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heart threw away his promising dreams in the past into the cold river. How could the cold-hearted river stop such shadow of dreams? - - - Ah, there is no flower which wouldn't wither when it is cut off. Even though I stay alive, my mind is dying when I think of the deceased lover. What the heck! I'd rather burn my heart with that fire and to cast away my sorrow. When I visited the tomb with painful footsteps, flowers, which withered during the winter, were in bloom. I wish the spring filled with love come again. I'd rather die in that water, then someone would feel sorry for myself. . . . At that time,
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Korean people wish the light of Buddha brighten the sinful world, and used to observe the lotus lanterns hung in temples, and play with firecrackers in open spaces. In the 1910s under the
Japanese rule, Korean people were prohibited from using explosive powder for large-scale fireworks. It is understandable for wealthy Pyongyang citizens enjoyed a river-boat cruise at night on April 8 by the lunar calendar, as illustrated in Chu’s poem “
249:. He attended elementary school in Pyongyang, and then middle school at the Meiji Academy and Dai-ichi High School in Japan. At that time, his father, Chu Gong-sam, was dispatched to Tokyo as a missionary toward Korean students studying in Japan. Taking this opportunity, he learned European poets and their poetry, and wrote many poems actively in a group with other Korean poets.
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Ah, it's getting dark. The sky in the west is glowing with pink lights disappearing on the lonely river. Ah, in the evening after sunset, the night will come again when I'm crying in the shade of an apricot tree. Today, it’s the eighth of April when the joyful voices of people flow in and out in the
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Chu was considered a representative poet of the 1920 and 30's and his work can be roughly divided into those poems composed before his exile in
Shanghai and those written afterward. His earlier poems, written during his years in Japan, reflect the influence of modern Western and Japanese poetry. The
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So far, the title of the poem is literally translated into “Playing with Fire.” But in view of the date and venue of the poem, there is nothing for the poet to do with fire because, on Buddha’s
Birthday, the poet-speaker was wandering about Pyongyang streets and riverside of Daedong River. That day
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a paper fire cracker is fired flying sparks. When I am awakened, uproarious onlookers seem to laugh at or scold me. Ah, I'd like to live with stronger passion. I see the smoke of torches getting tangled. In the agony inside the breathless fire, I think unexpectedly with a pounding heart, I want to
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Ah, it's dancing and swaying. A bright red fire ball is dancing. When I looked down at the top of a quiet castle gate, I could smell waters and sands below. As torches which were biting the night and the sky later bit off themselves as if something was running short, a young man with a depressed
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Chu Yo-han's work as a whole more or less reflects a gradual turning away from styles and forms influenced by
Western poetry toward traditional Korean poetry. Like Kim Eok, he was a major figure in Korean Literature who pioneered the move away from Western imitation to his literary roots. He
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After Korea was liberated from the
Japanese rule in 1945, Chu worked hard as a businessman to establish and run Youngpoong Company with other partners. In the late 1950, he succeeded to turn into a politician when he was elected two times in a row to the
359:. The Japanese colonial government forced him to change his name into Matsumura Kōichi (Hanja: 松村紘一). He has been criticized for writing propagandist pro-Japan poetry, and making speeches encouraging Korean young men to participate in the war.
268:), the first literary magazine in Korea and was one of the leading figures of the New Poetry movement. When the independence movement staged by Chu and other Korean students in Tokyo failed in 1919, he fled in exile to Shanghai in May 1919.
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424:), in which he places the highest value on the creation of beauty and vitality in the Korean language and move on to develop a complete theory of poetry. After 1930, Yohan concentrated on writing
430:(Hanja: 時調), a traditional Korean poetic form, but continued to produce other verse and edited, with others, the poetry anthology Poetry of Three People (Samin sigajip) and an anthology of
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To commemorate Chu Yo-han's dedication to the development of the Korean literature and industries, the South Korean government conferred on him posthumously honors of Rose of Sharon (
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355:, he was tortured until he cooperated with the Japanese colonial government in enforcing its conscription and dispatching Korean soldiers to the
329:, nationalist newspaper, as a reporter. He was promoted to the editorial writer and then editor-in-chief. Later, he moved to a rival newspaper,
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in 1961, he retired from politics and became a businessman again to run a newspaper company (Daehan Ilbo, Hanja: 大韓日報) and a shipping company.
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articulates the reasons for this shift of inspiration in his critical piece, "To the One Who Would Write a Song" (
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Yi Nam-ho; U Ch’anje; Yi
Kwangho; Kim Mihyeon (2005). "1900 - 1945 : The Rise of Modern Literature".
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influence of the French symbolist poet Paul Fort is especially evident in pieces such as “Fireworks” (
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poet, journalist, businessman and politician. He came from the Shinan Chu clan (신안 주씨, 新安朱氏).
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691:"김덕련, 발굴/ 주요 친일명단 120명 중 34명 해방후 훈·포장·표창 서훈 - 김성수는 2등급, 유관순은 3등급" 《Ohmynews》 (2005.8.31)
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in 1960, he was appointed as the
Minister of Commerce and Industry. After the
546:"Joo Yohan" LTI Korea Datasheet available at LTI Korea Library or online at:
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According to the lunar calendar, his date of birth is 14 October 1900.
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You may sense such delicate impressions from two verses of the poem
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224:; 5 December 1900 – 17 November 1979) was a twentieth-century
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Members of the
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When he returned to Korea after graduation in 1925, he joined
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streets. Why should I endure my tears in my heart alone?
669:, 한국현대문학대사전, NAVER 지식백과. Retrieved January 8, 2021.
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575:"Korean Literature Savor Korea's Finest Writing"
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678:Its English translation is provided by Prof.
606:Korean Poetry Today 450 Poems Since the 1920s
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480:"To the One Who Would Write a Song" (
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604:Jaihiun J. Kim (1987). "Chu Yohan".
750:Government ministers of South Korea
629:Twentieth-Century Korean Literature
367:in downtown Seoul. Right after the
16:South Korean politician (1900–1979)
275:, he worked as a reporter for the
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705:The Song-A Literature Foundation
581:. April 6, 2012. Archived from
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271:In association with
153:Revised Romanization
81:Revised Romanization
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459:"Shanghai Story" (
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335:Ahn Changho
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291:Ahn Changho
273:Yi Kwang-su
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21:Korean name
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237:Early life
212:Chu Yo-han
35:Chu Yo-han
243:Pyongyang
232:Biography
101:Chu Yohan
503:See also
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109:Art name
87:Ju Yohan
19:In this
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321:Career
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216:Korean
116:Hangul
41:Hangul
447:Poems
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297:. In
173:Songa
159:Songa
132:Hanja
57:Hanja
633:ISBN
610:ASIN
591:2013
561:2013
496:무궁화장
432:Sijo
427:Sijo
408:tung
314:沪江大学
308:호강대학
286:독립신문
667:주요한
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221:주요한
48:주요한
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140:頌
71:翰
68:耀
65:朱
29:.
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