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uncovered
Claricia's work in one of her manuscripts. "Claricia’s hand is just one of several in this manuscript, leading Dorothy Miner to conclude on the basis of her dress – uncovered head, braided hair, and a close-fitting tunic under a long-waisted dress with long tapering points hanging from the
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on parchment, figure of a woman swinging diagonally over the page forms the tail of the letter Q that begins Psalm 51 (in the counting of the
Vulgata, today: Psalm 52) the name, Claricia, is inscribed above her head,
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There is controversy regarding
Claricia's occupation. Scholars such as Miner believe that Claricia was a lay woman - possibly a high-born lady – active in a convent scriptorium in
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Reassessing the Roles of Women as 'Makers' of
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Feminist studies in the field of literature and medieval art such as
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sleeves – that she was probably a lay student at the convent."
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112:. Westport, CT: Greenwood Publishing Group. pp.
161:Whitney Chadwick: "Woman, Art, and Society", p. 53
198:Women and the Book: Assessing the Visual Evidence
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