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473:. Although the German technology promised the use of one and the same material for different purposes, ranging from photographic negative film for prints to photographic slides and motion picture films, it took another three years—until July 1939—for any German motion picture film studio to experiment with the film.
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caused by solar altitude at different times of day. Thus, outdoor shots were difficult to handle: A lawn in front of a castle appeared completely yellow, later brown, then bluish. The technology was not fully developed, and Agfa labs were virtually using the shooting of the film as testing grounds
460:
Realizing they were at least one year behind their
American competitors, German technicians decided to steer away from Kodak's approach to capturing color images on film and invested in their own technology. Their work bore fruits in the summer of 1936, when chemical engineers of the
511:(1937) made him realize that Hollywood feature films presented a threat to Germany's internal market, and that Hollywood's dominance of color film technology should be matched, at least if Germany was serious about engaging in a cultural war with the US and Britain.
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in
September 1942 and was awarded for its outstanding technical quality, and actress Kristina Söderbaum won an acting award. Shot by cameraman Werner Krien, who had done black-and-white pictures before, and assisted by special effects specialist
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of the film: with
Kodachrome, the dye couplers had to be introduced one at a time during a very complicated development procedure that required special equipment and could only be done at a Kodak processing plant.
808:(1956), the final film shot on this film stock. Anscochrome films for still photography were manufactured until 1977. Agfacolor was used in one of the first color French comedy and topless films with
715:'s films used it as well. Sovcolor was known for the variable quality of its colors, which led to continuity errors as colors changed between scenes; more prestigious productions used imported
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and the regime's last major propaganda feature film. A significant number of
Agfacolor movies shot between 1939 and 1945 survived the war, but most of them exist only in fragments today.
563:
for their new stock, continually changing the formula throughout the shoot based upon unsatisfactory results, so that entire scenes had to be repeated once a new formula was being tested.
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opened in
October 1941. Despite its rather weak color quality, the film proved to be a major hit, earning more than 8 million â„›︁â„ł︁ by the end of the war.
1199:
753:). Prior to World War II, the film had been imported from Germany. After the War began, the American subsidiary was seized by the US Government. At the request of the
428:
in 1935, the new
Agfacolor film was an "integral tripack" with three differently color-sensitized emulsion layers. Unlike Kodachrome, the corresponding color-forming
885:
The glass-based Agfa color plate was announced in 1916, but because of World War I and its aftermath, the product was not properly introduced until the early 1920s.
742:. Agfa Wolfen sold the Agfa brand rights to Agfa-Werke in 1964, and changed its name to ORWO. Agfa-Werke merged with Gevaert that same year to form Agfa-Gevaert.
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653:(1943) was the third German feature film – out of over a dozen – to be produced using Agfacolor film between 1939 and 1945. Other Agfacolor productions include
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Color photo report from car journey to Paris, Monaco and Rome made in 1938 using
Agfacolor process by Polish racing driver Witold Rychter from Warsaw.
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for use by the German motion picture industry. After World War II, the
Agfacolor brand was applied to several varieties of color negative film for
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from 1925 to 1945. Its Wolfen plant, which was the sole producer of
Agfacolor film until the end of World War II, was constructed in 1909.
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588:, the following Agfacolor movies were shot and printed much quicker and with better results. The technology was improved at a rapid pace.
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An
Agfacolor slide dated early 1940s from Germany. While the colors themselves have held up well, damage visible includes dust and
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by Jeno Kiss. Works were made by occupants and also by resistance members. All photographs survived in excellent condition.
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389:(New Agfacolor), a pioneering color film of the general type still in use today. The new Agfacolor was originally a
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761:. Anscochrome was widely distributed, but met with limited commercial success in competition with Kodak product.
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was allowed to shoot his next picture in Agfacolor. Between the summers of 1941 and 1942, Veit Harlan finished
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In 1978, Agfa ceased production of color film based upon the original Agfacolor process, switching to Kodak's
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that Agfacolor was used for a major motion picture. The use of Agfacolor was reinforced by the top of the
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Agfacolor Neu, called simply Agfacolor after its predecessor had been retired, was the German response to
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405:, in which the negatives were used to make color prints on paper. The reversal film was then marketed as
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used for making "slides", home movies and short documentaries. By 1939, it had also been adapted into a
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www.pixpast.com a source for collectors of original 35mm and 16mm agfacolor film from 1936 to 1945.
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admired Hollywood movies and examined them carefully in regular private screenings (sometimes with
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850:(1943) by Zbigniew Borowczyk (3 photos), Karol Grabski (1 photo) and Rosemarie Lincke (1 photo);
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Throughout the shoot, the film yielded mixed results as it was still very sensitive to different
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eventually gave in to his pressure. Agfacolor was then used throughout the entire film shoot of
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Gert & Nina Koshofer, Dr. Rolf Giesen, Friedrich-Wilhelm-Murnau-Stiftung, Wiesbaden, 2005
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Science-fiction & Fantasy Cinema: Classic Films of Horror, Sci-fi & the Supernatural
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company in Germany tested their new material Agfacolor at the swimming competition of the
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Dictionnaire général du cinéma: du cinématographe à Internet: art, technique, industrie
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of Germany. The first Agfacolor, introduced in 1932, was a film-based version of their
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Famous professional early works made in Agfacolor were war photo reports made during
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After the process's growing pains had been overcome throughout the production of
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Agfacolor consumer products were also marketed in North America under the names
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were made integral with each layer during manufacture, greatly simplifying the
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after World War II and the division of Germany. Agfa-Werke opened a plant in
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Meanwhile the production costs had risen from 1.5 to 2.5 million
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with many written resources and many photographs of Agfacolor prints.
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Based upon the patent no. 253335 of Dr. Rudolf Fischer, 1911, Berlin
196:. Statements consisting only of original research should be removed.
381:(Agfa color plate), a "screen plate" product similar to the French
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as a young, innocent country girl who comes to the golden city of
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1200:"Invasion of Poland, 1939: Color Photos From WWII's First Front"
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1276:"Hungary: 1956 Uprising in color - Images | EST&OST"
681:, large quantities of raw Agfacolor stock were seized by the
907:
Lifetime of Colour Photographs in Mixed Archival Collections
665:(1945), a dramatization of German resistance throughout the
521:
It was not until the beginning of principal photography for
1324:
Colour Photography: The First Hundred Years 1840–1940
944:
Everett, Wendy Ellen; Everett, Wendy (February 21, 2007).
1160:
Ansco Chronology, From a Binghamton, N. Y. point of view.
1295:
Global Film Color: The Monopack Revolution at Midcentury
947:
Questions of Colour in Cinema: From Paintbrush to Pixel
639:), the film displays an impressive symphony of colors.
185:
689:
process, which was widely used in the USSR and other
1174:"Ah ! Les belles bacchantes – les Branquignols"
602:), a dreamy propaganda fairytale starring his wife
90:. Unsourced material may be challenged and removed.
1127:Anscochrome and Ansco color transparencies slides.
854:(1944) by Ewa Faryaszewska and Gerhard Wiechmann;
722:Agfa was divided into Agfa-Werke, a subsidiary of
1218:"Warszawa. PĹ‚onÄ…ce getto | Wirtualny Sztetl"
1189:is a translation of title for the Spanish market.
705:(1954). One of the best-known Sovcolor films is
1348:Agfacolor on Timeline of Historical Film Colors
913:(Doctoral thesis). University College London.
1244:"Fotografie ruin. Ruiny fotografii 1944–2014"
16:Trademark for a series of color film products
8:
1293:Street, Sarah; Yumibe, Joshua, eds. (2024).
1114:
931:
643:Later Agfacolor films during the Third Reich
570:. More than two years after its start date,
531:) a 1939 musical starring the singer/dancer
1069:Chromatic Cinema: A History of Screen Color
659:(1944), a musical starring Marika Rökk and
258:An Agfacolor slide dated 1937 from café in
53:Learn how and when to remove these messages
493:and his staff). Technicolor films such as
306:An Agfacolor slide dated 1938 from Sweden.
985:Limbacher, James L. (February 21, 1978).
230:Learn how and when to remove this message
212:Learn how and when to remove this message
150:Learn how and when to remove this message
842:during German occupation (1940-1944) by
477:Early use in German motion picture films
878:
772:. Films shot in Ansco Color included
362:(An Agfacolor slide dated until 1957).
1039:Reid, John Howard (January 1, 2007).
826:Agfacolor during the Second World War
629:(once in charge of the SFX camera in
7:
1374:German inventions of the Nazi period
88:adding citations to reliable sources
1202:. November 12, 2014. Archived from
858:(1945) by Oldřich Cerha and during
529:Frauen sind doch bessere Diplomaten
326:An Agfacolor slide dated 1939 from
314:An Agfacolor slide dated 1938 from
294:An Agfacolor slide dated 1938 from
282:An Agfacolor slide dated 1938 from
270:An Agfacolor slide dated 1937 from
610:and is seduced by an unscrupulous
246:Agfa-Farbenplatte dated 1933 from
14:
1066:Misek, Richard (April 26, 2010).
749:(from Agfa's then-US subsidiary,
647:Made for UFA's 25th Anniversary,
424:. Like Kodachrome, introduced by
34:This article has multiple issues.
1012:Roy, André (February 21, 2007).
693:nations; such films produced in
685:and served as the basis for the
453:was formed in 1867, and part of
385:. In late 1936, Agfa introduced
166:
64:
23:
972:"Sovcolor negative film type B"
793:Seven Brides for Seven Brothers
508:Snow White and the Seven Dwarfs
75:needs additional citations for
42:or discuss these issues on the
543:film industry, Reichsminister
1:
768:, including some produced by
764:Ansco Color was also used in
860:Hungarian Revolution of 1956
369:was the name of a series of
1242:Mwadmin (7 February 2017).
775:The Man on the Eiffel Tower
747:Ansco Color and Anscochrome
192:the claims made and adding
1390:
586:Women Are Better Diplomats
572:Women Are Better Diplomats
553:Women Are Better Diplomats
524:Women Are Better Diplomats
516:Women Are Better Diplomats
485:'s Minister of Propaganda
413:in their color developer.
338:Budapest in Hungary, 1939.
1082:– via Google Books.
1072:. John Wiley & Sons.
1055:– via Google Books.
1028:– via Google Books.
1001:– via Google Books.
960:– via Google Books.
819:Ah! Les belles bacchantes
1299:Rutgers University Press
1115:Street & Yumibe 2024
988:Four Aspects of the Film
932:Street & Yumibe 2024
703:Adventure at Marienstadt
547:, and the executives at
411:Color Developing Agent 1
1326:, Ash & Grant, 1978
697:were also described as
627:Konstantin Irmen-Tschet
360:HM Pansarskepp Gustaf V
1095:"Metal Picture Prints"
1018:. Les Editions Fides.
848:Warsaw Ghetto Uprising
711:(1965–67) and many of
673:Legacy of World War II
656:The Woman of My Dreams
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505:(1939) and Disney's
467:1936 Summer Olympics
84:improve this article
770:Metro-Goldwyn-Mayer
677:Towards the end of
496:The Garden of Allah
409:. These films use
358:Swedish battleship
1364:Photographic films
1148:February 07, 2008.
1132:2013-02-13 at the
832:Invasion of Poland
701:, the first being
604:Kristina Söderbaum
568:â„›︁â„ł︁
560:color temperatures
502:Gone with the Wind
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177:possibly contains
1157:Camp, William L.
1117:, pp. 30–31.
1079:978-1-4443-3239-1
1052:978-1-4303-0113-4
1025:978-2-7621-2787-4
998:978-0-405-11138-9
957:978-3-03911-353-8
620:premièred at the
595:Die goldene Stadt
403:still photography
379:Agfa-Farbenplatte
373:products made by
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822:) dated 1954.
814:Women of Paris
810:Louis de Funès
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1226:. Retrieved
1222:the original
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1204:the original
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1159:
1153:
1146:About Ansco.
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1122:
1110:
1098:. Retrieved
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1045:. Lulu.com.
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736:East Germany
728:West Germany
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679:World War II
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82:Please help
77:verification
74:
50:
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36:Please help
33:
1322:Coe Brian,
1287:Works cited
1262:"Vhu Praha"
844:André Zucca
836:Hugo Jaeger
781:Bwana Devil
732:Agfa Wolfen
650:MĂĽnchhausen
590:Veit Harlan
533:Marika Rökk
483:Third Reich
446:Development
418:Technicolor
99:"Agfacolor"
1358:Categories
1228:2019-10-27
1100:8 December
873:References
834:(1939) by
751:Agfa-Ansco
740:Leverkusen
636:Metropolis
631:Fritz Lang
535:and actor
434:processing
422:Kodachrome
407:Agfachrome
399:print film
383:Autochrome
371:color film
250:, Germany.
202:April 2010
186:improve it
140:April 2010
110:newspapers
39:improve it
919:107323281
799:Brigadoon
527:(German:
455:IG Farben
367:Agfacolor
330:, Poland.
298:, Poland.
274:, France.
262:, Norway.
190:verifying
45:talk page
1130:Archived
796:(1954),
790:(1953),
784:(1953),
778:(1949),
699:Polcolor
687:Sovcolor
499:(1936),
296:Zakopane
812:called
662:Kolberg
441:History
284:Hungary
184:Please
124:scholar
1305:
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695:Poland
612:gigolo
608:Prague
598:(Eng:
471:Berlin
397:and a
328:Warsaw
318:, USA.
126:
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915:S2CID
911:(PDF)
840:Paris
816:(fr.
726:, in
272:Paris
131:JSTOR
117:books
1369:Agfa
1303:ISBN
1102:2023
1074:ISBN
1047:ISBN
1020:ISBN
993:ISBN
952:ISBN
730:and
541:Nazi
481:The
463:Agfa
451:Agfa
420:and
375:Agfa
260:Oslo
103:news
734:in
633:'s
549:UFA
469:in
188:by
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