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Color print film

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296:, ozone and nitrogen oxides. For the best prolonged storage and protection, placing the prints in polyester uncoated sleeves and then into an envelope seals it from further damage. When it comes to storing them, the optimal temperature would be at 2 Â°C, as it is found to be the most effective preservation temperature when it comes to a mass collection of colored photographic film prints. It is best to keep the color prints away from strong sunlight exposure for prolonged periods of time because it may result in the decay of the gelatin layer as well as a significant fade in the dye found in the print. Similar to that of watercolors and textiles, dyes in color prints are prone to fade as well when exposed to too much light. Color photographs are susceptible to build stains if stored in dark fully for prolonged periods of time as well, for example, an area of white in a photograph can change into yellow. Therefore, it is key to not store them in an area where they are exposed to long periods of light and/or long periods of dark, there should be a balance. Prime examples of places to store the color prints are: durable binders, cabinets, trays or rigid boxes. 240: 175: 2042: 2053: 36: 305:
swabs or using a specialized cleaning pad to dry wipe the surface of the print is also another method to clean it. Remember to never wash photographs until the gelatin layer is dry and stables. Furthermore, never attempt chemical treatments on color photographs because they can get distorted and destroy the image as a whole.
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It is important to keep the prints protected from physical damage from as little as a fingerprint to as much as scratches that can destroy them completely. Storage for prints that are developed from color print film should be free of any unsafe, harmful chemicals, specifically referring to peroxides,
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If there is a chance that the prints got dirty, there are several effective methods that can be undertaken to clean them carefully without damaging them. First off is using a soft brush that can remove surface dirt on the print. Make sure to lightly brush the dirt off of the print. Damping cotton
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Color negatives are prone to damage through fingerprints and tears. It is accepted professional practice to avoid bending, folding or rolling up negatives or their sleeves, and to wear nylon or cotton gloves when handling negatives.
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Generally, color prints are more sensitive to temperature and light as opposed to black and white film, therefore there are more precautions to take when trying to protect and optimize the lifespan of them.
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prints, which date to the early 20th century. Initially a two-color process, it became three-color, more accurate, and more durable with the 1935 introduction of Eastman Kodak’s Company’s
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Several types of color print film have been manufactured for different film-developing processes. They often contain separate layers, each sensitive to a different color of light.
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Higher ISO film have more visible grain, it requires a lower exposure because it is more sensitive to light.
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Lower ISO film have less visible grain, and it requires a higher exposure as it is less sensitive to light.
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Almost all color print film made today is designed to be processed according to the
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when it is developed, requiring it to be reversed again when it is printed onto
35: 185: with: structure and chemistry of common color film types. You can help by 2017: 1539: 1519: 1433: 1423: 1284: 1249: 1224: 1153: 893: 878: 858: 740: 676: 592: 538: 133: 1931: 1504: 1466: 1428: 1324: 1214: 681: 644: 639: 624: 577: 560: 137: 53: 17: 1524: 1339: 836: 766: 634: 555: 550: 1564: 713: 659: 1111: 528: 478: 394:"The absolute beginner's guide to film photography: Color print film" 1779: 1194: 654: 437: 433: 234: 169: 29: 348:"Care of Colour Photographic Materials - CCI Notes 16/5" 251: 186: 57: 1993: 1940: 1845: 1788: 1694: 1578: 1490: 1442: 1182: 949: 749: 471: 350:. Canadian Conservation Institute. Archived from 27:Photographic film that produces color negatives 140:. Color print film is the most common type of 449: 8: 62:introducing citations to additional sources 2001:Conservation and restoration of photographs 136:film, followed a year later Agfa Company’s 1738:Comparison of digital and film photography 456: 442: 434: 1958:Photographs considered the most important 342: 340: 338: 336: 52:Relevant discussion may be found on the 332: 144:in consumer use. Print film produces a 163:Technologies: structure and chemistry 7: 322: â€“ Color motion picture process 1953:Museums devoted to one photographer 1500:Timeline of photography technology 25: 2051: 2041: 2040: 238: 173: 45:relies largely or entirely on a 34: 2052: 231:C-41 process § Film layers 315:List of photographic processes 205:Common types of film include: 1: 1550:Painted photography backdrops 1482:Golden triangle (composition) 757:35 mm equivalent focal length 1260:Intentional camera movement 2100: 1948:Most expensive photographs 1305:Multi-exposure HDR capture 228: 2036: 1882:Digital image processing 1555:Photography and the law 283:Preserving color prints 2084:Photographic processes 1902:Gelatin silver process 926:Science of photography 911:Photographic processes 889:Perspective distortion 2079:Photography equipment 1360:Schlieren photography 899:Photographic printing 822:Exposure compensation 300:Cleaning color prints 274:Handling of negatives 1144:Straight photography 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Index

Color film

single source
talk page
improve this article
introducing citations to additional sources
"Color print film"
news
newspapers
books
scholar
JSTOR
color photographic
Kodachrome
Agfacolor
photographic film
negative image
photographic paper
C-41 process

adding to it
C-41 process § Film layers

adding to it
sulfur dioxide
List of photographic processes
Technicolor


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