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on Rue du Vieux-Colombier. The couple had a passionate relationship often accompanied by hardship, as Pélieu's physical and mental health continued to suffer from his experiences in
Algeria and an addiction to heroin. Pélieu and Nash married on May 11, 1960, and lived between Paris and the Ile-de-Ré.
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while continuing to write and publish episodically. At the end of the 1990s, several exhibits of his collages took place in France during a brief period when he and Beach returned to the country. His books continued to be published up until his death on
December 24, 2002, in
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The years from 1969 to 1979 were particularly prolific for Pélieu in terms of publication, with a dozen or so books published through 1979, mostly by
Bourgois and 10/18. He was also published by Fraçois di Dio's Soleil Noir, in editions that were accompanied by artworks by
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but also in collage. He continued to draw assiduously, the sale of drawings provided a meager living. In 1956, he participated in a group show at the bookstore/gallery Le Soleil dans la Tête organized by the mother of Jean-Jacques Lévêque, Marguerite Fos.
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Pélieu met Mary Beach, a recently widowed
American expat, in 1962, and one year later Pélieu and Lula separated. In November 1963, Pélieu left for San Francisco with Mary Beach and Beach's teenage daughter. Upon their arrival, they contacted
245:. In 1966, Beach founded a publishing imprint, Beach Books, Texts and Documents, publishing not only writing by Pélieu but also facsimile manuscripts by leading beat writers, pamphlets, literary magazines and folios of collages.
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under the pseudonym Claude Lieu. He eventually poisoned himself by drinking stagnant water in order to be repatriated and discharged. After leaving hospital, on July 14, 1959, Pélieu met his first wife Lula Nash at a
102:(December 20, 1934 – December 24, 2002) was a French poet, translator and artist. He lived in France until 1963, when he moved to the United States, where he spent most of the rest on his life.
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In the United States, Pélieu lived between San
Francisco and New York, with a nomadic existence that saw them travel extensively around the country. Pélieu's
233:' Fuck You Press in New York, having been translated from French into English by Beach. She also translated, in collaboration with Pélieu, several books by
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movement. At that time he was politically active in left-wing political groups. It was also around this time that Pélieu became interested in the poetry of
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From 1965 onwards, Pélieu corresponded extensively with
Burroughs, amongst others. He became increasingly interested in Burroughs'
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at the centre Saint-Jacques, 8 rue Danton. Through the gallery's founder, priest Gilles Vallée, Pélieu met the future architect
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who would later arrange retrospective shows of Pélieu's collages between 1999 and 2001. From 1952 to 1953, Pélieu worked at
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Ce que dit la bouche d'ombre dans le bronze-étoile d'une tête (What The Shadow Mouth says in the bronze-star of a head)
272:. In 1970, Pélieu and Beach left the United States for southern England, where they spent a number of years between
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Finding aid to Beat poets and poetry collection at
Columbia University. Rare Book & Manuscript Library.
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Anthologie introductive à l'oeuvre de Claude Pélieu (Introductory anthology to the work of Claude Pélieu)
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Following trouble with the police, Pélieu was drafted into the French army at the height of the
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Et vous aurez raison d'avoir tort! (And you are right to be wrong!) (Texts 1971-1977)
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Pélieu was born to Pierre and
Marguerite Pélieu on December 20, 1934, in a clinic in
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After leaving school in 1952, Pélieu participated in a group show in Paris at the
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Embruns d'exils traduits du silence (Sprays of exile translated from silence)
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Tatouages mentholés et cartouches d'aube (Mint
Tattoos and Dawn Cartridges)
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Shift
Linguals: Cut-up Narratives from William S. Burroughs to the Present
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technique, which he used extensively in book-length texts such as
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The Beach Plymell Collection - Mary Beach & Claude Pélieu Art
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Between 1979 and 2002, Pélieu devoted himself increasingly to
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Storgerausche vom Telegraphendraht (Whistling Down The Wire)
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Coca néon arc-en-ciel polaroid (Coca neon polaroid rainbow)
357:, Bourgois editions, Paris 1976 / Cherry Valley Editions
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Le Journal Blanc du hasard (The White Journal of Chance)
441:, La Notonecte editions, Rennes 1999 (reissued in 2001)
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Some of Pélieu's first texts were published in 1955 in
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674:Un amour de beatnik Lettres à Lula-Nash 1963-1964
367:Pommes bleues électriques (Blue Electric Apples)
463:Je suis un cut-up vivant (I am a living cut-up)
16:French poet, translator and artist (1934–2002)
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563:Art Into Thick Air (collages, color version)
170:. Whilst in Algeria, his texts appeared in
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397:La Rue est un rêve (The Street is a Dream)
307:Cahier de l'Herne Burroughs/Pélieu/Kaufman
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647:Devarrieux, Claire (December 30, 2002).
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504:Swift Scripts, Notes, and After Effects
423:, Le castor astral editions, Paris 1999
399:, Le castor astral editions, Paris 1989
387:, Le Livre à venir editions, Paris 1986
393:, L'atelier de l'agneau editions, 1988
375:, Le Cherche Midi editions, Paris 1979
602:"Claude Pélieu: Cutting Up Character"
411:, Cahiers de nuit editions, Caen 1996
315:, Le soleil noir editions, Paris 1969
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492:With Revolvers Aimed... Finger Bowls
469:Un amour de beatnik (A Beatnik Love)
453:, La Notonecte editions, Rennes 2001
435:, La Digitale editions, Quimper 2000
429:, La Notonecte editions, Rennes 1999
229:was published at the end of 1964 by
379:Cartes postales USA (Postcards USA)
254:With revolvers aimed...finger bowls
154:, a political journal close to the
71:Claude Pelieu-Washburn, Claude Lieu
557:Mary Beach/Claude Pélieu, Collagen
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465:, L'Arganier editions, Paris 2008
405:, Le Rocher editions, Monaco 1991
737:20th-century French male writers
417:, SUEL editions, Guarbecque 1996
260:after he met Dominique de Roux.
471:, Non lieu editions, Paris 2012
421:Studio Réalité (Reality Studio)
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363:, Bourgois editions, Paris 1977
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321:, Bourgois editions, Paris 1969
309:, L'Herne editions, Paris 1968.
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577:, Verlag Peter Engstler, 2011
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459:, L'Arachnoide editions, 2003
433:Soupe de lézard (Lizard Soup)
373:Trains de nuit (Night trains)
131:La Maison des amis des livres
79:Poet, Artist & Translator
668:. La Nouvelle Revue Moderne.
633:The Beach-Plymell Collection
522:Coca Neon / Polaroid Rainbow
506:, Writers Forum, London 1967
427:Art Into Thick Air, collages
403:Légende noire (Black Legend)
381:, Cééditions, Toulouse 1979.
333:, 10/18 editions, Paris 1972
184:In Paris, Pélieu frequented
600:Edward S. Robinson (2011).
218:in the hope of translating
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608:. Rodopi. pp. 74–90.
732:20th-century French poets
664:Suel, Lucien (May 2007).
133:, a bookstore founded by
629:"Notes on Claude Pélieu"
337:Infra Noir (Below Black)
145:(Pélieu's second wife).
651:(in French). Libération
649:"Adieu à Claude Pélieu"
528:Whistling Down the Wire
727:French collage artists
717:Beat Generation poets
544:Bottle of Smoke Press
498:So who owns death TV?
447:, Voix editions, 2001
361:Dust Bowl Motel Poems
296:Selected bibliography
270:Miguel Ortiz Berrocal
216:City Lights Bookstore
212:Lawrence Ferlinghetti
141:, a second cousin of
44:Beauchamp, Val-d'Oise
488:, San Francisco 1964
123:Galerie du Haut-Pavé
512:, Beach Books, 1968
345:, 10/18, Paris 1973
391:Koans & Haikus
186:Jean-Jacques Lebel
174:'s poetry journal
722:French male poets
615:978-90-420-3304-7
486:City Lights Books
290:Norwich, New York
258:Cahier de l'Herne
235:William Burroughs
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84:Literary movement
61:Norwich, New York
54:December 24, 2002
41:December 20, 1934
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56:(2002-12-24)
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638:November 3,
534:Xerox Blues
516:Blue Bangh!
409:Dear Laurie
239:Bob Kaufman
193: [
188:, lettrist
701:Categories
582:References
439:Boomerangs
231:Ed Sanders
201:affichiste
143:Mary Beach
116:Val d'Oise
76:Occupation
37:1934-12-20
451:Starquake
331:Jukeboxes
106:Biography
510:Opal USA
156:Lettrist
112:Pontoise
68:Pen name
46:, France
476:English
285:collage
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551:German
536:, 1982
445:Fusion
301:French
278:Sussex
274:London
250:cut-up
63:, U.S.
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657:2015
640:2015
610:ISBN
546:2012
276:and
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51:Died
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