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The church is situated in the centre of the small town of São Gião, in a central square, surrounded by historic buildings. Constructed during the
Baroque period, it included two panels attributed to the Italian, Pascal Parente, then living in Coimbra. The main retable is attributed to sculptor
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The parish was founded in 1756. By the middle of the 18th century, the parochial church was re-constructed; by 1795, during the reign of King D.
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268:(the old church factory) as a heritage site. By 7 February 2003, a dispatch from the vice-president of the IPPAR (forerunner of the
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António Neves and carver Jose
Ribeiro da Fonseca from Beiras, in the last part of the 18th century.
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352:(in Portuguese), Lisbon, Portugal: SIPA – Sistema de Informação para o Património Arquitectónico
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Igreja
Paroquial de São Gião/Igreja de São Gião (IPA.00002607/PT020611150025)
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218:. Classified as a national monument since 1910, it is locally known as the
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A view of the town of São Gião, with the church peaking in the middle
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An internal view of painted panels attributed to Pascal
Parente
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18th-century Roman
Catholic church buildings in Portugal
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On 20 July 1991, there was a proposal to classify the
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The high choir was constructed in the 19th century.
373:Gonçalves, Nogueira, A.; Correia, Vergílio (1953),
346:Bonina, Maria; Grilo, Fernando (1996), SIPA (ed.),
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391:) CS1 maint: multiple names: authors list (
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377:(in Portuguese), Lisbon, Portugal
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308:Roman Catholicism in Portugal
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303:List of churches in Portugal
226:), although unrecognized by
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404:Categories
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135:Dedication
356:3 October
211:, in the
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297:See also
201:São Gião
111:Portugal
89:Location
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234:History
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195:in the
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319:Notes
256:Maria
152:Style
393:link
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358:2016
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