Knowledge (XXG)

China Illustrata

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205: 22: 99: 375: 283: 90:' administrative offices. The accessibility to essential material, as well as Kircher's vast interest in Chinese language and culture, gave the impulse to present the unknown East in one comprehensive volume of 237 pages. The scholar was therefore considered an expert on China, although he had never visited the country. 253:. First, he wanted to promote the missionaries' work and tell about the great journeys of Europeans in China. Second, he was also driven by his strong personal interest in Chinese language and culture. He collected Chinese objects for display in his museum, a chamber of curiosity in Rome established in 1651 and named 424:
An Embassy from the East-India Company of the United Provinces, to the Grand Tartar Cham Emperour of China, Delivered by their Excell'cies Peter de Goyer, and Jacob de Keyzer, at His Imperial City of Peking, wherein the Cities, Towns, Villages, Ports, Rivers, &c. in Their Passages from Canton to
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was the first and most important writing to shape Western understanding and knowledge of China for over two hundred years. Indeed, it became one of the most influential and popular books of the 17th century and is even today considered "an important source of information on the beginnings of western
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An Embassy from the East-India Company of the United Provinces, to the Grand Tartar Cham Emperor of China, Deliver'd by their Excellencies Peter de Goyer and Jacob de Keyzer, at His Imperial City of Peking, wherein the Cities, Towns, Villages, Ports, Rivers, &c. in Their Passages from Canton to
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was quickly translated into Dutch (1668), English (1669 & 1673), and French (1670) shortly after the Latin original had been published in 1667. The Dutch and French translations were both published in Amsterdam by Janssonius van Waesberge but, upon the death of Weyerstraten, cocredited first to
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China..., Illustrated by Numerous Monuments Both Sacred and Profane, and by a Quantity of Research on Nature and Art, to Which Has Been Newly Added the Interesting Questions that the Most Serene Grand Duke of Tuscany Has Recently Posed Fr. Johann Grueber Concerning This Great Empire Along with a
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Apart from describing and illustrating foreign objects and exotic creatures, the book also dwells on relations between China and the West. Kircher connects Western, Indian, Chinese and Japanese Idolatry and tries to prove the evidence of early Christianity in China. His work emphasises Christian
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La Chine..., Illustrée de Plusieurs Monuments Tant Sacrés que Profanes, et de Quantité de Recherchés de la Nature & de l'Art à Quoy On à Adjousté de Nouveau les Questions Curieuses que le Serenissime Grand Duc de Toscane a Fait dépuis Peu au P. Jean Grubere Touchant Ce Grand Empire avec un
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Kircher's work is an encyclopedia about the Chinese empire containing accurate cartography and illustrations that elucidate the vivid descriptions found in the text. The volume is a cultural account of China ranging from religious practices and social customs over languages to China's natural
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contains a number of realistic depictions of Chinese plants and animals, but also fictitious images, such as the "Dragon and Tiger Mountain". Although Kircher himself did not create most of the images, he chose them wisely in order to elucidate the descriptions found in the text.
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The most important and interesting features of Kircher's book—especially at that time—are numerous illustrations of nature, rare portraits of emperors and Jesuits, and accurate maps of China of high cartographical quality. The illustrations of plants and animals are based on
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Kircher himself had never been to China, but compiled the oral and written reports of former Jesuit missionaries to publish a summary of the knowledge on China and Tibet collected by Europeans in the 17th century. The work was published in
141:'s rebuttal to some of its claims and aims. The work, however, awakened great interest in China and inspired numerous further English publications on far Eastern travels and discoveries. The French edition included a discussion between 85:
was a polymath who published around 40 major works in the field of both the humanities and the sciences. He was based at the Jesuits' College in Rome, where he had access to many reports that Chinese-based missionaries sent back to the
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Kircher's attempt to explain the origins of Chinese characters, supposedly showing those formed by plant roots (the 5th type), small birds' wings (6th), turtles (7th), birds and peacocks (8th), and herbs, wings, and branches
802: 271:. Kircher bases this assumption on the Sino-Syrian monument that was found there in the 8th century. In his interpretation the inscription on the monument is a proof of the first declaration of the Gospel in China. 458:
Peking, Are Ingeniously Described... Also an Epistle of Father John Adams Their Antagonist, Concerning the Whole Negotiation, with an Appendix of Several Remarks Taken out of Father Athanasius Kircher
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Peking, Are Ingeniously Described... Also an Epistle of Father John Adams Their Antagonist, Concerning the Whole Negotiation, with an Appendix of Several Remarks Taken out of Father Athanasius Kircher
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Toonneel van China, door Veel, Zo Geestelijke als Werreltlijke, Geheugteekenen, Verscheide Vertoningen van de Natuur en Kunst, en Blijken van Veel Andere Gedenkwaerdige Dingen, Geopent en Verheerlykt
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The Stage of China, Revealed and Glorified by Many Noteworthy Items, Both Spiritual and Worldly, by Various Displays of Nature and Art, and by Evidence of Many Other Memorable Things
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under his own imprint and the second was printed by him for Kircher's regular publisher, a house run by Jan Janssonius van Waesberge and Elizer Weyerstraten.
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Illustrations play an important role in most of Kircher's works and they "have a quality of ingenuity and strangeness that are particular to his century".
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Kircher also declared that the Chinese script originated from the Egyptian hieroglyphs, since both writing systems were designed on pictorial principles.
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China Illustrated in Monuments, Some Sacred, Some Profane, and Also in Various Spectacles of Nature and Art, and in Discussions of Other Memorable Things
449:] (in French), translated by François Savinien d'Alquié, Amsterdam: Johannes Janssonius van Waesberge & Heirs of Elizaeus Weyerstraet, 1670 111:
in 1667 in two nearly identical and contemporaneous editions, using the same content, pagination, and illustrations. The first was published by
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China Monumentis, qua Sacris qua Profanis, nec Non Variis Naturae et Artis Spectaculis, Aliarumque Rerum Memorabilium Argumentis Illustrata
129:'s English versions only included a greatly abbreviated treatment of Kircher's work in their appendix, being principally concerned with 884: 786: 586:
Weststeijn, Thijs (September 6, 2012). "The Middle Kingdom in the Low Countries. Sinology in the Seventeenth-Century Netherlands".
416:] (in Dutch), translated by Jan Hendrik Glazemaker, Amsterdam: Johannes Janssonius van Waesberge & Sara Janssonius, 1668 494:
Le Meraviglie della Cina: Un'Esposizione dei Prodigi Sacri e Profani, della Natura e dell'Arte e di Molte Altre Cose Memorabili
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wonders, such as exotic plants and animals. By collecting and compiling information taken from fellow Jesuits including
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The Wonders of China: A Display of the Sacred and Profane Wonders of Nature and Art and of Many Other Memorable Things
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is concerned with the Chinese language and its relationship with the Hieroglyphic characters (12 pages)
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Chinese and French Dictionary, which Is Very Rare and which Has Not Previously Seen the Light of Day
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China on Paper. European and Chinese Works from the Late Sixteenth to the Early Nineteenth Century
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Dictionnaire Chinois & François, Lequel Est Tres-Rare, & qui n'a pas Encores Paru au Jour
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tells about various journeys undertaken in China, including the Journey of Marco Polo (78 pages)
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described the book as a work of entertainment rather than serious scholarship. Egyptologist
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explains the meaning and significance of the eighth-century Sino-Syrian monument (42 pages)
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agreed that Kircher had written a book for the public at large rather than for scholars.
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claims parallels between Western, Indian, Chinese and Japanese Idolatry (38 pages)
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gives descriptions and illustrations of the flora and fauna in China (44 pages)
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talks about the architecture and mechanical arts of the Chinese (11 pages)
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Szczensniak, Baleslaw (1952). "Athanasius Kircher's China Illustrata".
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Athanasius Kircher. A Renaissance Man and the Quest for Lost Knowledge
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Asia in the eyes of Europe. Sixteenth through Eighteenth Centuries
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for "China Illustrated") is a book published in 1667 by the
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and some of the images are derived from Chinese originals.
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elements in Chinese history, starting with the presence of
781:. Chicago: The University of Chicago Library. p. 39. 700: 698: 696: 828: 826: 656: 654: 850: 848: 67:, it compiles 17th-century European knowledge on the 754:. Berlin/ Boston: De Gruyter Oudenbourg. p. 33. 671: 669: 63:(1602–1680). Principally drawn from accounts of the 249:There were several reasons for Kircher to write 135:account of the first Dutch embassy to Beijing 8: 752:Geschichte der deutschsprachigen Ägyptologie 704: 1016:sfnp error: no target: CITEREFKircher1667 ( 944:sfnp error: no target: CITEREFKircher1667 ( 837:sfnp error: no target: CITEREFKircher1667 ( 609:sfnp error: no target: CITEREFKircher1667 ( 544:sfnp error: no target: CITEREFKircher1667 ( 314: 305: 287: 213: 186: 169: 119: 46: 25: 660: 991:. London: Thames& Hudson. p. 7. 989:Athanasius Kircher's Theatre of The World 963:. Los Angeles: Getty Research Institute. 125:his widow and then to their legal heirs. 929:. London: Thames and Hudson. p. 51. 854: 764: 20: 1011: 939: 832: 604: 539: 532: 328:The book is divided into six sections: 118:These initial runs were successful and 687: 675: 479:, translated by Charles Don Van Tuyl, 286:"The Quindecupartite Chinese Empire" ( 982: 980: 901:"China illustrata - Ostasieninstitut" 875:. Getty Research Institute. pp.  717: 715: 713: 7: 626: 624: 622: 620: 557: 555: 102:An illustration of Chinese turtles 14: 563:"China Illustrata | Beyond Ricci" 289:Imperium Sinicum Quindecupartitum 208:The Dragon and Tiger Mountain of 74:and its neighboring countries. 1: 218:), combining topography with 588:The Making of the Humanities 196:and sinophilism in Europe". 1057:17th-century books in Latin 750:Gertzen, Thomas L. (2017). 465:, London: John Ogilby, 1673 432:, London: John Macock, 1669 236:Johann Adam Schall von Bell 139:Johann Adam Schall von Bell 1078: 633:History of Science Society 16:Book by Athanasius Kircher 987:Godwin, Joscelyn (2009). 925:Godwin, Joscelyn (1979). 94:Publication and reception 777:Lach, Donals F. (1991). 502:Bologna University Press 215:Mons in Provincia Kiamsi 143:Ferdinando II de' Medici 807:www.deutsches-museum.de 727:www.deutsches-museum.de 259:after Kircher himself. 380: 315: 306: 296: 288: 222: 214: 187: 185:But others argue that 174:was also criticized. 170: 120: 103: 47: 42: 26: 959:Reed, Marcia (2007). 867:Reed, Marcia (2007). 377: 285: 207: 101: 24: 1052:Prose texts in Latin 256:Musaeum Kircherianum 65:Jesuit China Mission 1047:Jesuit publications 386:Kircher, Athanasius 1062:Athanasius Kircher 381: 297: 223: 157:and also an early 104: 83:Athanasius Kircher 61:Athanasius Kircher 43: 1042:Books about China 998:978-0-500-25860-6 970:978-1-60606-068-1 661:Glazemaker (1668) 511:978-88-6923-037-0 485:Indian University 220:Chinese mythology 176:Gottfried Leibniz 1069: 1022: 1021: 1009: 1003: 1002: 984: 975: 974: 956: 950: 949: 937: 931: 930: 922: 916: 915: 913: 912: 897: 891: 890: 874: 864: 858: 852: 843: 842: 830: 821: 820: 818: 817: 811:Deutsches Museum 799: 793: 792: 774: 768: 762: 756: 755: 747: 741: 740: 738: 737: 731:Deutsches Museum 719: 708: 702: 691: 685: 679: 673: 664: 658: 649: 648: 628: 615: 614: 602: 596: 595: 583: 577: 576: 574: 573: 559: 550: 549: 537: 522: 488: 478: 473:China Illustrata 466: 461:, translated by 450: 433: 428:, translated by 417: 402: 318: 316:China Illustrata 309: 291: 251:China Illustrata 217: 210:Jiangxi Province 190: 188:China Illustrata 173: 171:China Illustrata 123: 121:China Illustrata 50: 48:China Illustrata 29: 27:China Illustrata 1077: 1076: 1072: 1071: 1070: 1068: 1067: 1066: 1027: 1026: 1025: 1015: 1010: 1006: 999: 986: 985: 978: 971: 958: 957: 953: 943: 938: 934: 924: 923: 919: 910: 908: 899: 898: 894: 887: 866: 865: 861: 855:Van Tuyl (1986) 853: 846: 836: 831: 824: 815: 813: 801: 800: 796: 789: 776: 775: 771: 765:Van Tuyl (1986) 763: 759: 749: 748: 744: 735: 733: 721: 720: 711: 705:D'Alquié (1670) 703: 694: 686: 682: 674: 667: 659: 652: 630: 629: 618: 608: 603: 599: 585: 584: 580: 571: 569: 561: 560: 553: 543: 542:, Frontispiece. 538: 534: 530: 512: 492: 476: 470: 454: 437: 421: 406: 400:Jacob van Meurs 384: 372: 326: 280: 267:in the city of 232:Martino Martini 202: 137:and the Jesuit 113:Jacob van Meurs 96: 80: 36:Schall von Bell 17: 12: 11: 5: 1075: 1073: 1065: 1064: 1059: 1054: 1049: 1044: 1039: 1029: 1028: 1024: 1023: 1014:, p. 219. 1012:Kircher (1667) 1004: 997: 976: 969: 961:China on Paper 951: 940:Kircher (1667) 932: 917: 892: 885: 859: 844: 835:, p. 171. 833:Kircher (1667) 822: 794: 787: 769: 757: 742: 709: 692: 680: 665: 650: 616: 607:, p. 196. 605:Kircher (1667) 597: 578: 551: 540:Kircher (1667) 531: 529: 526: 525: 524: 510: 490: 468: 452: 435: 419: 404: 371: 368: 367: 366: 360: 354: 348: 342: 336: 325: 322: 307:Flora Sinensis 279: 276: 240:Johann Grueber 201: 198: 155:Johann Grueber 95: 92: 79: 76: 72:Chinese Empire 15: 13: 10: 9: 6: 4: 3: 2: 1074: 1063: 1060: 1058: 1055: 1053: 1050: 1048: 1045: 1043: 1040: 1038: 1035: 1034: 1032: 1019: 1013: 1008: 1005: 1000: 994: 990: 983: 981: 977: 972: 966: 962: 955: 952: 947: 941: 936: 933: 928: 921: 918: 906: 902: 896: 893: 888: 886:9780892368693 882: 878: 873: 872: 863: 860: 856: 851: 849: 845: 840: 834: 829: 827: 823: 812: 809:(in German). 808: 804: 798: 795: 790: 788:0-943056-14-4 784: 780: 773: 770: 766: 761: 758: 753: 746: 743: 732: 729:(in German). 728: 724: 718: 716: 714: 710: 706: 701: 699: 697: 693: 689: 688:Ogilby (1673) 684: 681: 677: 676:Ogilby (1669) 672: 670: 666: 662: 657: 655: 651: 646: 642: 638: 634: 627: 625: 623: 621: 617: 612: 606: 601: 598: 593: 589: 582: 579: 568: 564: 558: 556: 552: 547: 541: 536: 533: 527: 521: 517: 513: 507: 503: 499: 495: 491: 486: 482: 475: 474: 469: 464: 460: 459: 453: 448: 443: 442: 436: 431: 427: 426: 420: 415: 411: 410: 405: 401: 397: 393: 392: 387: 383: 382: 376: 369: 364: 361: 358: 355: 352: 349: 346: 343: 340: 337: 334: 331: 330: 329: 323: 321: 317: 311: 308: 303: 295: 290: 284: 278:Illustrations 277: 275: 272: 270: 266: 260: 258: 257: 252: 247: 245: 244:Heinrich Roth 241: 237: 233: 229: 221: 216: 211: 206: 199: 197: 195: 189: 183: 181: 177: 172: 166: 164: 160: 156: 152: 148: 144: 140: 136: 132: 131:Johan Nieuhof 128: 122: 116: 114: 110: 100: 93: 91: 89: 84: 77: 75: 73: 70: 66: 62: 59: 55: 51: 49: 41: 37: 33: 28: 23: 19: 1007: 988: 960: 954: 935: 926: 920: 909:. 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Index


frontispiece
Schall von Bell
Matteo Ricci
Latin
Jesuit
Athanasius Kircher
Jesuit China Mission
Ming-era
Chinese Empire
Athanasius Kircher
Jesuits

Amsterdam
Jacob van Meurs
John Ogilby
Johan Nieuhof
account of the first Dutch embassy to Beijing
Johann Adam Schall von Bell
Ferdinando II de' Medici
grand duke
Tuscany
Johann Grueber
Chinese
French
Gottfried Leibniz
Adolf Erman
sinology

Jiangxi Province

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