Knowledge (XXG)

Charles R. Chickering

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stamp was released to the public however the success of the space mission was still not a given and so the production of this commemorative stamp was done in secrecy. To assure that the production of this stamp remained confidential Chickering did most of his design work at his own residence, while his fellow workers at the BEP were informed that he was on a vacation. The finished stamps were sent to Post offices across the country and were labeled 'Top Secret' where they finally were released to the public on February 20, 1962 at the exact hour Colonel John Glenn's historic flight returned to Earth. See also:
453: 407: 469: 326: 279: 423: 63: 439: 41: 180: 361:, Texas. Chickering's design was intended to portray the old and the new historical aspects of the fort's 100-year history, a difficult task for the small amount of space. Chickering designed the stamp, C.A. Brooks engraved the vignette, and A.W. Christensen engraved the border design, the lettering and the numerals. 342:
The Project Mercury stamp, issued on February 20, 1962, proved to be the most famous of Chickering's stamps designs. It was initially produced in quantities of 100 million stamps but because it proved to be so popular the U.S. Post Office ordered the printing of an additional 100 million. Before the
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unit. As he often drew various illustrations of various objects in his spare time it wasn't long before the Army recognized his talent for illustration and was consequently assigned to more unusual duties. Stationed in France during the war his talents were put to use when he was assigned to duty in
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in Washington, DC. His career as a professional artist began while working as an illustrator for the U.S. Army recording and drawing medical illustrations of the wounded and dead during the First World War. He continued the practice in civilian life and became a noted artist-illustrator who worked
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when he began working for the Bureau of Engraving and Printing (BEP), starting his career there on February 12, 1947. During Chickering's 15-year career at the BEP he was credited for designing 66 stamp designs that were produced unaltered, into the final stamp design, such as the one used in the
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broke out Chickering put his talents to use contributing to the war effort. Recognized for his illustrating ability working for the Army during the first world war he was commissioned by the government and designed recruitment posters for the Navy Department. Among his most famous posters was the
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industry flourished in the United States, with many different types of magazines emerging on the scene. During this time Chickering found plenty of opportunities producing illustrations for a number of these magazines which became popular during this time, including
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In early 1957, the U.S. Post Office Department was under considerable political pressure to mark the anniversary of the Butterfield's overland mail lines with a commemorative stamp "honoring the centennial of the overland mail." Chickering was chosen to design the
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While designing postage stamps with their frequent historical themes Chickering often spent much time researching and studying historical documents, letters, paintings, statues and photographs before creating the design for a postage stamp. When he designed the
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whose editor and art director were both a friend and admirer of Chickering and his art work and consequently made use of his illustrations in most of the issues throughout the 1930s and into the 1950s. Some of his drawings were used in Blue Book stories like
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of 1953, while 11 other designs were modified somewhat and incorporated into a stamp format. In addition to the 77 stamps he designed Chickering is also credited as modeler for 41 U.S. issues designed by other artists and jointly as modeler for eight more.
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issue of May 9, 1936, was the peak of his career as a magazine illustrator, earning him recognition in the world of art and production. However, the publication that came to have the most important relationship for Chickering, was
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Examples of co-designed stamps, these issues depict quotes made by various famous Americans such as Washington, Jefferson and Lincoln. They were designed by Frank P. Conley and illustrated (modeled) by Charles
138:. His ability and talent to illustrate ideas and subjects came to him at an early age. While in high school he was first drawn to engineering but when a scholarship was offered to him to attend the 610:, February 8, 1981. Accessed October 10, 2017. "Charles R. Chickering was born in Smithville in Burlington County in 1891 and at an early age moved with his family to Philadelphia." 515: 498: 1036: 485: 1041: 816: 344: 139: 96:(October 7, 1891 – April 29, 1970) was best known as the freelance artist who designed some 77 postage stamps for the U.S. Post Office while working at the 176:. In 1919 he was discharged from the Army. According to 1920 census records he once again continued his career as a free-lance illustrator after the war. 978: 127: 988: 82:
for this issue occurred on November 19, 1948, eighty-five years to the day after President Abraham Lincoln delivered his most famous speech at the
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which was considered to be among the most prestigious of illustrated magazines. It is believed that his illustration on the cover of the
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to create the image of Lincoln on the stamp, while the credo inscribed on the stamp is taken from Lincoln's Gettysburg Address itself.
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he accepted it which began his career as an illustrator. He graduated from this school in 1913 and soon sold his first illustrations to
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poster of 1942. He also designing posters that promoted awareness and the need for successful civilian war production.
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Dijon making medical illustrations of body-part wounds of soldiers who died in battle and were brought in for
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Chickering designed dozens of stamp issues most of which employed historic themes for their subjects.
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Chickering developed heart problems which ultimately claimed his life while living in
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Cameras at this time were big and bulky and often not available on the battle front.
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him, and was originally assigned to the infantry where he was soon transferred to a
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commemorative stamp, first unaltered stamp design by Chickering, issued 1953
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Charles Ransom Chickering (aka "Chick") was born on October 7, 1891, in the
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where his career as a freelance book and magazine illustrator was assured.
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Stamps designed by Chickering at Smithsonian National Postal Museum
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broke out. His son David maintained that Charles enlisted in the
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Scott Specialized Catalogue of United States Stamps and Covers
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After the war Chickering embarked on a career designing U.S.
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Smithsonioan National Stamp Museum;Credo issues of 1960-1961
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Smithsonian National Postal Museum, Gettysburg Address issue
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Extended gallery of stamps designed by Charles Chickering
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Smithsonian National Postal Museum, Overland Mail issue
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Postage stamps and postal history of the United States
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Presidents of the United States on U.S. postage stamps
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This is a selection of stamps designed by Chickering.
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Chickering's career was temporarily put on hold when
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Kloetzel, James E.; Jones, William A., eds. (2010).
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Smithsonian National Postal Museum: Project Mercury
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The National Postal Museum Library 892:. Smithsonian National Postal Museum 876:. Smithsonian National Postal Museum 828:. Smithsonian National Postal Museum 797:. Smithsonian National Postal Museum 728:Smithsonian National Postal Museum, 714:Smithsonian National Postal Museum, 392:stamp issued in September 12, 1970. 959:. Smithsonian National Stamp Museum 75:Designed by Charles Chickering the 25: 793:Postal Bulletin (March 1, 1962). 255:Be Sure Your Sin Will Run You In. 185:illustrated by Charles Chickering 907:"Seven score and six years ago…" 505:Bureau of Engraving and Printing 467: 451: 437: 421: 405: 194:Between World Wars I and II the 98:Bureau of Engraving and Printing 61: 50:Bureau of Engraving and Printing 39: 561: 310:he studied a statue created by 132:Eastampton Township, New Jersey 999:Works by Charles R. Chickering 845:. Applewood Books. p. 56. 676:Seven score and six years ago… 351:Fort Bliss commemorative issue 18:Charles R. Chickering (artist) 1: 984:First Chickering stamp design 957:"4-cent Washington Quotation" 874:"Fort Bliss Centennial Issue" 826:"Fort Bliss Centennial Issue" 741: 690: 674:Smithsonian Libraries, essay: 274:Designing U.S. postage stamps 183:Navy recruitment poster, 1942 858:. Scott Publishing Company. 730:Fort Bliss stamp design file 84:Gettysburg National Cemetery 994:Charles Chickering obituary 763: 727: 716:Fort Bliss Centennial Issue 713: 701: 661: 649: 637: 622: 589: 577: 1068: 924:"Gettysburg Address issue" 752: 522:U.S. postage stamp locator 413:Lewis and Clark Expedition 386:Island Heights, New Jersey 159:before they got around to 390:South Carolina Settlement 104:The Saturday Evening Post 94:Charles Ransom Chickering 1052:American stamp designers 308:Gettysburg Address issue 1047:Artists from New Jersey 955:Rod Juell, ed. (2008). 824:Stephen J, Rod (2009). 795:"Project Mercury Issue" 841:Lantos, James (2009). 335: 286: 245:The Blue Book Magazine 186: 989:Chickering grave site 940:"Overland Mail Issue" 780:Lerner, Mark (2010). 328: 318:Notable stamp designs 312:Daniel Chester French 281: 239:Saturday Evening Post 234:Saturday Evening Post 209:The Country Gentleman 182: 33:Charles R. Chickering 372:Credo issues of 1960 213:Everybody's Magazine 510:Clair Aubrey Huston 299:commemorative issue 336: 287: 187: 145:Collier's Magazine 70:Gettysburg Address 1003:Project Gutenberg 865:978-0-89487-446-8 607:Asbury Park Press 459:Independence Hall 205:Good Housekeeping 16:(Redirected from 1059: 1012:Internet Archive 968: 966: 964: 951: 949: 947: 935: 933: 931: 918: 916: 914: 901: 899: 897: 885: 883: 881: 869: 846: 843:Thomas Jefferson 837: 835: 833: 820: 814: 806: 804: 802: 785: 767: 761: 755: 750: 744: 739: 733: 725: 719: 711: 705: 699: 693: 688: 679: 671: 665: 659: 653: 647: 641: 635: 626: 620: 611: 599: 593: 587: 581: 575: 564: 559: 542: 539: 471: 455: 441: 425: 409: 296:Opening of Japan 283:Opening of Japan 190:Career as artist 65: 43: 21: 1067: 1066: 1062: 1061: 1060: 1058: 1057: 1056: 1017: 1016: 975: 962: 960: 954: 945: 943: 938: 929: 927: 921: 912: 910: 904: 895: 893: 888: 879: 877: 872: 866: 853: 840: 831: 829: 823: 807: 800: 798: 792: 779: 776: 771: 770: 762: 758: 751: 747: 740: 736: 726: 722: 712: 708: 700: 696: 689: 682: 672: 668: 660: 656: 648: 644: 636: 629: 621: 614: 600: 596: 588: 584: 576: 567: 560: 556: 551: 546: 545: 540: 536: 531: 495: 490: 483: 479: 477: 472: 463: 461: 456: 447: 445: 442: 433: 431: 426: 417: 415: 410: 398: 382: 340:Project Mercury 334: 331:Project Mercury 320: 276: 192: 184: 124: 109:first day cover 91: 90: 89: 88: 87: 74: 73: 66: 57: 56: 55: 54: 52: 48: 44: 35: 34: 28: 27:American artist 23: 22: 15: 12: 11: 5: 1065: 1063: 1055: 1054: 1049: 1044: 1039: 1034: 1029: 1019: 1018: 1015: 1014: 1005: 996: 991: 986: 981: 974: 973:External links 971: 970: 969: 952: 936: 919: 902: 886: 870: 864: 851: 838: 821: 790: 775: 772: 769: 768: 756: 745: 734: 720: 706: 694: 680: 666: 654: 642: 627: 612: 594: 582: 565: 553: 552: 550: 547: 544: 543: 533: 532: 530: 527: 526: 525: 518: 513: 507: 502: 494: 491: 482: 481: 480: 473: 466: 464: 457: 450: 448: 443: 436: 434: 427: 420: 418: 411: 404: 397: 394: 381: 378: 377: 376: 369: 362: 347: 329: 319: 316: 291:postage stamps 275: 272: 191: 188: 174:Washington, DC 123: 120: 116:postal history 68: 67: 60: 59: 58: 47:At work at the 46: 45: 38: 37: 36: 32: 31: 30: 29: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 1064: 1053: 1050: 1048: 1045: 1043: 1040: 1038: 1035: 1033: 1030: 1028: 1025: 1024: 1022: 1013: 1009: 1006: 1004: 1000: 997: 995: 992: 990: 987: 985: 982: 980: 977: 976: 972: 963:September 24, 958: 953: 941: 937: 925: 920: 908: 903: 891: 887: 875: 871: 867: 861: 857: 852: 850: 844: 839: 827: 822: 818: 812: 801:September 17, 796: 791: 789: 783: 778: 777: 773: 765: 760: 757: 754: 749: 746: 743: 738: 735: 732: 731: 724: 721: 718: 717: 710: 707: 703: 698: 695: 692: 687: 685: 681: 678: 677: 670: 667: 663: 658: 655: 652:, pp. 12, 19. 651: 646: 643: 639: 634: 632: 628: 624: 619: 617: 613: 609: 608: 603: 598: 595: 591: 586: 583: 579: 574: 572: 570: 566: 563: 558: 555: 548: 538: 535: 528: 524: 523: 519: 517: 514: 511: 508: 506: 503: 500: 497: 496: 492: 489: 488: 478:Issue of 1961 476: 470: 465: 462:Issue of 1956 460: 454: 449: 446:issue of 1960 440: 435: 432:issue of 1958 430: 429:Overland Mail 424: 419: 416:issue of 1954 414: 408: 403: 401: 395: 393: 391: 387: 380:Personal life 379: 373: 370: 366: 365:Overland mail 363: 360: 356: 352: 348: 346: 341: 338: 337: 332: 327: 323: 317: 315: 313: 309: 303: 300: 297: 292: 284: 280: 273: 271: 269: 268: 262: 257: 256: 252: 247: 246: 240: 236: 235: 230: 226: 222: 218: 214: 210: 206: 202: 197: 189: 181: 177: 175: 171: 166: 162: 158: 154: 149: 147: 146: 141: 137: 133: 129: 121: 119: 117: 113: 110: 106: 105: 99: 95: 85: 81: 79: 72:issue of 1948 71: 64: 51: 42: 19: 961:. 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Index

Charles R. Chickering (artist)

Bureau of Engraving and Printing

Gettysburg Address
First Day ceremony
Gettysburg National Cemetery
Bureau of Engraving and Printing
The Saturday Evening Post
first day cover
cachets
postal history
Smithville
Eastampton Township, New Jersey
Philadelphia
Philadelphia Museum School of Industrial Art
Collier's Magazine
World War I
US Army
drafting
cavalry
autopsy
Washington, DC

magazine
Saturday Evening Post
The Blue Book Magazine
World War II
Uncle Sam

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