Knowledge (XXG)

Christoffel Pierson

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paintings of hunting paraphernalia, birdcages, and weaponry. He was so successful at this that many were fooled into believing that these objects truly hung on the wall. In Gouda he also made drawings on parchment of the famous stained glass windows of the
156:. The fieldmarshal was so satisfied that he offered both men the chance of becoming court painter to Queen Christina, but they turned it down, Meyburgh because he didn't want to, and Pierson because he had only just gotten married 6 months beforehand. 253: 186:, for the Gouda city council. After the death of his first wife, he remarried a woman from Schiedam and moved back there in 1679, where he lived until 1691 before returning to Gouda, where he later died. 238: 140:, Pierson was brought up to become a merchant. Schooled in Latin, French, and drawing, he spent time as a clerk (in a "comptoir"), but showed more talent for painting, which he learned from friend 220: 307: 377: 387: 148:, where he married his first wife in 1652. In 1653 he travelled with Meyburgh to Germany. On the way back they travelled through 392: 341: 193:
made a portrait of him for his cabinet of poets, that at the time Houbraken was writing, totalled more than 100 portraits.
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He was also a good poet, and wrote as many poems as he made paintings. The painter and printmaker
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De groote schouburgh der Nederlantsche konstschilders en schilderessen
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Upon his return to the Netherlands Pierson moved his household to
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Though he worked in several locations, most notably in Gouda and
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Index


Arnoud van Halen
The Hague
Gouda
Painting
Baroque
Dutch Golden Age
Arnold Houbraken
Bartholomeus Meyburgh
Schiedam
Bremervörde
Carl Gustaf Wrangel
Gouda, South Holland
Anthonie Leemans
trompe l'oeil
Janskerk (Gouda)
Dirk Crabeth
Wouter Crabeth I
Arnoud van Halen
Schiedam
Guild of St. Luke
Trompe-l'Ĺ“il with hawking equipment.
Trompe-l'Ĺ“il
Still life with hunting weapons and devices, 1699.
Still life with bust of Artemis, hunting weapons and devices
Artemis



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