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a tour through
Germany up to 1829 or even a bit longer. He was already skilled and experienced enough at musical instrument construction to begin building terpodions and aeolins as the letters written by him and his Father make clear. The first evidence of the word Aeoline we find in a letter dated 28 December 1828.
339:, in Buschmann's letters to his sun Eduard, it appears that Friedrich built a bigger version of an aeoline in 1829, with bellows and piano keyboard of two octaves, which, being about the size of a small writing desk, was still much smaller than any comparable fixed key instrument they had built previously.
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In the first half of 1821 Johann
Buschmann travelled to London, accompanied by his son Friedrich, and agreed to a £1,000 contract with a Mr. Löschmann besides taking other orders for terpodions. On their return the Buschmanns set up a workshop in Berlin, Eduard did stay in Berlin and Friedrich was on
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Altogether, 25 terpodions were built, most of them by
Friedrich. His brother Eduard worked mainly on the wooden cases and inlays, and was in charge of the appearance of the instruments, though the brothers lived and worked in different German cities. Nearly all the terpodions ever built are still in
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Johann and
Friedrich meanwhile continued their advertising journeys throughout Europe. Besides their performances, they had to service the instruments they had already sold, as they did not function very reliably over a longer period. This may well have been a principal reason why Friedrich was
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fastened to a wooden block in such a way that it was possible to blow the reeds individually. He fastening the reeds inside a small box "4 inches square and equally high" (in other words a cubic box with 4" sides), each of which could be made to vibrate by blowing through 21 individual "tone
383:, bellows-operated wind instruments, each of which also had a large manual keyboard. For a physharmonica with built-in terpodion he won the Great Gold Medal at the Hamburg Arts and Trades Exhibition of 1838. Terpodions, tuningadds and pianofortes ware also built. He died in Hamburg in 1864.
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In 1833 Friedrich
Buschmann married Sophie Volkmar. Her brother Gustav Hermann Joseph Philipp Volkmar was a well known music theoretician in Germany and later in Switzerland. The Family and her Father Adam Valentin Volkmar lived in Rinteln from 1917 on. Friedrich and Sophie moved to
399:) but this cannot be substantiated. Buschmann states in a letter of 1828 that he had just invented a new instrument, but the manufacture of harmonicas had begun some years previously in Vienna: "There is documentary evidence that harmonicas were being sold in Vienna in 1825..."
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Christian
Friedrich Ludwig Buschmann, der Erfinder der Mund- und der Handharmonika : Ein Beitr. zur Geschichte dieser Musikinstrumente mit Benutzg d. Familienarchivs d. Enkels Ludwig Buschmann, Instrumentenbauer in
302:. While still in Vörde near Barmen and on tour with his Father in 1828 Friedrich built an instrument, originally intended only for use as accompanying instrument, which at first consisted of 21 different metal
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It is certain that they must have become aware of all kinds of modern developments in this area as they travelled through different countries, which contributed to
Friedrich's further refinement of the
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with an aeoline register. Schlimbach made no attempt to protect his invention, but freely showed the instrument to everyone who wanted to see it, with the inevitable result that a number of people
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very similar instruments in Vienna. Indeed, Buschmann's father Johann wrote in a letter of 30 October 1829 that he was thinking of taking out a patent for the new instrument in
Bavaria.
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The
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The earliest experiments with the aeoline may have taken place in 1824, when it has been claimed that
Buschmann built a tuning aid named an
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Nor, in his impressively well-documented family history, was Buschmann able to confirm the story (see
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In aller Munde: Mundharmonika, Handharmonika, Harmonium ; eine 200-jährige Erfolgsgeschichte
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477:"In aller Munde": Mundharmonika - Handharmonika - Harmonium: Eine 200-jährige Erfolgsgeschichte
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looking for other methods of reliable sound generation for tuning purposes.
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190:(17 June 1805 – 1 October 1864) was a German musical instrument maker and
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In All Mouths: Mouthorgans, Accordions, Harmoniums; A 200-year History
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There is a persistent legend that Buschmann invented the
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479:. Staatliches Institut für Musikforschung, 2002.
219:, Thuringia. His father, Johann Buschmann, was a
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439:Letter to his brother dated 21 December 1828
16:German musical instrument maker (1805–1864)
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328:was also then in use in German to mean a
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109:Learn how and when to remove this message
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58:"Christian Friedrich Ludwig Buschmann"
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494:. Trossingen/Württ.: Hohner A. G.
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41:Please help
36:verification
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513:1864 deaths
508:1805 births
352:Königshofen
307:chambers" (
284:Breckerfeld
272:Lüdenscheid
167:Nationality
502:Categories
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360:pianoforte
304:free reeds
288:Düsseldorf
146:1805-06-17
69:newspapers
397:accordion
395:(and the
393:harmonica
268:Wuppertal
225:terpodion
211:Thuringia
206:Biography
200:accordion
196:harmonica
410:See also
364:patented
330:jaw harp
294:, Preuß-
192:inventor
180:inventor
492:Hamburg
404:Sources
377:Hamburg
370:Hamburg
356:Bavaria
337:Rinteln
314:aeoline
300:Rinteln
252:On Tour
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