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Christina Kubisch

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to the public in Germany, England, France, Ireland, Japan, Latvia, Sweden, Switzerland, Slovakia, Spain, Taiwan, and the United States. She has held public walks in Berlin, Cologne, Karlsruhe, Bremen, Oxford, London and New York. In 2009 and 2010, Kubisch participated in two separate residency programmes, the first in Copenhagen with the DIVA (Danish International Visiting Artists) Exchange Program and the second in Douala, Cameroon at Doual'art. In 2013, Kubisch received a grant from the Beethoven Foundation for Arts and Culture. She currently lives in Hoppegarten near Berlin.
92: 213:, Germany and received a working grant from the Senator for Cultural Affairs, Berlin. She received another studio grant from the Senator in 1994. After 1991 and until 1994 she served as a guest professor at the Academy of Fine Arts in Berlin. In 1992 she was given an international residency project by the Queen Elizabeth II Arts Council of New Zealand. From 1994 to 1995, Kubisch served as a guest professor at the École nationale supérieure des Beaux-Arts, Paris. Kubisch's 1994 installation 209:(1986) and "Night Flight" (1987). In 1988, Kubisch received the Award of the German Industrial Association and took on a residency grant at the Barkenhoff in Worpswede, Germany. In 1989 she became a lecturer at the Jan van Eyck Academy in Maastricht, Germany and in 1990 she received a projects grant from Kunstfonds e.V., Bonn. From 1990 to 1991, Kubisch began creating her first works with solar energy. She also served as a guest lecturer at the Academy of Fine Arts in 169:, Germany in 1948. She studied painting at the Academy of Fine Arts in Stuttgart, Germany from 1967 to 1968. She studied flute, piano and composition at the Academy of Music in Hamburg, Germany and the Jazz Academy of Graz, Austria from 1969 to 1972. From 1972 to 1974, she continued studying music at the Conservatory of Zurich. In 1974 she moved to Milan, Italy where she began studying composition and electronic music at the conservatory of 25: 222:
at MASS MoCA in North Adams, Massachusetts, a project in which she reactivated a clock tower that had long been out of commission. She created and recorded sounds for the project by ringing, striking, hammering and brushing the bells of the clock with different objects. In 1997, she was made a member
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composer, sound artist, performance artist, professor and flautist. She composes both electronic and acoustic music for multimedia installations. She gained recognition in the mid-1970s from her early works including concerts, performances and installations. Her work focuses on synthesising audio and
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Kubisch began performing in 1974. She held concerts in Europe and the United States, and during the period from 1974 to 1980 she began performing with Italian artist Fabrizio Plessi to create video concerts and installations. She created her first sound installations and sound sculptures in 1980 and
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projects, which would become some of her most famous works. The walks are a sort of guided tour through a city, where participants are given special headphones, designed by Kubisch, and directed to parts of the city that have interesting soundscapes. She created personal walks that she did not open
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Kubisch has received awards and grants, among others the German Industrial Association award (1988), composition grant of the city of Berlin (2000), Honorary German Sound Art award (2008), Ars Electronica Honorary Mention Digital music (2008), Saarländischer Rundfunk Media Art award (2009) and she
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is one of her better-known pieces, and the sound was recorded and released as a CD. The piece used the architectural proportions of the German building the Ludgwigskirche to determine the rates of repetitions and pauses in vibrating drinking glasses. In 1994, Kubisch was employed as professor of
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has been invited for residencies from the Banff Centre for the Arts, (Canada), Djerassi Resident Artist Program (California, US), IASPIS (Stockholm, Sweden), DIVA, Danish International Visiting Artists program (Copenhagen) and from the art centre Doual'art (Doualla, Cameroun).
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From 1980 to 1981, Kubisch began studying electronics at the Technical Institute of Milan and began working with electromagnetic induction. She began creating sound installations as a way to move out of the concert hall space. Her 1981 work
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Since 1999, Kubisch has received a number of awards, grants and accolades for her work. In 2000, Kubisch was the feature of a 20-year retrospective solo exhibition in Russelsheim. In 2003, Kubisch began her
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visual arts to create multi-sensory experiences for participants. She focuses on finding sounds and music in unusual places that participants would normally not think of as somewhere to experience sound.
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In 1982, Kubisch participated in the Venice Biennale. In 1986 she began working with a new medium, ultraviolet light, and in 1987 she moved to Berlin. During that time, she created the pieces
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sculpture and media art at the Academy of Fine Arts in Saarbrücken, Germany, and she continued to serve in that position until 2013. In 1996, Kubisch created the permanent installation
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Pensa, Iolanda (Ed.) 2017. Public Art in Africa. Art et transformations urbaines à Douala /// Art and Urban Transformations in Douala. Genève: Metis Presses.
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marked the beginning of her work with electromagnetic induction, in which electronic sounds can be heard with special headphones.
693: 761: 766: 771: 40: 574:(German), vol. 3. Leipzig 2024, pp. 137–153. Bibliographic data for the online-access via Musikbibliographie of the 91: 776: 472: 736: 35: 519: 210: 494: 567: 553: 262:"Dreaming Of A Major Third (A Composition For The Clocktower Of Mass MoCA)" CD, Edition RZ, 1998 367: 568:„Prinzipien der Klangkunst, mit einem Schwerpunkt zu neueren Arbeiten von Christina Kubisch“ 116: 671: 546: 730: 697: 604: 182:
began working in electroacoustic composition. Her works during this time included
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Composer, performance artist, electronic music, tape, professor and flautist
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the article uses large amounts of information from the subject's website.
153: 292:"La Ville Magnétique / The Magnetic City" CD, Ville De Poitiers, 2008 166: 247:"Mag Magazin 6" MC, with Fabrizio Plessi, Modern Art Gallery, 1980 170: 721: 694:"Christina Kubisch - Mario Mazzoli Art&Music Gallery, Berlin" 136: 548:
Information Arts: Intersections of Art, Science, and Technology
304:"Mosaïque Mosaic" CD, with Eckehard Güther, Gruenrekorder, 2013 241:"Two and Two" LP, with Fabrizio Plessi, Multhipla Records, 1976 495:"Christina Kubisch "Transmission" Galleria Mazzoli / Berlin |" 244:"Tempo Liquido" LP, with Fabrizio Plessi, Cramps Records, 1979 18: 605:"Invisible Cities: An Interview with Christina Kubisch" 289:"Minimal Disinformation" Lathe Cut 7", AA Records, 2007 590:
The Oxford Handbook of Mobile Music Studies, Volume 2
268:"Le Jardin Magnétique" CD-R, Cité de la Musique, 2001 572:
Regards croisés franco-allemands sur les musiciennes
253:"Iter Magneticum" MC, Edition Giannozzo Berlin, 1986 520:"Christina Kubisch: Clocktower Project | MASS MoCA" 286:"Five Electrical Walks" CD, Important Records, 2007 131: 123: 101: 82: 545: 588:Gopinath, Sumanth; Jason Stanyek (Feb 17, 2014). 301:"Dichte Wolken" CD Edition Museum Ostwall, 2012 295:"Magnetic Flights" CD, Important Records, 2011 307:"Schall und Klang" CD, Fragment Factory, 2019 280:"Licht Himmel" CD, Gasometer Oberhausen, 2006 96:Christina Kubisch (in Darmstadt, August 1974) 8: 666: 664: 662: 660: 658: 656: 654: 652: 650: 648: 646: 644: 642: 186:(1977), a live, multimedia performance and 640: 638: 636: 634: 632: 630: 628: 626: 624: 622: 466: 464: 462: 460: 438: 436: 434: 432: 430: 90: 79: 428: 426: 424: 422: 420: 418: 416: 414: 412: 410: 68:Learn how and when to remove this message 298:"Mono Fluido" CD Important Records, 2011 173:. She graduated with a diploma in 1976. 592:. Oxford University Press. p. 226. 570:. In: Viviane Waschbüsch et al. (ed.), 383: 782:Members of the Academy of Arts, Berlin 274:"Twelve Signals" CD, Semishigure, 2004 250:"On Air" MC, Melania Productions, 1984 223:of the Akademie der Künste in Berlin. 7: 473:"Christina Kubisch Artist Biography" 259:"Sechs Spiegel" CD, Edition RZ, 1995 802:20th-century German women composers 578:Berlin. Retrieved 8 September 2024. 265:"Vier Stücke " CD, Edition RZ, 2000 576:State Institute for Music Research 14: 283:"E-legend" CD, Ikon Gallery, 2006 752:German women classical composers 742:20th-century classical composers 277:"Armonica" CD, Semishigure, 2005 271:"Diapason" CD, Semishigure, 2002 23: 672:"Christina Kubisch Discography" 352:Awards, recognitions and grants 722:http://www.christinakubisch.de 1: 747:20th-century German composers 444:"Christina Kubisch Biography" 256:"Night Flights" LP, ADN, 1987 797:German women music educators 787:Musicians from Bremen (city) 190:(1979), a minimalist piece. 152:(born 31 January 1948) is a 43:. The specific problem is: 818: 757:German classical composers 320:composition for solo flute 39:to meet Knowledge (XXG)'s 792:Women in electronic music 89: 16:German composer (1948 - ) 544:Wilson, Stephen (2002). 161:Early life and education 762:German music educators 341:The Clocktower Project 220:The Clocktower Project 552:. MIT Press. p.  767:German sound artists 395:. Grove Music Online 393:"Kubisch, Christina" 236:Selected discography 165:Kubisch was born in 50:improve this article 772:Women sound artists 330:Conference of Trees 324:Il Respiro Del Mare 312:Other notable works 196:Il Respiro del Mare 372:978-2-94-0563-16-6 150:Christina Kubisch 147: 146: 139:.christinakubisch 84:Christina Kubisch 78: 77: 70: 41:quality standards 32:This article may 809: 709: 708: 706: 705: 696:. 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Bremen, Germany
www.christinakubisch.de
German
Bremen
Milan
Münster
ISBN
978-2-94-0563-16-6
"Kubisch, Christina"















"Christina Kubisch Biography"

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