20:
490:
206:
and Fauves. His later work, though superficially in a
Precisionist style, utilizes off-balance, expressionistic compositions with jagged diagonals. Some of his work in the 1920s was also observed by critics as having an Oriental influence, believed to derive from his studies of Japanese
182:
at many times during his life, though he was most interested in the cut-stone architecture that lined and crossed the river. He painted numerous still lifes of man-made objects, with table-top settings depicting "simple dining" being a recurring theme.
57:, a third-generation American in a working-class family. His father was an amateur painter who made a living as a calligrapher and interior decorator; he died when Preston was only eleven years old. By 1906, his family had relocated to
158:
Dickinson was one of the first
American artists to focus on industrial subjects. He was working in the Precisionist mode by at least 1915, and his depictions of factories and granaries predate those of fellow Precisionists
214:
Dickinson produced fewer than two hundred works during his twenty-year career. He usually did not sign or date his works, which together with his stylistic experimentation makes it difficult to place them in a chronology.
123:
from 1925 to 1926, where he painted landscapes and street scenes. By the end of the 1920s, he had established a reputation as an important
American modernist and his works had entered public and private collections.
167:. Dickinson was motivated by a reverence for the benefits of technology and industry to humanity, as well as an interest in its formal qualities. Many of his industrial scenes were imaginary (such as
438:
Preston
Dickinson 1889-1930: Catalogue of an Exhibition Organized by the Sheldon Memorial Art Gallery, Lincoln, Nebraska, in Collaboration with the Nebraska Art Association, Lincoln
570:
308:
131:, looking for a cheap place to live and paint. Dickinson's money ran out by that autumn, but before he could leave Spain he was hospitalized with
555:
520:
565:
530:
472:
272:
545:
452:
The
Precisionist Painters, 1916-1949: Interpretations of a Mechanical Age: Heckscher Museum, Huntington, New York, July 7-August 20, 1978
178:), pictured at right), though his work later shifted towards a greater realism. Dickinson also produced many landscapes, depicting the
186:
Experimenting with a variety of techniques and styles, his work showed influence from a number of avant-garde art movements, such as
535:
404:
107:, Dickinson returned to the U.S. in September 1914. Lacking resources, he moved in with his mother, widowed sister and her son in
550:
525:
147:
65:
560:
494:
112:
347:
97:
81:
355:
143:
139:, and was buried there. He had long been in poor health, suffering from alcoholism among other conditions.
89:
316:
19:
392:
27:
119:, where he produced a series of drawings of the Peters Mills granaries and factory complex. He lived in
84:
also financed
Dickinson's trip to Europe. From 1910 to 1914, he lived in Paris, where he studied at the
540:
69:
515:
510:
460:
128:
203:
115:, ultimately receiving his first solo gallery show there in 1923. He spent the summer of 1924 in
77:
85:
396:
385:
468:
400:
304:
268:
58:
447:
132:
160:
116:
164:
504:
93:
73:
54:
179:
42:
199:
136:
104:
436:
Cloudman, Ruth; Nebraska Art
Association; Sheldon Memorial Art Gallery (1979),
38:
108:
76:. His tuition at the art school was paid by philanthropist and art patron
489:
191:
208:
195:
142:
Dickinson posthumously received his first solo museum show, staged at
127:
In June 1930, Dickinson moved to Spain with friend and fellow painter
187:
120:
202:. His use of color was expressive, showing his influence by the
111:. He shortly participated in several group exhibitions at the
378:
376:
374:
372:
37:(September 9, 1889 – November 25, 1930) was an American
41:, best known for his paintings of industrial subjects in the
53:
William
Preston Dickinson was born on September 9, 1889, in
467:, Abrams, in association with the Montclair Art Museum,
465:
Precisionism in
America, 1915-1941: Reordering Reality
135:. He died three days later, on November 25, 1930, in
342:
340:
338:
336:
334:
313:
Preston
Dickinson (1889-1930): Paintings and Drawings
384:
265:Ten Precisionist Artists: Annotated Bibliographies
64:Dickinson studied between 1906 and 1910 at the
267:, Westport: Greenwood Press, pp. 153–54,
258:
256:
254:
252:
250:
248:
315:, New York: Zabriskie Gallery, archived from
246:
244:
242:
240:
238:
236:
234:
232:
230:
228:
8:
298:
296:
294:
292:
290:
288:
286:
284:
348:"(William) Preston Dickinson - Biography"
18:
419:
224:
352:American Art @ The Phillips Collection
7:
150:, who had admired Dickinson's work.
146:in 1931 by its founder and director
571:20th-century American male artists
14:
488:
92:, and exhibited his work at the
383:Roberts, Norma J., ed. (1988),
66:Art Students League of New York
556:Deaths from pneumonia in Spain
521:20th-century American painters
263:Harnsberger, R. Scott (1992),
1:
566:People from Suffern, New York
531:American expatriates in Spain
172:
546:Painters from New York City
587:
440:, Nebraska Art Association
26:(c. 1920). Oil on canvas,
80:. Barbey and art dealer
35:William Preston Dickinson
536:American modern painters
387:The American Collections
356:The Phillips Collection
144:The Phillips Collection
551:Artists from the Bronx
526:American male painters
446:Lochridge, Katherine;
393:Columbus Museum of Art
98:Salon des Indépendants
31:
28:Columbus Museum of Art
70:William Merritt Chase
22:
497:at Wikimedia Commons
461:Montclair Art Museum
90:École des Beaux-Arts
561:Burials in Gipuzkoa
303:Holman, Thomas S.;
204:Post-Impressionists
103:After the start of
72:, as well as under
454:, Heckscher Museum
32:
495:Preston Dickinson
493:Media related to
474:978-0-8109-3734-5
309:"Catalogue Essay"
305:Zabriskie Gallery
274:978-0-313-27664-4
59:Suffern, New York
578:
492:
477:
455:
448:Heckscher Museum
441:
423:
417:
411:
409:
390:
380:
367:
365:
364:
362:
344:
329:
327:
326:
324:
319:on March 3, 2006
300:
279:
277:
260:
177:
174:
133:double pneumonia
586:
585:
581:
580:
579:
577:
576:
575:
501:
500:
485:
475:
459:
445:
435:
432:
430:Further reading
427:
426:
418:
414:
407:
382:
381:
370:
360:
358:
346:
345:
332:
322:
320:
302:
301:
282:
275:
262:
261:
226:
221:
175:
161:Charles Sheeler
156:
148:Duncan Phillips
117:Omaha, Nebraska
86:Académie Julian
51:
17:
16:American artist
12:
11:
5:
584:
582:
574:
573:
568:
563:
558:
553:
548:
543:
538:
533:
528:
523:
518:
513:
503:
502:
499:
498:
484:
483:External links
481:
480:
479:
473:
457:
443:
431:
428:
425:
424:
412:
405:
368:
330:
280:
273:
223:
222:
220:
217:
165:Charles Demuth
155:
152:
129:Oronzo Gasparo
113:Daniel Gallery
82:Charles Daniel
50:
47:
15:
13:
10:
9:
6:
4:
3:
2:
583:
572:
569:
567:
564:
562:
559:
557:
554:
552:
549:
547:
544:
542:
539:
537:
534:
532:
529:
527:
524:
522:
519:
517:
514:
512:
509:
508:
506:
496:
491:
487:
486:
482:
476:
470:
466:
462:
458:
453:
449:
444:
439:
434:
433:
429:
422:, p. 98.
421:
416:
413:
408:
406:0-8109-1811-0
402:
398:
394:
389:
388:
379:
377:
375:
373:
369:
361:September 16,
357:
353:
349:
343:
341:
339:
337:
335:
331:
318:
314:
310:
306:
299:
297:
295:
293:
291:
289:
287:
285:
281:
276:
270:
266:
259:
257:
255:
253:
251:
249:
247:
245:
243:
241:
239:
237:
235:
233:
231:
229:
225:
218:
216:
212:
210:
205:
201:
197:
193:
189:
184:
181:
170:
166:
162:
153:
151:
149:
145:
140:
138:
134:
130:
125:
122:
118:
114:
110:
106:
101:
99:
95:
91:
87:
83:
79:
75:
74:Ernest Lawson
71:
67:
62:
60:
56:
55:New York City
48:
46:
44:
40:
39:modern artist
36:
29:
25:
21:
541:Precisionism
464:
451:
437:
420:Roberts 1988
415:
386:
359:, retrieved
351:
321:, retrieved
317:the original
312:
264:
213:
185:
180:Harlem River
168:
157:
141:
126:
102:
78:Henry Barbey
63:
52:
43:Precisionist
34:
33:
23:
516:1930 deaths
511:1889 births
200:Synchromism
176: 1920
137:Irun, Spain
105:World War I
94:Paris Salon
505:Categories
395:, p.
323:October 3,
219:References
109:the Bronx
49:Biography
463:(1994),
450:(1978),
307:(2002),
192:Futurism
96:and the
209:ukiyo-e
196:Fauvism
169:Factory
45:style.
24:Factory
471:
403:
271:
198:, and
188:Cubism
121:Quebec
68:under
211:art.
469:ISBN
401:ISBN
363:2011
325:2011
269:ISBN
163:and
154:Work
88:and
507::
399:,
397:96
391:,
371:^
354:,
350:,
333:^
311:,
283:^
227:^
194:,
190:,
173:c.
100:.
61:.
478:.
456:.
442:.
410:.
366:.
328:.
278:.
171:(
30:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
