1618:
33:
419:, a soundtrack for a radical San Francisco strip show, but was rejected for being too radical. During recording, Chrome, aided by Creed's input, largely abandoned conventional rock compositions, instead employing cut-up and collage techniques and heavily processed sound to create a kind of sci-fi punk style. The album was given 4 out of 5 stars in the UK music paper
371:
where he heard a lot of Arabic music. In his head, he began putting a beat behind the music and started coming up with ideas for songs. Chrome's music contained a lot of atmosphere in the sound production, featuring three- and eight-note melodies, usually layered with an atonal drone backed by a
558:
In 1983, Edge moved to Paris. Shine introduced him to her band and a new lineup of Chrome was formed. Edge and his wife would later separate. Edge continued to release albums with various (mainly Europe-based) musicians under the Chrome moniker over the next decade.
401:
album"; to Damon Edge, this was a compliment. The label did not release the album, so Edge set up his own label, Siren
Records. After the recording of the first album, singer Mike Low left the band, to be replaced by new guitarist
492:
After a further EP and single, Chrome again expanded to a quartet with the addition of the new rhythm section of John and Hilary Stench (real surname: Hanes). This lineup existed circa 1980β1983, and produced the albums
582:
A Creed-led version of Chrome that featured previous members John and Hilary Stench released a series of albums and toured between 1997 and 2001. Creed later reactivated the Chrome name again, issuing a new album,
478:. By this time Chrome consisted solely of Edge and Creed. The album marked a move away from the more frenetic style of the two previous albums, with more use of drum machines and synthesizers.
442:
continued in the vein of the previous album, but heavier, with Creed's feedback guitar more to the fore. Edge's rough and ready drumming on this album included hitting pieces of scrap metal.
372:
rhythm section. This sort of atmosphere was influenced by the music he had heard in
Morocco. About six months after that trip, Edge began forming a band and recording his new music.
1343:
1816:
485:, formerly of the band Shakin' Street, and married her two months later. She went on to collaborate with him on several Chrome albums; her vocals appear on the album
1836:
1826:
1831:
1841:
1821:
1654:
1170:
363:(real name Thomas Wisse: drums, vocals, synths, production) and Gary Spain (bass guitar, violin) in San Francisco. While studying at the
397:
to see if they wanted to release the album. A Warner
Brothers A&R representative told Edge that the album sounded like a "messed up
566:
apartment in
California; the cause of death was heart failure. Edge had been in contact with Creed and talked about reforming Chrome.
32:
1154:
1120:
1068:
1751:
1087:
820:
597:
As of 2018, Chrome's current line-up consisted of Creed, Tommy Grenas, Aleph Omega, Lux
Vibratus, Lou Minatti and Steve Fishman.
364:
136:
1351:
1709:
1374:"The Quietus | Features | A Quietus Interview | A Scrap Metal Colossus: Helios Creed Of Chrome Interviewed"
1055:
612:
575:
After she and Edge separated, Shine continued to compose songs. In 1997, after Edge's death, she released an album titled
385:
331:
They found little commercial success as part of San
Francisco's 1970s music scene, but developed a cult following in the
569:
1647:
1110:
452:
list of "100 Records That Set the World on Fire (While No One Was
Listening)", and was cited as the "beginning of
1737:
663:
563:
495:
51:
1576:
730:) -- Chrome (three tracks), Tuxedomoon (two tracks), MX-80 Sound (two tracks), and The Residents (three tracks)
1199:
1205:
656:
469:
114:
1723:
1640:
643:
434:
343:
1776:
1613:
1050:
686:
464:
776:
328:
guitar, and electronic noise. They have been cited as forerunners of the 1980s industrial music boom.
141:
1373:
1175:
713:
394:
122:
1454:
1312:
579:. The title referred to her late husband. In 2004, she began working and touring again with Creed.
448:
1497:
Pettigrew, Jason (1996). Michael Shea (ed.). "100 Underground
Inspirations of the Past 20 Years".
1005:
1716:
1506:
1150:
1144:
1116:
1064:
792:
635:
421:
411:
337:
309:
149:
85:
1427:
1744:
1289:
1234:
671:
501:
313:
572:
included Chrome in their 1996 list of "100 underground inspirations of the past 20 years."
1549:
453:
317:
70:
1617:
1428:"Julian Cope Presents Head Heritage | Unsung | Album of the Month | Chrome β Chromeology"
1281:
1226:
527:, and would later be reissued in their original longer versions on the distinct albums
482:
375:
Chrome took part of their inspiration for their rough and sometimes chaotic music from
332:
1524:
1810:
1401:
1251:
727:
551:
468:
cemented the band's growing reputation in the UK and led to the band being signed to
293:
409:
Chrome's commercial and artistic breakthrough came in 1977 with their second album,
1730:
1675:
1060:
651:
540:
474:
403:
367:, Edge became influenced in making unusual sounds; this progressed after a trip to
348:
174:
389:, along with John Lambdin (guitar) and Mike Low (guitar, vocals). After recording
1758:
1623:
965:
425:, and Chrome began gradually to gain a cult reputation in the UK and in Europe.
380:
1609:
1472:
1794:
1683:
741:
507:
360:
321:
297:
289:
212:
80:
1510:
545:
505:(1982), and the new material comprising the fifth and sixth LPs of the 1982
398:
376:
325:
305:
301:
75:
65:
1171:"Stream: Chrome's Feel It Like A Scientist, their first album in 12 years"
1554:
1256:
919:
After Edge's death, Creed reformed Chrome with previous and new members.
1627:
1261:
368:
1452:"100 Records That Set the World on Fire (When No One Was Listening)".
1146:
Strange Stars: David Bowie, Pop Music, and the Decade Sci-Fi
Exploded
1344:"Chrome at 40: The Most Influential Band You've Never Heard | KQED"
1252:"Chrome β Music Biography, Credits and Discography : AllMusic"
1636:
1505:(100). Cleveland, OH: Alternative Press Magazine, Inc.: 39β56.
1604:
351:
has revived the Chrome name for recordings and performances.
1320:
1088:"Chrome at 40 the most influential band you've never heard"
696:(1981, Don't Fall Off the Mountain/Beggars Banquet Records)
667:(1981, Don't Fall Off the Mountain/Beggars Banquet Records)
523:
material was also released in France as an album entitled
446:
remains their best-known work. It was listed at No. 62 in
1632:
1112:
The
Politics of Punk: Protests and Revolt from the Street
799:
Half Machine from the Sun - The Lost Tracks from '79-'80
625:
The works of Edge and Creed together, in San Francisco.
432:, John Lambdin left the band. Their third studio album,
1396:
1394:
1525:"Chrome β European Tour 2017 β Cleopatra Records, Inc"
594:, was released April 21, 2017, followed by a US tour.
1550:"Techromancy - Chrome | Songs, Reviews, Credits"
555:(1990), but in both cases only as a CD bonus track.
304:
movement. The group's raw sound blended elements of
1786:
1768:
1701:
347:(1979). Edge died in 1995; subsequently, guitarist
204:
200:
168:
164:
104:
94:
58:
47:
42:
23:
1201:Assimilate: A Critical History of Industrial Music
37:Chrome in 1980: Damon Edge (left) and Helios Creed
383:. They recorded and released their first album,
1473:"Interview with Fabienne Shine (January 2005)"
1648:
1286:Rip It Up and Start Again: Postpunk 1978β1984
1231:Rip It Up and Start Again: Postpunk 1978β1984
335:and Germany following the release of the LPs
8:
562:In August 1995, Edge was found dead in his
1655:
1641:
1633:
1616:
1082:
1080:
31:
20:
1306:
1304:
1302:
1300:
1298:
1115:. Rowman & Littlefield. p. 187.
1019:Chrome Flashback/Chrome Live: The Best Of
902:Having a Wonderful Time in the Juice Dome
706:"New Age" (1980, Beggars Banquet Records)
1467:
1465:
1056:The Virgin Encyclopedia of Popular Music
1045:
1043:
1041:
783:Having a Wonderful Time with the Tripods
773:Half Machine Lip Moves/Alien Soundtracks
1817:American industrial rock musical groups
1037:
935:Tidal Forces (No Humans Allowed Pt. II)
1245:
1243:
7:
1402:"Official Chrome Website β History"
1198:Reed, S. Alexander (June 3, 2013).
1837:Musical groups established in 1976
953:Dark Matter: Seeing Strange Lights
810:Produced by Damon Edge in Europe.
14:
1827:Musical groups from San Francisco
1342:Jones, Kevin L. (July 15, 2025).
1832:American noise rock music groups
1752:Into the Eyes of the Zombie King
821:Into the Eyes of the Zombie King
709:"Firebomb" (1982, Siren Records)
549:(1989) and as a live version on
365:California Institute of the Arts
1842:Beggars Banquet Records artists
1822:American post-punk music groups
1149:. Melville House. p. 153.
519:). Abbreviated versions of the
961:(2014, King of Spades Records)
801:(2013, King of Spades Records)
300:and associated with the 1970s
1:
726:"Subterranean Modern" (1979,
543:. It appeared on their album
359:Chrome was formed in 1975 by
745:(1982, Subterranean Records)
712:"Anorexic Sacrifice" (1982,
119:Don't Fall Off the Mountain
1858:
1313:"Damon Edge Memorial Site"
1004:"Torque Pound" split with
994:(1996, Man's Ruin Records)
937:(1998, Man's Ruin Records)
1670:
1605:Helios Creed tribute site
1159:– via Google Books.
1109:Ensminger, David (2006).
1090:. KQED.org. July 15, 2015
1027:(2000, Cleopatra Records)
1021:(1999, Cleopatra Records)
981:(2023, Cleopatra Records)
975:(2021, Cleopatra Records)
969:(2017, Cleopatra Records)
955:(2008, Cleopatra Records)
931:(1997, Cleopatra Records)
910:(2016, Cleopatra Records)
864:The Clairaudient Syndrome
481:In 1980, Edge met singer
393:, Edge sent the album to
52:San Francisco, California
30:
1008:(1997, Gearhead Records)
959:Feel It Like a Scientist
908:Chrome Box II: 1983-1995
858:Mission of the Entranced
590:The group's next album,
585:Feel It Like a Scientist
539:was covered by the band
472:for their fourth album,
438:, was released in 1979.
1206:Oxford University Press
992:Third Seed from the Bud
657:Beggars Banquet Records
535:. The title track from
470:Beggars Banquet Records
1724:Half Machine Lip Moves
1458:(175). September 1998.
1143:Heller, Jason (2018).
879:(1985, Atonal Records)
777:Touch & Go Records
751:(1982, Expanded Music)
644:Half Machine Lip Moves
460:Half Machine Lip Moves
444:Half Machine Lip Moves
440:Half Machine Lip Moves
435:Half Machine Lip Moves
344:Half Machine Lip Moves
43:Background information
1354:on September 25, 2023
690:(1979, Siren Records)
675:(1982, Siren Records)
647:(1979, Siren Records)
639:(1977, Siren Records)
616:(1976, Siren Records)
415:. The album began as
1406:Staticwhitesound.com
1176:Consequence of Sound
1059:(Concise ed.).
1025:Chrome & Friends
846:Alien Soundtracks II
840:Dreaming in Sequence
714:Subterranean Records
322:tape experimentation
296:in 1976 by musician
947:Angel of the Clouds
915:Helios Creed period
789:Anthology 1979-1983
1787:Compilation albums
1432:Headheritage.co.uk
1237:, 2005. p. 206-208
929:Retro Transmission
462:and their 1979 EP
16:American rock band
1804:
1803:
1738:Blood on the Moon
1717:Alien Soundtracks
1499:Alternative Press
1290:Faber & Faber
1235:Faber & Faber
806:Damon Edge period
793:Cleopatra Records
767:The Chronicles II
749:No Humans Allowed
664:Blood on the Moon
636:Alien Soundtracks
621:Edge/Creed period
570:Alternative Press
496:Blood on the Moon
430:Alien Soundtracks
412:Alien Soundtracks
338:Alien Soundtracks
283:
282:
86:experimental rock
1849:
1777:Read Only Memory
1745:3rd from the Sun
1657:
1650:
1643:
1634:
1620:
1592:
1591:
1589:
1587:
1573:
1567:
1566:
1564:
1562:
1546:
1540:
1539:
1537:
1535:
1521:
1515:
1514:
1494:
1488:
1487:
1485:
1483:
1469:
1460:
1459:
1449:
1443:
1442:
1440:
1438:
1424:
1418:
1417:
1415:
1413:
1398:
1389:
1388:
1386:
1384:
1370:
1364:
1363:
1361:
1359:
1350:. Archived from
1339:
1333:
1332:
1330:
1328:
1319:. Archived from
1311:Mullen, Andrew.
1308:
1293:
1279:
1273:
1272:
1270:
1268:
1247:
1238:
1224:
1218:
1217:
1215:
1213:
1195:
1189:
1188:
1186:
1184:
1167:
1161:
1160:
1140:
1134:
1133:
1131:
1129:
1106:
1100:
1099:
1097:
1095:
1084:
1075:
1074:
1047:
1006:Man or Astroman?
877:The Lyon Concert
852:One Million Eyes
824:(1984, Mosquito)
761:The Chronicles I
757:(1983, Mosquito)
687:Read Only Memory
672:3rd from the Sun
537:3rd from the Sun
502:3rd from the Sun
487:3rd from the Sun
465:Read Only Memory
428:After recording
417:Ultra Soundtrack
316:, incorporating
314:industrial music
292:band founded in
274:Rodney Dangerous
262:Paul Della Pelle
259:Philippe Sautour
207:
97:
35:
21:
1857:
1856:
1852:
1851:
1850:
1848:
1847:
1846:
1807:
1806:
1805:
1800:
1782:
1764:
1697:
1666:
1661:
1626:discography at
1601:
1596:
1595:
1585:
1583:
1575:
1574:
1570:
1560:
1558:
1548:
1547:
1543:
1533:
1531:
1523:
1522:
1518:
1496:
1495:
1491:
1481:
1479:
1477:Earcandymag.com
1471:
1470:
1463:
1451:
1450:
1446:
1436:
1434:
1426:
1425:
1421:
1411:
1409:
1400:
1399:
1392:
1382:
1380:
1372:
1371:
1367:
1357:
1355:
1341:
1340:
1336:
1326:
1324:
1323:on May 29, 2013
1310:
1309:
1296:
1282:Reynolds, Simon
1280:
1276:
1266:
1264:
1249:
1248:
1241:
1227:Reynolds, Simon
1225:
1221:
1211:
1209:
1197:
1196:
1192:
1182:
1180:
1179:. July 28, 2014
1169:
1168:
1164:
1157:
1142:
1141:
1137:
1127:
1125:
1123:
1108:
1107:
1103:
1093:
1091:
1086:
1085:
1078:
1071:
1063:. p. 260.
1049:
1048:
1039:
1034:
949:(2002, Dossier)
943:(2002, Dossier)
917:
904:(1995, Dossier)
891:(1990, Dossier)
885:(1987, Dossier)
883:Live in Germany
866:(1994, Dossier)
860:(1990, Dossier)
854:(1988, Dossier)
848:(1988, Dossier)
842:(1986, Dossier)
836:(1986, Dossier)
830:(1985, Dossier)
808:
785:(1995, Dossier)
769:(1987, Dossier)
763:(1987, Dossier)
721:Various Artists
623:
608:
606:Original period
603:
454:industrial rock
395:Warner Brothers
357:
318:science-fiction
288:is an American
244:Olivier Caudron
205:
194:Tommy L. Cyborg
160:
115:Beggars Banquet
95:
90:
71:industrial rock
38:
26:
17:
12:
11:
5:
1855:
1853:
1845:
1844:
1839:
1834:
1829:
1824:
1819:
1809:
1808:
1802:
1801:
1799:
1798:
1790:
1788:
1784:
1783:
1781:
1780:
1772:
1770:
1769:Extended plays
1766:
1765:
1763:
1762:
1755:
1748:
1741:
1734:
1727:
1720:
1713:
1710:The Visitation
1705:
1703:
1699:
1698:
1696:
1695:
1692:
1689:
1686:
1680:
1679:
1671:
1668:
1667:
1662:
1660:
1659:
1652:
1645:
1637:
1631:
1630:
1621:
1607:
1600:
1599:External links
1597:
1594:
1593:
1568:
1541:
1516:
1489:
1461:
1444:
1419:
1408:. May 30, 2002
1390:
1378:Thequietus.com
1365:
1334:
1294:
1274:
1239:
1219:
1190:
1162:
1155:
1135:
1121:
1101:
1076:
1069:
1053:, ed. (1997).
1036:
1035:
1033:
1030:
1029:
1028:
1022:
1015:
1014:
1010:
1009:
1001:
1000:
996:
995:
988:
987:
983:
982:
976:
970:
962:
956:
950:
944:
938:
932:
925:
924:
916:
913:
912:
911:
905:
898:
897:
893:
892:
886:
880:
873:
872:
868:
867:
861:
855:
849:
843:
837:
831:
825:
816:
815:
807:
804:
803:
802:
796:
786:
780:
770:
764:
758:
752:
746:
737:
736:
732:
731:
723:
722:
718:
717:
710:
707:
703:
702:
698:
697:
691:
682:
681:
677:
676:
668:
660:
648:
640:
631:
630:
622:
619:
618:
617:
613:The Visitation
607:
604:
602:
599:
511:set (entitled
483:Fabienne Shine
391:The Visitation
386:The Visitation
379:pioneers like
356:
353:
333:United Kingdom
281:
280:
279:
278:
275:
272:
269:
266:
263:
260:
257:
256:Pierre Roussel
254:
251:
248:
245:
242:
239:
238:Patrick Imbert
236:
233:
232:Fabienne Shine
230:
227:
224:
221:
218:
215:
208:
202:
201:
198:
197:
196:
195:
192:
189:
186:
183:
180:
177:
170:
166:
165:
162:
161:
159:
158:
157:King of Spades
155:
152:
147:
144:
142:Touch & Go
139:
134:
131:
128:
127:Expanded Music
125:
120:
117:
112:
108:
106:
102:
101:
98:
92:
91:
89:
88:
83:
78:
73:
68:
62:
60:
56:
55:
49:
45:
44:
40:
39:
36:
28:
27:
24:
15:
13:
10:
9:
6:
4:
3:
2:
1854:
1843:
1840:
1838:
1835:
1833:
1830:
1828:
1825:
1823:
1820:
1818:
1815:
1814:
1812:
1797:
1796:
1792:
1791:
1789:
1785:
1779:
1778:
1774:
1773:
1771:
1767:
1761:
1760:
1756:
1754:
1753:
1749:
1747:
1746:
1742:
1740:
1739:
1735:
1733:
1732:
1728:
1726:
1725:
1721:
1719:
1718:
1714:
1712:
1711:
1707:
1706:
1704:
1702:Studio albums
1700:
1693:
1690:
1687:
1685:
1682:
1681:
1678:
1677:
1673:
1672:
1669:
1665:
1658:
1653:
1651:
1646:
1644:
1639:
1638:
1635:
1629:
1625:
1622:
1619:
1615:
1611:
1608:
1606:
1603:
1602:
1598:
1582:
1578:
1572:
1569:
1557:
1556:
1551:
1545:
1542:
1530:
1526:
1520:
1517:
1512:
1508:
1504:
1500:
1493:
1490:
1478:
1474:
1468:
1466:
1462:
1457:
1456:
1448:
1445:
1433:
1429:
1423:
1420:
1407:
1403:
1397:
1395:
1391:
1379:
1375:
1369:
1366:
1353:
1349:
1345:
1338:
1335:
1322:
1318:
1317:Damonedge.com
1314:
1307:
1305:
1303:
1301:
1299:
1295:
1291:
1287:
1283:
1278:
1275:
1263:
1259:
1258:
1253:
1246:
1244:
1240:
1236:
1232:
1228:
1223:
1220:
1207:
1203:
1202:
1194:
1191:
1178:
1177:
1172:
1166:
1163:
1158:
1156:9781612196978
1152:
1148:
1147:
1139:
1136:
1124:
1122:9781442254459
1118:
1114:
1113:
1105:
1102:
1089:
1083:
1081:
1077:
1072:
1070:1-85227-745-9
1066:
1062:
1058:
1057:
1052:
1046:
1044:
1042:
1038:
1031:
1026:
1023:
1020:
1017:
1016:
1012:
1011:
1007:
1003:
1002:
998:
997:
993:
990:
989:
985:
984:
980:
979:Blue Exposure
977:
974:
971:
968:
967:
963:
960:
957:
954:
951:
948:
945:
942:
941:Ghost Machine
939:
936:
933:
930:
927:
926:
923:Studio albums
922:
921:
920:
914:
909:
906:
903:
900:
899:
895:
894:
890:
889:Liquid Forest
887:
884:
881:
878:
875:
874:
870:
869:
865:
862:
859:
856:
853:
850:
847:
844:
841:
838:
835:
832:
829:
828:Another World
826:
823:
822:
818:
817:
814:Studio albums
813:
812:
811:
805:
800:
797:
794:
790:
787:
784:
781:
778:
774:
771:
768:
765:
762:
759:
756:
753:
750:
747:
744:
743:
739:
738:
734:
733:
729:
728:Ralph Records
725:
724:
720:
719:
715:
711:
708:
705:
704:
700:
699:
695:
692:
689:
688:
684:
683:
679:
678:
674:
673:
669:
666:
665:
661:
658:
654:
653:
649:
646:
645:
641:
638:
637:
633:
632:
629:Studio albums
628:
627:
626:
620:
615:
614:
610:
609:
605:
600:
598:
595:
593:
588:
586:
580:
578:
573:
571:
567:
565:
564:Redondo Beach
560:
556:
554:
553:
552:Beg to Differ
548:
547:
542:
538:
534:
533:Chronicles II
530:
526:
522:
518:
517:Chronicles II
514:
510:
509:
504:
503:
498:
497:
490:
488:
484:
479:
477:
476:
471:
467:
466:
461:
457:
455:
451:
450:
445:
441:
437:
436:
431:
426:
424:
423:
418:
414:
413:
407:
405:
400:
396:
392:
388:
387:
382:
378:
373:
370:
366:
362:
354:
352:
350:
346:
345:
340:
339:
334:
329:
327:
323:
319:
315:
311:
307:
303:
299:
295:
294:San Francisco
291:
287:
276:
273:
270:
267:
264:
261:
258:
255:
252:
249:
246:
243:
240:
237:
235:Renaud Thorez
234:
231:
229:Hilary Stench
228:
225:
222:
219:
216:
214:
211:
210:
209:
203:
199:
193:
191:Steve Fishman
190:
187:
184:
181:
178:
176:
173:
172:
171:
167:
163:
156:
153:
151:
148:
145:
143:
140:
138:
135:
132:
129:
126:
124:
121:
118:
116:
113:
110:
109:
107:
103:
99:
93:
87:
84:
82:
79:
77:
74:
72:
69:
67:
64:
63:
61:
57:
53:
50:
46:
41:
34:
29:
22:
19:
1793:
1775:
1757:
1750:
1743:
1736:
1731:Red Exposure
1729:
1722:
1715:
1708:
1688:John Lambdin
1676:Helios Creed
1674:
1663:
1586:September 2,
1584:. Retrieved
1581:Facebook.com
1580:
1571:
1561:September 2,
1559:. Retrieved
1553:
1544:
1534:September 2,
1532:. Retrieved
1529:Cleorecs.com
1528:
1519:
1502:
1498:
1492:
1482:September 2,
1480:. Retrieved
1476:
1453:
1447:
1435:. Retrieved
1431:
1422:
1410:. Retrieved
1405:
1383:September 2,
1381:. Retrieved
1377:
1368:
1356:. Retrieved
1352:the original
1348:www.kqed.org
1347:
1337:
1325:. Retrieved
1321:the original
1316:
1285:
1277:
1265:. Retrieved
1255:
1250:Bush, John.
1230:
1222:
1212:December 26,
1210:. Retrieved
1208:. p. 98
1200:
1193:
1181:. Retrieved
1174:
1165:
1145:
1138:
1126:. Retrieved
1111:
1104:
1092:. Retrieved
1061:Virgin Books
1054:
1051:Colin Larkin
1024:
1018:
1013:Compilations
991:
978:
972:
964:
958:
952:
946:
940:
934:
928:
918:
907:
901:
896:Compilations
888:
882:
876:
863:
857:
851:
845:
839:
833:
827:
819:
809:
798:
788:
782:
772:
766:
760:
755:Raining Milk
754:
748:
740:
735:Compilations
693:
685:
670:
662:
652:Red Exposure
650:
642:
634:
624:
611:
596:
591:
589:
584:
581:
577:No Mad Nomad
576:
574:
568:
561:
557:
550:
544:
536:
532:
529:Chronicles I
528:
525:Raining Milk
524:
520:
516:
513:Chronicles I
512:
506:
500:
494:
491:
486:
480:
475:Red Exposure
473:
463:
459:
458:
447:
443:
439:
433:
429:
427:
420:
416:
410:
408:
404:Helios Creed
390:
384:
374:
358:
349:Helios Creed
342:
336:
330:
324:, distorted
312:, and early
285:
284:
277:Anne Dromeda
271:Buz Deadwaxx
253:Cliff Martin
241:Remy Devilla
220:John Lambdin
206:Past members
185:Lux Vibratus
179:Tommy Grenas
175:Helios Creed
123:Subterranean
100:1976βpresent
96:Years active
18:
1759:Techromancy
1094:February 8,
966:Techromancy
871:Live albums
601:Discography
592:Techromancy
587:, in 2014.
499:(1981) and
381:the Stooges
341:(1977) and
310:psychedelia
226:John Stench
188:Lou Minatti
182:Aleph Omega
1811:Categories
1795:Chrome Box
1694:Gary Spain
1684:Damon Edge
1288:. London:
1233:. London:
1032:References
742:Chrome Box
521:Chronicles
508:Chrome Box
361:Damon Edge
298:Damon Edge
217:Gary Spain
213:Damon Edge
146:Man's Ruin
81:noise rock
1511:1065-1667
1358:March 25,
1183:April 12,
1128:April 12,
546:Force Fed
326:acid rock
302:post-punk
268:Z. Silver
265:Nova Cain
150:Cleopatra
76:acid-punk
66:Post-punk
1691:Mike Low
1614:AllMusic
1577:"CHROME"
1555:AllMusic
1455:The Wire
1257:AllMusic
834:Eternity
694:Inworlds
449:The Wire
320:themes,
223:Mike Low
154:Gearhead
130:Mosquito
1628:Discogs
1292:, 2005.
1262:AllRovi
999:Singles
973:Scaropy
791:(2004,
775:(1990,
701:Singles
655:(1980,
369:Morocco
355:History
169:Members
137:Dossier
1664:Chrome
1624:Chrome
1610:Chrome
1509:
1437:May 6,
1412:May 6,
1327:May 6,
1267:May 6,
1153:
1119:
1067:
422:Sounds
286:Chrome
133:Atonal
105:Labels
59:Genres
54:, U.S.
48:Origin
25:Chrome
541:Prong
399:Doors
250:Plume
111:Siren
1588:2019
1563:2019
1536:2019
1507:ISSN
1484:2019
1439:2013
1414:2013
1385:2019
1360:2024
1329:2013
1269:2013
1214:2016
1185:2019
1151:ISBN
1130:2019
1117:ISBN
1096:2018
1065:ISBN
531:and
515:and
377:punk
306:punk
290:rock
1612:at
986:EPs
680:EPs
456:".
247:Bab
1813::
1579:.
1552:.
1527:.
1503:11
1501:.
1475:.
1464:^
1430:.
1404:.
1393:^
1376:.
1346:.
1315:.
1297:^
1284:.
1260:.
1254:.
1242:^
1229:.
1204:.
1173:.
1079:^
1040:^
489:.
406:.
308:,
1656:e
1649:t
1642:v
1590:.
1565:.
1538:.
1513:.
1486:.
1441:.
1416:.
1387:.
1362:.
1331:.
1271:.
1216:.
1187:.
1132:.
1098:.
1073:.
795:)
779:)
716:)
659:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.