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234:, whom he probably met and worked with in Rome. Vernet's work draws on natural themes, but in a way that is neither sentimental or emotive. The overall effect of his style is wholly decorative. "Others may know better", he said, with just pride, "how to paint the sky, the earth, the ocean; no one knows better than I how to paint a picture". His style remained relatively unchanged throughout his life. His works' attentiveness to atmospheric effects is combined with a sense of harmony that is reminiscent of
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728:(1713 – 1784), payment for which was made in two installments each of 600 livres. A description of the painting and an explanation of the terms of the payment form the subject of the concluding section and notes to Diderot's essay "Regrets on My Old Robe; Or, A Warning For Those With More Taste Than Finances."
226:
Slowly Vernet attracted notice in the artistic milieu of Rome. With a certain conventionality in design, proper to his day, he allied the results of constant and honest observation of natural effects of atmosphere, which he rendered with unusual pictorial art. Perhaps no painter of landscapes or
291:, one of his most 'crystalline and atmospherically sensitive skies'. Vernet has attempted to bring the foreground of his work to life through painting a wide array of figures engaging in a variety of activities, endeavouring to convey the sense of the commotion and drama of France's seaports.
308:). On his return from Rome he became a member of the academy, but he had previously contributed to the exhibitions of 1746 and following years, and he continued to exhibit, with rare exceptions, down to the date of his death, which took place in his lodgings in the Louvre on 3 December 1789.
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Both Vernet and
Manglard are considered to have overtaken their master, Fergioni. Some authors note that, in turn, Vernet had a "more subtle grace and spirit" than his master Manglard, who presented a "sound, firm, natural and harmonizing taste"
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174:. When only fourteen years of age he aided his father, Antoine Vernet (1689–1753), a skilled decorative painter, in the most important parts of his work. The panels of sedan chairs, however, could not satisfy his ambition, and Vernet left for
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713:(1816; English translation 2001, by Ursula Phillips), it is said that a view that is being described merits the talent of Vernet, who as the writer explains in her own footnote was a whale painter.
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fu dopo non molti anni oscurato da due franzesi, Adriano
Manglard, di un gusto sodo, naturale, accordato; e il suo allievo, Giuseppe Vernet, di una vaghezza e di uno spirito superiore al maestro
264:
For twenty years Vernet lived in Rome, producing views of seaports, storms, calms, moonlights, and large whales, becoming especially popular with
English aristocrats, many of whom were on the
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claims that his grandmother was the sister of the French artist "Vernet", without identifying any specific member of the family so that he could have been referring to Claude Joseph Vernet,
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depicting the four times of the day. Throughout his life Vernet returned to
Italian themes, as shown through one of his later works –
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287:(1763, Musée national de la Marine) is particularly notable; in the piece Vernet is able to achieve, according to art historian
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sea-pieces has ever made the human figure so completely a part of the scene depicted or so important a factor in their design.
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In 1734, Vernet left for Rome to study landscape designers and maritime painters, like Claude Gellee
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One or more of the preceding sentences incorporates text from a publication now in the
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268:. In 1745, he married an Englishwoman whom he met in the city. In 1753, he was recalled to
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794:. Vol. 27 (11th ed.). Cambridge University Press. p. 1030.
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In Madrid, the
Spanish capital, some of his paintings are found, in the
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A Landscape at Sunset with
Fishermen returning with their Catch (Calme)
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Among the very numerous engravers of his works may be specially cited
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198:. Manglard and Fergioni initiated Vernet into seascape painting.
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205:, where we find the styles and subjects of Vernet's paintings.
863:. Greater London Council. 1976. pp. 1728, 1739, 1747.
375:
Night: Mediterranean Coast Scene with
Fishermen and Boats
912:"claude-joseph-vernet-a-storm-on-a-mediterranean-coast"
720:("Storm") was commissioned from him in 1767 by French
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In 1757, he painted a series of four paintings titled
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Sebastião José de
Carvalho e Melo, Marquis of Pombal
369:, who owns other two and a third as a loan from the
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256:Marie Rosalie Bertaud after Claude-Joseph Vernet,
365:, which holds five of his landscapes and at the
1111:Charles of Bourbon Hunting Coots on Lake Licola
467:Charles of Bourbon Hunting Coots on Lake Licola
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230:In this respect he was heavily influenced by
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1043:66 artworks by or after Claude-Joseph Vernet
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940:Painting and Sculpture in France, 1700–1789
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556:Cain And Abel Bringing Their Sacrifices
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688:The Adventure of the Greek Interpreter
311:Vernet is honoured in street names in
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470:(1746), Museo di Capodimonte, Naples
260:, before 1800, engraving and etching
989:"Vernet, Claude-Joseph - Colección"
751:website. Accessed 19 December 2022.
649:Shipwreck in Stormy Seas (Tempête)
280:) by which he is best known for.
14:
1019:Museo Nacional Thyssen-Bornemisza
711:Malvina, or the Heart's Intuition
514:(1767), Museu da Cidade de Lisboa
1269:18th-century French male artists
890:. Multigrafica. pp. 20–28.
786:Vernet s.v. Claude Joseph Vernet
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1127:A Sporting Contest on the Tiber
860:Claude-Joseph Vernet, 1714-1789
576:A Sporting Contest on the Tiber
527:A Calm at a Mediterranean Port
1:
1055:(Théodore Gégoux art gallery)
178:. The sight of the whales at
144:Antoine Charles Horace Vernet
1244:18th-century French painters
1170:Views of the Ports of France
1135:Port of Palermo by Moonlight
960:Adrien Manglard (1695-1760)
887:Adrien Manglard (1695-1760)
278:Musée national de la Marine
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354:in France, and in England
164:Victoria and Albert Museum
101:Marguerite Émilie Chalgrin
16:French painter (1714–1789)
1249:French landscape painters
367:Thyssen-Bornemisza Museum
182:and his voyage thence to
158:Bust of Vernet, 1783, by
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1053:Life and works of Vernet
993:Museo Nacional del Prado
671:Art Institute of Chicago
653:National Gallery, London
635:National Gallery, London
617:National Gallery, London
599:National Gallery, London
581:National Gallery, London
139:[klodʒozɛfvɛʁnɛ]
1015:"Vernet, Claude-Joseph"
957:Silvia Maddalo (1982).
884:Silvia Maddalo (1982).
791:Encyclopædia Britannica
690:", fictional detective
217:National Gallery of Art
194:and marine landscapist
965:University of Virginia
613:A River with Fishermen
373:personal collection (
261:
223:
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146:, was also a painter.
37:Élisabeth Vigée-Lebrun
1259:French marine artists
1200:Giovanni Paolo Panini
1162:Four Times of the Day
944:Yale University Press
810:Accademia di San Luca
297:Four Times of the Day
285:The Port of Rochefort
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232:Giovanni Paolo Panini
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135:French pronunciation:
1264:Artists from Avignon
1254:French male painters
1143:A Mediterranean Port
1096:Claude-Joseph Vernet
745:Claude-Joseph Vernet
452:Seaport by Moonlight
131:Claude-Joseph Vernet
23:Claude Joseph Vernet
1188:Bernardino Fergioni
1119:A Seaport at Sunset
1059:C. J. Vernet online
678:Literary references
423:Mediterranean night
192:Bernardino Fergioni
170:Vernet was born in
707:Maria Wirtemberska
684:Arthur Conan Doyle
560:Crocker Art Museum
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160:Louis-Simon Boizot
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1220:
1202:(major influence)
974:978-88-7597-090-1
897:978-88-7597-090-1
870:978-0-7168-0818-3
806:"Marina di Anzio"
437:Italian Landscape
321:Magnac-sur-Touvre
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1024:29 September
1022:. Retrieved
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997:. Retrieved
995:(in Spanish)
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813:. Retrieved
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724:philosopher
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696:Carle Vernet
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72:(1789-12-03)
1239:1789 deaths
1234:1714 births
1173:(1754-1765)
918:19 December
914:. getty.edu
631:A Sea-shore
325:La Rochelle
1228:Categories
1214:(grandson)
732:References
529:(1770-80s)
266:Grand Tour
180:Marseilles
51:1714-08-14
35:Vernet by
1103:Paintings
843:9 October
815:9 October
716:Vernet's
709:'s novel
542:Shipwreck
483:Shipwreck
409:The Night
111:Signature
1196:(master)
1190:(master)
838:Treccani
834:"Vernet"
669:(1760),
651:(1773),
633:(1776),
615:(1751),
597:(1773),
579:(1750),
276:and the
215:(1772),
166:, London
93:Children
87:Painting
61:, France
1181:Related
779::
718:Tempête
667:Morning
381:Gallery
356:Vivares
352:Le Veau
348:Flipart
313:Avignon
172:Avignon
59:Avignon
1165:(1757)
1146:(1771)
1138:(1769)
1130:(1750)
1122:(1749)
1114:(1746)
1047:Art UK
971:
894:
867:
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439:(1738)
336:Cochin
332:Le Bas
323:, and
317:Dieppe
274:Louvre
162:, the
39:, 1778
1208:(son)
344:Duret
340:Basan
270:Paris
1049:site
1026:2019
1001:2019
969:ISBN
920:2022
892:ISBN
865:ISBN
845:2020
817:2020
350:and
283:His
249:").
176:Rome
67:Died
45:Born
788:".
705:In
698:or
682:In
377:).
1230::
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304:(
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
