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Chris Cunningham

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691:, a 55-minute long performance piece combining original and remixed music and film. It features remixed, unreleased and brand new videos and music dynamically edited together into a new live piece spread over three screens. The sound accompanying these images includes Cunningham's first publicly performed compositions interspersed with his remixes of other artist's work. 25: 782:, that he'd read it when he was a kid. I went to London and we met." Gibson is also quoted in the article as saying "Chris is my own 100 percent personal choice...My only choice. The only person I've met who I thought might have a hope in hell of doing it right. I went back to see him in London just after he'd finished 740:
as a model to create "Nubian versions" of Rubber Johnny. In an interview for BBC's "The Culture Show", it was suggested that the collaboration may expand into a video project. In regards to the collaboration, Cunningham stated "For me, Grace has the strongest iconography of any artist in music. She’s
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was due to be a big budget studio film, it is rumoured that Cunningham pulled out due to being a first time director without final cut approval. He also felt that too much of the original book's ideas had been cannibalised by other recent films.
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In 2004/2005, Cunningham took a sabbatical from filmmaking to learn about music production and recording and to develop his own music projects. In December 2007 Cunningham produced two tracks, "Three Decades" and "Primary Colours", for
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stated "He (Chris) was brought to my attention by someone else. We were told, third-hand, that he was extremely wary of the Hollywood process, and wouldn't return calls. But someone else told us that
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remixed by Cunningham, was shot between 2001 and 2004. Shot on DV night-vision, it was made in Cunningham's own time as a home movie of sorts, and took three and half years of weekends to complete.
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debuted as one of the headline attractions at Warp 20 in Paris on 8 May 2009 with other performances scheduled at festivals in UK, and a number of European cities later in the year.
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In 2005, Cunningham played a 45-minute audio visual piece performed live in Tokyo and Osaka in front of 30,000+ fans over the two nights at the Japanese electronic music festival
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A: Perpetually, it seems, and going on a quarter of a century now. The most recently rumoured version, to have been directed by Chris Cunningham, is now definitely not happening.
647:. In the summer of 2008, due to scheduling conflicts with his feature film script writing he could not work on the rest of the album which was subsequently recorded by 1188: 1713: 46: 33: 1555: 682: 1827: 1438: 1807: 1832: 1677: 1655: 1138: 1416: 422: 639: 1331: 1390: 1292: 1822: 1802: 1218: 276: 1817: 1797: 605: 586:; and to a piece called "Mutilation Colony" which was written especially for the short, and was released on the studio album 458:
with nine appendages and the head of a monkey plays the drums to "Mt Saint Michel + Saint Michaels Mount", the 10th track on
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He has also created art installations and directed short movies. He was approached to direct a movie version of
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were exhibited by 5th Gallery in Dublin, Ireland, in an exhibition curated by Artist/Curator Paul Murnaghan,
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debuted as part of Cunningham's installation at the 49th International Exhibition of Art at the 2001
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for Best Short Form Music Video. It was also the first ever music video to win a Gold Pencil at the
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called it "like a Looney Tunes short for a generation raised on video nasties and rave music".
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In 2000, Cunningham and William Gibson began work on the script for Gibson's 1984 novel
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continued in June 2011, with performances in London, Barcelona, and Sydney, Australia.
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Cunningham has directed a handful of commercials for companies and brands, including
547: 530: 375:" was nominated for the "Best Video" award at the Brit Awards 2000. He also directed 296: 1222: 1756: 1076: 998: 972: 720: 663: 648: 577: 522: 372: 344: 322: 314: 299:. Between 1990 and 1992, he contributed the occasional cover painting and strip to 286: 247: 184: 176: 160: 707:
Cunningham has created photography and cover artwork for various people including
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On 18 November 2004, in the FAQ on the William Gibson Board, Gibson was asked:
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commercial that he also directed. He travelled to Nashville to work with
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In 2008, he produced and arranged a new version of 'I Feel Love' for the
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tests of the central robot child character in his version of the film
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work, and has also designed album artwork for a variety of musicians.
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In November 2008, Cunningham followed on with another photoshoot for
621: 464: 356: 291: 1391:"Dazed Digital | Chris Cunningham Feels Love for Gucci's Flora" 513:'s exhibition Seduced: Art and Sex from Antiquity to Now curated by 1115:"New York Is Killing Me (Chris Cunningham Remix)" (2010) video for 1691: 1109: 659: 601: 1636: 1518:"Come to Daddy? Claiming Chris Cunningham for British Art Cinema" 1189:"I Will Eat Your Soul – The Making of Aphex Twin's Come to Daddy" 1128:"Love Is To Die" Multimedia documentary for the album release of 1121:"Jaqapparatus 1" (2012) robotic art installation performance for 517:, Marina Wallace and Joanne Bernstein. alongside other pieces by 1359:"Chris Cunningham to make production debut on new Horrors album" 1122: 899:"Jesus Coming in for the Kill" (1997) video for Life's Addiction 224:
for more than two decades. In the 2000s, Cunningham began doing
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definitely the most inspiring person I’ve worked with so far".
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During this period Cunningham also made another short film for
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set. This DVD includes selected highlights from 1995 to 2000.
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as a DVD accompanied by a book of photographs and drawings.
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After seeing Cunningham's work on the 1995 film version of
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Filmmaker, video artist, photographer, music producer
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Apocalypse: Beauty & Horror in Contemporary Art
122: 114: 106: 77: 70: 1491:"Celebrity Grave | Chris Cunningham's Neuromancer" 730:In 2008, Cunningham produced a fashion shoot for 1037:" (2000) video installation. Featuring music by 1439:"Chris Cunningham Photoshoot for Vice Magazine" 1417:"Grace Jones photoshoot for Dazed and Confused" 809: 335:and MTV's Chill Out Zone in Europe. Videos for 246:head-hunted Cunningham to design and supervise 849:"Back with the Killer Again" (1996) video for 436:The Anthony d'Offay Gallery also commissioned 1707: 1605:"Xfm launch campaign targets indie listeners" 1142:was released in November 2004 as part of the 8: 545:In 2005, Cunningham released the short film 347:" are perhaps his best known. His video for 259:Earlier work in film included model-making, 1714: 1700: 1692: 1027:"Photocopier" (unreleased) commercial for 67: 834:. They are currently no longer together. 1558:. Williamgibsonboard.com. Archived from 1522:Journal of British Cinema and Television 1334:. nofuture. 3 March 2004. Archived from 1332:"Squarepusher interview — erutufon" 942:"Sport is Free" (1997) – commercial for 49:of all important aspects of the article. 1269:. 5thgalleryarchive.com. Archived from 1155: 971:"Come on My Selector" (1998) video for 1069:"Up and Down" (2002) – commercial for 1021:"Mental Wealth" (1999) commercial for 902:"The Next Big Thing" (1997) video for 199:". All were used in Chris' chapter in 45:Please consider expanding the lead to 1139:The Work of Director Chris Cunningham 843:"Second Bad Vilbel" (1996) video for 580:'s "My Fucking Sound" from his album 7: 1108:"Gucci Flora" (2009) commercial for 1086:" (2005) featuring "Afx237 V7" from 948:"Fetish" (1998) – commercial for NUS 920:"Something to Say" (1997) video for 666:to record a brand new vocal for it. 363:Awards. It can still be seen at the 159:(born 15 October 1970) is a British 1584:. Dazeddigital.com. 23 January 2008 1419:. Dazeddigital.com. 16 October 2008 1393:. 20 December 2009. Archived from 1295:. 14 December 2021. Archived from 936:"Clip Clop" (1997) commercial for 687:. These performances evolved into 321:, "Second Bad Vilbel" in 1995 and 14: 908:"Tranquillizer" (1997) video for 811:Q: Is it true there's a movie of 413:Gallery and other art galleries. 313:Cunningham has had close ties to 1043:"Quiet" (2000) – commercial for 914:"No More Talk" (1997) video for 877:"Space Junkie" (1996) video for 865:"Fighting Fit" (1996) video for 144: 23: 1603:Yates, Karen (29 August 1997). 1516:Leggott, James (1 April 2016). 977:"Engine" (1999) commercial for 871:"Another Day" (1996) video for 476:, which consisted of a loop of 405:was first shown in 2000 at the 140: 37:may be too short to adequately 1828:People from Reading, Berkshire 1441:. Viceland.com. Archived from 1310:Campion, Chris (28 May 2005). 1267:"Chris Cunningham : flex" 1221:. 23 June 2011. Archived from 893:"Personally" (1997) video for 263:and concept illustrations for 167:who directed music videos for 47:provide an accessible overview 1: 1808:British music video directors 1357:Kharas, Kev (14 March 2008). 1833:English contemporary artists 766:interview, cyberpunk author 253:A.I. Artificial Intelligence 1219:"Chris Cunningham ·· Press" 367:in New York. His video for 1849: 1312:"Cheap but never cheerful" 826:Cunningham was married to 409:, and subsequently at the 317:since his first video for 220:; the project has been in 1752: 1729: 505:In 2007, an excerpt from 1582:"War Games | Dazed" 589:Do You Know Squarepusher 417:was commissioned by the 1658:4 November 2012 at the 1534:10.3366/jbctv.2016.0311 779:The Wind in the Willows 399:His video installation 1823:People from Lakenheath 1803:British comics artists 1680:25 August 2012 at the 857:Light Aircraft on Fire 819: 643:, the second album by 429:and Max Wigram at the 425:exhibition curated by 16:British video director 1818:British video artists 1798:Advertising directors 1136:The video collection 1047:. Featuring music by 981:. Featuring music by 790:'s head. We talked." 697:Chris Cunningham Live 693:Chris Cunningham Live 689:Chris Cunningham Live 671:Chris Cunningham Live 452:Royal Academy of Arts 431:Royal Academy of Arts 407:Royal Academy of Arts 1664:Music Video Database 1100:Sheena Is a Parasite 733:Dazed & Confused 484:, and his video for 385:Sheena Is a Parasite 365:Museum of Modern Art 302:Judge Dredd Megazine 169:electronic musicians 165:music video director 143: 2010; 1562:on 23 February 2009 1445:on 21 November 2008 1397:on 20 December 2009 1317:The Daily Telegraph 1102:" (2006) video for 1011:" (1999) video for 1001:" (1999) video for 991:" (1999) video for 989:All Is Full of Love 965:" (1998) video for 955:" (1998) video for 930:" (1997) video for 887:" (1996) video for 859:" (1996) video for 799:. However, because 713:All Is Full of Love 490:All Is Full of Love 353:All Is Full of Love 197:All is Full of Love 1671:profile at 2000 AD 1471:. 22 February 1999 1338:on 3 December 2007 1273:on 16 January 2013 1193:Love-it-loud.co.uk 1164:"Chris Cunningham" 832:Jenny Lee Lindberg 760:In an August 1999 574:Spectral Musicians 450:exhibition at the 261:prosthetic make-up 129:Jenny Lee Lindberg 1780: 1779: 1772:Stéphane Sednaoui 1469:Spikemagazine.com 509:was shown in the 154: 153: 115:Years active 64: 63: 1840: 1739:Chris Cunningham 1716: 1709: 1702: 1693: 1675:Chris Cunningham 1669:Chris Cunningham 1653:Chris Cunningham 1644:Chris Cunningham 1640: 1639: 1637:Official website 1622: 1621: 1619: 1617: 1600: 1594: 1593: 1591: 1589: 1578: 1572: 1571: 1569: 1567: 1552: 1546: 1545: 1513: 1507: 1506: 1504: 1502: 1495:JESSE YULES FILM 1487: 1481: 1480: 1478: 1476: 1461: 1455: 1454: 1452: 1450: 1435: 1429: 1428: 1426: 1424: 1413: 1407: 1406: 1404: 1402: 1387: 1381: 1380: 1378: 1376: 1367:. Archived from 1364:Drowned in Sound 1354: 1348: 1347: 1345: 1343: 1328: 1322: 1321: 1307: 1301: 1300: 1299:on 23 June 2011. 1289: 1283: 1282: 1280: 1278: 1263: 1257: 1256: 1254: 1252: 1241: 1235: 1234: 1232: 1230: 1215: 1209: 1208: 1206: 1204: 1195:. Archived from 1185: 1179: 1178: 1176: 1174: 1160: 1049:Boards of Canada 1023:Sony PlayStation 1017:Afrika Bambaataa 983:Boards of Canada 686: 632:Music production 492:". In 2002 both 427:Norman Rosenthal 421:Gallery for the 226:music production 222:development hell 201:Director's Label 157:Chris Cunningham 148: 146: 142: 91: 87: 85: 72:Chris Cunningham 68: 59: 56: 50: 27: 19: 1848: 1847: 1843: 1842: 1841: 1839: 1838: 1837: 1783: 1782: 1781: 1776: 1762:Jonathan Glazer 1748: 1725: 1723:Directors Label 1720: 1682:Wayback Machine 1660:Wayback Machine 1635: 1634: 1631: 1626: 1625: 1615: 1613: 1602: 1601: 1597: 1587: 1585: 1580: 1579: 1575: 1565: 1563: 1554: 1553: 1549: 1515: 1514: 1510: 1500: 1498: 1489: 1488: 1484: 1474: 1472: 1463: 1462: 1458: 1448: 1446: 1437: 1436: 1432: 1422: 1420: 1415: 1414: 1410: 1400: 1398: 1389: 1388: 1384: 1374: 1372: 1356: 1355: 1351: 1341: 1339: 1330: 1329: 1325: 1309: 1308: 1304: 1291: 1290: 1286: 1276: 1274: 1265: 1264: 1260: 1250: 1248: 1247:. 2000AD Online 1243: 1242: 1238: 1228: 1226: 1225:on 23 June 2011 1217: 1216: 1212: 1202: 1200: 1187: 1186: 1182: 1172: 1170: 1162: 1161: 1157: 1152: 1144:Directors Label 1117:Gil Scott-Heron 879:Holy Barbarians 840: 824: 816: 784:the Bjork video 758: 705: 680: 674: 640:Primary Colours 634: 598: 543: 474:Venice Biennale 419:Anthony d'Offay 411:Anthony d'Offay 397: 311: 277:Richard Stanley 244:Stanley Kubrick 234: 183:on videos for " 150: 147: 2016) 138: 134: 131: 102: 92: 89: 88:15 October 1970 83: 81: 73: 60: 54: 51: 44: 32:This article's 28: 17: 12: 11: 5: 1846: 1844: 1836: 1835: 1830: 1825: 1820: 1815: 1810: 1805: 1800: 1795: 1785: 1784: 1778: 1777: 1775: 1774: 1769: 1764: 1759: 1753: 1750: 1749: 1747: 1746: 1741: 1736: 1730: 1727: 1726: 1721: 1719: 1718: 1711: 1704: 1696: 1690: 1689: 1672: 1666: 1650: 1641: 1630: 1629:External links 1627: 1624: 1623: 1595: 1573: 1547: 1528:(2): 243–261. 1508: 1497:. 7 March 2013 1482: 1456: 1430: 1408: 1382: 1349: 1323: 1302: 1284: 1258: 1236: 1210: 1199:on 6 June 2019 1180: 1154: 1153: 1151: 1148: 1134: 1133: 1126: 1119: 1113: 1106: 1096: 1080: 1073: 1067: 1055:Monkey Drummer 1051: 1045:Telecom Italia 1041: 1031: 1025: 1019: 1005: 995: 985: 975: 969: 959: 949: 946: 940: 934: 924: 918: 912: 906: 900: 897: 891: 881: 875: 869: 863: 853: 847: 839: 836: 823: 820: 768:William Gibson 763:Spike Magazine 757: 752: 704: 701: 673: 668: 633: 630: 618:Telecom Italia 597: 594: 542: 539: 499:Monkey Drummer 478:Monkey Drummer 470:Monkey Drummer 462:'s 2001 album 439:Monkey Drummer 396: 393: 310: 307: 233: 230: 208:William Gibson 152: 151: 136: 132: 127: 126: 124: 120: 119: 116: 112: 111: 108: 104: 103: 93: 79: 75: 74: 71: 62: 61: 55:September 2024 41:the key points 31: 29: 22: 15: 13: 10: 9: 6: 4: 3: 2: 1845: 1834: 1831: 1829: 1826: 1824: 1821: 1819: 1816: 1814: 1813:Living people 1811: 1809: 1806: 1804: 1801: 1799: 1796: 1794: 1791: 1790: 1788: 1773: 1770: 1768: 1767:Anton Corbijn 1765: 1763: 1760: 1758: 1755: 1754: 1751: 1745: 1744:Michel Gondry 1742: 1740: 1737: 1735: 1732: 1731: 1728: 1724: 1717: 1712: 1710: 1705: 1703: 1698: 1697: 1694: 1687: 1684:interview at 1683: 1679: 1676: 1673: 1670: 1667: 1665: 1661: 1657: 1654: 1651: 1649: 1645: 1642: 1638: 1633: 1632: 1628: 1612: 1611: 1606: 1599: 1596: 1583: 1577: 1574: 1561: 1557: 1551: 1548: 1543: 1539: 1535: 1531: 1527: 1523: 1519: 1512: 1509: 1496: 1492: 1486: 1483: 1470: 1466: 1460: 1457: 1444: 1440: 1434: 1431: 1418: 1412: 1409: 1396: 1392: 1386: 1383: 1371:on 3 May 2009 1370: 1366: 1365: 1360: 1353: 1350: 1337: 1333: 1327: 1324: 1319: 1318: 1313: 1306: 1303: 1298: 1294: 1288: 1285: 1272: 1268: 1262: 1259: 1246: 1240: 1237: 1224: 1220: 1214: 1211: 1198: 1194: 1190: 1184: 1181: 1169: 1165: 1159: 1156: 1149: 1147: 1145: 1141: 1140: 1131: 1127: 1124: 1120: 1118: 1114: 1111: 1107: 1105: 1101: 1097: 1095: 1094: 1089: 1085: 1084:Rubber Johnny 1081: 1078: 1074: 1072: 1068: 1066: 1065: 1060: 1056: 1052: 1050: 1046: 1042: 1040: 1036: 1032: 1030: 1026: 1024: 1020: 1018: 1014: 1010: 1006: 1004: 1000: 996: 994: 990: 986: 984: 980: 976: 974: 970: 968: 964: 960: 958: 954: 950: 947: 945: 941: 939: 935: 933: 929: 928:Come to Daddy 925: 923: 919: 917: 913: 911: 907: 905: 901: 898: 896: 892: 890: 886: 882: 880: 876: 874: 870: 868: 864: 862: 858: 854: 852: 848: 846: 842: 841: 837: 835: 833: 829: 822:Personal life 821: 818: 815:in the works? 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Index


lead section
summarize
provide an accessible overview
Reading
Berkshire
Jenny Lee Lindberg
video artist
music video director
electronic musicians
Autechre
Squarepusher
Aphex Twin
Windowlicker
Come to Daddy
Björk
All is Full of Love
Director's Label
William Gibson
cyberpunk
Neuromancer
development hell
music production
Judge Dredd
Stanley Kubrick
animatronic
A.I. Artificial Intelligence
prosthetic make-up
Hardware
Dust Devil

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