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logical, live expressivness". After another concert the same reviewer noted his "virtuosity in the formidable 'Cadenza' of the Fifth
Brandenburg Concerto", a performance which was the world's first contemporary one with Baroque fingerings. He has lived since 2001 in Ireland, where he has offered recitals and masterclasses on the interpretation of Baroque keyboard music. He is also musically active in Italy.
109:
in Buenos Aires. As a soloist he has performed extensively in concert halls, churches and television, both solo and with ensembles. After a harpsichord recital a reviewer observed that he "did not miss any detail in order to complete the historical legitimacy of his performance, and also produced a
457:
Rasch, Rudolf A. (1980). "Owen
Jorgensen: Tuning the historical temperaments by ear (1977) and Cl. Di Veroli: Unequal Temperaments and their role in the performance of early music (1978)".
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He then returned to Buenos Aires, where he pioneered the performance of
Baroque music based on ancient practices. He was Professor of Harpsichord and examiner of the Organ course at the
106:
544:
Cave, Penelope (February 2011). "Review of "Playing the
Baroque Harpsichord: essays on interpretation and performance, with relevant topics for the Clavichord and Organ"".
399:
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Di Veroli is the author of several books and papers. Favourable reviews have appeared in
Stimulus, Early Music America and the British Clavichord Society Newsletter.
624:
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70:, Argentina, he was raised in an Italian family and attended Italian primary and secondary school. He studied privately in Buenos Aires under
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Playing the
Baroque Harpsichord: essays on the instrument, interpretation and performance, with relevant topics for the clavichord and organ
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Hitchin, David (October 2009). "Review of "Unequal
Temperaments: Theory, History and Practice"".
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Di Veroli, Claudio (Spring 2000). "Inégalité and Rameau's
Concerts: a case of 'Ille dixit'?".
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who has written several books and papers on baroque performance practice. Born in
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J.S. Bach's Six
Keyboard Partitas with Baroque Fingerings and a Performance Guide
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Camps, Pompeyo (June 26, 1984). "Fascinante experiencia en el Museo
Larreta".
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Camps, Pompeyo (March 27, 1985). "Los Solistas Bach tocaron su homenaje".
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Juarez, Miguel (January 1994). "Instrumentos originales en la Argentina".
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Unequal Temperaments and their Role in the Performance of Early Music
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94:. Living in Europe in the early 70's he studied harpsichord with
474:"Review of "Unequal Temperaments: Theory, History and Practice""
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Stimulus: The Ancient Music Journal of the University of Utrecht
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Baroque Keyboard Masterpieces Fingered with Baroque Technique
82:(chamber music), obtained a degree in mathematics from the
200:"Optimal Continuous Policies for Repair and Replacement"
40:
28:
21:
504:"Review of "Baroque Keyboard Fingering: A Method""
347:"Claudio Di Veroli Plays Couperin in Lucca, Italy"
135:Unequal Temperaments: Theory, History and Practice
400:"Vallotti as the Ideal German Good Temperament"
413:(2). Worcestershire, UK: 9–13. Archived from
321:"Harpsichord workshop treat for music lovers"
90:, London, under the supervision of Prof. Sir
8:
373:"Masterclass and Recital in Pescara, Italy"
18:
546:The British Clavichord Society Newsletter
527:The British Clavichord Society Newsletter
508:The British Clavichord Society Newsletter
165:
7:
129:Baroque Keyboard Fingering: a Method
62:(born 1946) is an Argentine-Italian
625:Argentine performers of early music
327:. Bray, Rep. Ireland. June 29, 2011
398:Di Veroli, Claudio (Autumn 2010).
198:Veroli, J. C. Di (March 1, 1974).
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620:Italian performers of early music
252:(1). Buenos Aires, Argentina: 55.
16:Argentine-Italian harpsichordist
502:van Delft, Menno (June 2009).
204:Operational Research Quarterly
1:
581:- Academia.edu list of papers
472:Persone, Pedro (March 2010).
377:Massimo Salcito Facebook page
265:"List of Public Performances"
178:Mathematics Genealogy Project
86:and a PhD in statistics from
440:Harpsichord & Fortepiano
407:Harpsichord & Fortepiano
74:(piano and interpretation),
32:1946 (age 77–78)
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309:. Buenos Aires, Argentina.
294:. Buenos Aires, Argentina.
84:University of Buenos Aires
446:(2). Lincoln, UK: 28–34.
92:David Cox (statistician)
630:Argentine musicologists
615:Italian harpsichordists
35:Buenos Aires, Argentina
174:"J. Claudio Di Veroli"
107:Conservatorio Nacional
610:Italian musicologists
271:. Bray, Rep. Ireland
263:Di Veroli, Claudio.
480:: 2. Archived from
478:Early Music America
578:Claudio Di Veroli
572:Claudio Di Veroli
569:- Personal website
379:. November 2, 2017
353:. December 4, 2016
605:Baroque musicians
567:Claudio Di Veroli
60:Claudio Di Veroli
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117:Major works
41:Nationality
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488:2014-07-06
424:2014-07-06
160:References
102:in Paris.
47:Argentina
552:: 18–22.
533:: 18–21.
514:: 15–17.
383:April 2,
357:April 2,
331:June 17,
183:April 2,
246:Clasica
224:3007778
155:(2015).
125:(1978).
307:ClarĂn
292:ClarĂn
275:6 July
229:May 1,
222:
418:(PDF)
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220:JSTOR
50:Italy
385:2018
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277:2014
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29:Born
212:doi
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