83:, rephotographed with "the black line of the 35mm negative as a dividing line". Mule Tales, a series which combined reappropriated imagery with racial jokes, drew criticism from both white and Black audiences. Walker explained that "white people thought...I was trying to make them feel guilty," while "black people felt I was bringing up some notions that should no longer exist in the culture".
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in 1984. He then moved to
Atlanta; Walker said that this move also resulted in a shift in his work, specifically a shift in focus from an "economic analysis of culture" to work about the racial divides of the South. Around this time, Walker also began using non-traditional techniques, such as double
72:, in which he called on white artists to "embrace and celebrate the concept of non-white subjectivity". In another project looking at Southern racial divides, Walker's Another Country series (whose name was inspired by
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Walker first became active in the arts scene in Boston after moving there in 1974. His early work focused on documentary photography.
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Walker's work explored multiple topics and themes, including the intersections of race, sexuality, drug use, and the
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in New York City from
September 2023 until January 2024. Following this, the exhibition is scheduled to move to
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through 15 sepia-tone, close up photographs. Walker would also go on to write an essay,
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Interventions and
Provocations: Conversations on Art, Culture, and Resistance
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26:-2003) was an American photographer and critic primarily active in
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The Museum Year: Annual Report of the Museum of Fine Arts, Boston
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Series (which would continue until 1988), in which he explored
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exposure, and materials, such as paint, in his photographs.
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Walker remained active in the arts scene until the 1990s.
528:School of the Museum of Fine Arts at Tufts alumni
176:"Christian Walker: The Profane and the Poignant"
139:"Christian Walker: The Profane and the Poignant"
105:Walker's works are held in museums such as the
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331:"SOUTHERN PHOTO ART: Pushing the Boundaries"
54:School of the Museum of Fine Arts at Tufts
370:. Oxford University Press. p. 266.
34:from the mid 1970s until the mid 1990s.
518:Photographers from Georgia (U.S. state)
503:Artists from Springfield, Massachusetts
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508:LGBT people from Georgia (U.S. state)
458:20th-century African-American artists
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394:Black Looks: Race and Representation
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463:20th-century American LGBT people
523:Photographers from Massachusetts
513:LGBT people from Massachusetts
478:African-American photographers
143:Tufts University Art Galleries
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79:) juxtaposed images from the
473:African-American LGBT people
193:Harper, Glenn (1998-01-01).
488:American LGBT photographers
309:The Studio Museum in Harlem
199:. SUNY Press. p. 118.
180:Leslie-Lohman Museum of Art
96:Leslie-Lohman Museum of Art
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391:hooks, bell (2014-10-10).
364:Patton, Sharon F. (1998).
52:Walker graduated from the
24:Springfield, Massachusetts
66:interracial relationships
397:. Routledge. p. 7.
111:Studio Museum in Harlem
329:Harper, Glenn (1989).
305:"Miscegenation Series"
77:novel of the same name
60:In 1985, he began his
70:The Miscegenated Gaze
16:American photographer
493:Artists from Atlanta
483:American art critics
367:African-American Art
272:(130): 18–25. 1993.
498:Artists from Boston
423:High Museum of Art
353:– via JSTOR.
288:– via JSTOR.
266:"Christian Walker"
107:High Museum of Art
102:until April 2024.
419:"Another Country"
404:978-1-317-58849-8
377:978-0-19-284213-8
206:978-0-7914-3725-4
81:National Archives
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453:2003 deaths
448:1953 births
337:(115): 73.
90:Exhibitions
442:Categories
428:2023-10-30
315:2023-10-30
148:2023-10-30
117:References
109:, and the
38:Art career
343:0003-6420
278:0003-6420
237:0740-0403
351:24472251
335:Aperture
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270:Aperture
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32:Atlanta
22:(1953,
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28:Boston
347:JSTOR
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