Knowledge (XXG)

Close Up (magazine)

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The magazine reduced in frequency from monthly to quarterly, eventually fizzling out in 1933 when Macpherson departed. A printed slip was attached to the flyleaf of the final December issue, requesting that in future all letters and orders should be addressed to Mr. A. Zwemmer, 87 Charing Cross Road.
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would discard the vulgar entertainment films coming out of Britain and Hollywood, preferring the avant-garde productions from Germany and the Soviet Union. Blakeston, the most prolific of the magazine's writers, would mock British lack of imagination and general ineptitude. Editorial offices opened
37:, Switzerland would be dedicated to "independent cinema and cinema from around the world". The first issue was published in July 1927 and described itself on the front cover as an "international magazine devoted to film art". Macpherson was 457: 75:
Macpherson "dictated the tone and direction of the publication, contributing articles that defined the role of the director and defended the integrity of cinema and its right to be considered as art".
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This is the address of Albany Mansion, a block of shops with chambers above, previously a bank. Zwemmer (and later his son Desmond) also owned a bookshop and gallery at 79 Charing Cross Road.
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The publication was truly international with correspondents reporting on productions worldwide, with major literary and cinematic figures contributing articles on the latest film theory (
452: 242: 278:"Along these lines, the collection reprints an admiring essay on Elsie Cohen's ambitious Academy Cinema, as well as polemics about worker's films, art films, and so forth." 33:, a young man of independent means, not a little talent, and quite a lot of personal charm". The monthly magazine, founded at the group's 'headquarters' in 192: 472: 467: 462: 437: 246: 401: 423: 196: 99:, which was dedicated to showing Continental and 'Unusual' art-house films, frequently advertised in its pages. 92: 340: 429: 325: 81: 61: 30: 217: 433: 397: 304: 65: 42: 22: 370: 50: 38: 57: 169:, March, June (p. 109), September (p. 227) & December (p. 309) 1933 446: 96: 85: 72:, Harry Potamkin) and advertising revenue coming from Paris, Berlin, and New York. 80:
in 1928 at 24 Devonshire Street, and from April 1930 at 25 Litchfield Street, off
391: 382: 69: 26: 331:, ed. F H W Sheppard (London, 1966), pp. 296-312. Accessed 23 February 2016. 166: 160: 154: 148: 142: 136: 130: 124: 118: 112: 418: 34: 371:"Towards a co-operative cinema: The Work of the Academy, Oxford Street" 46: 390:
Donald, James; Friedberg, Anne; Marcus, Laura, eds. (1998).
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Defunct literary magazines published in the United Kingdom
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Quarterly magazines published in the United Kingdom
29:between 1927 and 1933. "It was the brain child of 478:Monthly magazines published in the United Kingdom 430:Close Up – A Magazine Devoted To The Art Of Films 328:Survey of London: Volumes 33 and 34, St Anne Soho 326:"Shaftesbury Avenue and Charing Cross Road", in 453:Film magazines published in the United Kingdom 279: 266: 8: 346:, 6 October 2000. Accessed 27 February 2016. 193:"Close Up –An Essay (Geoffrey Nowell-Smith)" 163:, March, June, September & December 1932 157:, March, June, September & December 1931 393:Close up, 1927-1933: Cinema and Modernism 218:"BFI Screenonline: Early Film Criticism" 291: 184: 7: 25:devoted to film, published by the 14: 473:Magazines disestablished in 1933 417: 53:making regular contributions. 1: 468:Magazines established in 1927 499: 463:English-language magazines 369:Coxhead, E. (June 1933). 88:'s bookshop and gallery. 45:as assistant editor, and 315:(4): 309. December 1933. 243:"All Voices – Close Up" 222:www.screenonline.org.uk 432:(Ayer Co. Pub.(1988) 155:Volume VIII, Nos. 1-4 426:at Wikimedia Commons 151:, July–December 1930 149:Volume VII, Nos. 1-6 139:, July–December 1929 127:, July–December 1928 125:Volume III, Nos. 1-6 115:, July–December 1927 424:Close Up (magazine) 161:Volume IX, Nos. 1-4 145:, January–June 1930 143:Volume VI, Nos. 1-6 133:, January–June 1929 131:Volume IV, Nos. 1-6 121:, January–June 1928 119:Volume II, Nos. 1-6 107:Publication details 21:was an influential 341:"Desmond Zwemmer". 280:Donald et al. 1998 267:Donald et al. 1998 167:Volume X, Nos. 1-4 137:Volume V, Nos. 1-6 82:Charing Cross Road 62:Dorothy Richardson 31:Kenneth Macpherson 422:Media related to 396:. A&C Black. 294:, pp. 133–6. 66:Sergei Eisenstein 23:literary magazine 490: 421: 407: 386: 356: 353: 347: 338: 332: 323: 317: 316: 305:"Initial matter" 301: 295: 289: 283: 276: 270: 264: 258: 257: 255: 254: 245:. Archived from 239: 233: 232: 230: 228: 214: 208: 207: 205: 204: 195:. Archived from 189: 84:, London, above 51:Oswell Blakeston 498: 497: 493: 492: 491: 489: 488: 487: 443: 442: 414: 404: 389: 368: 360: 359: 354: 350: 344:Daily Telegraph 339: 335: 324: 320: 303: 302: 298: 290: 286: 277: 273: 265: 261: 252: 250: 241: 240: 236: 226: 224: 216: 215: 211: 202: 200: 191: 190: 186: 176: 109: 47:Hilda Doolittle 39:editor-in-chief 12: 11: 5: 496: 494: 486: 485: 480: 475: 470: 465: 460: 455: 445: 444: 441: 440: 427: 413: 412:External links 410: 409: 408: 402: 387: 365: 364: 358: 357: 348: 333: 318: 296: 284: 282:, p. 324. 271: 269:, p. 324. 259: 234: 209: 183: 182: 181: 180: 175: 172: 171: 170: 164: 158: 152: 146: 140: 134: 128: 122: 116: 108: 105: 93:Academy cinema 13: 10: 9: 6: 4: 3: 2: 495: 484: 481: 479: 476: 474: 471: 469: 466: 464: 461: 459: 456: 454: 451: 450: 448: 439: 438:0-405-00732-9 435: 431: 428: 425: 420: 416: 415: 411: 405: 399: 395: 394: 388: 384: 381:(2). London: 380: 376: 372: 367: 366: 362: 361: 352: 349: 345: 342: 337: 334: 330: 329: 322: 319: 314: 310: 306: 300: 297: 293: 288: 285: 281: 275: 272: 268: 263: 260: 249:on 2013-12-14 248: 244: 238: 235: 223: 219: 213: 210: 199:on 2011-03-08 198: 194: 188: 185: 178: 177: 173: 168: 165: 162: 159: 156: 153: 150: 147: 144: 141: 138: 135: 132: 129: 126: 123: 120: 117: 114: 111: 110: 106: 104: 100: 98: 97:Oxford Street 94: 89: 87: 86:Anton Zwemmer 83: 78: 73: 71: 67: 63: 59: 54: 52: 49:("H.D.") and 48: 44: 40: 36: 32: 28: 24: 20: 19: 392: 378: 374: 363:Bibliography 351: 343: 336: 327: 321: 312: 308: 299: 292:Coxhead 1933 287: 274: 262: 251:. Retrieved 247:the original 237: 225:. Retrieved 221: 212: 201:. Retrieved 197:the original 187: 101: 90: 76: 74: 55: 17: 16: 15: 58:RenĂ© Crevel 447:Categories 403:0691004633 383:Pool Group 253:2011-04-05 203:2011-04-05 174:References 113:, Nos. 1-6 70:Hans Sachs 27:Pool Group 375:Close up 309:Close up 77:Close Up 35:Territet 18:Close Up 95:at 165 41:, with 436:  400:  385:: 135. 227:Aug 9, 43:Bryher 179:Notes 434:ISBN 398:ISBN 229:2022 91:The 449:: 377:. 373:. 311:. 307:. 220:. 68:, 64:, 60:, 406:. 379:X 313:X 256:. 231:. 206:.

Index

literary magazine
Pool Group
Kenneth Macpherson
Territet
editor-in-chief
Bryher
Hilda Doolittle
Oswell Blakeston
René Crevel
Dorothy Richardson
Sergei Eisenstein
Hans Sachs
Charing Cross Road
Anton Zwemmer
Academy cinema
Oxford Street
, Nos. 1-6
Volume II, Nos. 1-6
Volume III, Nos. 1-6
Volume IV, Nos. 1-6
Volume V, Nos. 1-6
Volume VI, Nos. 1-6
Volume VII, Nos. 1-6
Volume VIII, Nos. 1-4
Volume IX, Nos. 1-4
Volume X, Nos. 1-4
"Close Up –An Essay (Geoffrey Nowell-Smith)"
the original
"BFI Screenonline: Early Film Criticism"
"All Voices – Close Up"

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