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Coon cards—which were representative of general racial attitudes of the era and conveyed and perpetuated ideas about "appearance, behavior, and overall identity"—depict Black people as "subhuman, ape-like beasts." African
Americans were depicted with "protruding jaws and chins" that aligned their low
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These images benefited whites as well as harming Black people by promoting a sense of in-group solidarity among whites and social superiority to an "othered" out-group. Coon cards were used by whites to send routine "holiday greetings, exchanges of neighborhood gossip, expressions of concern for
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and for the bank of cultural imagery included in the postcard illustrations reflecting historic popular culture norms and tropes. Coon cards were produced by white manufacturers for white customers and depicted an array of
African Americans stereotypes common to the popular media of the day. The
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caricature was part of the popular appeal of the postcards as "image content was clearly driven by free market forces, rather than the intention to present an accurate depiction of people, places, or things." For example, children were typically depicted as
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Especially after the turn-of-the-century, "the postcard was wildly successful both as correspondence and collectible" and are thus postcards are valuable sources for cultural historians as both a form of
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445:"The Long Way from the Gold Dust Twins to the Williams Sisters: Images of African American Children in Selected Nineteenth- and Twentieth-Century Print Media"
95:, watermelon, cotton, lack of conscientiousness, laziness, ribaldry, sexual promiscuity, domestic violence, gambling, alcoholism, cannibalism, and farts.
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37:
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374:(60). First International Conference on the History of Records and Archives. The Journal of the Association of Canadian Archivists: 167–184.
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115:, elongated limbs, and enlarged extremities contributed to the "simianizing" of Black people in postcard images of the coon card era.
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87:. African American adults were depicted as intellectually and morally inferior to whites and were associated with
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232:"Coons in a Cotton Shed" photochrom postcard published by the Detroit Photographic Company, circa 1897-1924
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406:"Postcards from the Edge of the Color Line: Images of African Americans in Popular Culture, 1893–1917"
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130:. Coon cards are distinct from, but related to, the equally collectible genre of
244:"You would laugh too, if you had seen, What the Moon saw on Halloween." Fold-out
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248:, early 1900s, United States. (Black Americana at Howard Bernard Collectibles)
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368:""A Murmur of Small Voices": On the Picture Postcard in Academic Research"
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Johns
Hopkins University African-American real photo postcard collection
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bed-ridden loved ones, and declarations of familial and romantic love."
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You're invited here for the… Big blow out!, Galveston Beach, Texas
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494:"On the Verso: Postcard Messages as a Key to Popular Prejudices"
527:""Coon Cards": Racist Postcards Have Become Collectors' Items"
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Hagenbüchle, Roland; Raab, Josef; Messmer, Marietta (2000).
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status in a pseudoscientific racial hierarchy outlined by
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sold in the United States in the 19th and 20th centuries.
451:, New York: Palgrave Macmillan US, pp. 119–136,
25:Tennessee news dealer lists coon cards for sale (
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570:(2nd ed.). Enka, N.C.: Colonial House.
339:Negotiations of America's National Identity
122:Coon cards are now considered collectible
615:History of postcards in the United States
531:The Journal of Blacks in Higher Education
404:Mellinger, Wayne Martin (November 1992).
263:History of postcards in the United States
63:was a commonly used derogatory term for
16:Postcards with anti-black racist imagery
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625:Anti-black racism in the United States
159:"How Ink Is Made" postcard, published
128:history of racism in the United States
184:by Detroit Pub. Co. (NYPL Collection)
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366:Ferguson, Sandra (September 2006).
177:"A Treed Coon" postcard, published
126:and a useful tool for studying the
510:10.1111/j.0022-3840.1988.2203_15.x
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492:Baldwin, Brooke (December 1988).
208:"Happy little Dahkies" (NBY 8333)
620:Stereotypes of African Americans
308:"Souvenir Post cards display ad"
288:Nadir of American race relations
283:Stereotypes of African Americans
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314:. September 26, 1905. p. 6
498:The Journal of Popular Culture
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342:. Stauffenburg. p. 262.
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273:Ethnic stereotypes in comics
457:10.1007/978-1-349-73165-7_8
449:African American Childhoods
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567:Black postcard price guide
533:(25): 72–73. Autumn 1999.
564:Mashburn, J. L. (1999).
422:10.1525/si.1992.15.4.413
312:Chattanooga Daily Times
196:Sent from New York City
27:Chattanooga Daily Times
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73:epistolary literature
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443:King, Wilma (2005),
410:Symbolic Interaction
38:anti-Black, racist
31:
466:978-1-4039-6251-5
349:978-3-86057-343-3
278:Lynching postcard
138:Additional images
83:or being used as
81:eating watermelon
65:African-Americans
41:picture postcards
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78:pickaninnies
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182: 1900
164: 1900
113:pigeon toes
89:cakewalking
609:Categories
472:2023-02-26
372:Archivaria
318:2023-03-01
294:References
34:Coon cards
630:Postcards
430:0195-6086
380:1923-6409
268:Coon song
586:41002879
257:See also
124:ephemera
109:Bug eyes
547:2999393
53:raccoon
29:, 1905)
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543:JSTOR
105:et al
55:, an
36:were
582:OCLC
572:ISBN
461:ISBN
426:ISSN
376:ISSN
344:ISBN
61:coon
49:Coon
43:and
535:doi
506:doi
453:doi
418:doi
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518:^
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
