436:, it was also performed as part of a Biennial, but this time took place outside of El Espacio Aglutinador, a gallery in Havana. For this performance, as opposed to the two above, Fusco was not performing death itself, but rather burial. She was very much alive and animated in this performance, buried vertically up to her chest in the gallery's lawn, embodying the “belatedness of exile”, half-buried in Cuban soil. She remained like this for three hours, beginning at sunset, and rewriting the same letter over and over, offering the copies to observers (below, originally written in Spanish).
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effort to destabilize their meanings. She locates her own body not only as the site of their merging but also as their immediate product. She presents and communicates this through her actual performances themselves. In them, she creates and takes on multiple identities to destabilize those identities that have been historically imposed on bodies along colonial, racial, and gendered lines. Fusco also engages with legacies of Cuban exile in her work, as in some of her earlier performances where she stages
Catholic rituals and experiences of dislocation.
440:“My dear ones, I am writing this letter to tell you that I am alive. For many years I feared that if I told the truth you would suffer at the hands of those who buried another woman in my name. I can no longer stand not being able to tell you that I exist. Not a day has passed without my dreaming of you. Fortunately I can say that I recovered from the ordeal that resulted in my departure. I will send more news soon. With love, C.”
406:(1997): This is the first of several of Fusco's performances that relate death and burial to femininity in order to examine “why Latino cultures…are so fascinated with female creativity once it has been forever silenced. it is almost as if a violent death makes more acceptably feminine” (Fusco in Schultz 2008: 16) .
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was performed twice by Fusco, first in Canada, and again in
Colombia, for several hours each day during the three to four day run of the piece. In the performance, Fusco laid silently in a coffin, surrounded by roses and satin. In this performance, she carefully controlled her breathing and movements
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she remained still for the duration of the performance in order to blur the line between life and death. At the threshold of the room where she laid, a sign was posted that bore the name of the performance's title, which refers to the unfulfilled “last wish” of Fusco's own grandmother, as well as
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Much of Fusco's interdisciplinary art practice over the last several decades has been concerned with the themes of colonialism, power, race, gender, and history. Her exploration of these themes has culminated in staged performances that concern the embodied experiences of these phenomena, in an
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As a writer, Coco Fusco has focused on gender, race, colonialism, and power structures in Latin
America and around the world. Her body of work includes interviews, critical essays, and six published books.
421:, also involved Fusco playing dead for an audience. In it, she staged a traditional Catholic wake, laying on the floor of a parlor, wrapped in a white sheet and ringed with flowers and tea lights. As in
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and Latin
American performance art. In it, Fusco centers the aesthetic and cultural value of artistic expression and works against notions of reducing Latin American performance to "the political".
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informational materials posted as part of the performance piece. Audience members were invited to interact with them and could pay to take a photo or see them dance. The work was a
2155:"New Acquisitions: PĂ©rez Art Museum Miami Adds 13 Works to Collection, Diverse Slate of Artists Includes Kenturah Davis, Bisa Butler, Karon Davis, Coco Fusco, and Sonia Gomes"
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Heiferman, Marvin; Bolt, Tom; Juarez, Roberto; Hunt, David; Anglesey, Zoë; Krasnow, David; Turner, Grady T.; Rosler, Martha; Harvey, Matthea (2002-01-01). "Editor's Choice".
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Beckman, Karen (2009). "Gender, Power, and
Pedagogy in Coco Fusco's "Bare Life Study" #1 (2005), "A Room of One's Own" (2005), and "Operation Atropos" (2006)".
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2012:
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2014:
Latino
American Cinema: An Encyclopedia of Movies, Stars, Concepts, and Trends: An Encyclopedia of Movies, Stars, Concepts, and Trends
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603:(2003, edited with Brian Wallis), is the catalogue for a photography exhibition of the same name, curated by Fusco and Wallis at the
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2130:"Pérez Art Museum Miami Announces New Acquisitions by Thirteen Artists for Permanent Collection • Pérez Art Museum Miami"
364:, specifically of the role played by the scientific institutions in which it was performed, and a response to the global
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1402:. Acampora, Christa Davis, 1967-, Cotten, Trystan T., 1968-. Albany: State University of New York Press. 2007. pp.
1350:. Acampora, Christa Davis, 1967-, Cotten, Trystan T., 1968-. Albany: State University of New York Press. 2007. pp.
1298:. Acampora, Christa Davis, 1967-, Cotten, Trystan T., 1968-. Albany: State University of New York Press. 2007. pp.
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Fusco and Gómez-Peña put themselves on public display in a cage, in a satirical reference to the historical practice of
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2000) used the imagery of death and burial to highlight the social restrictions and oppression experienced by women in
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607:, which looked at racial imagery in photography and the representation of racial attitudes in the United States.
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Taylor, Diana (1998-01-01). "A Savage
Performance: Guillermo Gómez-Peña and Coco Fusco's "Couple in the Cage"".
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https://www.cocofusco.com/bio#:~:text=She%20is%20a%20recipient%20of,Writing%20Award%2C%20a%202013%20Fulbright
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and participating in the visual arts scene there, until in the mid-1990s she withdrew as a result of post-
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Veneciano, Jorge Daniel (2005-01-01). Fusco, Coco; Wallis, Brian (eds.). "Tinting the
American Subject".
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New York: International Center of
Photography in Association with Harry N. Abrams, Inc. Publishers, 2003.
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468:, especially those related to women and food. The piece makes a link between historical references to
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Rivera-Servera, RamĂłn H. (2001-01-01). "Review of Corpus
Delecti: Performance Art of the Americas".
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Schultz, Stacy (Spring–Summer 2008). "Latina Identity: Reconciling Ritual, Culture, and Belonging".
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Fusco has presented performances and videos in arts festivals worldwide, including the 56th
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1458:
Amich, Candice (October 2009). "Playing Dead in Cuba: Coco Fusco's Stagings of Dissensus".
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940:
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252:
251:, and Performa05. She is the recipient of the 2016 Greenfield Prize in Visual Art, a 2014
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1627:
Allatson, Paul, "Coco Fusco, Guillermo Gómez-Peña, and 'American' Cannibal Reveries". In
1399:
Unmaking race, remaking soul : transformative aesthetics and the practice of freedom
1347:
Unmaking race, remaking soul : transformative aesthetics and the practice of freedom
1295:
Unmaking race, remaking soul : transformative aesthetics and the practice of freedom
993:
Allatson, Paul. "Coco Fusco, Guillermo Gómez-Peña, and 'American' Cannibal Reveries." In
611:(2001) is a collection of essays and interviews investigating the legacy of colonialism.
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2224:, May 6, 2014. Article Fusco wrote on the controversy around the 2014 Whitney Biennial.
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Copeland, Colette. "Art, Gender, Power, and the F Word: An Interview with Coco Fusco."
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After finishing graduate school in 1985, Fusco met a group of Cuban artists, including
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623:(1995) was her first collection of interviews and essays, for which she won the 1995
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432:(2000): This performance continues Fusco's exploration of womanhood and death. Like
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whose work has been exhibited and published internationally. Fusco's work explores
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2013 Guggenheim Fellowship, 2013 Absolut Art Writing Award, 2003 Herb Alpert Award
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544:
Observations of Predation In Humans: A Lecture by Dr. Zira, Animal Psychologist
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2218:"One Step Forward, Two Steps Back? Thoughts about the Donelle Woolford Debate"
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for one year. Fusco currently serves as the Andrew Banks Endowed Chair at the
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This letter is adapted from another of Fusco's works, a one act play entitled
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as entertainment. They claimed to be natives of an undiscovered island in the
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1000:
Amich, Candice. "Playing Dead in Cuba: Coco Fusco's Stagings of Dissensus."
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1021:
Cenini, Martha. "Coco Fusco's Room: Rethinking Feminism after Guantanamo".
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1796:
Dolan, Jill (2009-01-01). Fusco, Coco (ed.). "The Art of Interrogation".
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Cotter, Holland. "Caught on Video: Fantasy Interrogation, Real Tension".
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appointment and served as the Distinguished Chair in the Visual Arts at
579:(2015) is a history of public space, performance, and identity in Cuba.
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2202:"Coco Fusco's 'Operation Atropos': Fantasy Interrogation, Real Tension"
1997:
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1548:"BOMB Magazine — Coco Fusco and Guillermo Gómez-Peña by Anna Johnson"
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318:
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1989:
1629:
Latino Dreams: Transcultural Traffic and the U.S. National Imaginary
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Latino Dreams: Transcultural Traffic and the U.S. National Imaginary
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1976:
Kranz, Rachel (1995-01-01). Fusco, Coco (ed.). "Culture Crosser".
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The Subversive Imagination: Artists, Society, and Responsibility.
531:" used performance to examine the expanding role of women in the
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682:
678:
621:
English Is Broken Here: Notes on Cultural Fusion in the Americas
225:
2342:
Couple in The Cage: Two Undiscovered Amerindians Visit the West
2245:
557:
using the perspective of the non-human character to comment on
587:(2005), examines the sexualized role of women in US military
665:
Fusco a recipient of a 2018 Rabkin Prize for Art Criticism.
2063:"Coco Fusco | College of the Arts | University of Florida"
1773:"Artist Coco Fusco On Her New Book About Politics in Cuba"
1631:. Amsterdam and New York: Rodopi Press, 2002, pp. 253–306.
352:, and performed tasks and rituals that were explained by
2038:
1955:. Ann Arbor: University of Michigan Press. p. 174.
426:
many other Cuban exiles, to return to Cuba to be buried.
285:
In 1992 Fusco created the influential performance piece
820:
A Room of One's Own: Women and Power in the New America
585:
A Room of One's Own: Women and Power in the New America
525:
A Room of One's Own: Women and Power in the New America
513:
to explore themes of race, identity, and the legacy of
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Only Skin Deep: Changing Visions of the American Self.
1952:
Latinx Shakespeares: Staging US Intracultural Theater
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Third International Performance Art Festival (1999),
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Only Skin Deep: Changing Visions of the American Self
2087:"Artist Talk: Coco Fusco on The Art of Intervention"
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Fusco, Coco; Bustamante, Nao (1997-01-01). "STUFF".
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1211:, Alexander Gray Associates. Retrieved 2014-11-23.
816:(2006), The Hungarian Cultural Center, New York, NY
224:, who were visiting the US. She began traveling to
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1095:Art Matters: How the Culture Wars Changed America.
417:(1997): This piece, performed in Cuba at the 1997
1081:Dangerous Moves: Performance and Politics in Cuba
577:Dangerous Moves: Performance and Politics in Cuba
1116:Pasos peligrosos. Performance y polĂtica en Cuba
609:The Bodies that Were Not Ours and Other Writings
2091:Center for Latin American and Caribbean Studies
1723:"Coco Fusco talks about her latest performance"
1060:Corpus Delecti: Performance Art of the Americas
1004:, vol. 34, no. 3, Oct. 2009, pp. 267–277.
613:Corpus Delecti: Performance Art of the Americas
232:political and cultural changes in the country.
1048:. May 30, 2006, Section E/Column 1, p. 3.
891:Alexander Gray Associates (2016), New York, NY
583:(2008), a companion volume to her performance
2257:
1032:, vol. 35, no. 5, Mar/Apr2008, pp. 4–6.
997:. Amsterdam and New York: Rodopi Press, 2002.
8:
1748:"Uncaged: Coco Fusco and Planet of the Apes"
660:College of the Arts at University of Florida
329:. The performance was filmed as part of the
1270:"Yale University School of Art: Coco Fusco"
810:(2005), Jack Shainman Gallery, New York, NY
2264:
2250:
2242:
1680:Framework: The Journal of Cinema and Media
1097:New York: New York University Press, 1999.
983:(1993) 31:00 min, B&W and color, sound
981:The Couple in the Cage: Guatianaui Odyssey
951:(The Message in a Bottle from MarĂa Elena)
630:Fusco has taught on the arts faculties of
430:El Evento Suspendido (The Postponed Event)
394:El Evento Suspendido (The Suspended Event,
29:
18:
16:Cuban-American artist, writer, and curator
2110:. Anonymous Was A Woman. November 9, 2021
1186:"BOMB Magazine — Coco Fusco by Elia Alba"
2406:Mattress Performance (Carry That Weight)
1088:Performing the Body/Performing the Text.
527:(2005) were created in response to the "
1136:
1062:. London and New York: Routledge, 2000.
2382:How to Explain Pictures to a Dead Hare
1569:
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1447:
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1323:
1222:"Cuban Artists at the Venice Biennale"
1074:A Field Guide for Female Interrogators
593:A Field Guide for Female Interrogators
581:A Field Guide for Female Interrogators
561:. The performance was commissioned by
411:so as to appear like an actual corpse.
200:in Modern Thought and Literature from
2153:Valentine, Victoria L. (2021-08-21).
1644:, Project MUSE. Retrieved 2014-11-23.
1499:
1497:
1090:London and New York: Routledge, 1999.
1076:, New York, Seven Stories Press, 2008
615:(2000) is a scholarly work surveying
7:
3222:Hispanic and Latino American artists
1180:
1178:
1176:
1156:Performance: A Critical Introduction
1148:
1146:
1144:
1142:
1140:
939:Coco Fusco works distributed by the
908:American Academy of Arts and Letters
798:Collection Remixed: Learning to Read
675:Havana Postmodern: The New Cuban Art
3157:21st-century American women artists
3147:20th-century American women artists
605:International Center of Photography
3182:American women performance artists
975:Pochonovela: A Chicano Soap Opera
14:
2212:Description of Fusco performances
913:Free Speech Defender Award (2023)
862:Contemporary Arts Museum, Houston
781:The Incredible Disappearing Woman
652:Fundação Armando Alvares Penteado
444:The Incredible Disappearing Woman
3172:American people of Cuban descent
3162:21st-century Cuban women artists
3152:20th-century Cuban women artists
971:(2004) 31:00 min, B&W, sound
948:La Botella al Mar de MarĂa Elena
765:(2000), El Espacio Aglutinador,
342:Two Undiscovered Amerindians...,
297:. It was first presented at the
737:Field Museum of Natural History
715:Field Museum of Natural History
565:and premiered in December 2013.
546:(2013), Fusco performed as the
506:. Fusco performed dressed as a
496:before touring internationally.
415:El Ultimo Deseo (The Last Wish)
390:El Ultimo Deseo (The Last Wish,
280:Two Undiscovered Amerindians...
208:in Art and Visual Culture from
3167:Alumni of Middlesex University
3106:Survival Research Laboratories
2011:Baugh, Scott L. (2012-04-13).
1460:Theatre Research International
1153:Carlson, Marvin (2013-12-16).
1055:New York: The New Press, 1995.
1002:Theatre Research International
977:(1996) 26:38 min, color, sound
965:(2006) 59:00 min, color, sound
929:Museum of Modern Art, New York
918:Public collections (selection)
850:Whitney Museum of American Art
725:Whitney Museum of American Art
486:Institute of Contemporary Arts
96:Interdisciplinary art, writing
1:
2105:"Anonymous Was A Woman Award"
1582:(1): 13–20 – via JSTOR.
757:Rhode Island School of Design
456:(1996), a collaboration with
3177:American performance artists
3003:LaBeouf, Rönkkö & Turner
1721:ExpĂłsito, As told to Frank.
125:Juliana Emilia Fusco Miyares
42:Juliana Emilia Fusco Miyares
3197:Columbia University faculty
1978:The Women's Review of Books
1949:Della Gatta, Carla (2023).
1798:The Women's Review of Books
959:(2015) 30:00, color, sound.
953:(2015) 44:00, color, sound.
902:Anonymous Was A Woman Award
747:Washington State University
730:Fundacion Banco Patricios,
563:The Studio Museum in Harlem
490:National Review of Live Art
460:, took a satirical look at
3243:
3212:Stanford University alumni
3202:Cuban contemporary artists
3187:Artists from New York City
2310:Breathing in/breathing out
1518:10.1162/dram.1998.42.2.160
1104:New York: New Press, 1998.
1018:New York: Routledge, 1994.
790:Shanghai Biennial (2003),
681:Latino Consortium and for
169:Fusco was born in 1960 in
3217:Temple University faculty
3207:Interdisciplinary artists
3008:Los Angeles Urban Rangers
1746:Alba, Elia (2014-08-05).
1472:10.1017/S030788330999006X
969:a/k/a Mrs. George Gilbert
703:Brooklyn Academy of Music
699:La Chavela Realty Company
646:. In 2014 she received a
482:Highway Performance Space
340:. During performances of
323:Museum of Natural History
159:interactive installations
28:
3227:American women academics
3101:Performance art in China
2366:Empathy and Prostitution
2238:Magazine, July 15, 2014.
1640:Weatherstone, Rosemary.
711:(1992), Washington, D.C.
640:Parsons School of Design
599:T. R. Fyvel Book Award.
595:was shortlisted for the
500:Rights of Passage (1997)
243:(2021, 2008, 1993), the
165:Early life and education
161:, and critical writing.
3192:Brown University alumni
2494:The Death of The Artist
2390:I'm too sad to tell you
1246:"2008 WHITNEY BIENNIAL"
1083:, Tate Publishing, 2015
1053:English is Broken Here.
882:(2014), Minneapolis, MN
868:Studio Museum in Harlem
772:House of World Cultures
732:Buenos Aires, Argentina
709:Smithsonian Institution
488:, and premiered at the
346:exhibiting human beings
59:New York City, New York
2942:Mierle Laderman Ukeles
2334:Ceci N'est Pas Un Viol
2134:PĂ©rez Art Museum Miami
1434:: CS1 maint: others (
1382:: CS1 maint: others (
1330:: CS1 maint: others (
1118:España: Turner, 2017.
1111:London: Phaidon, 2000.
1102:Black Popular Culture.
1058:Fusco, Coco (editor).
924:PĂ©rez Art Museum Miami
448:
370:Christopher Columbus's
334:The Couple in the Cage
293:in collaboration with
261:Rockefeller Foundation
127:; June 18, 1960) is a
2534:Untitled (Rape Scene)
2486:The Artist Is Present
2296:Amen or The Pederasty
824:Performance Space 122
625:Critics' Choice award
504:Johannesburg Biennale
437:
380:Selected performances
313:, then toured to the
257:Guggenheim Fellowship
2677:Guillermo Gómez-Peña
1920:10.1353/tj.2001.0020
1226:www.cubanartnews.org
888:(2015) Venice, Italy
876:(2013), New York, NY
870:(2013), New York, NY
846:The Whitney Biennial
842:(2008), New York, NY
763:El Evento Suspendido
721:The Whitney Biennial
669:Selected exhibitions
570:Writing and Teaching
502:was created for the
480:was commissioned by
466:cultural stereotypes
404:Better Yet When Dead
386:Better Yet When Dead
295:Guillermo Gómez-Peña
210:Middlesex University
149:, and power through
113:http://cocofusco.com
86:Middlesex University
2732:Natalie Jeremijenko
2374:Food for the Spirit
1576:Woman's Art Journal
864:(2012), Houston, TX
792:Shanghai Art Museum
749:Museum, Pullman, WA
636:Columbia University
597:Index on Censorship
202:Stanford University
173:. Her mother was a
82:Stanford University
3111:Viennese Actionism
2988:COUM Transmissions
2907:Carolee Schneemann
2752:Ragnar Kjartansson
2526:Three Weeks in May
2206:The New York Times
1692:10.1353/frm.0.0053
1109:The Artist's Body.
1100:Wallace, Michele.
1045:The New York Times
553:Planet of the Apes
539:in its operations.
245:Next Wave Festival
3124:
3123:
3096:Participatory art
2937:Melati Suryodarmo
2822:Charlotte Moorman
2470:Seven Easy Pieces
2222:The Brooklyn Rail
1865:. 22 January 2004
963:Operation Atropos
910:Arts Award (2021)
880:Walker Art Center
858:(2012), Miami, FL
794:, Shanghai, China
656:SĂŁo Paulo, Brazil
632:Temple University
472:and contemporary
315:Australian Museum
287:Two Undiscovered
253:Cintas Fellowship
241:Whitney Biennials
184:Fusco received a
177:who had fled the
132:interdisciplinary
118:
117:
3234:
3043:Kusama: Infinity
2922:Barbara T. Smith
2897:Rachel Rosenthal
2842:Pauline Oliveros
2562:Marina Abramović
2266:
2259:
2252:
2243:
2200:Holland Cotter,
2169:
2168:
2166:
2165:
2150:
2144:
2143:
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2126:
2120:
2119:
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2109:
2101:
2095:
2094:
2083:
2077:
2076:
2074:
2073:
2059:
2053:
2052:
2050:
2049:
2035:
2029:
2028:
2008:
2002:
2001:
1973:
1967:
1966:
1946:
1940:
1939:
1903:
1897:
1896:
1880:
1874:
1873:
1871:
1870:
1855:
1849:
1848:
1837:10.2307/20068372
1820:
1814:
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1743:
1737:
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1712:
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1686:(1/2): 125–138.
1675:
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1590:
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1559:
1558:
1552:bombmagazine.org
1544:
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1206:
1200:
1199:
1197:
1196:
1190:bombmagazine.org
1182:
1171:
1170:
1150:
1093:Wallace, Brian.
1014:Becker, Carl L.
759:, Providence, RI
517:in South Africa.
476:relationships.
368:celebrations of
354:pseudoscientific
194:Brown University
179:Cuban revolution
78:Brown University
55:
51:
49:
33:
19:
3242:
3241:
3237:
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3231:
3127:
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3120:
3049:
3022:
2966:
2702:Newton Harrison
2642:James Lee Byars
2602:Rebecca Belmore
2577:Laurie Anderson
2548:
2542:Untitled , 2008
2414:One & Other
2275:
2273:Performance art
2270:
2196:Video Data Bank
2187:Fusco's website
2183:
2172:
2163:
2161:
2152:
2151:
2147:
2138:
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2127:
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2102:
2098:
2085:
2084:
2080:
2071:
2069:
2061:
2060:
2056:
2047:
2045:
2039:"cocofusco.com"
2037:
2036:
2032:
2025:
2010:
2009:
2005:
1990:10.2307/4022231
1975:
1974:
1970:
1963:
1948:
1947:
1943:
1908:Theatre Journal
1905:
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1900:
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1607:10.2307/1146661
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1203:
1194:
1192:
1184:
1183:
1174:
1167:
1152:
1151:
1138:
1134:
1086:Jones, Amelia.
990:
941:Video Data Bank
937:
935:Selected videos
920:
898:
886:Venice Biennale
856:Art Basel Miami
776:Berlin, Germany
744:Odense, Denmark
717:(1992), Chicago
695:, San Francisco
671:
572:
535:and the use of
523:#1 (2005), and
521:Bare Life Study
434:El Ultimo Deseo
419:Havana Biennial
382:
283:
237:Venice Biennale
218:
167:
61:
56:
53:
47:
45:
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43:
24:
17:
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3078:
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3068:
3063:
3057:
3055:
3051:
3050:
3048:
3047:
3039:
3035:Mondo New York
3030:
3028:
3024:
3023:
3021:
3020:
3015:
3010:
3005:
3000:
2995:
2990:
2985:
2980:
2974:
2972:
2968:
2967:
2965:
2964:
2959:
2957:Robert Whitman
2954:
2949:
2944:
2939:
2934:
2929:
2924:
2919:
2914:
2909:
2904:
2899:
2894:
2889:
2884:
2882:Dorothy Podber
2879:
2877:Petr Pavlensky
2874:
2869:
2864:
2859:
2854:
2849:
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2834:
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2774:
2769:
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2754:
2749:
2744:
2739:
2734:
2729:
2724:
2722:Tehching Hsieh
2719:
2714:
2709:
2704:
2699:
2694:
2689:
2684:
2679:
2674:
2669:
2664:
2659:
2654:
2649:
2644:
2639:
2634:
2632:Nancy Buchanan
2629:
2624:
2622:Stuart Brisley
2619:
2614:
2609:
2604:
2599:
2597:Matthew Barney
2594:
2589:
2584:
2579:
2574:
2569:
2564:
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2556:
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2547:
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2514:
2506:
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2426:
2418:
2410:
2402:
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2314:
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2300:
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2276:
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2240:
2239:
2225:
2214:
2209:
2208:, May 30, 2006
2198:
2189:
2182:
2181:External links
2179:
2171:
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2003:
1968:
1961:
1941:
1914:(1): 172–173.
1898:
1875:
1850:
1831:(1): 113–115.
1815:
1788:
1771:Banks, Grace.
1763:
1752:Art21 Magazine
1738:
1713:
1670:
1646:
1642:"Stuff review"
1633:
1620:
1585:
1563:
1539:
1512:(2): 160–175.
1493:
1466:(3): 267–277.
1441:
1412:
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1237:
1213:
1201:
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1105:
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1070:
1063:
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1049:
1040:
1026:
1025:vol. 30, 2012.
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871:
865:
859:
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852:, New York, NY
843:
837:
827:
826:, New York, NY
817:
811:
805:
804:, New York, NY
795:
788:
778:
769:
760:
750:
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734:
728:
727:, New York, NY
718:
712:
706:
705:, Brooklyn, NY
696:
693:Mexican Museum
686:
670:
667:
589:interrogations
571:
568:
567:
566:
559:human behavior
550:Dr. Zira from
540:
518:
497:
458:Nao Bustamante
451:
450:
449:
427:
412:
398:Latin American
381:
378:
350:Gulf of Mexico
336:, directed by
291:Visit the West
282:
277:
217:
214:
204:in 1985 and a
166:
163:
137:, writer, and
129:Cuban-American
116:
115:
110:
106:
105:
102:
98:
97:
94:
93:Known for
90:
89:
75:
71:
70:
69:Cuban-American
67:
63:
62:
57:
41:
39:
35:
34:
26:
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3143:
3142:Living people
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3114:
3112:
3109:
3107:
3104:
3102:
3099:
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3089:
3087:
3086:Hunger artist
3084:
3082:
3079:
3077:
3074:
3072:
3069:
3067:
3066:Endurance art
3064:
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2935:
2933:
2930:
2928:
2927:Michael Smith
2925:
2923:
2920:
2918:
2917:Aliza Shvarts
2915:
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2905:
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2902:Martha Rosler
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2862:Nam June Paik
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2832:Shirin Neshat
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2812:Linda Montano
2810:
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2802:Marta MinujĂn
2800:
2798:
2797:Eric Millikin
2795:
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2782:Phoebe Legere
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2713:
2712:Lynn Hershman
2710:
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2692:David Hammons
2690:
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2682:Cai Guo-Qiang
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2234:(interview),
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2043:cocofusco.com
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2024:9780313380372
2020:
2016:
2015:
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1962:9780472055777
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1887:(80): 16–22.
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1166:9781136498725
1162:
1159:. Routledge.
1158:
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1127:
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1121:
1117:
1114:Fusco, Coco.
1113:
1110:
1107:Warr, Tracy.
1106:
1103:
1099:
1096:
1092:
1089:
1085:
1082:
1079:Fusco, Coco.
1078:
1075:
1072:Fusco, Coco.
1071:
1068:
1065:Fusco, Coco.
1064:
1061:
1057:
1054:
1051:Fusco, Coco.
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808:Black Panther
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2807:Kent Monkman
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1825:Art Journal
1250:whitney.org
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785:ICA, London
685:'s Hispanic
533:US military
511:policewoman
470:cannibalism
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400:countries.
392:1997), and
372:arrival in
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289:Amerindians
181:that year.
175:Cuban exile
151:performance
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3131:Categories
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2892:Duke Riley
2857:Eiko Otaki
2847:Mihai Olos
2792:Miki Malör
2787:James Luna
2757:Yves Klein
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2672:Coco Fusco
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2510:The Shadow
2398:Luminosity
2192:Coco Fusco
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2139:2023-03-07
2072:2017-03-12
2048:2017-03-12
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1869:2017-03-12
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1664:2017-03-12
1557:2017-03-12
1279:2017-03-12
1255:2017-03-12
1231:2017-03-12
1195:2017-03-11
1132:References
1030:Afterimage
1023:n.paradoxa
874:New Museum
836:, New York
814:My Country
222:José Bedia
121:Coco Fusco
48:1960-06-18
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3091:monochrom
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2867:Gina Pane
2697:Jo Hanson
2667:Terry Fox
2652:Papo Colo
2582:Ron Athey
2518:The Shame
2430:Rhythm 10
2393:(1970–71)
2350:Cut Piece
2345:(1992–93)
2288:7000 Oaks
2228:Elia Alba
1936:191319404
1863:NYMag.com
1708:144480631
1488:154966038
1480:0307-8833
1430:cite book
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462:globalism
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212:in 2007.
190:Semiotics
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2978:Ant Farm
2852:Yoko Ono
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3054:Other
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