1282:
some way valid, that's generally enough for me. I'm just acutely aware of how limited time is and I think I'd rather spend it doing what I do best which is taking risks and making experiments." "I was interested to see if I could develop a way of making music that was less destructive, because I was aware of how much I had brutalised myself living such an insane life over the last twelve years or so, how little I'd slept and so on. I started thinking again about doing more playing, more bass stuff again. It's always been hard to give my bass playing any kind of priority when all of the mayhem is happening in the studio." So Tom chose to switch all of his attention to bass and to shut down the studio.
998:. Not evil though, "evil" music just sounds daft and theatrical to me. I've always had a Frankenstein-thing going on, ever since I was kid when I was playing around with electronics. I love the idea of the set-up having such a complex level of internal activity that it begins to resemble a living being." "My Red Hot Car" is his most well known piece. That and "Boneville Occident" were two of the earliest pieces from these sessions. The piece "Tommib" was so named after Squarepusher recalls that: "Aphex was helping me edit a track for Vic Acid and he named the project 'Tommib' and I always remembered that for some reason." Squarepusher claims that "My Fucking Sound" was written specifically with
209:
793:"Journey To Reedham" brings the 8-bit computer influence right into the foreground. The piece was the first to be recorded of the set and was originally commissioned to be used in a computer game, but Squarepusher decided it was too important to hand over to somebody else's project. The track immediately became a favourite at live performances and was still making appearances as an encore in Tom's run of live shows in 2013. "The Body Builder" was Tom's favourite of the set. This exemplifies a more abstract take on the
3573:
2829:
1380:
performing live and, in turn, making the record. All this makes for
Damogen Furies being an ideal work to hear in concert, as genuinely live electronic music, with the capacity for change a primary objective. The release of this saw him performing at his largest-ever London show at the Troxy, and headlining The White stage at Fuji Rocks Festival, Japan. The EP was made using software that Squarepusher programmed by himself.
2815:
66:
25:
758:." He wanted to "make the styles interrogate each other, such that one track would question the premises of another and vice versa. As such I suppose it might indicate tentativeness, but in my mind at the time I liked the idea of bringing musical assumptions into question by smashing stylistically divergent elements into each other". In this he follows a precedent set by
1130:
1294:
it. It's odd because it's so effortless for me to play that I end up falling into that virtuoso camp by default. But if that's where I am, I'm going to make some trouble in there. So I started to play around with the pieces in a way, playing them too fast. Sort of trying to make it a bit more punk and messy rather than like a spotless article of refinement."
128:
1405:. Squarepusher was also influenced by the death of Chris Marshall, his childhood friend to whom he dedicated the album. Featuring a return to his acidic drum and bass roots the album was released on 31 January 2020. "Vortrack", "Vortrack" (Fracture Remix), and "Nervelevers" were released in the weeks leading up to the album's release.
1052:. I decided to record that song as a memorial to him, but at the same time I really didn't want to try and divert attention from the tragedy of his death to my record, that would have been repulsive. So I kept the story to myself'. Also included in this set is an edited recording of Tom's appearance at
1328:
Regarding this album being an abrupt stylistic departure from earlier releases Toms says that: "On an instinctive level, I just can't resist seeing what happens when you press certain buttons, and especially the ones that the grown-ups tell you not to press. And as I've said, to me it's all about the
1141:
He states that at this point he had no immediate plans to make a record and that it seemed entirely possible that he would not make another. Nevertheless, some pieces were made in this period. A series of acid tracks were made, some of which were used in Tom's appearance at Warp's 20th anniversary in
1383:
In 2016, Squarepusher once again took his
Shobaleader One band on the road, and is continuing to tour the project. He also wrote a suite of short organ pieces which were performed by James McVinnie as part of 2016 national tour "The Secret Life of Organs" celebrating the county's great organs as the
1320:
and asked him if he knew any good drummers. He suggested Alex Thomas. I checked him out and he was amazing so we went for it." Squarepusher and Thomas went on to tour in
November and December 2008, and then from April 2009 through the summer playing various festivals. This tour also saw Squarepusher
1293:
to showcase it." Tom went on to spend every day playing the solo pieces, re-writing them and practising them: "It became a lifestyle in the end and that was what I wanted. Tom also says that "I've never been entirely comfortable with the whole virtuoso thing. They are so many dangers associated with
1281:
was finished at the end of 2006, Tom exhausted his interest in making electronic music: "At that point, I'd been working on electronic music in some shape or form for around fifteen years and without hardly any breaks. As I've said, one of my problems is that once I've established that an idea is in
1002:
in mind: "We had talked a lot in that period about working together, loads of ideas were flying around. That track was intended for Chris to use, and that project was called "Spectral
Musicians." He recalls that "Aphex rang up when I was finishing off the track. He asked what I was up to and I said
1379:
was released. Reviewers commented that it is "less funky but more clearly structured" than past work. All the recordings on 'Damogen Furies' were done in one take and were born out of
Squarepusher's development of his own software, which was designed for a spontaneous, streamlined, efficient way of
571:
In August 1993, Jenkinson recorded a piece named "O'Brien"; with his friend, Hardy Finn, he raised enough money to release it with additional material on a vinyl 12". Jenkinson and his friends took the copies of the record to various local record shops but found reactions disappointing. By 1995 he
1308:
At the end of 2007, Squarepusher found himself at the close of the solo bass project. "I was still playing all the time every day. So it seemed logical to get recording again, but make it live playing-centred." He claims he was fed up with the unprocessed sound of the bass that was tied up in the
1118:
seems like a big argument to me. In fact I've always liked that idea, that the way you structure albums and songs is that one element raises questions about other elements. That feels interesting to me, but
Ultravisitor seems to do that to the extent that it risks being completely incoherent. But
1365:
was announced, a collaborative project composed by him and performed by the three robots that comprise the Z-Machines. Squarepusher first started working with the team of
Japanese roboticists behind the Z-Machines in 2013, who had commissioned him to write music for robots that were capable of
917:. Very few live shows happened around this time, although Squarepusher claims he did in fact do quite a few performances unannounced: He did organise two shows for an ephemeral organisation known as the "Squarepusher Ensemble" which amongst others featured
972:
Early 2000 saw
Squarepusher consider "radical tactics". He states it became clear that it was high time return to sequencers and leave behind the live-playing approach, which he had adopted since late 1997. Around this time, he started seeing more of
879:'s favourite songs". This period also produced the "Maximum Priest" EP. "Our Underwater Torch" was partially inspired by a developing obsession he had for the sounds of water. He stated that this piece was obliquely inspired by the films
874:
This is the first record where
Squarepusher started using effects processors in such a way that values for the available parameters would all vary as the piece progressed. Squarepusher relates that "Iambic 5 Poetry" is "apparently one of
724:
in
Belgium. However, the remix was rejected on the basis of it having insufficient similarity to Ishii's piece. "Significant Others" used the DR660 drum machine running through a spring reverb, that Squarepusher found at a jumble sale.
1366:
playing beyond the capabilities of the most advanced musicians. Following the success of the first piece of music, entitled "Sad Robot Goes Funny", Squarepusher went on to compose four more pieces for the robots, which comprise the EP
707:, London. Jenkinson and Singh went on to play together on several occasions during this period, including improvised sessions at the end of the night at Anokha, one of which featured guitarist Guthrie Govan, and also at the first
1399:. The same year, Jenkinson broke his wrist in Norway and was forced to temporarily stop playing guitar. The incident caused him to re-explore instruments he had previously played in the 1990s which informed his subsequent album,
742:. His broad conception for this record was "to push away from the jazz influence that was being felt at the time to a more soundtrack-type of sound". According to Squarepusher, he was listening to—amongst other things—early
686:, which were recorded from late 1994 to 1995. Around the same time James and Jenkinson recorded two tracks together, one of which was subsequently edited by Jenkinson and released as "Freeman Hardy & Willis Acid" on the
1036:
cut a one-sided promo of the track "Do You Know Squarepusher". After a brief during the latter half of 2001, he set up the studio at his new residence. Around this time, he started to work with computer-based synthesis and
826:, an American composer who had worked extensively in the 1960s, principally realising his compositions by tape editing. Alongside this Squarepusher was becoming interested in the work of 20th Century composers such as
4027:
750:
around this time. However, the album also contains some abrupt diversions into quite different musical territory, evidenced in what Squarepusher calls the "Industrial Psychedelia" of "Chin Hippy" and "Rustic Raver".
1056:
in Japan in Summer 2001. He spent the remainder of 2002 working on software patches and recorded many pieces in that period that were to feature in his show at Warp's 20th anniversary party in Sheffield in 2009.
797:
aesthetic, with sounds constructed to deliberately resemble computer game sound effects. "Come on My Selector" has become one of Squarepusher's most well-known tracks, partly due to it having a video by director
944:
and found himself a regular DJ and punter at various club nights around Sheffield. At this point he became quite skilled at tape editing. Another element that he was keen to bring back was the usage of sampled
1044:
The cover version of "Love Will Tear Us Apart" has a particular story to it: "It was around this time that Rob Mitchell at Warp died. I was really fond of Rob. The last evening I spent with him was in
1003:
something like "I've got 31 bars left to write on this track I'm doing." He just started laughing and said he never thought of music like that. I suppose it does sound a bit strange and clinical."
644:, known professionally as Aphex Twin. Correspondence between James and Jenkinson sprung up after meeting at The George Robey. The resulting meeting led to Jenkinson's first hearing of the
1148:. The synth bassline in "The Modern Bass Guitar" was triggered from an electric bass using the midi bass system. January 2005 saw the re-establishment of the studio at Tom's residence in
3072:
1010:
more than a year before. I told him to come round and it totally blew his head off." Squarepusher started playing live again at this point: "I played all of this new stuff supporting
720:
came "Port Rhombus" which was Jenkinson's (by now known as Squarepusher) first release on Warp Records. The title track was initially a remix of a track by Ken Ishii, commissioned by
1336:
Of the general direction, he says: "I've reached guitar overload. I've started thinking about pure electronic music again. Something very melodic, very aggressive." He used a custom
773:
graphics reflected Squarepusher's resurgence of interest in old video consoles and home computers at that time. This location was subsequently used in some of the press shots in the
1340:
mask as part of the live presentation of this material. At the time, he made several appearances in festivals across the world including his first show in Brazil and during the
1142:
Sheffield 2009. "Welcome To Europe" and "The Modern Bass Guitar" were also made in this period using the same software system that Squarepusher had designed when he made
1155:
All of these tracks are based on live drumming tracks, which Squarepusher had planned out quite meticulously beforehand, in contrast to similarly realised tracks on
1067:
He claims the idea that had been initiated with "Mutilation Colony", namely to combine the DSP algorithmic approach with the live instrumentation based approach of
531:
group consisting of several other pupils from the school. Over subsequent years Jenkinson played bass guitar in various local bands, playing numerous shows around
895:. The organ in this piece is triggered directly from an electric bass. "Decathlon Oxide" carried on the ideas initiated in "Fly Street" and "Varkatope" from
4022:
4052:
1073:
was now at the forefront of his mind. His studio set-up at that time incorporated all of the equipment he had amassed so far. Parts of certain tracks on
516:
1309:
concept of the solo bass material, so he started experimenting with new DSP algorithms specifically for the bass. Also he had become a fan of the band
1161:. "Hello Meow", "Planetarium", "Rotate Electrolyte" and "Plotinus" were made over the Summer and Autumn of 2005. The track "Hello Meow" was filmed at
1325:
aspect to his show to the extent that on stage he had a massive screen behind Alex's drum kit showing visual content triggered by his electric bass.
1022:
3202:
632:, which featured on the EP "Refried Food". The remix led Ninja Tune to offer Jenkinson a record contract, which along with an offer from Belgium's
4012:
4007:
696:
compilation released on Worm Interface in 1996. 1996 saw Jenkinson starting to be offered performances both in the UK and in continental Europe.
1258:, who was also appearing on the show, had expressed such admiration for Tom's work that he would like to work with him. He also appeared at the
650:
EP which Richard had brought with him. But the meeting also facilitated James' initial selection of Jenkinson's tracks that went on to form the
4062:
3627:
990:
as follows: "It was the next stage in the "liquid effects processing" idea. "To me it was all about trying to make it sound totally liquid and
3177:
3076:
599:, were released under the pseudonym "The Duke of Harringay". Jenkinson began receiving invitations from clubs to play regular sets, including
523:
playing in the school's inter-house music competition. He developed a lasting friendship with Govan. Jenkinson joined his first band at 12, a
4067:
3992:
3967:
859:
instruments. He stated that he was keen to carry on with the method of making music he had developed making the "abstract jazz" elements of
4037:
4002:
2631:
692:
compilation album in 1998. Jenkinson's contribution to the other track was reinterpreted and released as "Happy Little Wilberforce" on the
3313:
146:
138:
3516:
1101:
I think. The start of "Steinbolt" was recorded in L.A. and the lots of Tetra-Sync including the live electric bass was recorded at the
822:
Squarepusher started considering new ideas about how to put music together. At this time James introduced Squarepusher to the music of
769:
town centre. The front cover image is based on a view of the gasometers situated at Wharf Road, near where he lived as a teenager. The
515:, exposing him to organ music. He took an interest in this, as well as in music reproduction equipment. In 1986, Jenkinson went to the
3739:
2997:
2468:
1085:
features ambient sound from the very same piece being played at a show in L.A. and the outro features ambient sound from a gig at the
754:
Squarepusher's electric bass work becomes apparent on this record. He states that he was "still battling with the influence of (Jaco)
921:
on vocals, Mick Beck on saxophone and Squarepusher on bass. The idea of the group was to try to approximate some of the aesthetic of
4017:
2937:
1305:
and the Cité de la Musique in Paris with his Solo Electric Bass shows. Both were recorded and featured the saxophonist Evan Parker.
182:
164:
109:
52:
76:
1270:
around the time of the release of the record. Late 2006 saw him generate the material that was eventually to be issued in 2009 as
1190:
sessions, unlike a lot of the things I'd done before". Some editions of the album came with an extra CD entitled "Vacuum Tracks".
1152:. The pieces "Theme From Sprite", "Bubble Life", "Vacuum Garden", "Circlewave 2" and "Orient Orange" were all made in early 2005.
1006:
After the sessions were completed in December 2000, he rang Steve Beckett to play him the record: "We hadn't talked since he left
4047:
4042:
3977:
3962:
3150:
3057:
2597:
2586:
1171:
in 2006. "Planetarium" samples a particular variant of the Amen breakbeat which came from "a dodgy bootleg 12" from 1991 called
790:"All Back to Mine" article from that year, and it was also where Squarepusher's appearance in the "xxx" documentary was filmed.
3997:
3897:
3228:
2108:
1079:
and four entire pieces were recorded at shows in the UK and the US in summer of 2003. As such, Squarepusher says "The start of
1915:
Both exclusive tracks ("Theme From Goodbye Renaldo" and "Deep Fried Pizza") appear as bonus tracks on the Japanese release of
4032:
3039:
4057:
3987:
3957:
2924:
2614:
2576:
38:
1420:
was released on CD, LP, and digital download on 1 March 2024. The single "Wendorlan" was released to promote the album.
208:
1313:
over the last few years and was inspired to develop an electric bass sound with "absolutely face-ripping distortion."
940:
and "Maximum Priest" sessions wrapped up, he found himself in quite changed circumstances. He had made new friends in
641:
1301:
is presented unedited as it was played on the night. The recording was released in 2009. Tom went on to sell out the
949:. At this time, Squarepusher was frequenting a Manchester-based club night called "Schizm". It was run by friends of
91:
2873:"The Quietus | Features | A Quietus Interview | Circuits Have A Life Force: Squarepusher Interviewed"
3620:
2726:
2114:
Single for the album of the same name; no titles appear on this release, just the song "Do You Know Squarepusher".
1064:
as part of the South Bank's Ether Festival: "It was an interesting idea. They chose "Port Rhombus" and "The Tide".
3555:
2970:
1854:
Released on Spymania under the alias The Duke of Harringay, later all tracks included in Squarepusher compilation
87:
3982:
1015:
484:
3699:
3675:
2554:
1580:
1517:
1157:
1069:
923:
871:. He decided to switch focus slightly and approach the following phase with a less rigorous aesthetic in mind.
867:
861:
688:
2536:
3356:
2359:
1461:
464:
287:
3952:
3806:
1875:
3878:
3822:
3613:
3287:
2919:
2834:
2700:
2399:
1909:
1361:
1310:
1229:
amongst others. This tour marked the first occasion when he had appeared in concert using live visuals.
1218:
839:
476:
452:
3014:
1316:
When Squarepusher came to tour this album, he decided he would need a drummer: "I called Glenn at the
1298:
3596:
3587:
4072:
3972:
3731:
3651:
3494:
3463:
2460:
2184:
1917:
1475:
1302:
1290:
954:
815:
716:
678:
652:
600:
512:
3846:
3489:
3261:
3099:
2045:
1033:
887:
881:
733:
673:
354:
3838:
3444:
3288:"Squarepusher Proves IDM Is Still Fresh and Full of Possibilities on 'Be Up a Hello', PopMatters"
2872:
2182:
Includes "Venus No.17", acid mix of the track and "Tundra 4", which is reworking of track 2 from
2026:
1330:
1214:
1123:
1061:
1053:
929:
897:
847:
708:
646:
555:
3929:
1856:
1832:
1126:, performing the piece "Tundra 4" live. After the Sinfonietta tour, he toured America and Japan.
1412:
email list, linking to a download for a WAV file named "XY.wav". Plugging the WAV file into an
3911:
3798:
3683:
3659:
3236:
2993:
2933:
2287:
2245:
2227:
2203:
2072:
2064:
1933:
1848:
1538:
1496:
1263:
1038:
991:
738:
496:
44:
1254:. It also became apparent that one of the reasons for him being requested to appear was that
3715:
2271:
2263:
2211:
1622:
1234:
1186:
1180:
1167:
1026:
999:
974:
914:
892:
835:
831:
799:
775:
765:
The sleeve artwork was generated from a set of images taken by Squarepusher wandering about
584:
480:
448:
292:
3125:
3814:
3723:
2847:
2722:
1988:
1946:
1765:
1643:
1447:
1102:
1011:
852:
783:
657:
543:
492:
406:
396:
3352:
3572:
1122:
The sleeve artwork, the first to contain a portrait of Squarepusher. He toured with the
865:. Given that the "abstract jazz/musique concrète" idea had in Tom's view been proven by
3904:
3870:
3755:
2852:
2820:
2638:
2487:
2308:
2090:
1685:
1375:
1247:
1198:
1134:
823:
755:
747:
721:
633:
608:
401:
307:
2954:
3946:
3854:
3771:
3203:"Norwegian Ice Broke Squarepusher, but He's All the Better for It on 'Be Up a Hello'"
2682:
2152:
1706:
1401:
1396:
981:
743:
704:
615:
604:
520:
460:
297:
614:
At this time, Jenkinson was becoming obsessed with bringing a "dark psychedelia" to
3862:
3790:
3707:
2929:
2890:
2842:
2794:
2776:
2176:
2160:
2133:
1820:
1601:
1413:
1409:
1243:
1206:
1162:
1144:
1114:
1081:
1075:
1049:
918:
813:
releases. The set includes three pieces that were recorded in late 1995 during the
700:
683:
669:
637:
528:
519:
in Chelmsford. One of his formative musical experiences came from seeing guitarist
488:
391:
802:. Doing the video led Squarepusher to develop a friendship with Chris Cunningham.
3600:
3591:
1267:
1250:, and also performed a short version of what was to become one of the pieces on
1202:
1194:
906:
827:
787:
759:
703:
who offered him a slot at his club night "Anokha" held at the Blue Note Club in
539:
532:
472:
468:
456:
359:
312:
302:
3578:
3691:
3667:
2810:
2764:
2671:
2564:
2452:
1559:
1408:
On January 21, 2024, Squarepusher sent out an email to his subscribers on the
1384:
first 'synthesisers' invented centuries before their electronic counterparts.
1329:
experiments." In April 2011, Squarepusher played at a benefit concert for the
1317:
1286:
1255:
1094:
1018:. I did a gig at The 100 Club and I had Chris supporting me doing a DJ set."
986:
950:
946:
766:
625:
620:
580:
547:
508:
269:
3240:
3058:"Squarepusher interview: The Software Behind Damogen Furies | Digital Trends"
732:, Squarepusher now set about working on the material for his first album for
3830:
3073:"A 78-Fingered Robot Guitarist Is the Perfect Accompaniment to Squarepusher"
2738:
1981:
1941:
1259:
1090:
1045:
1021:
He played his first shows in America at this point, one of which was at the
1007:
941:
573:
524:
3421:
3395:
762:, who Squarepusher claimed is "always hovering in the background" for him.
1129:
3763:
3747:
2756:
2476:
2354:
1963:
1827:
1771:
1664:
1453:
1388:
1341:
1106:
1086:
910:
876:
810:
728:
Using the same equipment from the sessions that produced the majority of
588:
587:. The first recordings using Jenkinson's new setup were released on the
3582:
3568:
2660:
1226:
1210:
1098:
902:
856:
629:
579:
In late 1994, Jenkinson began pursuing his fascination for integrating
1416:
and plotting the signal as an XY plot revealed the word "Dostrotime".
3564:
3559:
2209:
Exclusive digital single #1: released 4 September (Also available on
984:
that had so inspired his early releases. He describes the set-up for
682:, which was made from over 50 tracks that Jenkinson had given him on
551:
1333:
in the wake of the tsunami which devastated Japan on 11 March 2011.
94:. Statements consisting only of original research should be removed.
3372:
1201:
in the summer of 2005. Then in November 2005 he toured the UK with
572:
was playing live sets, including a performance at Eurobeat 2000 at
1222:
1149:
1128:
794:
770:
273:
3229:"Squarepusher: Be Up a Hello review – devilish, danceable return"
782:
In January 1997, Squarepusher moved to a flat on Albion Road in
479:. His recordings are often typified by a combination of complex
3609:
3605:
3178:"Daydreams: can the 'ambient' CBeebies experience really work?"
624:
from 2001). During this period Jenkinson also made a remix for
3547:
1337:
1322:
1239:
995:
424:
121:
59:
18:
2990:
Generation Ecstasy: Into the World of Techno and Rave Culture
1165:
in November 2005 and was edited into a promotional video for
1060:
2003 saw two of Squarepusher's pieces being performed by the
676:. Early in 1996, James completed the compilation process for
4028:
People educated at King Edward VI Grammar School, Chelmsford
3151:"Squarepusher interview: The Software Behind Damogen Furies"
957:
from Autechre who themselves had played there on occasion.
611:
releases, "Dragon Disc 2" and the "Bubble and Squeak" EPs.
3314:"Squarepusher announces details of forthcoming new album,
1289:, was really encouraging and offered me a nice gig in the
511:, Essex. The first school he attended was affiliated with
855:
for two months, and on this trip acquired a selection of
819:
sessions that were not originally released on Spymania.
1370:, released on April 7 (8 April in North America) 2014.
672:
in December 1995. This led him to defer his studies at
83:
2358:
and appeared in the soundtrack of a video game called
3490:"Squarepusher Chart History: Dance/Electronic Albums"
3373:"Chart Log UK (1994–2010): DJ S – The System Of Life"
786:, London. This particular residence was shown in the
668:
Jenkinson accepted a five-album record contract with
535:
and London, and took part in some studio recordings.
2233:
Exclusive digital single #2: released 18 September.
1093:. "Menelec" features an introduction from a show in
3921:
3889:
3782:
3643:
1105:in New York, apart from the intro which comes from
933:. The improvisation took place with no guidelines.
699:Early that year Jenkinson made the acquaintance of
419:
415:
384:
374:
341:
321:
280:
265:
247:
233:
223:
218:
199:
3353:"Squarepusher | full Official Charts history"
2472:(2010) - as Squarepusher Presents: Shobaleader One
3100:"This robot band has a guitarist with 78 fingers"
2251:Exclusive digital single #3: released 2 October.
3040:"Squarepusher: The Hermit and the Digital Beast"
2096:Reached number 1 on the UK Budget Albums Chart.
2010:Released under the alias Chaos A.D. on Rephlex.
1387:In 2018, he provided the ambient soundtrack for
851:was completed in May 1998, Squarepusher went to
576:in 1995, and "O'Brien" was part of his setlist.
1119:that is also the fun of it. I am fond of it."
980:He was also revisiting a lot of the mid-1990s
636:he declined in favor of a contract offered by
618:(which would eventually reach its zenith with
3621:
8:
2959:. Event occurs at 4:38 – via YouTube.
459:. His music spans several genres including
53:Learn how and when to remove these messages
3628:
3614:
3606:
3571:
2914:
2912:
2910:
2908:
2906:
2904:
905:gong. The record also contains remixes by
196:
2718:Chaos A.D. - "Psultan (Squarepusher Mix)"
1277:After the material that went to comprise
1184:, he states "There never really were any
1048:and he had been playing me some music by
183:Learn how and when to remove this message
165:Learn how and when to remove this message
110:Learn how and when to remove this message
3447:. Official Charts Company. 8 March 2024.
2992:(1st ed.). Routledge. p. 384.
2653:
2585:Credited to "Tom Jenkinson and Friends"
2498:
1747:
1432:
1178:Regarding the overall process of making
1025:Festival. The plans to collaborate with
809:album, which was a compilation of Tom's
805:This period also saw the release of the
538:In 1991, Jenkinson became interested in
3517:"Squarepusher Announces Damogen Furies"
2864:
2065:Anti-Greylord Protection Scheme Prelude
3396:"CHART: CLUK Update 26.05.2012 (wk20)"
3262:"The Quietus - Reviews - Squarepusher"
2925:The Virgin Encyclopedia of Dance Music
2663:- "Scratch Yer Hed (Squarepusher Mix)"
554:. He cited hearing the track "LFO" by
3458:
3456:
3422:"CHART: CLUK Update 2.05.2015 (wk17)"
3343:
3341:
3339:
1897:Split EP, credited to Tom Jenkinson.
491:as well as smaller labels, including
7:
3098:Webster, Andrew (16 February 2014).
2779:: "F Maj Pixie (Squarepusher Remix)"
2759:: "Pink Maggit (Squarepusher Remix)"
2577:Lo and Behold! Lo Recordings Sampler
1373:On 20 April 2015, a new LP entitled
1359:On 13 February 2014, an EP entitled
640:, which was partially instigated by
1939:Also compiled on the US version of
4023:British electronic dance music DJs
3201:Keating, Daryl (29 January 2020).
3176:Heritage, Stuart (17 April 2018),
2797:: "We Belong (Squarepusher Remix)"
2703:- "Tried By 12 (Squarepusher Mix)"
2269:Released with certain editions of
746:and the "Deathwish" soundtrack by
487:. Since 1995, he has recorded for
137:tone or style may not reflect the
14:
4053:Alumni of Chelsea College of Arts
2741:: "Meltdown (Squarepusher Remix)"
2560:"Freeman Hardy & Willis Acid"
483:, live instrumental playing, and
34:This article has multiple issues.
3227:Amin, Tayyab (31 January 2020).
3013:Blanning, Lisa (8 August 2012).
2953:Fantano, Anthony (9 June 2021).
2827:
2813:
207:
147:guide to writing better articles
126:
64:
23:
3740:Shobaleader One: d'Demonstrator
2685:- "Carwreck (Squarepusher Mix)"
2563:Song credited to "Squarepusher/
2527:Song credited to Tom Jenkinson
2469:Shobaleader One: d'Demonstrator
2329:Shobaleader One: Cryptic Motion
1238:, Squarepusher appeared on the
1029:were duly interrupted as well.
42:or discuss these issues on the
4013:English multi-instrumentalists
4008:English experimental musicians
3445:"Dostrotime chart performance"
1391:hour long wind-down programme
1232:At the time of the release of
607:. He then placed two songs on
1:
4063:21st-century British drummers
3075:. Motherboard. Archived from
2070:Included with most copies of
1297:The solo bass recording from
714:Shortly after the release of
517:King Edward VI Grammar School
495:. He is the older brother of
4068:21st-century bass guitarists
3993:English electronic musicians
3968:British male bass guitarists
3126:"SquarepusherDamogen Furies"
451:, record producer, bassist,
213:Jenkinson performing in 2012
4038:Warp (record label) artists
4003:Intelligent dance musicians
3370:Below top 100 before 2012:
2480:(2017) - as Shobaleader One
1881:Credited to Tom Jenkinson.
1805:Credited to Tom Jenkinson.
1789:Credited to Tom Jenkinson.
1285:"Glenn Max, curator at the
1209:featuring dates in London,
1133:Squarepusher performing at
90:the claims made and adding
4089:
3464:"Squarepusher discography"
2727:The Braindance Coincidence
2542:"Happy Little Wilberforce"
1830:. Partially compiled into
443:, known professionally as
3015:"Interview: Squarepusher"
2545:Avantgardism drum'n'bass
2198:
2147:
2085:
2020:
1958:
1870:
1815:
1780:
1770:
1764:
1759:
1756:
1753:
1750:
1460:
1452:
1446:
1441:
1438:
1435:
1193:Squarepusher appeared at
1097:and the outro comes from
507:Tom Jenkinson grew up in
485:digital signal processing
206:
4018:English record producers
3898:Do You Know Squarepusher
3700:Do You Know Squarepusher
3676:Music Is Rotted One Note
2988:Reynolds, Simon (1999).
2555:We Are Reasonable People
2109:Do You Know Squarepusher
1581:Do You Know Squarepusher
1518:Music Is Rotted One Note
1158:Music Is Rotted One Note
1070:Music Is Rotted One Note
936:In March 1999, with the
924:Music Is Rotted One Note
891:by the Russian director
868:Music Is Rotted One Note
862:Music Is Rotted One Note
689:We Are Reasonable People
441:Thomas Russell Jenkinson
229:Thomas Russell Jenkinson
4048:Rephlex Records artists
4043:Nothing Records artists
3978:English male guitarists
3963:English bass guitarists
3357:Official Charts Company
2537:Law & Auder Records
2495:Compilation appearances
2405:EP with the Z-Machines
1744:EPs, singles and promos
1246:and was interviewed by
1173:Rave Masters Volume One
1032:In the Summer of 2001,
567:1993–1995: Early career
558:as an early influence.
141:used on Knowledge (XXG)
3998:English jazz musicians
3124:Cook-Wilson, Winston.
3019:Red Bull Music Academy
2956:Squarepusher INTERVIEW
2800:Released as a single.
2456:(1998) - as Chaos A.D.
2333:Single by Shobaleader
1344:in Barcelona in June.
1138:
1016:Shepherd's Bush Empire
779:promotional campaign.
219:Background information
145:See Knowledge (XXG)'s
4033:People from Harringay
3823:Squarepusher Plays...
2835:United Kingdom portal
2701:East Flatbush Project
1910:Squarepusher Plays...
1262:tribute event at the
1132:
834:, specifically their
477:electroacoustic music
453:multi-instrumentalist
241:The Duke of Harringay
4058:Musicians from Essex
3988:English keyboardists
3958:Braindance musicians
3732:Solo Electric Bass 1
3652:Feed Me Weird Things
2895:www.soundonsound.com
2461:Solo Electric Bass 1
2448:(1997) - compilation
2185:Feed Me Weird Things
1918:Feed Me Weird Things
1476:Feed Me Weird Things
1303:Queen Elizabeth Hall
1291:Queen Elizabeth Hall
816:Feed Me Weird Things
730:Feed Me Weird Things
717:Feed Me Weird Things
679:Feed Me Weird Things
653:Feed Me Weird Things
601:The Sir George Robey
513:Chelmsford Cathedral
3079:on 21 February 2014
2708:Tried By 12 Remixes
2598:Lost in Translation
2228:Hanningfield Window
674:Chelsea Art College
656:album, released on
449:electronic musician
3839:Budakhan Mindphone
3523:. 18 February 2015
3442:For "Dostrotime":
3350:All except noted:
2928:(First ed.).
2879:. 13 January 2020.
2620:"Tommib Help Buss"
2490:; as Tom Jenkinson
2293:12" vinyl single.
2027:Budakhan Mindphone
1331:Japanese Red Cross
1299:Cité de la Musique
1252:Solo Electric Bass
1139:
1124:London Sinfonietta
1062:London Sinfonietta
1054:Fuji Rock Festival
938:Budakhan Mindphone
930:Budakhan Mindphone
898:Budakhan Mindphone
848:Budakhan Mindphone
709:Big Chill Festival
647:Hangable Auto Bulb
499:(Andy Jenkinson).
75:possibly contains
3940:
3939:
3912:Welcome to Europe
3847:Maximum Priest EP
3807:Bubble and Squeak
3799:Alroy Road Tracks
3684:Selection Sixteen
3660:Hard Normal Daddy
3347:Peaks in the UK:
3294:. 27 January 2020
3268:. 4 February 2020
2804:
2803:
2647:
2646:
2437:
2436:
2288:Welcome to Europe
2204:Welcome to Europe
2073:Selection Sixteen
2046:Maximum Priest EP
1987:Also released on
1876:Bubble and Squeak
1849:Alroy Road Tracks
1741:
1740:
1539:Selection Sixteen
1497:Hard Normal Daddy
1264:Electric Ballroom
1039:signal processing
739:Hard Normal Daddy
597:Alroy Road Tracks
497:Ceephax Acid Crew
435:
434:
193:
192:
185:
175:
174:
167:
139:encyclopedic tone
120:
119:
112:
77:original research
57:
4080:
3983:English drummers
3879:Music for Robots
3716:Hello Everything
3630:
3623:
3616:
3607:
3575:
3551:
3550:
3533:
3532:
3530:
3528:
3513:
3507:
3506:
3504:
3502:
3486:
3480:
3479:
3477:
3475:
3460:
3451:
3448:
3439:
3437:
3435:
3426:
3413:
3411:
3409:
3400:
3387:
3385:
3383:
3367:
3365:
3363:
3345:
3334:
3333:
3331:
3329:
3310:
3304:
3303:
3301:
3299:
3284:
3278:
3277:
3275:
3273:
3258:
3252:
3251:
3249:
3247:
3224:
3218:
3217:
3215:
3213:
3198:
3192:
3191:
3190:
3188:
3173:
3167:
3166:
3164:
3162:
3147:
3141:
3140:
3138:
3136:
3121:
3115:
3114:
3112:
3110:
3095:
3089:
3088:
3086:
3084:
3068:
3062:
3061:
3060:. 21 April 2015.
3054:
3048:
3047:
3036:
3030:
3029:
3027:
3025:
3010:
3004:
3003:
2985:
2979:
2978:
2967:
2961:
2960:
2950:
2944:
2943:
2916:
2899:
2898:
2887:
2881:
2880:
2869:
2837:
2832:
2831:
2830:
2823:
2818:
2817:
2816:
2654:
2632:A Bugged Out Mix
2615:Marie Antoinette
2520:Alt. Frequencies
2499:
2484:All Night Chroma
2400:Music for Robots
2384:special edition
2272:Hello Everything
2212:Hello Everything
1748:
1623:Hello Everything
1433:
1368:Music for Robots
1362:Music for Robots
1350:Music for Robots
1235:Hello Everything
1187:Hello Everything
1181:Hello Everything
1168:Hello Everything
1112:He states that "
1027:Chris Cunningham
1000:Chris Cunningham
975:Chris Cunningham
915:Matthew Yee-King
893:Andrei Tarkovsky
800:Chris Cunningham
776:Hello Everything
694:Alt. Frequencies
642:Richard D. James
591:label. Two EPs,
585:electronic music
481:drum programming
447:, is an English
431:
428:
426:
377:
261:
257:
255:
236:
226:
211:
197:
188:
181:
170:
163:
159:
156:
150:
149:for suggestions.
130:
129:
122:
115:
108:
104:
101:
95:
92:inline citations
68:
67:
60:
49:
27:
26:
19:
16:British musician
4088:
4087:
4083:
4082:
4081:
4079:
4078:
4077:
3943:
3942:
3941:
3936:
3930:Burningn'n Tree
3917:
3885:
3815:Port Rhombus EP
3778:
3724:Just a Souvenir
3639:
3634:
3599:discography at
3590:discography at
3581:discography at
3567:discography at
3552:– official site
3546:
3545:
3542:
3537:
3536:
3526:
3524:
3515:
3514:
3510:
3500:
3498:
3488:
3487:
3483:
3473:
3471:
3462:
3461:
3454:
3443:
3433:
3431:
3424:
3420:
3407:
3405:
3398:
3394:
3381:
3379:
3371:
3361:
3359:
3351:
3346:
3337:
3327:
3325:
3324:. February 2024
3312:
3311:
3307:
3297:
3295:
3286:
3285:
3281:
3271:
3269:
3260:
3259:
3255:
3245:
3243:
3226:
3225:
3221:
3211:
3209:
3200:
3199:
3195:
3186:
3184:
3175:
3174:
3170:
3160:
3158:
3157:. 21 April 2015
3149:
3148:
3144:
3134:
3132:
3123:
3122:
3118:
3108:
3106:
3097:
3096:
3092:
3082:
3080:
3070:
3069:
3065:
3056:
3055:
3051:
3038:
3037:
3033:
3023:
3021:
3012:
3011:
3007:
3000:
2987:
2986:
2982:
2969:
2968:
2964:
2952:
2951:
2947:
2940:
2932:. p. 323.
2918:
2917:
2902:
2889:
2888:
2884:
2871:
2870:
2866:
2861:
2848:Rephlex Records
2833:
2828:
2826:
2819:
2814:
2812:
2809:
2723:Rephlex Records
2652:
2524:"Vogon & I"
2497:
2446:Burningn'n Tree
2442:
2128:"Ultravisitor"
1989:Nothing Records
1947:Nothing Records
1934:Port Rhombus EP
1857:Burningn'n Tree
1833:Burningn'n Tree
1776:
1773:
1768:
1760:Peak positions
1746:
1644:Just a Souvenir
1466:
1463:
1458:
1455:
1450:
1442:Peak positions
1431:
1426:
1357:
1103:Bowery Ballroom
970:
901:and features a
853:South East Asia
840:electroacoustic
784:Stoke Newington
722:R&S Records
666:
664:1995–1999: Warp
658:Rephlex Records
634:R&S records
569:
564:
505:
493:Rephlex Records
438:
423:
411:
375:
370:
337:
331:record producer
317:
259:
258:17 January 1975
253:
251:
242:
240:
234:
224:
214:
202:
189:
178:
177:
176:
171:
160:
154:
151:
144:
135:This article's
131:
127:
116:
105:
99:
96:
81:
69:
65:
28:
24:
17:
12:
11:
5:
4086:
4084:
4076:
4075:
4070:
4065:
4060:
4055:
4050:
4045:
4040:
4035:
4030:
4025:
4020:
4015:
4010:
4005:
4000:
3995:
3990:
3985:
3980:
3975:
3970:
3965:
3960:
3955:
3945:
3944:
3938:
3937:
3935:
3934:
3925:
3923:
3919:
3918:
3916:
3915:
3908:
3905:My Red Hot Car
3901:
3893:
3891:
3887:
3886:
3884:
3883:
3875:
3871:Numbers Lucent
3867:
3859:
3851:
3843:
3835:
3827:
3819:
3811:
3803:
3795:
3786:
3784:
3780:
3779:
3777:
3776:
3768:
3760:
3756:Damogen Furies
3752:
3744:
3736:
3728:
3720:
3712:
3704:
3696:
3688:
3680:
3672:
3664:
3656:
3647:
3645:
3641:
3640:
3635:
3633:
3632:
3625:
3618:
3610:
3604:
3603:
3594:
3585:
3576:
3562:
3553:
3541:
3540:External links
3538:
3535:
3534:
3508:
3481:
3452:
3450:
3449:
3440:
3417:Damogen Furies
3414:
3388:
3368:
3335:
3305:
3279:
3253:
3219:
3193:
3168:
3155:Digital Trends
3142:
3116:
3090:
3071:Pangburn, DJ.
3063:
3049:
3031:
3005:
2999:978-0415923736
2998:
2980:
2962:
2945:
2938:
2922:, ed. (1998).
2900:
2891:"Squarepusher"
2882:
2863:
2862:
2860:
2857:
2856:
2855:
2853:Worm Interface
2850:
2845:
2839:
2838:
2824:
2821:England portal
2808:
2805:
2802:
2801:
2798:
2792:
2788:
2787:
2780:
2774:
2770:
2769:
2765:Black Stallion
2760:
2754:
2750:
2749:
2742:
2736:
2732:
2731:
2719:
2716:
2712:
2711:
2704:
2698:
2694:
2693:
2686:
2680:
2676:
2675:
2674:compilations.
2664:
2658:
2651:
2648:
2645:
2644:
2642:
2639:My Red Hot Car
2635:
2628:
2624:
2623:
2621:
2618:
2611:
2607:
2606:
2604:
2601:
2594:
2590:
2589:
2583:
2580:
2573:
2569:
2568:
2561:
2558:
2551:
2547:
2546:
2543:
2540:
2533:
2529:
2528:
2525:
2522:
2517:
2513:
2512:
2509:
2506:
2503:
2496:
2493:
2492:
2491:
2488:James McVinnie
2486:(2019) - with
2481:
2473:
2465:
2457:
2449:
2441:
2438:
2435:
2434:
2431:
2428:
2422:
2417:
2413:
2412:
2409:
2406:
2403:
2396:
2392:
2391:
2388:
2385:
2380:Bonus EP with
2378:
2373:
2369:
2368:
2365:
2362:
2350:
2345:
2341:
2340:
2337:
2334:
2331:
2326:
2322:
2321:
2318:
2315:
2312:
2309:Numbers Lucent
2305:
2301:
2300:
2297:
2294:
2291:
2283:
2282:
2279:
2276:
2267:
2259:
2258:
2255:
2252:
2249:
2241:
2240:
2237:
2234:
2231:
2223:
2222:
2219:
2216:
2207:
2200:
2196:
2195:
2192:
2189:
2180:
2172:
2171:
2168:
2165:
2156:
2149:
2145:
2144:
2141:
2138:
2129:
2126:
2122:
2121:
2118:
2115:
2112:
2104:
2103:
2100:
2097:
2094:
2091:My Red Hot Car
2087:
2083:
2082:
2079:
2076:
2068:
2060:
2059:
2056:
2053:
2050:
2040:
2039:
2036:
2033:
2031:
2022:
2018:
2017:
2014:
2011:
2008:
2003:
1999:
1998:
1995:
1992:
1985:
1977:
1976:
1973:
1970:
1967:
1960:
1956:
1955:
1952:
1949:
1937:
1929:
1928:
1925:
1922:
1913:
1905:
1904:
1901:
1898:
1895:
1889:
1888:
1885:
1882:
1879:
1872:
1868:
1867:
1864:
1861:
1852:
1844:
1843:
1840:
1837:
1824:
1817:
1813:
1812:
1809:
1806:
1803:
1797:
1796:
1793:
1790:
1787:
1782:
1778:
1777:
1769:
1762:
1761:
1758:
1755:
1752:
1745:
1742:
1739:
1738:
1735:
1732:
1729:
1724:
1720:
1719:
1716:
1713:
1710:
1703:
1699:
1698:
1695:
1692:
1689:
1686:Damogen Furies
1682:
1678:
1677:
1674:
1671:
1668:
1661:
1657:
1656:
1653:
1650:
1647:
1640:
1636:
1635:
1632:
1629:
1626:
1619:
1615:
1614:
1611:
1608:
1605:
1598:
1594:
1593:
1590:
1587:
1584:
1577:
1573:
1572:
1569:
1566:
1563:
1556:
1552:
1551:
1548:
1545:
1542:
1535:
1531:
1530:
1527:
1524:
1521:
1514:
1510:
1509:
1506:
1503:
1500:
1493:
1489:
1488:
1485:
1482:
1479:
1472:
1468:
1467:
1459:
1451:
1444:
1443:
1440:
1437:
1430:
1427:
1425:
1422:
1395:, narrated by
1376:Damogen Furies
1356:
1346:
1342:Sónar Festival
1311:Lightning Bolt
1279:Numbers Lucent
1272:Numbers Lucent
1248:Lauren Laverne
1217:, Birmingham,
1199:Glade Festival
1135:Glade Festival
994:, like liquid
969:
959:
824:Tod Dockstader
807:Burning'n Tree
748:Herbie Hancock
665:
662:
609:Worm Interface
568:
565:
563:
560:
504:
501:
437:Musical artist
436:
433:
432:
421:
417:
416:
413:
412:
410:
409:
404:
402:Worm Interface
399:
394:
388:
386:
382:
381:
378:
372:
371:
369:
368:
365:
362:
357:
352:
349:
345:
343:
339:
338:
336:
335:
332:
329:
325:
323:
319:
318:
316:
315:
310:
308:drill and bass
305:
300:
295:
290:
284:
282:
278:
277:
267:
263:
262:
249:
245:
244:
237:
231:
230:
227:
221:
220:
216:
215:
212:
204:
203:
200:
191:
190:
173:
172:
134:
132:
125:
118:
117:
72:
70:
63:
58:
32:
31:
29:
22:
15:
13:
10:
9:
6:
4:
3:
2:
4085:
4074:
4071:
4069:
4066:
4064:
4061:
4059:
4056:
4054:
4051:
4049:
4046:
4044:
4041:
4039:
4036:
4034:
4031:
4029:
4026:
4024:
4021:
4019:
4016:
4014:
4011:
4009:
4006:
4004:
4001:
3999:
3996:
3994:
3991:
3989:
3986:
3984:
3981:
3979:
3976:
3974:
3971:
3969:
3966:
3964:
3961:
3959:
3956:
3954:
3953:Living people
3951:
3950:
3948:
3932:
3931:
3927:
3926:
3924:
3920:
3913:
3909:
3906:
3902:
3899:
3895:
3894:
3892:
3888:
3881:
3880:
3876:
3873:
3872:
3868:
3865:
3864:
3860:
3857:
3856:
3855:Square Window
3852:
3849:
3848:
3844:
3841:
3840:
3836:
3833:
3832:
3828:
3825:
3824:
3820:
3817:
3816:
3812:
3809:
3808:
3804:
3801:
3800:
3796:
3793:
3792:
3788:
3787:
3785:
3781:
3774:
3773:
3772:Be Up a Hello
3769:
3766:
3765:
3761:
3758:
3757:
3753:
3750:
3749:
3745:
3742:
3741:
3737:
3734:
3733:
3729:
3726:
3725:
3721:
3718:
3717:
3713:
3710:
3709:
3705:
3702:
3701:
3697:
3694:
3693:
3689:
3686:
3685:
3681:
3678:
3677:
3673:
3670:
3669:
3665:
3662:
3661:
3657:
3654:
3653:
3649:
3648:
3646:
3642:
3638:
3631:
3626:
3624:
3619:
3617:
3612:
3611:
3608:
3602:
3598:
3597:Tom Jenkinson
3595:
3593:
3589:
3586:
3584:
3580:
3579:Tom Jenkinson
3577:
3574:
3570:
3566:
3563:
3561:
3557:
3554:
3549:
3544:
3543:
3539:
3522:
3521:Pitchfork.com
3518:
3512:
3509:
3497:
3496:
3491:
3485:
3482:
3470:. Hung Medien
3469:
3465:
3459:
3457:
3453:
3446:
3441:
3430:
3423:
3418:
3415:
3404:
3397:
3392:
3389:
3378:
3374:
3369:
3358:
3354:
3349:
3348:
3344:
3342:
3340:
3336:
3323:
3319:
3317:
3309:
3306:
3293:
3289:
3283:
3280:
3267:
3263:
3257:
3254:
3242:
3238:
3234:
3230:
3223:
3220:
3208:
3204:
3197:
3194:
3183:
3179:
3172:
3169:
3156:
3152:
3146:
3143:
3131:
3127:
3120:
3117:
3105:
3101:
3094:
3091:
3078:
3074:
3067:
3064:
3059:
3053:
3050:
3045:
3041:
3035:
3032:
3020:
3016:
3009:
3006:
3001:
2995:
2991:
2984:
2981:
2976:
2972:
2966:
2963:
2958:
2957:
2949:
2946:
2941:
2939:0-7535-0252-6
2935:
2931:
2927:
2926:
2921:
2915:
2913:
2911:
2909:
2907:
2905:
2901:
2896:
2892:
2886:
2883:
2878:
2874:
2868:
2865:
2858:
2854:
2851:
2849:
2846:
2844:
2841:
2840:
2836:
2825:
2822:
2811:
2806:
2799:
2796:
2793:
2790:
2789:
2785:
2781:
2778:
2775:
2772:
2771:
2767:
2766:
2761:
2758:
2755:
2752:
2751:
2747:
2743:
2740:
2737:
2734:
2733:
2730:compilation.
2729:
2728:
2724:
2720:
2717:
2714:
2713:
2709:
2705:
2702:
2699:
2696:
2695:
2691:
2687:
2684:
2683:Funki Porcini
2681:
2678:
2677:
2673:
2669:
2665:
2662:
2659:
2656:
2655:
2649:
2643:
2640:
2636:
2634:
2633:
2629:
2626:
2625:
2622:
2619:
2617:
2616:
2612:
2609:
2608:
2605:
2602:
2600:
2599:
2595:
2592:
2591:
2588:
2584:
2581:
2579:
2578:
2574:
2571:
2570:
2566:
2562:
2559:
2557:
2556:
2552:
2549:
2548:
2544:
2541:
2539:
2538:
2534:
2531:
2530:
2526:
2523:
2521:
2518:
2515:
2514:
2510:
2507:
2504:
2501:
2500:
2494:
2489:
2485:
2482:
2479:
2478:
2474:
2471:
2470:
2466:
2464:(2009) - live
2463:
2462:
2458:
2455:
2454:
2450:
2447:
2444:
2443:
2439:
2432:
2429:
2427:
2426:Be Up a Hello
2424:EP following
2423:
2421:
2418:
2415:
2414:
2410:
2407:
2404:
2402:
2401:
2397:
2394:
2393:
2389:
2386:
2383:
2379:
2377:
2374:
2371:
2370:
2366:
2363:
2361:
2357:
2356:
2351:
2349:
2348:Dark Steering
2346:
2343:
2342:
2338:
2335:
2332:
2330:
2327:
2324:
2323:
2319:
2316:
2313:
2311:
2310:
2306:
2303:
2302:
2298:
2295:
2292:
2289:
2285:
2284:
2280:
2277:
2274:
2273:
2268:
2266:
2265:
2264:Vacuum Tracks
2261:
2260:
2256:
2253:
2250:
2247:
2243:
2242:
2238:
2235:
2232:
2229:
2225:
2224:
2220:
2217:
2214:
2213:
2208:
2205:
2201:
2197:
2193:
2190:
2187:
2186:
2181:
2179:
2178:
2174:
2173:
2169:
2166:
2163:
2162:
2157:
2155:
2154:
2153:Square Window
2150:
2146:
2142:
2139:
2136:
2135:
2130:
2127:
2124:
2123:
2119:
2116:
2113:
2110:
2106:
2105:
2101:
2098:
2095:
2092:
2088:
2084:
2080:
2077:
2075:
2074:
2069:
2067:
2066:
2062:
2061:
2057:
2054:
2051:
2049:
2048:
2047:
2042:
2041:
2037:
2034:
2032:
2030:
2029:
2028:
2023:
2019:
2015:
2012:
2009:
2007:
2004:
2001:
2000:
1996:
1993:
1990:
1986:
1984:
1983:
1979:
1978:
1974:
1971:
1968:
1965:
1961:
1957:
1953:
1950:
1948:
1944:
1943:
1938:
1936:
1935:
1931:
1930:
1926:
1923:
1920:
1919:
1914:
1912:
1911:
1907:
1906:
1902:
1899:
1896:
1894:
1893:Dragon Disc 2
1891:
1890:
1886:
1883:
1880:
1878:
1877:
1873:
1869:
1865:
1862:
1859:
1858:
1853:
1851:
1850:
1846:
1845:
1841:
1838:
1835:
1834:
1829:
1825:
1823:
1822:
1818:
1814:
1810:
1807:
1804:
1802:
1801:Stereotype EP
1799:
1798:
1794:
1791:
1788:
1786:
1783:
1779:
1775:
1767:
1763:
1749:
1743:
1736:
1733:
1730:
1728:
1725:
1722:
1721:
1717:
1714:
1711:
1709:
1708:
1707:Be Up a Hello
1704:
1701:
1700:
1696:
1693:
1690:
1688:
1687:
1683:
1680:
1679:
1675:
1672:
1669:
1667:
1666:
1662:
1659:
1658:
1654:
1651:
1648:
1646:
1645:
1641:
1638:
1637:
1633:
1630:
1627:
1625:
1624:
1620:
1617:
1616:
1612:
1609:
1606:
1604:
1603:
1599:
1596:
1595:
1591:
1588:
1585:
1583:
1582:
1578:
1575:
1574:
1570:
1567:
1564:
1562:
1561:
1557:
1554:
1553:
1549:
1546:
1543:
1541:
1540:
1536:
1533:
1532:
1528:
1525:
1522:
1520:
1519:
1515:
1512:
1511:
1507:
1504:
1501:
1499:
1498:
1494:
1491:
1490:
1486:
1483:
1480:
1478:
1477:
1473:
1470:
1469:
1465:
1457:
1449:
1445:
1434:
1428:
1423:
1421:
1419:
1415:
1411:
1406:
1404:
1403:
1402:Be Up a Hello
1398:
1397:Olivia Colman
1394:
1390:
1385:
1381:
1378:
1377:
1371:
1369:
1364:
1363:
1355:
1351:
1347:
1345:
1343:
1339:
1334:
1332:
1326:
1324:
1319:
1314:
1312:
1306:
1304:
1300:
1295:
1292:
1288:
1283:
1280:
1275:
1273:
1269:
1265:
1261:
1257:
1253:
1249:
1245:
1241:
1237:
1236:
1230:
1228:
1224:
1220:
1216:
1212:
1208:
1204:
1200:
1196:
1191:
1189:
1188:
1183:
1182:
1176:
1174:
1170:
1169:
1164:
1160:
1159:
1153:
1151:
1147:
1146:
1136:
1131:
1127:
1125:
1120:
1117:
1116:
1110:
1108:
1104:
1100:
1096:
1092:
1088:
1084:
1083:
1078:
1077:
1072:
1071:
1065:
1063:
1058:
1055:
1051:
1047:
1042:
1040:
1035:
1030:
1028:
1024:
1019:
1017:
1013:
1009:
1004:
1001:
997:
993:
989:
988:
983:
982:drum and bass
978:
976:
968:
964:
960:
958:
956:
952:
948:
943:
939:
934:
932:
931:
926:
925:
920:
916:
912:
908:
904:
900:
899:
894:
890:
889:
884:
883:
878:
872:
870:
869:
864:
863:
858:
854:
850:
849:
843:
841:
837:
833:
829:
825:
820:
818:
817:
812:
808:
803:
801:
796:
791:
789:
785:
780:
778:
777:
772:
768:
763:
761:
757:
752:
749:
745:
744:Lalo Schifrin
741:
740:
735:
731:
726:
723:
719:
718:
712:
710:
706:
705:Hoxton Square
702:
697:
695:
691:
690:
685:
681:
680:
675:
671:
663:
661:
659:
655:
654:
649:
648:
643:
639:
635:
631:
627:
623:
622:
617:
616:drum and bass
612:
610:
606:
605:Finsbury Park
602:
598:
594:
590:
586:
582:
577:
575:
566:
561:
559:
557:
553:
549:
545:
541:
536:
534:
530:
526:
522:
521:Guthrie Govan
518:
514:
510:
502:
500:
498:
494:
490:
486:
482:
478:
474:
470:
466:
462:
461:drum and bass
458:
454:
450:
446:
442:
430:
427:.squarepusher
422:
418:
414:
408:
405:
403:
400:
398:
395:
393:
390:
389:
387:
383:
379:
373:
366:
363:
361:
358:
356:
353:
350:
347:
346:
344:
340:
333:
330:
327:
326:
324:
320:
314:
311:
309:
306:
304:
301:
299:
296:
294:
291:
289:
286:
285:
283:
279:
275:
271:
268:
264:
260:(age 49)
250:
246:
243:Tom Jenkinson
238:
235:Also known as
232:
228:
222:
217:
210:
205:
198:
195:
187:
184:
169:
166:
158:
148:
142:
140:
133:
124:
123:
114:
111:
103:
93:
89:
85:
79:
78:
73:This article
71:
62:
61:
56:
54:
47:
46:
41:
40:
35:
30:
21:
20:
3928:
3922:Compilations
3877:
3869:
3863:Venus No. 17
3861:
3853:
3845:
3837:
3829:
3821:
3813:
3805:
3797:
3791:Conumber E:P
3789:
3770:
3762:
3754:
3746:
3738:
3730:
3722:
3714:
3708:Ultravisitor
3706:
3698:
3690:
3682:
3674:
3666:
3658:
3650:
3637:Squarepusher
3636:
3588:Squarepusher
3565:Squarepusher
3556:Squarepusher
3548:Squarepusher
3525:. Retrieved
3520:
3511:
3499:. Retrieved
3493:
3484:
3472:. Retrieved
3467:
3432:. Retrieved
3428:
3416:
3406:. Retrieved
3402:
3390:
3380:. Retrieved
3376:
3360:. Retrieved
3326:. Retrieved
3322:909originals
3321:
3315:
3308:
3296:. Retrieved
3291:
3282:
3270:. Retrieved
3265:
3256:
3244:. Retrieved
3233:The Guardian
3232:
3222:
3210:. Retrieved
3206:
3196:
3185:, retrieved
3182:The Guardian
3181:
3171:
3159:. Retrieved
3154:
3145:
3133:. Retrieved
3129:
3119:
3107:. Retrieved
3103:
3093:
3081:. Retrieved
3077:the original
3066:
3052:
3043:
3034:
3022:. Retrieved
3018:
3008:
2989:
2983:
2974:
2971:"Braindance"
2965:
2955:
2948:
2930:Virgin Books
2923:
2920:Colin Larkin
2894:
2885:
2876:
2867:
2843:Warp Records
2795:Danny Elfman
2783:
2777:GoGo Penguin
2763:
2745:
2725:
2707:
2689:
2670:and various
2668:Refried Food
2667:
2630:
2613:
2596:
2575:
2553:
2535:
2519:
2502:Release date
2483:
2475:
2467:
2459:
2451:
2445:
2425:
2419:
2398:
2381:
2375:
2353:
2352:Single from
2347:
2328:
2307:
2270:
2262:
2210:
2183:
2177:Venus No. 17
2175:
2161:Ultravisitor
2159:
2151:
2134:Ultravisitor
2132:
2071:
2063:
2044:
2043:
2025:
2024:
2005:
1980:
1940:
1932:
1916:
1908:
1892:
1874:
1855:
1847:
1831:
1826:Released on
1821:Conumber E:P
1819:
1800:
1784:
1726:
1705:
1684:
1663:
1642:
1621:
1602:Ultravisitor
1600:
1579:
1558:
1537:
1516:
1495:
1474:
1417:
1414:oscilloscope
1410:Warp Records
1407:
1400:
1392:
1386:
1382:
1374:
1372:
1367:
1360:
1358:
1353:
1349:
1335:
1327:
1321:develop the
1315:
1307:
1296:
1284:
1278:
1276:
1271:
1251:
1244:Culture Show
1233:
1231:
1207:Cassette Boy
1192:
1185:
1179:
1177:
1172:
1166:
1156:
1154:
1145:Ultravisitor
1143:
1140:
1121:
1115:Ultravisitor
1113:
1111:
1082:Ultravisitor
1080:
1076:Ultravisitor
1074:
1068:
1066:
1059:
1050:Joy Division
1043:
1031:
1020:
1005:
985:
979:
971:
966:
962:
937:
935:
928:
922:
919:Jamie Lidell
896:
886:
880:
873:
866:
860:
846:
844:
821:
814:
806:
804:
792:
781:
774:
764:
753:
737:
729:
727:
715:
713:
701:Talvin Singh
698:
693:
687:
677:
670:Warp Records
667:
651:
645:
638:Warp Records
619:
613:
596:
592:
578:
570:
537:
529:thrash metal
527:-influenced
506:
489:Warp Records
445:Squarepusher
444:
440:
439:
380:1993–present
376:Years active
360:synthesizers
201:Squarepusher
194:
179:
161:
155:January 2019
152:
136:
106:
100:January 2019
97:
74:
50:
43:
37:
36:Please help
33:
4073:1975 births
3973:English DJs
3601:MusicBrainz
3592:MusicBrainz
3468:ultratop.be
3266:The Quietus
3212:12 November
3109:18 February
3083:18 February
3044:DJBroadcast
3024:12 November
2975:wax-poetics
2877:The Quietus
2782:Appears on
2762:Appears on
2746:Meltdown EP
2744:Appears on
2721:Appears on
2706:Appears on
2690:Carwreck EP
2688:Appears on
2666:Appears on
2505:Released on
2131:Single for
2006:Remixes 12"
1424:Discography
1348:2013–2024:
1203:Luke Vibert
1195:Glastonbury
992:psychedelic
961:2000–2013:
907:Luke Vibert
828:Stockhausen
788:Jockey Slut
760:Frank Zappa
540:house music
533:East Anglia
473:jazz fusion
469:acid techno
348:Bass guitar
342:Instruments
322:Occupations
313:jazz fusion
3947:Categories
3692:Go Plastic
3668:Buzz Caner
3501:31 January
3316:Dostrotime
3292:PopMatters
3161:28 January
2859:References
2672:Ninja Tune
2453:Buzz Caner
2360:Watch Dogs
2158:Promo for
1727:Dostrotime
1560:Go Plastic
1418:Dostrotime
1354:Dostrotime
1318:South Bank
1287:South Bank
1256:Andre 3000
1095:Nottingham
987:Go Plastic
963:Go Plastic
951:Sean Booth
947:breakbeats
836:electronic
767:Chelmsford
626:Ninja Tune
621:Go Plastic
581:breakbeats
548:acid house
509:Chelmsford
503:Early life
367:percussion
293:electronic
270:Chelmsford
254:1975-01-17
239:Chaos A.D.
225:Birth name
84:improve it
39:improve it
3831:Big Loada
3495:Billboard
3429:Zobbel.de
3403:Zobbel.de
3377:Zobbel.de
3241:0261-3077
3130:Pitchfork
3104:The Verge
2739:Ghostpoet
2376:Enstrobia
1991:in 1998.
1982:Big Loada
1942:Big Loada
1393:Daydreams
1260:John Peel
1219:Newcastle
1091:Sheffield
1046:Sheffield
1023:Coachella
1008:Sheffield
955:Rob Brown
942:Sheffield
756:Pastorius
711:in 1996.
660:in 1996.
574:Turnmills
525:Metallica
355:keyboards
276:, England
88:verifying
45:talk page
3914:" (2006)
3907:" (2001)
3900:" (2001)
3764:Elektrac
3748:Ufabulum
3474:10 March
3391:Ufabulum
3135:20 April
2807:See also
2757:Deftones
2603:"Tommib"
2582:"Live 1"
2477:Elektrac
2420:Lamental
2382:Ufabulum
2355:Ufabulum
1964:Vic Acid
1828:Spymania
1665:Ufabulum
1389:CBeebies
1215:Falmouth
1107:Montreal
1087:Leadmill
1012:Tortoise
967:Ufabulum
911:Autechre
811:Spymania
593:Conumber
589:Spymania
544:hardcore
328:Musician
3890:Singles
3583:Discogs
3569:Discogs
3328:1 March
3298:29 July
3272:29 July
3246:29 July
3207:Exclaim
2784:GGP/RMX
2661:DJ Food
2650:Remixes
2246:Exciton
2188:album.
1785:Crot EP
1227:Glasgow
1211:Norwich
1137:in 2005
1099:Toronto
1014:at the
903:Gamelan
888:Stalker
882:Solaris
857:Gamelan
842:works.
630:DJ Food
420:Website
407:Nothing
397:Rephlex
82:Please
3933:(1997)
3882:(2014)
3874:(2009)
3866:(2004)
3858:(2004)
3850:(1999)
3842:(1999)
3834:(1997)
3826:(1996)
3818:(1996)
3810:(1996)
3802:(1995)
3794:(1995)
3775:(2020)
3767:(2017)
3759:(2015)
3751:(2012)
3743:(2010)
3735:(2009)
3727:(2008)
3719:(2006)
3711:(2004)
3703:(2002)
3695:(2001)
3687:(1999)
3679:(1998)
3671:(1998)
3663:(1997)
3655:(1996)
3644:Albums
3560:Curlie
3239:
3187:4 June
2996:
2936:
2511:Notes
1757:Notes
1754:Title
1439:Title
1429:Albums
1268:Camden
845:After
832:Ligeti
562:Career
552:techno
475:, and
385:Labels
351:guitar
281:Genres
266:Origin
3527:5 May
3434:5 May
3425:(TXT)
3408:5 May
3399:(TXT)
3382:5 May
3362:5 May
2508:Track
2440:Other
2416:2020
2395:2014
2372:2013
2344:2012
2325:2010
2304:2009
2199:2006
2148:2004
2125:2003
2086:2001
2021:1999
2002:1998
1959:1997
1871:1996
1816:1995
1781:1994
1751:Year
1723:2024
1702:2020
1681:2015
1660:2012
1639:2008
1618:2006
1597:2004
1576:2002
1555:2001
1534:1999
1513:1998
1492:1997
1471:1996
1464:Dance
1436:Year
1223:Leeds
1150:Essex
877:Björk
795:8-bit
771:8-bit
583:into
364:drums
274:Essex
3529:2016
3503:2020
3476:2024
3436:2016
3410:2016
3384:2016
3364:2016
3330:2024
3300:2023
3274:2023
3248:2023
3237:ISSN
3214:2023
3189:2018
3163:2024
3137:2015
3111:2014
3085:2014
3026:2023
2994:ISBN
2934:ISBN
2791:2021
2773:2021
2753:2020
2735:2013
2715:2001
2697:1998
2679:1996
2657:1996
2627:2006
2610:2006
2593:2003
2587:link
2572:2002
2550:1998
2532:1996
2516:1996
2411:171
1774:(FL)
1772:BEL
1456:(FL)
1454:BEL
1225:and
1205:and
1197:and
1163:Koko
1034:Warp
953:and
927:and
913:and
885:and
838:and
830:and
734:Warp
595:and
550:and
455:and
429:.net
392:Warp
303:acid
248:Born
3783:EPs
3558:at
2567:".
2565:AFX
2314:EP
2215:).
2191:103
2035:183
1994:134
1972:156
1951:182
1945:on
1734:141
1691:110
1676:14
1670:101
1655:17
1634:16
1586:192
1565:100
1502:115
1462:US
1352:to
1338:LED
1323:LED
1266:in
1242:'s
1240:BBC
1109:."
1089:in
1041:.
996:LSD
965:to
684:DAT
628:'s
603:in
556:LFO
465:IDM
425:www
298:DnB
288:IDM
86:by
3949::
3519:.
3492:.
3466:.
3455:^
3427:.
3419::
3401:.
3393::
3375:.
3355:.
3338:^
3320:.
3290:.
3264:.
3235:.
3231:.
3205:.
3180:,
3153:.
3128:.
3102:.
3042:.
3017:.
2973:.
2903:^
2893:.
2875:.
2786:.
2768:.
2748:.
2710:.
2692:.
2433:—
2390:—
2367:—
2339:—
2320:—
2299:—
2290:"
2281:—
2275:.
2257:—
2248:"
2239:—
2230:"
2221:—
2206:"
2194:—
2170:—
2164:.
2143:—
2137:.
2120:—
2111:"
2102:—
2093:"
2081:—
2058:—
2052:–
2038:—
2016:—
1997:—
1975:—
1969:–
1966:"
1954:—
1927:—
1921:.
1903:—
1887:—
1866:—
1860:.
1842:—
1836:.
1811:—
1795:—
1766:UK
1737:—
1731:56
1718:—
1715:70
1712:77
1697:8
1694:96
1673:83
1628:89
1613:9
1607:90
1592:—
1571:—
1550:—
1529:—
1508:—
1487:—
1448:UK
1274:.
1221:,
1213:,
1175:.
977:.
909:,
736:,
546:,
542:,
471:,
467:,
463:,
457:DJ
334:DJ
272:,
256:)
48:.
3910:"
3903:"
3896:"
3629:e
3622:t
3615:v
3531:.
3505:.
3478:.
3438:.
3412:.
3386:.
3366:.
3332:.
3318:"
3302:.
3276:.
3250:.
3216:.
3165:.
3139:.
3113:.
3087:.
3046:.
3028:.
3002:.
2977:.
2942:.
2897:.
2641:"
2637:"
2430:—
2408:—
2387:—
2364:—
2336:—
2317:—
2296:—
2286:"
2278:—
2254:—
2244:"
2236:—
2226:"
2218:—
2202:"
2167:—
2140:—
2117:—
2107:"
2099:—
2089:"
2078:—
2055:—
2013:—
1962:"
1924:—
1900:—
1884:—
1863:—
1839:—
1808:—
1792:—
1652:—
1649:—
1631:—
1610:—
1589:—
1568:—
1547:—
1544:—
1526:—
1523:—
1505:—
1484:—
1481:—
252:(
186:)
180:(
168:)
162:(
157:)
153:(
143:.
113:)
107:(
102:)
98:(
80:.
55:)
51:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
