42:
266:), while other theorists of the same period make the distinction the other way around. In actual usage in music history, the term "chaconne" has not been so clearly distinguished from passacaglia as regards the way the given piece of music is constructed, and "modern attempts to arrive at a clear distinction are arbitrary and historically unfounded." In fact, the two genres were sometimes combined in a single composition, as in the
1479:
296:, who was probably the first composer to treat the chaconne and passacaglia comparatively, usually (but not always) sets the former in major key, with two compound triple-beat groups per variation, giving his chaconne a more propulsive forward motion than his passacaglia, which usually has four simple triple-beat groups per variation. Both are usually in
236:. However, recently it has been proposed that Bach's "Ciaccona" (he used the Italian form of the name, rather than the French "Chaconne") is really cast in the form of a French theatrical dance known as the "passacaille", although it also incorporates Italian and German style features as well.
201:
at the end of the sixteenth century and quickly spread to Europe. The dance became popular both in the elite courts and in the general population. "Un sarao de la chacona" is one of the earliest known examples of a "chacona", written down by
Spanish musician
259:
The chaconne has been understood by some nineteenth and early twentieth-century theorists to be a set of variations on a harmonic progression, as opposed to a set of variations on a melodic bass pattern (to which is assigned the term
1366:
The Larger Forms of
Musical Composition: An Exhaustive Explanation of the Variations, Rondos, and Sonata Designs, for the General Student of Musical Analysis, and for the Special Student of Structural Composition
721:(1687–1750): Chaconne, eleventh movement in Sonata 1; another, ninth movement in Sonata 2; another, seventh movement in Sonata 10; another, seventh movement in Sonata 12; all for lute (all undated)
655:(1685–1759): Chaconne in G major and 21 variations for harpsichord (written 1705–17, published 1733); another in G major and 62 variations for organ (written 1703–06, published 1733)
745:
444:(1633–1694): Eighteen chaconnes for harpsichord, all unpublished in the composer's lifetime, perhaps the most chaconnes written by any known 17th-, 18th-, or 19th-century composer
251:
suggest its continuing influence. However, the form saw a very substantial revival during the 20th century, with more than two dozen composers contributing examples (see below).
1276:
375:
371:
367:
1465:(The Music Story Series, edited by Frederick J. Crowest. London: The Walter Scott Publishing Co., Ltd.; New York: Charles Scribner’s Sons, 1908) page 203.
1355:
Raymond
Erickson, "Toward a 21st-Century Interpretation of Bach's Ciaccona for Solo Violin, BWV 1004/5," The American Bach Society Newsletter, Spring 2003
1461:
183:, as a quick dance-song characterized by suggestive movements and mocking texts, the chaconne by the early eighteenth century had evolved into a slow
1381:(The Music Story Series, edited by Frederick J. Crowest. London: The Walter Scott Publishing Co., Ltd.; New York: Charles Scribner’s Sons, 1908), 203.
661:(1656–1728): Chaconne, eighth movement in Suite 3 in F major; another, final movement in Suite in A major; both for viola da gamba and continuo, from
41:
1650:
1524:
30:
This article is about the musical form. For the last movement of J. S. Bach's second violin partita, commonly referred to as "the
Chaconne", see
304:, and have a theme of four measures (or a close multiple thereof). (In more recent times the chaconne, like the passacaglia, need not be in
591:(1743–1805): "Chaconne that represents Hell . . . in imitation of the one by M. Gluck," finale to Symphony in D minor, op. 12, no. 4 (1771)
244:
985:
791:
132:) which offers a compositional outline for variation, decoration, figuration and melodic invention. In this it closely resembles the
1456:
85:
1407:
1299:
Juan Arañés, ‘¡A la vida bona!’, chacona a4 from Libro segundo de tonos y villancicos (Rome: Giovanni
Battista Robletti, 1624).
582:
515:
217:
46:
31:
572:
337:
145:
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695:(1681–1767): "Lilliputian Chaconne," second movement of "Gulliver's Travels," Intrada-Suite in D major for 2 violins, from
1183:
930:
320:
856:
768:
402:
1262:
679:
1517:
594:
1339:
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862:
349:
1137:(1965). Act 1, Scene 2 (Ciacona 1). Act 2, Scene 2 (Capriccio, Corale e Ciacona II). Act 4, Scene 2 (Ciacona III)
826:
715:(1678–1741): Ciaccona, third movement of Concerto in G minor for flute, oboe, violin, bassoon, strings (c. 1720)
628:
414:
216:
One of the best known and most masterful and expressive examples of the chaconne is the final movement from the
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Outstanding examples of early baroque chaconnes are
Monteverdi's "Zefiro torna" and "Es steh Gott auf" by
478:(1594/95–1665): "Su la cetra amorosa," aria in ciaccona for soprano and instrumental accompaniment, from
718:
578:
510:
441:
221:
1483:
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1167:
988:(according to one writer, technically a passacaglia, but according to others, technically a chaconne)
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431:
293:
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275:
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611:(1668–1733): "La Favorite," chaconne, ninth movement in Ordre 3ème in C minor for harpsichord, from
1327:
Gerald Drebes: "Schütz, Monteverdi und die 'Vollkommenheit der Musik' – 'Es steh Gott auf' aus den
1053:
764:
706:
537:
519:
485:
447:
363:
1440:
Budd Udell, "Standard Works for Band: Gustav Holst's First Suite in E♭ Major for
Military Band."
1041:
906:
673:
495:
551:
210:
488:(dates unknown): Chaconne bass line in three keys (G major, C major, F major) for guitar, from
128:
on a repeated short harmonic progression, often involving a fairly short repetitive bass-line (
1452:
958:
942:
868:
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633:
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434:(1583–1643): Four ciaccone (in F major, A minor, G major, A minor again) for harpsichord from
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498:(1567–1643): "Zefiro torna," ciaccona for two tenors and instrumental accompaniment, from
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468:(1656–1728): Chaconne in G major for two violas da gamba and continuo, no. 47 from the
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and is also known as "Chacona: A la vida bona". Lyrics with
English translation here:
356:(undated); another in the Partita no. 3 in A major for seven string instruments, from
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1281:
1206:: Chaconne, 2nd movement of Symphony No. 1 "For the heart is an organ of fire" (2013)
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Passacaglia and
Ciaccona: Genre Pairing and Ambiguity from Frescobaldi to Couperin
390:(1616–1678): Ciaccona a tre con il suo balletto for two violins and violone, from
1619:
1604:
1087:
1074:
minor, for organ. (1925) Arranged for orchestra (transposed to D minor) in 1931.
1059:
842:
John
Corigliano: Chaconne, 3rd movement of Symphony No. 1 "Giulio's Song" (1990)
829:: "El Sueño de la Razón Produce Monstruos", from "24 Caprichos de Goya", Op. 195
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323:'s Chaconne/Ground Bass, where every section is built on seven-beats patterns)
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Il Vitalino raddoppiato: ciaccona per violino soloista e orchestra da camera
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Toccate d’intavolatura di cimbalo et organo, partite di diverse arie . . .
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The ground bass, if there is one, may typically descend stepwise from the
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Toccate d’intavolatura di cimbalo et organo, partite di diverse arie ...
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424:(1653–1713): Chaconne in G major in the Sonata op. 2, no. 12, from the
17:
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Toccata und Chaconne: über den Choral "Ja ich glaub an Jesum Christum"
767:: second movement "Chaconne: Body Through Which the Dream Flows" from
1599:
243:, the chaconne fell into decline during the 19th century, though the
806:: "Chacony," third movement of the String Quartet No. 2, in C (1945)
554:(1655–1732/33): Two chaconnes (in F major, G major) for guitar from
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1229:
1187:
780:
Malcolm Arnold: second movement "Chaconne: Andante con moto" from
777:: second movement "Chaconne" from Recorder Sonatina, Op. 41 (1953)
346:(1605–1669): Ciaccona in C major for violin and continuo (undated)
176:
175:
Though it originally emerged during the late sixteenth century in
40:
508:(1653–1706): Two chaconnes (in C major, D major) for organ, from
197:
as actually having been a sexily swirling dance that appeared in
1502:
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124:) is a type of musical composition often used as a vehicle for
800:: Chaconne (from Lifecycle, sequence of 24 piano solos) (1975)
163:; the harmonies given to the upper parts may emphasize the
65:
74:
62:
366:(c. 1638–1707): Prelude, fugue, and chaconne in C Major (
1431:, ed. S. Sadie and J. Tyrrell (London: Macmillan, 2001).
1196:: Chaconnes in C major, C minor and D minor for baroque
426:
Sonate da camera a tre: doi violini, e violone o cembalo
1082:
Chaconne and Interludes: (The Instruments of Peace III)
671:(1683–1764): chaconne in D minor from the opera-ballet
597:(1689–1755): Chaconne in A major for two cellos, from
86:
77:
71:
809:
Benjamin Britten: "Ciaccona," fifth movement of the
136:. It originates and was particularly popular in the
897:, op. 51 (Chaconne, Musette, Dithyrambe), for organ
224:. This 256-measure chaconne takes a plaintive four-
179:culture, having reputedly been introduced from the
68:
1451:(Oxford: Heinemann Educational Publishers, 2001.
677:(1735); another in D minor from the opera-ballet
683:(1739); another in A major from the comic opera
1448:– Pam Hurry, Mark Phillips, and Mark Richards,
1429:The New Grove Dictionary of Music and Musicians
1277:The New Grove Dictionary of Music and Musicians
1172:Ciaccona in memoria Giovanni Paolo II per archi
903:: Chaconne for harp and string orchestra (1976)
790:: first movement, "Tempo di ciaccona" from the
746:Sarabande und Chaconne aus dem Singspiel Almira
560:Livre de pieces pour la guittarre, dédié au roi
352:(1644–1704): Ciacona in D major for violin and
232:of musical expression in both major and minor
1518:
986:First Suite in E-flat major for Military Band
853:Nun komm, der Heiden Heiland: kleine Chaconne
140:; a large number of Chaconnes exist from the
45:The "Ciaccona" from Johann Sebastian Bach's
8:
637:(1762); the same chaconne also in the opera
919:for two violins and string orchestra (1995)
601:(1737); another in G major, from the opera
34:. For George Balanchine's 1976 ballet, see
1525:
1511:
1503:
643:(1774); a different chaconne in the opera
528:(1659–1695): Chaconne from the semi-opera
492:(1606), perhaps the first written chaconne
1284:and J. Tyrrell (London: Macmillan, 2001).
621:(1671–1745): Chaconne "La Buisson", from
581:(1685–1750): Chaconne, fifth movement of
583:Partita no. 2 in D minor for solo violin
1293:"Un sarao de la chacona" translates as
1255:
1160:: "Chaconni," second movement from her
881:: Chaconne, for violin and piano (1951)
754:: Ciacona in F minor, op. 32, for organ
500:Scherzi musicali cioè arie et madrigali
1034:: Chaconne, for cello and piano (1931)
848:: Chaconne in A minor for organ (1933)
1090:: Chaconne, for tuba and piano (1938)
953:Suite for Violin and American Gamelan
821:Toccata: Preludio, Fantasia, Ciaccona
535:(1690); two more from the semi-opera
480:Madrigali et altre musiche concertate
450:(1632–1687): Chaconne from the opera
400:(1643–1704): Chaconne from the opera
115:
106:
97:
7:
1416:Journal of Seventeenth-Century Music
542:(1691); another from the semi-opera
392:Correnti, balletti, galiarde a 3 è 4
378:160); all for organ (probably 1690s)
1497:Passacaglias and Chaconnes for Lute
709:for violin and piano (c. 1710–1730)
631:(1714–1787): Chaconne in the opera
623:Pieces de viole avec basse continue
909:: Chaconne op. 8, for piano (1932)
300:, begin on the second beat of the
25:
1368:(: G. Schirmer, 1915), 29 and 40.
1056:: Chaconne, op. 50, for orchestra
736:Symphony No. 4 in E minor, Op. 98
558:(1682); another in G minor, from
167:or a derivative pattern thereof.
1477:
1274:Alexander Silbiger, "Chaconne,"
1245:with their song Chaconne (2023).
978:: Chaconne for solo cello (1975)
873:Variations, Chaconne, and Finale
599:Neuf petites sonates et chaconne
556:Livre de guittarre, dédié au roi
58:
1427:Alexander Silbiger, "Chaconne"
1150:: Chacoinas (2) in A minor for
1105:Fantasia, Chaconne, and Allegro
865:: Chaconne for orchestra (1994)
819:: "Ciaccona", third section of
514:(1699); four more (in D major,
490:Nuova inventione d'intavolatura
458:(1685); another from the opera
454:(1683); another from the opera
412:(1688); another from the opera
406:(1685); another from the opera
374:159), and chaconne in E minor (
32:Partita for Violin No. 2 (Bach)
1651:Dance forms in classical music
1311:"Alex Ross: The Rest Is Noise"
573:List of 18th-century Chaconnes
530:Prophetess, or The History of
338:List of 17th-century Chaconnes
268:Cento partite sopra passacagli
1:
1394:(New York: Norton, 1947), 42.
1377:Lucas, Clarence Lucas, 1908.
1044:, op. 32, for piano (1916–17)
193:describes the origins of the
1459:) p. 238. – Clarence Lucas,
1315:Alex Ross: The Rest Is Noise
1174:(for string orchestra) from
1028:: Chaconne, for Piano (1946)
945:: Chaconne, for piano (1962)
939:: Chaconne, for organ (1985)
857:Nun komm, der Heiden Heiland
228:phrase through a continuous
1446:(JSTOR subscription access)
1186:: Chaconne/Ground Bass for
1115:Dance in Form of a Chaconne
1095:Canon, Chacony, & Fugue
595:Joseph Bodin de Boismortier
370:137), chaconne in C minor (
358:Harmonia artificioso-ariosa
27:Type of musical composition
1677:
1444:69, no. 4 (1982) page 28.
1222:: Ciaccona per pianoforte.
1184:Francesco Tristano Schlimé
1062:: Chaconne for solo guitar
1050:: Chaconne for solo violin
998:, from the film music for
570:
350:Heinrich Ignaz Franz Biber
335:
321:Francesco Tristano Schlimé
29:
1540:
1462:The Story of Musical Form
1379:The Story of Musical Form
996:Chaconne de l'impératrice
837:The Red Violin (Chaconne)
827:Mario Castelnuovo-Tedesco
629:Christoph Willibald Gluck
472:, premier livre (1686–89)
384:(1587 – c.1641): Ciaccona
319:time; see, for instance,
282:(1726) as well as in the
278:, and the first suite of
218:Violin Partita in D minor
1392:Music in the Baroque Era
1235:Michael Blake: Kora for
1020:Hungarian Rock: Chaconne
970:Concerto for Double Bass
933:, second movement (1987)
887:: Ciaconna gotica (1920)
839:for violin and orchestra
697:Der getreue Musikmeister
665:, quatrième livre (1717)
398:Marc-Antoine Charpentier
255:Chaconne and passacaglia
245:32 Variations in C minor
47:Partita for Violin No. 2
1442:Music Educators Journal
972:, third movement (1966)
926:, third movement (1995)
540:, or The British Worthy
1131:Bernd Alois Zimmermann
1078:Reginald Smith Brindle
851:Johann Nepomuk David:
792:Sonata for violin solo
693:Georg Philipp Telemann
653:George Frideric Handel
615:, premier livre (1713)
112:
103:
49:
1491:Ciaccona Book trailer
1486:at Wikimedia Commons
1403:Alexander Silbiger, "
1232:, first dance (1994).
931:Violin Concerto No. 1
719:Sylvius Leopold Weiss
579:Johann Sebastian Bach
522:) for organ (undated)
511:Hexachordum Apollinis
442:Jean-Nicolas Geoffroy
222:Johann Sebastian Bach
44:
1168:Krzysztof Penderecki
846:Johann Nepomuk David
669:Jean-Philippe Rameau
432:Girolamo Frescobaldi
403:Les arts florissants
276:Girolamo Frescobaldi
117:[tʃakˈkoːna]
1335:, volume 14, 1992,
1228:: French Suite for
1210:Marc-André Dalbavie
1012:, op. 13, for piano
968:Hans Werner Henze:
707:Chaconne in G minor
640:Iphigénie en Aulide
486:Girolamo Montesardo
448:Jean-Baptiste Lully
364:Dieterich Buxtehude
187:instrumental form.
120:; earlier English:
1410:2008-05-15 at the
1390:Manfred Bukofzer,
1364:Percy Goetschius,
1342:2016-03-03 at the
1125:Chaconne in C-moll
984:: "Chaconne" from
907:Gunnar de Frumerie
674:Les Indes galantes
613:Pièces de clavecin
496:Claudio Monteverdi
108:[tʃaˈkona]
50:
1661:Variation (music)
1633:
1632:
1482:Media related to
1329:Symphoniae sacrae
1190:(1997/2004/2012).
1084:, for two guitars
1022:, for harpsichord
959:Hans Werner Henze
943:Sofia Gubaidulina
869:Norman Dello Joio
782:Quintet For Brass
634:Orfeo ed Euridice
619:Antoine Forqueray
609:François Couperin
422:Arcangelo Corelli
409:David et Jonathas
382:Francesca Caccini
288:François Couperin
36:Chaconne (ballet)
16:(Redirected from
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1418:2, no. 1 (1996).
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1331:II (1647)". In:
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1295:A chacona soirée
1291:
1285:
1272:
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1260:
1180:(added in 2005).
1127:for organ (1996)
1117:for piano (1941)
1101:David Van Vactor
1097:for organ (1948)
1073:
1072:
1054:Knudåge Riisager
817:Ferruccio Busoni
804:Benjamin Britten
752:Heinrich Reimann
744:: Chaconne from
680:Les fêtes d'Hébé
603:Daphnis et Chloé
589:Luigi Boccherini
506:Johann Pachelbel
476:Tarquinio Merula
470:Pièces de violes
388:Maurizio Cazzati
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284:Pièces de Violes
165:circle of fifths
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1412:Wayback Machine
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1344:Wayback Machine
1333:Schütz-Jahrbuch
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1212:: Ciaccona for
1162:violin concerto
1158:Jennifer Higdon
1144:
1107:, for orchestra
1070:
1069:
1068:: Chaconne in C
1026:Douglas Lilburn
992:Arthur Honegger
937:Alexander Goehr
885:Cornelis Dopper
863:Robert Davidson
833:John Corigliano
823:, BV 287 (1922)
784:, Op. 73 (1961)
769:Violin Concerto
761:
732:Johannes Brahms
728:
713:Antonio Vivaldi
663:Pièces de viole
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552:Robert de Visée
545:The Fairy-Queen
460:Acis et Galatée
344:Antonio Bertali
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211:Heinrich Schütz
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748:, S.181 (1879)
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703:Tommaso Vitali
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571:Main article:
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241:Baroque period
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1656:Musical forms
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1016:György Ligeti
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1148:Paulo Galvão
1142:21st century
1135:Die Soldaten
1134:
1124:
1114:
1111:Stefan Wolpe
1104:
1094:
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1038:Carl Nielsen
1032:Frank Martin
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1006:Ernst Krenek
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982:Gustav Holst
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949:Lou Harrison
916:
913:Philip Glass
894:
891:Marcel Dupré
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813:No. 2 (1967)
798:Howard Blake
759:20th century
726:19th century
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332:17th century
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230:kaleidoscope
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185:triple meter
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53:
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1620:Ritournelle
1605:Passacaille
1265:, naxos.com
1088:Leo Sowerby
1060:Poul Ruders
859:" for organ
811:Cello Suite
788:Béla Bartók
742:Franz Liszt
538:King Arthur
518:, F major,
294:Frescobaldi
280:Les Nations
274:(1637), by
263:passacaglia
204:Juan Arañés
138:Baroque era
134:passacaglia
130:ground bass
111:; Italian:
102:; Spanish:
1640:Categories
1250:References
765:John Adams
532:Dioclesian
286:(1728) by
239:After the
1625:Sarabande
1610:Passepied
1545:Allemande
1484:Chaconnes
1337:pp. 25–55
1214:orchestra
1002:(1926–27)
895:Triptyque
699:(1728–29)
249:Beethoven
191:Alex Ross
181:New World
126:variation
1615:Rigaudon
1590:Hornpipe
1575:Galliard
1565:Chaconne
1555:Courante
1408:Archived
1340:Archived
1263:Chaconne
1133:: opera
1071:♯
1042:Chaconne
1000:Napoléon
738:, finale
327:Examples
157:dominant
113:ciaccona
54:chaconne
1580:Gavotte
1550:Bourrée
1243:Enhypen
1239:(2009).
1216:(2002).
917:Echorus
520:F minor
516:D minor
452:Phaëton
270:, from
195:chacona
177:Spanish
171:History
155:to the
122:chacony
104:chacona
95:French:
18:Ciacona
1600:Minuet
1570:Entrée
1560:Canary
1455:
1280:, ed.
1164:(2008)
965:(1977)
955:(1974)
794:(1944)
771:(1993)
689:(1745)
686:Platée
649:(1777)
646:Armide
625:(1747)
605:(1747)
585:(1720)
562:(1686)
548:(1692)
502:(1632)
482:(1633)
462:(1686)
456:Roland
438:(1637)
428:(1685)
418:(1694)
394:(1659)
1595:Loure
1585:Gigue
1230:piano
1188:piano
415:Médée
376:BuxWV
372:BuxWV
368:BuxWV
234:modes
161:scale
153:tonic
142:17th-
1453:ISBN
1237:harp
1198:lute
855:on "
144:and
87:shə-
1414:,"
302:bar
247:by
226:bar
220:by
89:KON
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312:4
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78:n
75:ɒ
72:k
69:ˈ
66:ə
63:ʃ
60:/
56:(
38:.
20:)
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