Knowledge (XXG)

Chrome (band)

Source πŸ“

1618: 33: 419:, a soundtrack for a radical San Francisco strip show, but was rejected for being too radical. During recording, Chrome, aided by Creed's input, largely abandoned conventional rock compositions, instead employing cut-up and collage techniques and heavily processed sound to create a kind of sci-fi punk style. The album was given 4 out of 5 stars in the UK music paper 371:
where he heard a lot of Arabic music. In his head, he began putting a beat behind the music and started coming up with ideas for songs. Chrome's music contained a lot of atmosphere in the sound production, featuring three- and eight-note melodies, usually layered with an atonal drone backed by a
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In 1983, Edge moved to Paris. Shine introduced him to her band and a new lineup of Chrome was formed. Edge and his wife would later separate. Edge continued to release albums with various (mainly Europe-based) musicians under the Chrome moniker over the next decade.
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album"; to Damon Edge, this was a compliment. The label did not release the album, so Edge set up his own label, Siren Records. After the recording of the first album, singer Mike Low left the band, to be replaced by new guitarist
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After a further EP and single, Chrome again expanded to a quartet with the addition of the new rhythm section of John and Hilary Stench (real surname: Hanes). This lineup existed circa 1980–1983, and produced the albums
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A Creed-led version of Chrome that featured previous members John and Hilary Stench released a series of albums and toured between 1997 and 2001. Creed later reactivated the Chrome name again, issuing a new album,
478:. By this time Chrome consisted solely of Edge and Creed. The album marked a move away from the more frenetic style of the two previous albums, with more use of drum machines and synthesizers. 442:
continued in the vein of the previous album, but heavier, with Creed's feedback guitar more to the fore. Edge's rough and ready drumming on this album included hitting pieces of scrap metal.
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rhythm section. This sort of atmosphere was influenced by the music he had heard in Morocco. About six months after that trip, Edge began forming a band and recording his new music.
1343: 1816: 485:, formerly of the band Shakin' Street, and married her two months later. She went on to collaborate with him on several Chrome albums; her vocals appear on the album 1836: 1826: 1831: 1841: 1821: 1654: 1170: 363:(real name Thomas Wisse: drums, vocals, synths, production) and Gary Spain (bass guitar, violin) in San Francisco. While studying at the 397:
to see if they wanted to release the album. A Warner Brothers A&R representative told Edge that the album sounded like a "messed up
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apartment in California; the cause of death was heart failure. Edge had been in contact with Creed and talked about reforming Chrome.
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As of 2018, Chrome's current line-up consisted of Creed, Tommy Grenas, Aleph Omega, Lux Vibratus, Lou Minatti and Steve Fishman.
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After she and Edge separated, Shine continued to compose songs. In 1997, after Edge's death, she released an album titled
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They found little commercial success as part of San Francisco's 1970s music scene, but developed a cult following in the
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list of "100 Records That Set the World on Fire (While No One Was Listening)", and was cited as the "beginning of
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guitar, and electronic noise. They have been cited as forerunners of the 1980s industrial music boom.
141: 1373: 1175: 713: 394: 122: 1454: 1312: 579:. The title referred to her late husband. In 2004, she began working and touring again with Creed. 448: 1497:
Pettigrew, Jason (1996). Michael Shea (ed.). "100 Underground Inspirations of the Past 20 Years".
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included Chrome in their 1996 list of "100 underground inspirations of the past 20 years."
1549: 453: 317: 70: 1617: 1428:"Julian Cope Presents Head Heritage | Unsung | Album of the Month | Chrome – Chromeology" 1281: 1226: 527:, and would later be reissued in their original longer versions on the distinct albums 482: 375:
Chrome took part of their inspiration for their rough and sometimes chaotic music from
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cemented the band's growing reputation in the UK and led to the band being signed to
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Chrome's commercial and artistic breakthrough came in 1977 with their second album,
1730: 1675: 1060: 651: 540: 474: 403: 367:, Edge became influenced in making unusual sounds; this progressed after a trip to 348: 174: 389:, along with John Lambdin (guitar) and Mike Low (guitar, vocals). After recording 1758: 1623: 965: 425:, and Chrome began gradually to gain a cult reputation in the UK and in Europe. 380: 1609: 1472: 1794: 1683: 741: 507: 360: 321: 297: 289: 212: 80: 1510: 545: 505:(1982), and the new material comprising the fifth and sixth LPs of the 1982 398: 376: 325: 305: 301: 75: 65: 1171:"Stream: Chrome's Feel It Like A Scientist, their first album in 12 years" 1554: 1256: 919:
After Edge's death, Creed reformed Chrome with previous and new members.
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Strange Stars: David Bowie, Pop Music, and the Decade Sci-Fi Exploded
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has revived the Chrome name for recordings and performances.
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material was also released in France as an album entitled
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remains their best-known work. It was listed at No. 62 in
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The Politics of Punk: Protests and Revolt from the Street
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Half Machine from the Sun - The Lost Tracks from '79-'80
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The works of Edge and Creed together, in San Francisco.
432:, John Lambdin left the band. Their third studio album, 1396: 1394: 1525:"Chrome – European Tour 2017 – Cleopatra Records, Inc" 594:, was released April 21, 2017, followed by a US tour. 1550:"Techromancy - Chrome | Songs, Reviews, Credits" 555:(1990), but in both cases only as a CD bonus track. 304:
movement. The group's raw sound blended elements of
1786: 1768: 1701: 347:(1979). Edge died in 1995; subsequently, guitarist 204: 200: 168: 164: 104: 94: 58: 47: 42: 23: 1201:Assimilate: A Critical History of Industrial Music 37:Chrome in 1980: Damon Edge (left) and Helios Creed 383:. They recorded and released their first album, 1473:"Interview with Fabienne Shine (January 2005)" 1648: 1286:Rip It Up and Start Again: Postpunk 1978–1984 1231:Rip It Up and Start Again: Postpunk 1978–1984 335:and Germany following the release of the LPs 8: 562:In August 1995, Edge was found dead in his 1655: 1641: 1633: 1616: 1082: 1080: 31: 20: 1306: 1304: 1302: 1300: 1298: 1115:. Rowman & Littlefield. p. 187. 1019:Chrome Flashback/Chrome Live: The Best Of 902:Having a Wonderful Time in the Juice Dome 706:"New Age" (1980, Beggars Banquet Records) 1467: 1465: 1056:The Virgin Encyclopedia of Popular Music 1045: 1043: 1041: 783:Having a Wonderful Time with the Tripods 773:Half Machine Lip Moves/Alien Soundtracks 1817:American industrial rock musical groups 1037: 935:Tidal Forces (No Humans Allowed Pt. II) 1245: 1243: 7: 1402:"Official Chrome Website – History" 1198:Reed, S. Alexander (June 3, 2013). 1837:Musical groups established in 1976 953:Dark Matter: Seeing Strange Lights 810:Produced by Damon Edge in Europe. 14: 1827:Musical groups from San Francisco 1342:Jones, Kevin L. (July 15, 2025). 1832:American noise rock music groups 1752:Into the Eyes of the Zombie King 821:Into the Eyes of the Zombie King 709:"Firebomb" (1982, Siren Records) 549:(1989) and as a live version on 365:California Institute of the Arts 1842:Beggars Banquet Records artists 1822:American post-punk music groups 1149:. Melville House. p. 153. 519:). Abbreviated versions of the 961:(2014, King of Spades Records) 801:(2013, King of Spades Records) 300:and associated with the 1970s 1: 726:"Subterranean Modern" (1979, 543:. It appeared on their album 359:Chrome was formed in 1975 by 745:(1982, Subterranean Records) 712:"Anorexic Sacrifice" (1982, 119:Don't Fall Off the Mountain 1858: 1313:"Damon Edge Memorial Site" 1004:"Torque Pound" split with 994:(1996, Man's Ruin Records) 937:(1998, Man's Ruin Records) 1670: 1605:Helios Creed tribute site 1159:– via Google Books. 1109:Ensminger, David (2006). 1090:. KQED.org. July 15, 2015 1027:(2000, Cleopatra Records) 1021:(1999, Cleopatra Records) 981:(2023, Cleopatra Records) 975:(2021, Cleopatra Records) 969:(2017, Cleopatra Records) 955:(2008, Cleopatra Records) 931:(1997, Cleopatra Records) 910:(2016, Cleopatra Records) 864:The Clairaudient Syndrome 481:In 1980, Edge met singer 393:, Edge sent the album to 52:San Francisco, California 30: 1008:(1997, Gearhead Records) 959:Feel It Like a Scientist 908:Chrome Box II: 1983-1995 858:Mission of the Entranced 590:The group's next album, 585:Feel It Like a Scientist 539:was covered by the band 472:for their fourth album, 438:, was released in 1979. 1206:Oxford University Press 992:Third Seed from the Bud 657:Beggars Banquet Records 535:. The title track from 470:Beggars Banquet Records 1724:Half Machine Lip Moves 1458:(175). September 1998. 1143:Heller, Jason (2018). 879:(1985, Atonal Records) 777:Touch & Go Records 751:(1982, Expanded Music) 644:Half Machine Lip Moves 460:Half Machine Lip Moves 444:Half Machine Lip Moves 440:Half Machine Lip Moves 435:Half Machine Lip Moves 344:Half Machine Lip Moves 43:Background information 1354:on September 25, 2023 690:(1979, Siren Records) 675:(1982, Siren Records) 647:(1979, Siren Records) 639:(1977, Siren Records) 616:(1976, Siren Records) 415:. The album began as 1406:Staticwhitesound.com 1176:Consequence of Sound 1059:(Concise ed.). 1025:Chrome & Friends 846:Alien Soundtracks II 840:Dreaming in Sequence 714:Subterranean Records 322:tape experimentation 296:in 1976 by musician 947:Angel of the Clouds 915:Helios Creed period 789:Anthology 1979-1983 1787:Compilation albums 1432:Headheritage.co.uk 1237:, 2005. p. 206-208 929:Retro Transmission 462:and their 1979 EP 16:American rock band 1804: 1803: 1738:Blood on the Moon 1717:Alien Soundtracks 1499:Alternative Press 1290:Faber & Faber 1235:Faber & Faber 806:Damon Edge period 793:Cleopatra Records 767:The Chronicles II 749:No Humans Allowed 664:Blood on the Moon 636:Alien Soundtracks 621:Edge/Creed period 570:Alternative Press 496:Blood on the Moon 430:Alien Soundtracks 412:Alien Soundtracks 338:Alien Soundtracks 283: 282: 86:experimental rock 1849: 1777:Read Only Memory 1745:3rd from the Sun 1657: 1650: 1643: 1634: 1620: 1592: 1591: 1589: 1587: 1573: 1567: 1566: 1564: 1562: 1546: 1540: 1539: 1537: 1535: 1521: 1515: 1514: 1494: 1488: 1487: 1485: 1483: 1469: 1460: 1459: 1449: 1443: 1442: 1440: 1438: 1424: 1418: 1417: 1415: 1413: 1398: 1389: 1388: 1386: 1384: 1370: 1364: 1363: 1361: 1359: 1350:. 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Index

Chrome in 1980: Damon Edge (left) and Helios Creed
San Francisco, California
Post-punk
industrial rock
acid-punk
noise rock
experimental rock
Beggars Banquet
Subterranean
Dossier
Touch & Go
Cleopatra
Helios Creed
Damon Edge
rock
San Francisco
Damon Edge
post-punk
punk
psychedelia
industrial music
science-fiction
tape experimentation
acid rock
United Kingdom
Alien Soundtracks
Half Machine Lip Moves
Helios Creed
Damon Edge
California Institute of the Arts

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