
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2294:
2292:
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2270:
2268:
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2259:
2255:
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2244:
2231:
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2217:
2215:
2202:
2201:
2197:
2190:
2175:
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2143:
2141:
2133:
2132:
2125:
2116:
2114:
2106:
2105:
2101:
2092:
2090:
2082:
2081:
2077:
2068:
2066:
2058:
2057:
2053:
2044:
2042:
2034:
2033:
2029:
2020:
2018:
2010:
2009:
2005:
1996:
1994:
1986:
1985:
1981:
1972:
1970:
1962:
1961:
1957:
1948:
1946:
1938:
1937:
1928:
1919:
1917:
1909:
1908:
1904:
1895:
1893:
1885:
1884:
1877:
1868:
1866:
1858:
1857:
1853:
1831:
1830:
1826:
1806:
1804:
1790:
1789:
1785:
1776:
1774:
1762:
1758:
1757:
1753:
1744:
1742:
1730:
1726:
1725:
1721:
1711:
1710:
1706:
1696:
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1691:
1681:
1680:
1676:
1666:
1665:
1661:
1651:
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1646:
1636:
1635:
1631:
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1616:
1606:
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1601:
1586:
1585:
1581:
1571:
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1566:
1556:
1555:
1551:
1541:
1540:
1536:
1527:
1525:
1512:
1511:
1507:
1497:
1496:
1492:
1483:
1481:
1474:Partisan Review
1468:
1467:
1463:
1454:. p. X10.
1449:
1448:
1441:
1427:
1426:
1419:
1397:
1396:
1392:
1383:
1381:
1377:
1376:
1372:
1363:
1361:
1353:
1352:
1348:
1307:
1306:
1302:
1292:
1291:
1287:
1277:
1276:
1272:
1263:. p. X12.
1258:
1257:
1250:
1237:
1236:
1232:
1222:
1221:
1217:
1208:
1206:
1198:
1197:
1193:
1184:
1182:
1174:
1173:
1169:
1159:
1158:
1154:
1145:
1143:
1130:
1129:
1125:
1099:
1098:
1091:
1083:. p. 108.
1078:
1077:
1070:
1060:
1059:
1055:
1048:
1033:
1032:
1028:
1018:
1017:
1013:
1004:. p. 136.
999:
998:
994:
985:. p. C27.
980:
979:
975:
968:
953:
952:
945:
935:
934:
927:
918:
916:
908:
907:
900:
887:
886:
882:
873:
871:
867:
866:
862:
850:
849:
845:
835:
834:
827:
818:
816:
808:
807:
792:
783:. p. 132.
778:
777:
770:
756:
755:
748:
738:
737:
698:
694:
689:
688:
682:
678:
673:
669:
660:
656:
650:
646:
633:
629:
611:Adolph Gottlieb
607:Ilya Bolotowsky
599:
595:
585:
581:
572:
568:
562:New Objectivity
559:
555:
535:
531:
502:
498:
464:Alexander Brook
453:
449:
427:
423:
410:
406:
380:Marsden Hartley
377:
373:
360:
356:
351:
308:
292:
263:
237:
233:
230:
228:
176:Yasuo Kuniyoshi
147:
108:
96:Charles Goeller
81:
75:
71:
62:
56:
50:
48:
47:
46:
36:
24:
23:Charles Goeller
17:
12:
11:
5:
2373:
2371:
2363:
2362:
2357:
2352:
2347:
2342:
2337:
2332:
2327:
2322:
2317:
2307:
2306:
2302:
2301:
2277:
2253:
2224:
2195:
2188:
2168:
2163:New York Times
2150:
2123:
2099:
2075:
2051:
2027:
2003:
1979:
1955:
1926:
1902:
1875:
1851:
1824:
1783:
1751:
1719:
1714:New York Times
1704:
1699:New York Times
1689:
1674:
1669:New York Times
1659:
1654:New York Times
1644:
1639:New York Times
1629:
1624:New York Times
1614:
1611:. p. X12.
1609:New York Times
1599:
1579:
1574:New York Times
1564:
1559:New York Times
1549:
1546:. p. X10.
1544:New York Times
1534:
1505:
1500:New York Times
1490:
1461:
1452:New York Times
1439:
1432:. p. X7.
1430:New York Times
1417:
1390:
1370:
1346:
1300:
1285:
1270:
1261:New York Times
1248:
1242:. p. D7.
1230:
1225:New York Times
1215:
1191:
1167:
1162:New York Times
1152:
1123:
1089:
1081:New York Times
1068:
1063:New York Times
1053:
1046:
1026:
1011:
1002:New York Times
992:
983:New York Times
973:
966:
943:
938:New York Press
925:
898:
880:
860:
857:. p. 257.
843:
838:New York Times
825:
790:
781:New York Times
768:
746:
695:
693:
690:
687:
686:
676:
667:
663:Reginald Marsh
654:
644:
627:
619:Louis Schanker
593:
579:
566:
553:
529:
505:Reginald Marsh
496:
484:Reginald Marsh
447:
421:
404:
371:
353:
352:
350:
347:
327:Fleetwing News
307:
304:
291:
288:
262:
259:
217:New York Times
212:Alfred H. Barr
193:New York Times
146:
143:
124:Jean Despujols
107:
104:
91:
90:
87:
83:
82:
76:
74:(aged 53)
68:
64:
63:
57:
44:
42:
38:
37:
34:
26:
25:
22:
15:
13:
10:
9:
6:
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3:
2:
2372:
2361:
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2291:
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2281:
2278:
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2228:
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2209:
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2199:
2196:
2191:
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2180:
2172:
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2157:
2155:
2151:
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2124:
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2089:
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2076:
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2055:
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2041:
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2028:
2017:
2013:
2007:
2004:
1993:
1989:
1983:
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1969:
1965:
1959:
1956:
1945:
1941:
1935:
1933:
1931:
1927:
1916:
1912:
1906:
1903:
1892:
1888:
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1865:
1861:
1855:
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1843:
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1825:
1821:
1819:
1818:0-934552-72-X
1815:
1803:on 2015-12-04
1802:
1798:
1794:
1787:
1784:
1772:
1768:
1761:
1755:
1752:
1740:
1736:
1729:
1723:
1720:
1716:. p. X9.
1715:
1708:
1705:
1701:. p. 20.
1700:
1693:
1690:
1685:
1678:
1675:
1670:
1663:
1660:
1655:
1648:
1645:
1641:. p. 29.
1640:
1633:
1630:
1626:. p. X8.
1625:
1618:
1615:
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1603:
1600:
1595:
1591:
1590:
1583:
1580:
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1538:
1535:
1524:on 2016-05-21
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1262:
1255:
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1249:
1245:
1241:
1234:
1231:
1227:. p. 29.
1226:
1219:
1216:
1205:
1201:
1195:
1192:
1181:
1177:
1171:
1168:
1164:. p. 23.
1163:
1156:
1153:
1142:on 2016-08-19
1141:
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680:
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664:
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631:
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623:Joseph Solman
620:
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583:
580:
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521:Luigi Lucioni
518:
517:Stefan Hirsch
514:
510:
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497:
493:
489:
485:
481:
480:Luigi Lucioni
477:
476:Stefan Hirsch
473:
472:Arshile Gorky
469:
465:
461:
457:
451:
448:
444:
441:Faris, eds.,
439:
435:
434:Expressionism
431:
425:
422:
418:
414:
408:
405:
401:
397:
393:
389:
388:Rockwell Kent
385:
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364:
358:
355:
348:
346:
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342:
338:
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332:
328:
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319:
315:
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306:Personal life
305:
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301:
297:
289:
287:
283:
279:
276:
272:
271:trompe l'oeil
267:
260:
258:
256:
252:
248:
225:
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218:
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177:
173:
169:
165:
161:
151:
144:
142:
140:
137:
133:
129:
125:
121:
118:and later at
117:
113:
105:
103:
101:
97:
88:
84:
79:
70:March 6, 1955
69:
65:
60:
43:
39:
32:
27:
20:
2293:. Retrieved
2289:
2280:
2269:. Retrieved
2265:
2256:
2245:. Retrieved
2240:
2236:
2227:
2216:. Retrieved
2211:
2207:
2198:
2178:
2171:
2162:
2142:. Retrieved
2138:
2115:. Retrieved
2111:
2102:
2091:. Retrieved
2087:
2078:
2067:. Retrieved
2063:
2054:
2043:. Retrieved
2039:
2030:
2019:. Retrieved
2015:
2006:
1995:. Retrieved
1991:
1982:
1971:. Retrieved
1967:
1958:
1947:. Retrieved
1943:
1918:. Retrieved
1914:
1905:
1894:. Retrieved
1890:
1867:. Retrieved
1863:
1854:
1837:
1833:
1827:
1811:
1805:. Retrieved
1801:the original
1796:
1786:
1775:. Retrieved
1770:
1766:
1754:
1743:. Retrieved
1738:
1734:
1722:
1713:
1707:
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1617:
1608:
1602:
1588:
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1558:
1552:
1543:
1537:
1526:. Retrieved
1522:the original
1517:
1508:
1499:
1493:
1482:. Retrieved
1477:
1473:
1464:
1455:
1451:
1433:
1429:
1403:
1399:
1393:
1382:. Retrieved
1373:
1362:. Retrieved
1358:
1349:
1341:
1313:
1309:
1303:
1297:. p. 5.
1294:
1288:
1280:New York Sun
1279:
1273:
1264:
1260:
1243:
1239:
1233:
1224:
1218:
1207:. Retrieved
1203:
1194:
1183:. Retrieved
1179:
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1155:
1144:. Retrieved
1140:the original
1135:
1126:
1117:
1105:
1101:
1084:
1080:
1062:
1056:
1036:
1029:
1020:
1014:
1005:
1001:
995:
986:
982:
976:
956:
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