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230:(1947), was to have been set partly in Singapore. It was to show the reunion of a planter and his wife a few months after the end of World War II. It then was to quickly move 300 miles north to their rubber estate, on and near which the main action was to unfold. The plot revolved around incidents in the struggle of the couple to restore their war-wrecked plantation to productivity in the face of discouraging odds created by intriguing natives, wild animals and nature's angry moods. This film was never completed.
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149:(1932) was Elliott and Frank Buck's most successful and popular film. Unlike most other jungle pictures of the time, Elliott kept the camera in the background. Neither the camera nor the cameramen are visible in any of the scenes. The result is a clearer conception of the clashes between tigers, pythons, and crocodiles than had been achieved in previous films.
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Elliott was born in Ord, Nebraska, and was a class of 1909 alumnus of the
University of Nebraska, and was a newspaper reporter, advertising solicitor and advertising promotion manager before entering the motion picture Industry. He founded Post Pictures Corporation in 1919, to make nature films
191:. They are forced down in the Gobi Desert, taken prisoner by a nomad tribe, finally escape and, after a series of adventures which include a fight with river pirates, return to Shanghai. This movie was never made.
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179:), two camera men (Carl Berger and Robert Miller), one assistant director, a business manager, a sound man (Zultan Kagel) and one American actor, whom Elliott hoped would be "a cross between
107:(July 23, 1885 – June 12, 1959) was an American motion picture director, producer, and writer. He is best known for animal films, especially
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was not "doctored" with scenes made at the studio of white girls lost in the jungle, a process, he claimed, by which
Paramount had ruined
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Clyde E. Elliott. Past
Failures and Future Possibilities of Once Popular Animal Films Are Examined by a Veteran Director.
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James O. Spearing. The
Difficulty in Finding an Actor Willing to Wage a Battle With a Python.
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Mordaunt Hall. Frank Buck's
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Frank Nugent. Toward
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485:Bring 'Em Back Alive: The Best of Frank Buck
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401:International Motion Picture Almanac
156:(1934), Elliott allowed his star,
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359:Bring 'Em Back Alive
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105:Clyde Ernest Elliott
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271:A Bit Old Fashioned
257:Trees, a Noble Folk
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340:References
207:Frank Buck
189:Marco Polo
109:Frank Buck
283:The City
117:(1932).
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