1206:, Paterson corroborated his involvement and contribution to the album and said he had in fact been "ripped off" by The KLF and notably Cauty, stating; "KLF put the Chill Out album out, which was basically a bunch of my DJ sessions at Trancentral which I never got credited for. That was one of the major reasons why Jimi and I split up. It was becoming apparent to me that everything he said he had given me, he never gave me. That shaped quite a lot of things in my head. Never to be ripped off again, I suppose. Don't worry, I got ripped off again. But as Jimi said to me, you're never really famous until you've been ripped off."
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According to
Drummond, the album and album sleeve has "the vibe of the rave scene over here . When we're having the big Orbital raves out in the country, and you're dancing all night and then the sun would come up in the morning, and then you'd be surrounded by this English rural countryside ...
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at the time of its release, described the album as an "impressionist soundtrack" whose "spartan but melodic electronic strains ease gently through wide open spaces", and concluded that it is "both imaginative in itself and successful in inducing a blissed out mood of peace and relaxation (at least at
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into or introduces the next. The album as a whole is a progression, with percussion gradually introduced during the second half. The album has many recurring musical elements, which unify and merge the parts into the collective whole. Common characteristics of most parts include ethereal background
430:
The KLF have stated that the album was recorded in a 44-minute live take. In an interview Jimmy Cauty stated that, "There's no edits on it. Quite a few times we'd get near the end and make a mistake and so we'd have to go all the way back to the beginning and set it all up again". According to
557:. The tracks used are "Crossing Bells and Horn with Electric Train Pass" and "Short Freight Train Pass", along with processed versions of "F18 Diamond Fly-By", "Dodge Van Starts, Drives Out", and "Surf". Samples of American, British and Russian radio stations are also used, including the
2528:
The year 1990 began with the release of The KLF's
Ambient manifesto, Chill Out. Coming direct from the same Trancentral sessions that had produced 'Loving You', Chill Out featured no credit to Paterson and soon after its release Jimmy Cauty split from The
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uses the start- and end-points of the parts, instead of the conventional track numbering system, indicating that the album be treated as a single composition. For the original KLF Communications CD release, the entire album was written to one track.
31:
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1584:(1990), an album still regarded highly by dance-trance aficionados, was released by the band under the new name of The KLF. Sadly, like the other records the band released during their ambient phase, it didn't sell particularly well.
1166:, stating that although he has "loved all sorts of music, ... country music is the only music been totally able to identify with", and declaring: "the weep of a pedal steel guitar is the sound of heartstrings being torn".
226:
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receive co-writing credit for "Elvis on the Radio Steel Guitar in My Soul", "3am
Somewhere out of Beaumont", and "A Melody from a Past Life Keeps Pulling Me Back" respectively, and the performers are thanked in the
251:
192:
475:, samples of nature and transport, and the punctuation of soft synthesizer loops by sudden flourishes of harmonious sound. The Deep South is variously represented using original pedal steel contributions from
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as "one long piece of flowing synthesised relaxation dotted with some very witty samples", recommending that it be listened to "as a prelude to a long night in, preferably not alone." Ian McCann of
643:" emerge throughout the song "A Melody from a Past Life Keeps Pulling Me Back". Shortly after the 2:00 mark of "The Lights of Baton Rouge Pass By", a sample from the theme music of the 1958 film
217:
575:: "Rock radio into the nineties and beyond". Some of the more obscure sounds (Tuvan throat singers and Basque shepherds in the Pyrenees) come from the Saydisc Records soundtrack of the 1980s
242:
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The KLF's extraordinary 1990 ambient sonic collage Chill Out was the landmark: a forty-five-minute, distinctly tongue-in-cheek odyssey through sound effects and environmental noise..
1027:
sessions during which all the participants have either left or fallen asleep" and calling it "the pleasantly attenuated soundtrack to a non-existent film that is easily forgotten."
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From #1 to number nowhere, Cauty and
Drummond turned their attention away from the mainstream and concentrated, instead, upon ambient music. While Cauty founded The Orb,
225:
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was seen largely as a urinary extraction exercise at the time when such sound-painting now shapes young careers lends poignancy to its more balmy yet knowing moments."
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An audio collage of everything from Elvis to the Tuvan throat singing of
Siberia, the album tells the story of an imaginary night-time journey from Texas to Louisiana.
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we wanted something that kind of reflected that, that feeling the day after the rave, that's what we wanted the music for". The cover was also inspired by that of the
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and other transport illustrate the journey concept, often during segues between parts of the composition. Many of these effects are taken from the 1987 CD version of
1068:, their list of the 500 greatest songs between 1977 and 2006, and later ranked the track at number 80 in their "Top 200 Tracks of the 1990s" list in 2010. In 2022,
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Paterson and Cauty were the original incarnation of The Orb; they split in April 1990, with
Paterson retaining the name. The subsequent release of the ambient
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533:
synths of the opening half. Similarly, samples of other artists' work appear as the composition develops, harmonising with The KLF's original instrumentation.
449:
were walling themselves in with banks and banks of synthesizers, computers and electronic gadgetry the KLF were doing the opposite—making a crafted work like
2317:...the record exalted the gathering obsession with musical borrowing in...pop...the KLF's most listenable album also sounded—quite literally—like a dream...
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946:"a riot of running water, birdsong and electronic womb music"; reviewer Helen Mead said that the album, with its variety of sampled sounds, "not so much
3126:
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series on
Granada TV in the UK. The phrase "Your feeling of helplessness is your best friend, savage" is taken from the 1957 science fiction film
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as "a gorgeous patchwork of sound, noise and melody ... the samples are carefully woven into a beautiful spider's web of sound." In 2008,
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is also thanked for a sample from the single "After the Love", which also features on "3am
Somewhere out of Beaumont". Short samples from the
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to be "less a morning after and more the slow awakening to a new day" and an album which "slowly unfolds its charms". Ira
Robbins of
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proposed that if the listener is not under the influence of drugs, the album sounds "hopelessly pompous and almost classical." In
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The use of a journey as a unifying musical or conceptual thread featured several times in Cauty and
Drummond's work, including
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1218:(Remodelled & Remixed)" was released. It included the ambient house "Virtual Reality Mix", reprising many elements of
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After appearing uncredited on the KLF's Chill Out, Paterson collaborated with Jimmy Cauty on "A Huge Ever Growing Brain."
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contribute fundamentally to the character of the composition. In particular, the recurring sampled sound effects of
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compared The KLF's production method to that of established electronic musicians: "While electronic dinosaurs like
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awarded it five stars and cited it as "one of the essential ambient albums". In an "On Second Thought" review in
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1233:, released in September 1990 and incorporating "What Time Is Love?", a "Pure Trance" track not used on the LP.
1192:(1999) and Mark Prendergast (2003) report the uncredited involvement of Alex Paterson, whereas a 1993 piece in
1129:'s press release—and in its sleeve artwork, became a theme of The KLF's output, featuring in the ambient video
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album had pioneered the tautological 'ambient house', mixing train noises, post-punk dub and pre-punk Floyd.
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was conceived as a continuous piece of music, with original KLF music interwoven with samples from songs by
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Howard, Vicki; Lawrence, Pete, eds. (2004). "Stripped Pine and Swedish Furniture: A Defence of Chill-Out".
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2844:
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632:
618:" all feature prominently, in each case set to an accompaniment of original music. The composers of these
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Luck, Richard (1999). "The KLF". In Buckley, Jonathan; Duane, Orla; Ellingham, Mark; Spicer, Al (eds.).
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was a "spin-off" from the Cauty/Paterson sessions at Trancentral. However, in a 2011 interview with
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panned it as "too arbitrary and formless; it contains virtually no ozone-destroying beats at all."
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The album features samples of distinctive melodies from the musical recordings of other artists:
504:("Dream Time in Lake Jackson"), exotic birds, and an African-sounding original female vocal from
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is a single continuous musical piece having many distinctive sections, each of which either
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After recording, the duo thought the sound to be evocative of a trip through the American
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with a selection of prominent but unlicensed samples from the original release removed.
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music festival, recreating many of the album's vocal and musical samples live on-stage.
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The Ambient Century: From Mahler to Moby-The Evolution of Sound in the Electronic Age
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LP—originally intended to be The Orb's debut album —was credited only to Cauty.
529:" are brought to the fore during the second half of the album, progressing from the
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1968:
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ranked the album at number 76 in their list of "The 150 Best Albums of the 1990s".
927:
914:
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424:
378:, with its blend of sound effects, environmental noise, throat singing and musical
111:
2580:"In About Four Seconds A Teacher Will Begin To Speak—Dr. Alex Paterson Of The Orb"
1188:
The sleeve notes that the album was "Composed Compiled and Collated by the KLF".
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is multi-ethnic, its journey taking in pastoral shepherds, Russian broadcasts,
261:" are prominent. The build-up features samples of a furiously intense salesman.
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411:, the "spiritual home of the KLF", their studio in the basement of KLF member
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328:
270:
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2444:
2187:
1814:
Bessent, Alvin; Minerbrook, Scott (14 May 1987). "Drag Race Ends in Death".
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as having "kickstarted" ambient music with their DJ sets at the "seminal"
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described The KLF as "ahead of their time" and added that "the fact that
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also featured heavily in The KLF's "UFO Mix" of "It Must Be Obvious" by
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1727:
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288:
133:
43:
2604:
Verrico, L. (2 August 2004). "The Big Chill, Herefordshire" review".
2277:
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was less favourable, likening it to "an accidental recording of 1970
1705:"Discography: The KLF (including The JAMS, The Timelords, 2K etc.)"
483:'s sermon, a range of samples of a very intense salesman, and, in "
366:, drawing attention to the album's mix of "train noises, post-punk
1236:
In July 2004, UK performance collective Popdamage "reconstructed"
1003:
called the album The KLF's "comedown classic", while John Bush of
467:
308:
38:
1704:
2701:
2321:
hypnagogic fantasy of a twilight trawl across the Deep South...
1040:
the fifth best dance album of all time, citing Jimmy Cauty and
303:, portraying a mythical night-time journey throughout the U.S.
2543:
2149:
1858:
1194:
938:
721:
2476:
Generation Ecstasy: Into the World of Techno and Rave Culture
181:
479:
and emotionally charged samples of US radio broadcasts: an
2697:
1141:
album artwork, and later—in a macabre gesture—after their
493:
that resulted in the death of 17-year-old Jack Atsidakos.
1162:
Drummond has documented his affinity for pedal steel and
1143:
controversial appearance at the 1992 Brit Awards ceremony
2677:"The KLF's Chill Out Finally Comes to Streaming—Sort Of"
1568:(2nd ed.). London: Rough Guides. pp. 538–539.
2273:"50 greatest dance albums - No. 5, Chill Out - The KLF"
2283:
Archived (via the Library of Mu) on 16 September 2016.
2000:
Cheeseman, Phil (10 February 1990). "KLF: Chill Out".
1872:
Archived (via the Library of Mu) on 16 September 2016.
1799:
Archived (via the Library of Mu) on 16 September 2016.
1763:
Archived (via the Library of Mu) on 16 September 2016.
1062:
included "Wichita Lineman Was a Song I Once Heard" in
232:
Graham Lee's pedal steel accompanies Elvis Presley's "
2650:"The KLF release new reworked album 'Come Down Dawn'"
1982:
Archived (via the Library of Mu) on 3 September 2007.
1941:
Archived (via the Library of Mu) on 2 September 2007.
1304:"Pulling out of Ricardo and the Dusk Is Falling Fast"
2654:
NME | Music, Film, TV, Gaming & Pop Culture News
1816:
Newsday, The Long Island Newspaper (Suffolk edition)
3119:
3068:
3013:
2981:
2921:
2874:
2767:
2362:
Knowledge (XXG):WikiProject The KLF/LibraryOfMu/508
2359:
Archived (via the Library of Mu) on 5 October 2007.
2286:
Knowledge (XXG):WikiProject The KLF/LibraryOfMu/478
2168:McCann, Ian (February 1990). "The KLF: Chill Out".
1985:
Knowledge (XXG):WikiProject The KLF/LibraryOfMu/385
1944:
Knowledge (XXG):WikiProject The KLF/LibraryOfMu/480
1875:
Knowledge (XXG):WikiProject The KLF/LibraryOfMu/123
1802:
Knowledge (XXG):WikiProject The KLF/LibraryOfMu/229
1766:
Knowledge (XXG):WikiProject The KLF/LibraryOfMu/226
1492:" – a targeted joke disguised as something serious.
1284:
1276:
132:
122:
110:
94:
68:
58:
50:
37:
23:
1484:A "urinary extraction exercise" is (in convoluted
489:", a detailed news report of the road accident in
2623:"The KLF reissue music for first time since 1992"
2185:Fields, Paddy. "And you thought they were dead".
1789:Longmire, Ernie ("Lazlo Nibble") (1 April 1991).
1599:Stanley, Bob (2013). "1991: Time for the Mu Mu".
1414:"A Melody from a Past Life Keeps Pulling Me Back"
1315:"Six Hours to Louisiana, Black Coffee Going Cold"
1198:—in which Paterson was interviewed—claimed that
453:with the bare necessities of musical survival."
257:The distinctive strings of The KLF's original "
2066:(20 January 1990). "KLF: The Chillout Album".
1293:"Brownsville Turnaround on the Tex-Mex Border"
2713:
1629:
1627:
1470:
1359:"Elvis on the Radio, Steel Guitar in My Soul"
1348:"Justified and Ancient Seems a Long Time Ago"
1117:Sheep, which appear both on the recording of
521:Elements of The KLF's "Pure Trance" singles "
484:
391:
218:"Elvis on the Radio, Steel Guitar in My Soul"
8:
2423:"The KLF - "Chill Out".. (Ambient house) LP"
2395:"How we made the Orb's Little Fluffy Clouds"
1995:
1993:
1734:(Media notes). KLF Communications. JAMS LP5.
1155:as providing inspiration for the artwork of
871:
833:
781:
751:
689:
435:, the album took two days to put together.
211:underscored by ethereal synthesiser sounds.
2720:
2706:
2698:
2351:"The White Room - Information Sheet Eight"
2191:. No. 4 May 2001. London. p. 2.
1954:
1952:
1111:The Orb's Adventures Beyond the Ultraworld
664:
29:
20:
2212:"On Second Thought – The KLF – Chill Out"
1916:
1914:
1594:
1592:
1425:"Rock Radio into the Nineties and Beyond"
1381:"Wichita Lineman Was a Song I Once Heard"
243:"Wichita Lineman Was a Song I Once Heard"
2403:(Interview with Youth and Alex Paterson)
2058:
2056:
1661:
1659:
1273:
291:, released on 5 February 1990. It is an
2738:Aka: The Justified Ancients of Mu Mu •
2621:Beaumont-Thomas, Ben (1 January 2021).
2017:Soults, Franklin (2004). "The KLF". In
1847:
1845:
1601:Yeah Yeah Yeah: The Story of Modern Pop
1520:
1462:
1442:
2210:Plagenhoef, Scott (1 September 2003).
1747:
1745:
1743:
1741:
1711:from the original on 29 February 2020.
1703:Longmire, Ernie; et al. (2020) .
1672:. London: Serpent's Tail. p. 29.
1559:
1557:
1530:
1528:
1526:
1524:
268:
3127:List of The KLF's creative associates
2554:Aftershocks: The End of Style Culture
2298:Pitchfork Staff (28 September 2022).
1784:
1782:
1780:
1778:
1776:
1774:
1722:
1720:
1718:
1443:
1436:"Alone Again with the Dawn Coming Up"
670:
396:" first appeared on the 1989 single "
283:is the third studio album by British
7:
2442:, "They Called Me Up in Tennessee",
950:... distracts you as envelops you".
299:featuring an extensive selection of
1636:"The beginner's guide to: chillout"
1403:"The Lights of Baton Rouge Pass By"
1247:In February 2021, the KLF released
1048:night "Land of Oz". Dom Philips of
407:was recorded "live on location" at
3228:Ambient albums by Scottish artists
2300:"The 150 Best Albums of the 1990s"
1603:. Faber & Faber. p. 645.
1370:"3 A.M. Somewhere out of Beaumont"
496:Despite the specific US settings,
471:synthesizers, the use of echo and
374:. It has also been described as a
269:Problems playing these files? See
14:
3223:Ambient albums by English artists
3218:Ambient albums by British artists
2883:1987 (What the Fuck Is Going On?)
2028:The New Rolling Stone Album Guide
1145:. Drummond credits the sleeve of
1114:also employ the journey concept.
873:
835:
783:
753:
691:
511:1987 (What the Fuck Is Going On?)
3044:K Foundation Burn a Million Quid
2675:Monroe, Jazz (4 February 2021).
2557:. Wallflower Press. p. 14.
2121:Robertson, Alex (1 April 2011).
1829:Authentic Sound Effects Volume 2
1669:Crossfade: A Big Chill Anthology
1475:" is Spanish for "Eternal Dawn".
1013:, writer Scott Plagenhoef found
982:In a 1994 retrospective review,
892:
887:
882:
877:
872:
854:
849:
844:
839:
834:
802:
797:
792:
787:
782:
772:
767:
762:
757:
752:
710:
705:
700:
695:
690:
555:Authentic Sound Effects Volume 2
247:
222:
197:
18:1990 studio album by The KLF
1852:Mead, Helen (27 January 1990).
431:Cauty's co-founder of The KLF,
403:According to the sleeve notes,
2944:The "What Time Is Love?" Story
2271:Phillips, Dom (1 March 1996).
1753:"The KLF: Enigmatic Dance Duo"
1634:Future Music (17 March 2021).
1277:
354:was released during the KLF's
236:", with sampled rolling stock.
147:The "What Time Is Love?" Story
1:
2970:The White Room Director's Cut
2393:Simpson, Dave (7 June 2016).
2123:"Review: The KLF – Chill Out"
2093:Spin Alternative Record Guide
1392:"Trancentral Lost in My Mind"
904:Spin Alternative Record Guide
828:The Rolling Stone Album Guide
514:that later became The KLF's "
1326:"Dream Time in Lake Jackson"
1214:In August 1990, the single "
959:s Phil Cheeseman summarised
193:"Dream Time in Lake Jackson"
2950:Samplecity thru Trancentral
2174:. Vol. 2, no. 17.
1096:America: What Time Is Love?
584:The Brain from Planet Arous
358:phase, and was credited by
3244:
3208:Albums produced by the KLF
3157:Tony Thorpe/The Moody Boys
2547:. No. 117. June 1993.
2502:Prendergast, Mark (2003).
2478:. Routledge. p. 191.
1921:Cranna, Ian (April 1990).
3193:KLF Communications albums
2831:Last Train to Trancentral
2735:
2510:Bloomsbury Publishing PLC
2340:. Retrieved 5 March 2020.
1471:
1432:
1421:
1410:
1399:
1388:
1377:
1366:
1355:
1344:
1333:
1322:
1311:
1300:
1289:
1281:
1240:as a live performance at
1088:Last Train to Trancentral
678:
675:
649:can be heard as well as "
614:'s 1961 US No. 1 single "
602:'s 1968 UK No. 1 single "
594:'s 1969 UK No. 2 single "
527:Last Train to Trancentral
485:
392:
386:Composition and recording
259:Last Train to Trancentral
140:
28:
3060:Welcome to the Dark Ages
2930:1987 (The JAMs 45 Edits)
2474:Reynolds, Simon (1999).
339:and field recordings of
3106:Solid Gold Chartbusters
3081:Lori and the Chameleons
2845:Justified & Ancient
2448:, (Little & Brown,
2383:, SPACE LP1, July 1990.
2090:; Marks, Craig (eds.).
1791:"KLF is Gonna Rock Ya!"
1566:The Rough Guide to Rock
3050:K Foundation art award
2782:Whitney Joins the JAMs
1818:. pp. 7 & 27.
186:
2551:Beard, Steve (2002).
1837:link to audio samples
1537:"Chill Out – The KLF"
1265:The track listing of
1092:Justified and Ancient
616:Stranger on the Shore
516:Justified and Ancient
307:states, beginning in
185:
3213:Sound collage albums
3203:1990s concept albums
3198:Ambient house albums
2890:Who Killed The JAMs?
2803:Doctorin' the Tardis
2775:All You Need Is Love
2100:. pp. 213–214.
2033:Simon & Schuster
1964:"The KLF: Chill Out"
1923:"The KLF: Chill Out"
1892:"The KLF: Chill Out"
1890:(16 February 2020).
1854:"The Chilling Feels"
666:Professional ratings
541:The samples used in
502:Tuvan throat singers
341:Tuvan throat singers
209:Tuvan throat singing
3004:Who Killed the KLF?
2859:Fuck the Millennium
2824:Kylie Said to Jason
2748:One World Orchestra
2541:"Remixologist #2".
2157:). 20 January 1990.
1030:In a 1996 feature,
667:
398:Kylie Said to Jason
2838:It's Grim Up North
2810:What Time Is Love?
2381:KLF Communications
2355:KLF Communications
2086:(1995). "KLF". In
1337:"Madrugada Eterna"
1216:What Time Is Love?
665:
578:Disappearing World
561:and a jingle from
537:Identified samples
187:
117:KLF Communications
3170:
3169:
2956:Solid State Logik
2796:Burn the Bastards
2746:• K Foundation •
2656:. 4 February 2021
2584:Magnetic Magazine
2564:978-1-903364-24-6
2425:(Press release).
2153:(News item about
1888:Sherburne, Philip
1610:978-0-571-28198-5
1453:
1452:
1253:, a reworking of
1204:Magnetic Magazine
1177:Atom Heart Mother
1152:Atom Heart Mother
1065:The Pitchfork 500
923:
922:
443:Jean Michel Jarre
252:
227:
202:
177:
176:
173:
172:
3235:
2722:
2715:
2708:
2699:
2692:
2691:
2689:
2687:
2672:
2666:
2665:
2663:
2661:
2646:
2640:
2639:
2637:
2635:
2618:
2612:
2611:
2601:
2595:
2594:
2592:
2590:
2575:
2569:
2568:
2548:
2538:
2532:
2531:
2499:
2493:
2492:
2471:
2465:
2437:
2431:
2430:
2419:
2413:
2412:
2410:
2408:
2390:
2384:
2371:
2365:
2364:
2358:
2347:
2341:
2332:Bush, John.
2330:
2324:
2323:
2314:
2312:
2295:
2289:
2288:
2282:
2268:
2262:
2261:
2259:
2257:
2240:
2234:
2233:
2231:
2229:
2220:. Archived from
2207:
2201:
2200:
2182:
2176:
2175:
2165:
2159:
2158:
2144:
2138:
2137:
2135:
2133:
2118:
2112:
2111:
2080:
2074:
2073:
2060:
2051:
2050:
2031:(4th ed.).
2023:Hoard, Christian
2019:Brackett, Nathan
2014:
2008:
2007:
1997:
1988:
1987:
1981:
1979:
1977:
1956:
1947:
1946:
1940:
1938:
1936:
1918:
1909:
1908:
1906:
1904:
1884:
1878:
1877:
1871:
1869:
1867:
1849:
1840:
1826:
1820:
1819:
1811:
1805:
1804:
1798:
1786:
1769:
1768:
1762:
1758:Record Collector
1749:
1736:
1735:
1724:
1713:
1712:
1700:
1694:
1693:
1688:
1686:
1663:
1654:
1653:
1648:
1646:
1631:
1622:
1621:
1596:
1587:
1586:
1561:
1552:
1551:
1549:
1547:
1532:
1508:
1499:
1493:
1482:
1476:
1474:
1473:
1472:Madrugada Eterna
1467:
1446:
1279:
1274:
1108:'s debut album,
988:
958:
949:
897:
896:
895:
891:
890:
886:
885:
881:
880:
876:
875:
859:
858:
857:
853:
852:
848:
847:
843:
842:
838:
837:
807:
806:
805:
801:
800:
796:
795:
791:
790:
786:
785:
777:
776:
775:
771:
770:
766:
765:
761:
760:
756:
755:
715:
714:
713:
709:
708:
704:
703:
699:
698:
694:
693:
668:
568:Friday Rock Show
488:
487:
486:Madrugada Eterna
438:Record Collector
395:
394:
393:Madrugada Eterna
285:electronic music
254:
253:
229:
228:
204:
203:
184:
142:
141:
106:
105:
101:
33:
21:
3243:
3242:
3238:
3237:
3236:
3234:
3233:
3232:
3173:
3172:
3171:
3166:
3115:
3064:
3009:
2997:2023: A Trilogy
2977:
2917:
2870:
2866:The Magnificent
2763:
2731:
2726:
2696:
2695:
2685:
2683:
2674:
2673:
2669:
2659:
2657:
2648:
2647:
2643:
2633:
2631:
2620:
2619:
2615:
2603:
2602:
2598:
2588:
2586:
2577:
2576:
2572:
2565:
2550:
2540:
2539:
2535:
2524:
2501:
2500:
2496:
2486:
2473:
2472:
2468:
2438:
2434:
2421:
2420:
2416:
2406:
2404:
2392:
2391:
2387:
2372:
2368:
2360:
2349:
2348:
2344:
2331:
2327:
2310:
2308:
2297:
2296:
2292:
2284:
2270:
2269:
2265:
2255:
2253:
2242:
2241:
2237:
2227:
2225:
2224:on 22 June 2017
2217:Stylus Magazine
2209:
2208:
2204:
2184:
2183:
2179:
2167:
2166:
2162:
2146:
2145:
2141:
2131:
2129:
2120:
2119:
2115:
2108:
2082:
2081:
2077:
2062:
2061:
2054:
2047:
2016:
2015:
2011:
1999:
1998:
1991:
1983:
1975:
1973:
1960:Collins, Andrew
1958:
1957:
1950:
1942:
1934:
1932:
1920:
1919:
1912:
1902:
1900:
1886:
1885:
1881:
1873:
1865:
1863:
1851:
1850:
1843:
1833:Elektra Records
1827:
1823:
1813:
1812:
1808:
1800:
1788:
1787:
1772:
1764:
1761:. 1 April 1991.
1751:
1750:
1739:
1726:
1725:
1716:
1702:
1701:
1697:
1684:
1682:
1680:
1665:
1664:
1657:
1644:
1642:
1633:
1632:
1625:
1615:The KLF's 1990
1611:
1598:
1597:
1590:
1576:
1563:
1562:
1555:
1545:
1543:
1534:
1533:
1522:
1517:
1512:
1511:
1500:
1496:
1483:
1479:
1468:
1464:
1459:
1454:
1444:
1263:
1212:
1186:
1123:guest vocalists
1078:
1010:Stylus Magazine
986:
956:
947:
893:
888:
883:
878:
855:
850:
845:
840:
808:
803:
798:
793:
788:
780:
778:
773:
768:
763:
758:
711:
706:
701:
696:
663:
646:The Big Country
633:Jesus Loves You
608:Oh Well Part II
606:", as well as "
551:Elektra Records
539:
388:
362:for pioneering
349:
276:
275:
267:
265:
264:
263:
262:
255:
248:
245:
239:
238:
237:
230:
223:
220:
214:
213:
212:
205:
198:
195:
188:
182:
168:
159:
150:
103:
99:
98:
54:5 February 1990
46:
19:
12:
11:
5:
3241:
3239:
3231:
3230:
3225:
3220:
3215:
3210:
3205:
3200:
3195:
3190:
3188:The KLF albums
3185:
3175:
3174:
3168:
3167:
3165:
3164:
3159:
3154:
3149:
3144:
3139:
3134:
3129:
3123:
3121:
3120:Related people
3117:
3116:
3114:
3113:
3108:
3103:
3098:
3093:
3088:
3083:
3078:
3072:
3070:
3066:
3065:
3063:
3062:
3057:
3052:
3047:
3040:
3035:
3028:
3023:
3017:
3015:
3011:
3010:
3008:
3007:
3000:
2993:
2985:
2983:
2979:
2978:
2976:
2975:
2974:
2973:
2966:
2963:Come Down Dawn
2959:
2947:
2940:
2933:
2925:
2923:
2919:
2918:
2916:
2915:
2911:The Black Room
2907:
2904:The White Room
2900:
2893:
2886:
2878:
2876:
2872:
2871:
2869:
2862:
2855:
2848:
2841:
2834:
2827:
2820:
2817:3 a.m. Eternal
2813:
2806:
2799:
2792:
2785:
2778:
2771:
2769:
2765:
2764:
2762:
2761:
2756:
2736:
2733:
2732:
2727:
2725:
2724:
2717:
2710:
2702:
2694:
2693:
2667:
2641:
2613:
2596:
2578:Thomas, Rich.
2570:
2563:
2533:
2522:
2494:
2484:
2466:
2432:
2414:
2385:
2366:
2357:. August 1990.
2342:
2325:
2290:
2263:
2243:Robbins, Ira.
2235:
2202:
2177:
2160:
2147:"Public NME".
2139:
2113:
2106:
2088:Weisbard, Eric
2075:
2064:Brown, Russell
2052:
2045:
2009:
1989:
1948:
1910:
1879:
1841:
1821:
1806:
1770:
1737:
1714:
1695:
1678:
1655:
1623:
1609:
1588:
1574:
1553:
1519:
1518:
1516:
1513:
1510:
1509:
1494:
1477:
1461:
1460:
1458:
1455:
1451:
1450:
1447:
1441:
1440:
1437:
1434:
1430:
1429:
1426:
1423:
1419:
1418:
1415:
1412:
1408:
1407:
1404:
1401:
1397:
1396:
1393:
1390:
1386:
1385:
1382:
1379:
1375:
1374:
1371:
1368:
1364:
1363:
1360:
1357:
1353:
1352:
1349:
1346:
1342:
1341:
1338:
1335:
1331:
1330:
1327:
1324:
1320:
1319:
1316:
1313:
1309:
1308:
1305:
1302:
1298:
1297:
1294:
1291:
1287:
1286:
1283:
1280:
1272:
1262:
1259:
1250:Come Down Dawn
1211:
1208:
1190:Simon Reynolds
1185:
1182:
1138:The White Room
1083:The White Room
1077:
1074:
991:Andrew Collins
925:Ian Cranna of
921:
920:
917:
911:
910:
907:
899:
898:
869:
861:
860:
831:
823:
822:
819:
811:
810:
749:
741:
740:
737:
729:
728:
725:
717:
716:
687:
681:
680:
677:
673:
672:
662:
659:
639:instrumental "
538:
535:
523:3 a.m. Eternal
387:
384:
348:
345:
311:and ending in
266:
256:
246:
241:
240:
231:
221:
216:
215:
206:
196:
191:
190:
189:
180:
179:
178:
175:
174:
171:
170:
165:The White Room
161:
152:
138:
137:
130:
129:
126:
120:
119:
114:
108:
107:
96:
92:
91:
90:
89:
84:
79:
72:
66:
65:
60:
56:
55:
52:
48:
47:
42:
35:
34:
26:
25:
17:
13:
10:
9:
6:
4:
3:
2:
3240:
3229:
3226:
3224:
3221:
3219:
3216:
3214:
3211:
3209:
3206:
3204:
3201:
3199:
3196:
3194:
3191:
3189:
3186:
3184:
3181:
3180:
3178:
3163:
3162:Tammy Wynette
3160:
3158:
3155:
3153:
3150:
3148:
3145:
3143:
3140:
3138:
3135:
3133:
3130:
3128:
3125:
3124:
3122:
3118:
3112:
3111:Transit Kings
3109:
3107:
3104:
3102:
3099:
3097:
3094:
3092:
3089:
3087:
3084:
3082:
3079:
3077:
3074:
3073:
3071:
3069:Related bands
3067:
3061:
3058:
3056:
3055:K2 Plant Hire
3053:
3051:
3048:
3046:
3045:
3041:
3039:
3036:
3034:
3033:
3029:
3027:
3024:
3022:
3019:
3018:
3016:
3012:
3006:
3005:
3001:
2999:
2998:
2994:
2992:
2991:
2987:
2986:
2984:
2980:
2972:
2971:
2967:
2965:
2964:
2960:
2958:
2957:
2953:
2952:
2951:
2948:
2946:
2945:
2941:
2939:
2938:
2934:
2932:
2931:
2927:
2926:
2924:
2920:
2913:
2912:
2908:
2906:
2905:
2901:
2899:
2898:
2894:
2892:
2891:
2887:
2885:
2884:
2880:
2879:
2877:
2875:Studio albums
2873:
2867:
2863:
2860:
2856:
2853:
2849:
2846:
2842:
2839:
2835:
2832:
2828:
2825:
2821:
2818:
2814:
2811:
2807:
2804:
2800:
2797:
2793:
2790:
2786:
2783:
2779:
2776:
2772:
2770:
2766:
2760:
2757:
2755:
2754:Bill Drummond
2752:
2751:
2750:
2749:
2745:
2741:
2740:The Timelords
2734:
2730:
2723:
2718:
2716:
2711:
2709:
2704:
2703:
2700:
2682:
2678:
2671:
2668:
2655:
2651:
2645:
2642:
2630:
2629:
2624:
2617:
2614:
2609:
2608:
2600:
2597:
2585:
2581:
2574:
2571:
2566:
2560:
2556:
2555:
2549:Reprinted in
2546:
2545:
2537:
2534:
2530:
2525:
2523:1-58234-323-3
2519:
2515:
2511:
2507:
2506:
2498:
2495:
2491:
2487:
2485:0-415-92373-5
2481:
2477:
2470:
2467:
2463:
2462:0-349-11289-4
2459:
2455:
2454:0-316-85385-2
2451:
2447:
2446:
2441:
2436:
2433:
2428:
2424:
2418:
2415:
2402:
2401:
2396:
2389:
2386:
2382:
2378:
2377:
2373:Sleevenotes,
2370:
2367:
2363:
2356:
2352:
2346:
2343:
2339:
2335:
2329:
2326:
2322:
2320:
2307:
2306:
2301:
2294:
2291:
2287:
2280:
2279:
2274:
2267:
2264:
2252:
2251:
2250:Trouser Press
2246:
2239:
2236:
2223:
2219:
2218:
2213:
2206:
2203:
2198:
2194:
2190:
2189:
2181:
2178:
2173:
2172:
2164:
2161:
2156:
2152:
2151:
2143:
2140:
2128:
2124:
2117:
2114:
2109:
2107:0-679-75574-8
2103:
2099:
2098:Vintage Books
2095:
2094:
2089:
2085:
2084:Strauss, Neil
2079:
2076:
2072:. p. 26.
2071:
2070:
2065:
2059:
2057:
2053:
2048:
2046:0-7432-0169-8
2042:
2038:
2034:
2030:
2029:
2024:
2020:
2013:
2010:
2006:. p. 14.
2005:
2004:
2003:Record Mirror
1996:
1994:
1990:
1986:
1972:. No. 93
1971:
1970:
1965:
1962:(June 1994).
1961:
1955:
1953:
1949:
1945:
1931:. No. 43
1930:
1929:
1924:
1917:
1915:
1911:
1899:
1898:
1893:
1889:
1883:
1880:
1876:
1861:
1860:
1855:
1848:
1846:
1842:
1838:
1834:
1830:
1825:
1822:
1817:
1810:
1807:
1803:
1796:
1792:
1785:
1783:
1781:
1779:
1777:
1775:
1771:
1767:
1760:
1759:
1754:
1748:
1746:
1744:
1742:
1738:
1733:
1729:
1723:
1721:
1719:
1715:
1710:
1706:
1699:
1696:
1692:
1681:
1679:9781852428754
1675:
1671:
1670:
1662:
1660:
1656:
1652:
1641:
1637:
1630:
1628:
1624:
1620:
1618:
1612:
1606:
1602:
1595:
1593:
1589:
1585:
1583:
1577:
1575:1-85828-457-0
1571:
1567:
1560:
1558:
1554:
1542:
1538:
1531:
1529:
1527:
1525:
1521:
1514:
1506:
1505:
1498:
1495:
1491:
1487:
1486:British slang
1481:
1478:
1466:
1463:
1456:
1448:
1445:Total length:
1438:
1435:
1431:
1427:
1424:
1420:
1416:
1413:
1409:
1405:
1402:
1398:
1394:
1391:
1387:
1383:
1380:
1376:
1372:
1369:
1365:
1361:
1358:
1354:
1350:
1347:
1343:
1339:
1336:
1332:
1328:
1325:
1321:
1317:
1314:
1310:
1306:
1303:
1299:
1295:
1292:
1288:
1275:
1271:
1268:
1261:Track listing
1260:
1258:
1256:
1252:
1251:
1245:
1243:
1242:The Big Chill
1239:
1234:
1232:
1231:Pet Shop Boys
1228:
1223:
1221:
1217:
1209:
1207:
1205:
1201:
1197:
1196:
1191:
1183:
1181:
1179:
1178:
1173:
1167:
1165:
1164:country music
1160:
1158:
1154:
1153:
1148:
1144:
1140:
1139:
1134:
1133:
1128:
1127:Scott Piering
1125:according to
1124:
1120:
1115:
1113:
1112:
1107:
1103:
1102:
1097:
1093:
1089:
1085:
1084:
1075:
1073:
1071:
1067:
1066:
1061:
1060:
1055:
1051:
1047:
1043:
1042:Alex Paterson
1039:
1035:
1034:
1028:
1026:
1022:
1021:
1020:Trouser Press
1016:
1012:
1011:
1006:
1002:
1001:
996:
992:
985:
980:
978:
977:Russell Brown
974:
973:
968:
967:
962:
955:
954:
953:Record Mirror
945:
941:
940:
934:
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3147:Glenn Hughes
3076:Big in Japan
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3030:
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2922:Compilations
2914:(unreleased)
2909:
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2896:
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2888:
2881:
2737:
2684:. Retrieved
2680:
2670:
2658:. Retrieved
2653:
2644:
2632:. Retrieved
2628:The Guardian
2626:
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2587:. Retrieved
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2440:Drummond, B.
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2405:. Retrieved
2400:The Guardian
2398:
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2369:
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2328:
2318:
2316:
2309:. Retrieved
2303:
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2254:. Retrieved
2248:
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2226:. Retrieved
2222:the original
2215:
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2130:. Retrieved
2127:Sputnikmusic
2116:
2092:
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2067:
2027:
2012:
2001:
1974:. Retrieved
1967:
1933:. Retrieved
1926:
1901:. Retrieved
1895:
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1864:. Retrieved
1862:. p. 28
1857:
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1668:
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1565:
1544:. Retrieved
1535:Bush, John.
1502:
1497:
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39:Studio album
15:
3183:1990 albums
3132:Isaac Bello
3021:Discography
2852:K Cera Cera
2759:Jimmy Cauty
2512:. pp.
2132:16 November
1903:16 February
1640:Music Radar
1098:". Cauty's
573:BBC Radio 1
563:Tommy Vance
413:Jimmy Cauty
409:Trancentral
360:Bob Stanley
63:Trancentral
3177:Categories
3137:Nick Coler
3101:Blacksmoke
3091:Disco 2000
2990:The Manual
2937:Shag Times
2686:4 February
2660:4 February
2456:/ Abacus,
2035:. p.
1795:X Magazine
1515:References
1172:Pink Floyd
1147:Pink Floyd
1052:described
1025:Pink Floyd
629:Boy George
612:Acker Bilk
531:minimalist
481:evangelist
477:Graham Lee
473:pitch bend
458:Deep South
329:Acker Bilk
305:Gulf Coast
271:media help
136:chronology
3086:Brilliant
2897:Chill Out
2789:Down Town
2681:Pitchfork
2634:2 January
2610:. London.
2607:The Times
2589:30 August
2427:Appearing
2319:Chill Out
2305:Pitchfork
2228:4 January
2197:0140-0460
2188:The Times
2155:Chill Out
1897:Pitchfork
1732:Chill Out
1617:Chill Out
1582:Chill Out
1490:piss take
1267:Chill Out
1255:Chill Out
1238:Chill Out
1227:Chill Out
1220:Chill Out
1200:Chill Out
1184:Personnel
1157:Chill Out
1119:Chill Out
1070:Pitchfork
1059:Pitchfork
1054:Chill Out
1038:Chill Out
1015:Chill Out
1000:The Times
995:Chill Out
961:Chill Out
944:Chill Out
936:night)."
933:Chill Out
734:Pitchfork
661:Reception
655:808 State
637:Van Halen
625:Chill Out
604:Albatross
543:Chill Out
498:Chill Out
464:Chill Out
451:Chill Out
421:Stockwell
405:Chill Out
352:Chill Out
337:808 State
333:Van Halen
317:Chill Out
313:Louisiana
280:Chill Out
156:Chill Out
24:Chill Out
3014:Projects
2464:), 2000.
2338:AllMusic
2311:26 April
2256:19 April
2171:The Face
2025:(eds.).
1866:16 March
1730:(1990).
1709:Archived
1541:AllMusic
1005:AllMusic
966:The Face
685:AllMusic
641:Eruption
631:'s band
559:BBC pips
506:The JAMs
295:-styled
124:Producer
51:Released
41: by
3096:The Orb
2768:Singles
2729:The KLF
2514:407–412
2429:. 1990.
2407:7 March
2334:The Orb
1976:8 March
1935:8 March
1728:The KLF
1685:17 June
1645:17 June
1546:5 March
1132:Waiting
1106:The Orb
1094:" and "
942:called
610:", and
525:" and "
491:Wantagh
380:samples
356:ambient
347:Context
301:samples
293:ambient
289:The KLF
207:Ethnic
169:(1991)
160:(1990)
151:(1989)
134:The KLF
128:The KLF
77:Ambient
44:The KLF
2561:
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2482:
2460:
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2278:Mixmag
2195:
2104:
2069:Sounds
2043:
1835:1987 (
1676:
1607:
1572:
1285:Length
1210:Legacy
1174:album
1076:Themes
1050:Mixmag
1036:named
1033:Mixmag
972:Sounds
948:
866:Sounds
809:(1994)
779:(1990)
739:8.9/10
679:Rating
676:Source
468:segues
287:group
95:Length
59:Studio
3142:Gimpo
3032:Space
3026:Films
2982:Other
2376:Space
2245:"KLF"
1504:Space
1488:) a "
1457:Notes
1449:44:43
1282:Title
1101:Space
1046:house
987:'
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919:4.5/5
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417:squat
372:Floyd
309:Texas
112:Label
70:Genre
2688:2021
2662:2021
2636:2021
2591:2021
2559:ISBN
2529:Orb.
2518:ISBN
2480:ISBN
2458:ISBN
2450:ISBN
2409:2020
2313:2023
2258:2006
2230:2008
2193:ISSN
2134:2015
2102:ISBN
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1905:2020
1868:2020
1687:2023
1674:ISBN
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