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245:, whom he probably met and worked with in Rome. Vernet's work draws on natural themes, but in a way that is neither sentimental or emotive. The overall effect of his style is wholly decorative. "Others may know better", he said, with just pride, "how to paint the sky, the earth, the ocean; no one knows better than I how to paint a picture". His style remained relatively unchanged throughout his life. His works' attentiveness to atmospheric effects is combined with a sense of harmony that is reminiscent of
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739:(1713 – 1784), payment for which was made in two installments each of 600 livres. A description of the painting and an explanation of the terms of the payment form the subject of the concluding section and notes to Diderot's essay "Regrets on My Old Robe; Or, A Warning For Those With More Taste Than Finances."
237:
Slowly Vernet attracted notice in the artistic milieu of Rome. With a certain conventionality in design, proper to his day, he allied the results of constant and honest observation of natural effects of atmosphere, which he rendered with unusual pictorial art. Perhaps no painter of landscapes or
302:, one of his most 'crystalline and atmospherically sensitive skies'. Vernet has attempted to bring the foreground of his work to life through painting a wide array of figures engaging in a variety of activities, endeavouring to convey the sense of the commotion and drama of France's seaports.
319:). On his return from Rome he became a member of the academy, but he had previously contributed to the exhibitions of 1746 and following years, and he continued to exhibit, with rare exceptions, down to the date of his death, which took place in his lodgings in the Louvre on 3 December 1789.
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Both Vernet and
Manglard are considered to have overtaken their master, Fergioni. Some authors note that, in turn, Vernet had a "more subtle grace and spirit" than his master Manglard, who presented a "sound, firm, natural and harmonizing taste"
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185:. When only fourteen years of age he aided his father, Antoine Vernet (1689–1753), a skilled decorative painter, in the most important parts of his work. The panels of sedan chairs, however, could not satisfy his ambition, and Vernet left for
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724:(1816; English translation 2001, by Ursula Phillips), it is said that a view that is being described merits the talent of Vernet, who as the writer explains in her own footnote was a whale painter.
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fu dopo non molti anni oscurato da due franzesi, Adriano
Manglard, di un gusto sodo, naturale, accordato; e il suo allievo, Giuseppe Vernet, di una vaghezza e di uno spirito superiore al maestro
275:
For twenty years Vernet lived in Rome, producing views of seaports, storms, calms, moonlights, and large whales, becoming especially popular with
English aristocrats, many of whom were on the
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claims that his grandmother was the sister of the French artist "Vernet", without identifying any specific member of the family so that he could have been referring to Claude Joseph Vernet,
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depicting the four times of the day. Throughout his life Vernet returned to
Italian themes, as shown through one of his later works –
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298:(1763, Musée national de la Marine) is particularly notable; in the piece Vernet is able to achieve, according to art historian
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sea-pieces has ever made the human figure so completely a part of the scene depicted or so important a factor in their design.
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In 1734, Vernet left for Rome to study landscape designers and maritime painters, like Claude Gellee
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One or more of the preceding sentences incorporates text from a publication now in the
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279:. In 1745, he married an Englishwoman whom he met in the city. In 1753, he was recalled to
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153:; 14 August 1714 – 3 December 1789) was a French painter. His son,
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805:. Vol. 27 (11th ed.). Cambridge University Press. p. 1030.
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In Madrid, the
Spanish capital, some of his paintings are found, in the
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A Landscape at Sunset with
Fishermen returning with their Catch (Calme)
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Among the very numerous engravers of his works may be specially cited
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209:. Manglard and Fergioni initiated Vernet into seascape painting.
186:
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216:, where we find the styles and subjects of Vernet's paintings.
874:. Greater London Council. 1976. pp. 1728, 1739, 1747.
386:
Night: Mediterranean Coast Scene with
Fishermen and Boats
923:"claude-joseph-vernet-a-storm-on-a-mediterranean-coast"
731:("Storm") was commissioned from him in 1767 by French
305:
In 1757, he painted a series of four paintings titled
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Sebastião José de
Carvalho e Melo, Marquis of Pombal
380:, who owns other two and a third as a loan from the
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267:Marie Rosalie Bertaud after Claude-Joseph Vernet,
376:, which holds five of his landscapes and at the
1122:Charles of Bourbon Hunting Coots on Lake Licola
478:Charles of Bourbon Hunting Coots on Lake Licola
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241:In this respect he was heavily influenced by
8:
1054:66 artworks by or after Claude-Joseph Vernet
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951:Painting and Sculpture in France, 1700–1789
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567:Cain And Abel Bringing Their Sacrifices
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699:The Adventure of the Greek Interpreter
322:Vernet is honoured in street names in
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481:(1746), Museo di Capodimonte, Naples
271:, before 1800, engraving and etching
1000:"Vernet, Claude-Joseph - Colección"
762:website. Accessed 19 December 2022.
660:Shipwreck in Stormy Seas (Tempête)
291:) by which he is best known for.
25:
1030:Museo Nacional Thyssen-Bornemisza
722:Malvina, or the Heart's Intuition
525:(1767), Museu da Cidade de Lisboa
1280:18th-century French male artists
901:. Multigrafica. pp. 20–28.
797:Vernet s.v. Claude Joseph Vernet
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197:(Papal States' main port on the
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1138:A Sporting Contest on the Tiber
871:Claude-Joseph Vernet, 1714-1789
587:A Sporting Contest on the Tiber
538:A Calm at a Mediterranean Port
1:
1066:(Théodore Gégoux art gallery)
189:. The sight of the whales at
155:Antoine Charles Horace Vernet
1255:18th-century French painters
1181:Views of the Ports of France
1146:Port of Palermo by Moonlight
971:Adrien Manglard (1695-1760)
898:Adrien Manglard (1695-1760)
289:Musée national de la Marine
1296:
365:in France, and in England
175:Victoria and Albert Museum
112:Marguerite Émilie Chalgrin
27:French painter (1714–1789)
1260:French landscape painters
378:Thyssen-Bornemisza Museum
193:and his voyage thence to
169:Bust of Vernet, 1783, by
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1064:Life and works of Vernet
1004:Museo Nacional del Prado
682:Art Institute of Chicago
664:National Gallery, London
646:National Gallery, London
628:National Gallery, London
610:National Gallery, London
592:National Gallery, London
150:[klodʒozɛfvɛʁnɛ]
1026:"Vernet, Claude-Joseph"
968:Silvia Maddalo (1982).
895:Silvia Maddalo (1982).
802:Encyclopædia Britannica
701:", fictional detective
228:National Gallery of Art
205:and marine landscapist
976:University of Virginia
624:A River with Fishermen
384:personal collection (
272:
234:
178:
157:, was also a painter.
48:Élisabeth Vigée-Lebrun
1270:French marine artists
1211:Giovanni Paolo Panini
1173:Four Times of the Day
955:Yale University Press
821:Accademia di San Luca
308:Four Times of the Day
296:The Port of Rochefort
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243:Giovanni Paolo Panini
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146:French pronunciation:
1275:Artists from Avignon
1265:French male painters
1154:A Mediterranean Port
1107:Claude-Joseph Vernet
756:Claude-Joseph Vernet
463:Seaport by Moonlight
142:Claude-Joseph Vernet
34:Claude Joseph Vernet
18:Claude Joseph Vernet
1199:Bernardino Fergioni
1130:A Seaport at Sunset
1070:C. J. Vernet online
689:Literary references
434:Mediterranean night
203:Bernardino Fergioni
181:Vernet was born in
718:Maria Wirtemberska
695:Arthur Conan Doyle
571:Crocker Art Museum
273:
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171:Louis-Simon Boizot
1232:
1231:
1213:(major influence)
985:978-88-7597-090-1
908:978-88-7597-090-1
881:978-0-7168-0818-3
817:"Marina di Anzio"
448:Italian Landscape
332:Magnac-sur-Touvre
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1035:29 September
1033:. Retrieved
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1008:. Retrieved
1006:(in Spanish)
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927:. Retrieved
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852:. Retrieved
824:. Retrieved
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735:philosopher
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707:Carle Vernet
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83:(1789-12-03)
1250:1789 deaths
1245:1714 births
1184:(1754-1765)
929:19 December
925:. getty.edu
642:A Sea-shore
336:La Rochelle
1239:Categories
1225:(grandson)
743:References
540:(1770-80s)
277:Grand Tour
191:Marseilles
62:1714-08-14
46:Vernet by
1114:Paintings
854:9 October
826:9 October
727:Vernet's
720:'s novel
553:Shipwreck
494:Shipwreck
420:The Night
122:Signature
1207:(master)
1201:(master)
849:Treccani
845:"Vernet"
680:(1760),
662:(1773),
644:(1776),
626:(1751),
608:(1773),
590:(1750),
287:and the
226:(1772),
177:, London
104:Children
98:Painting
72:, France
1192:Related
790::
729:Tempête
678:Morning
392:Gallery
367:Vivares
363:Le Veau
359:Flipart
324:Avignon
183:Avignon
70:Avignon
1176:(1757)
1157:(1771)
1149:(1769)
1141:(1750)
1133:(1749)
1125:(1746)
1058:Art UK
982:
905:
878:
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450:(1738)
347:Cochin
343:Le Bas
334:, and
328:Dieppe
285:Louvre
173:, the
50:, 1778
1219:(son)
355:Duret
351:Basan
281:Paris
1060:site
1037:2019
1012:2019
980:ISBN
931:2022
903:ISBN
876:ISBN
856:2020
828:2020
361:and
294:His
260:").
187:Rome
78:Died
56:Born
799:".
716:In
709:or
693:In
388:).
1241::
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939:^
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
