Unusual types of gramophone records

2863: rpm records to provide the soundtrack for motion pictures. The record rotated in the usual clockwise direction but the groove was cut and played starting at the inside of the recorded area and proceeding outward. This inside start was dictated by the unusually long playing time of the records and the rapid wearing down of the single-use disposable metal needles which were standard for playing lateral-cut shellac records at that time. The signal degradation caused by a worn needle point was most audible when playing the innermost turns of the groove, where the undulations were most closely packed and tortuous, but fairly negligible when playing the outermost turns where they were much more widely spaced and easily traced. With an inside start the needle point was freshest where it mattered most. 1651:) format, as opposed to the usual CAV (constant angular velocity) format. The World Record Controller was an attachment for ordinary record players that slowed the turntable down when playing the outside of the record and allowed it to gradually speed up as the needle was carried inward by the groove. Of course, only special World records could be used. The World system was a commercial failure. The principle, first proposed in a fundamental U.S. sound recording patent in 1886, was briefly revived in 1939–1940 for the unusual "Cinematone Penny Phono" jukebox (price to play one selection: one cent), which used it to squeeze ten short recordings of current pop songs onto each side of one 12-inch record. 2833:. Plays are recorded on small discs, each with six parallel grooves. The player on offense chooses one of ten possible offensive plays, each recorded on one disc, and inserts the corresponding disc into a handheld record player. The other player, without knowing which disc was inserted, then chooses one of six possible defensive plays, marked on the disc so that the record player plays the correct groove corresponding to the chosen combination of offensive and defensive plays. Some plays result in a penalty or turnover, which requires inserting a special disc for that situation, which is unmarked and therefore a random outcome is selected. 2096:(1967). Many UK copies featured a multi-layered collage of randomized chatter in their run-off loops. However, two variations were made: the original British pressing (black label with gold logo) has the "inner groove" play through the entire locked groove and does not include the laughter at the beginning of the piece. The re-issue of the British pressing (black label with silver logo) starts playing the "inner groove" long before the needle reaches the locked groove, includes the laughter and, once the needle hits the locked groove, the listener only hears the last two seconds of the piece played over and over again. 1753: in (38 mm) in diameter both for convenience in handling and to accommodate a very fast record-changing mechanism contained inside a correspondingly large spindle, as implemented in RCA Victor's early stand-alone "45" players. The spindle and any records stacked on it rotated with the turntable, so that each waiting disc was already up to speed before it dropped. Large mechanized spindle adaptors were supplied with most multi-speed automatic record changers sold in the 1950s and 1960s, but they were not as fast and efficient. The large hole also facilitates use in 3362:, the cost of maintaining eight vinyl colors became too high, but the different colored labels were continued, at least for popular music (black) and classical (red, as in "Red Seal"). In October 1945, RCA Victor put on the market its first "non-breakable" phonograph records. Made of a ruby-red, translucent vinyl resin plastic, they cost twice as much ($ 2 per disc) as the 12-inch Victor Red Seal. In the 1960s, a distinction was made in label colors of promotional copies of 45 RPM records as well, with pop music being issued on yellow labels and country on light green. 1297:. However, with mastering facilities of the period only going as low as 16 rpm, the quadruple-speed mastering required to get a playback speed of 4 rpm was deemed to have an insufficient audio quality. The highest successful density tested for in the experiment was 10 hours on one side of a 12-inch disc although it was surmised by engineers that this could be extended to 12 hours per side if needed. No books or periodicals were ever produced in the format, and it is not known if any of the experimental discs survive into the modern age. 2912:). Edison pioneered fine groove discs that played for up to five minutes per 10-inch side; they were very thick to remain perfectly flat and played back with a precision-ground diamond stylus. A commercially unsuccessful extension of the system introduced grooves nearly twice as fine as those of microgroove LPs, yielding playing times of up to 20 minutes per side at 80 rpm and again requiring a special diamond stylus. Even more than with Pathé discs, Edison's vertical-cut records called for specially designed equipment for playback. 3156:. "Melody Cards" were popular in the late 1950s. They took the form of an oversized rectangular postcard with the usual address and greeting space on one side and an illustration on the other. The illustration was overlaid with a transparent plastic material into which the grooving was impressed. The recording was usually musical as the name implies. They typically played at either 78 or 45 rpm. It was recommended to not write on them with a ball point pen, an invention which was just coming into common use at that time. Laminated 1214:. It consists of 56 songs by 28 bands previously released on Third Man's Blue Series 7-inch single line compiled on one blue vinyl 12-inch record, mastered at 3 rpm (approximately one eleventh of standard LP speed) as a further expression of White's obsession with the number 3. In reality though, if one synchronizes this 'catalog' LP with the various CDs containing the music recorded at the correct speed, they will discover that the record in question was actually mastered to play back properly at 2656:(9317) given as prize for a competition in 1901, for which many master recordings had to be made, distinguished by suffix letters against the catalogue number. Victor made one as early as 1901. Depending on where the needle is dropped in the lead-in area, it will catch more or less randomly in one of the grooves. Each groove can contain a different recording, so the record "magically" plays one of several different recordings. Victor marketed a few 10-inch 78s with two concentric grooves (called 3274: 2609:

record and leading the stylus inward to the performance, Decca introduced the lead-in groove in 1935 in the US, with the industry following soon thereafter. Lead-in groove length, positioning, and motion varied by manufacturer and era, with some moving slower (some requiring several revolutions before encountering audio) and others being very short and jerky. As with the recorded locked groove at the end, it is possible to record sound into the lead-in groove. King Crimson's

1674:

crashing against the shore and the other would have the sounds of birds chattering away in an aviary; another record might have frogs, crickets and birds making their usual vocalizations that were heard in the early morning hours of a swamp or lake. There were a few dozen made. These were mostly used for soundscape or relaxation purposes. The first album in the series noted on its back cover that either side could be enjoyed in stereo at any playing speed (from 45 rpm to

400:

and nearly all discs were either 10-inch or 12-inch, although both sizes were normally a bit smaller than their official diameter. In Europe, early 10-inch and 12-inch shellac records were produced in the first three decades of the twentieth century. 7-inch children's records were sold before World War II, but nearly all were made of fragile shellac, not an ideal material for use by children. In the late 1940s, small plastic records, including some small

3225: 2248:

following: "Umm ... okay, like. see there was this ... and ... w-and then the- ... nevermind, forget it, you wouldn't understand anyway." The music stops at the end of the "story," only to start up again. This process is repeated for a total of 12 times. The last repetition ends with the loop groove endlessly repeating the phrase "forget it, you wouldn't understa— forget it, you wouldn't understa—."

1647:'s patented add-on speed governor. These longer-playing records had speeds measured in inches per second (but specified on the label by a letter from A to D) rather than revolutions per minute. If the sound quality near the label of an ordinary record was considered acceptable, then playing time could be greatly increased by using that same groove-to-needle velocity throughout the recording. This is known as the CLV ( 1670:, which combined it with the flexible-disc format and the inside-out recording format used by CDs today. Both machines recorded at a fixed pitch, but the Grey Audograph could only record at one linear speed allowing 15 minutes per side of a 7-inch disc. The CGS or Memovox, on the other hand, had a High Fidelity speed as well as a Speech speed, allowing over two hours of recording time per side on a 12-inch disc. 3749: 3844: 318: 1946:(Gray Beat, 1978) is a one-sided 7-inch with multiple locked grooves and two center holes, meaning each locked groove can be played at two different trajectories as well as any number of speeds. The original release came with instructions for the listener to drill more holes in the record as they saw appropriate. Later pressings of the release were made only with one standard center spindle hole. 3129: 1527:— Before 1930, particularly before 1925, a number of proprietary formats existed, with recordings made at speeds including 60 rpm (although most were between 72 and 82 rpm).. Most notably, the Berliner Gramophone Company recorded their plates at variable speeds (due to a crude hand-cranking mechanism, later substituted for an inefficient single-spring motor), usually ranging between 68 and 72 rpm. 1965: 1096: 336: 131: 2822:" has two different tracks in a parallel groove on the B-side. One groove has the Oblapos remixes of "Me Myself and I," while the other has "Brain Washed Follower. One version of the 12-inch single of The Sensual World by Kate Bush has the instrumental version of the track in a parallel groove – while the instrumental version also appears on side B as one of two sequential tracks." 389: 79: 38: 3840:(known for their unique LPs; their 2006 album Pink was released on pink vinyl) pressed their 2006 album, Vein, on transparent vinyl with etched artwork on the outer two inches of the record. This causes problems with auto-start phonographs, as the actual grooves of music do not start where the needle is designed to drop. This may cause damage to the needle and record artwork. 3311: 2053:(1968) has this setup. Following the fourth song on side one there is a spoken announcement telling the listener to change the speed from 33 to 78 rpm to play the next band of the disc. To play the last song on the side the listener must pick up the stylus from the record, change the speed, then put the stylus at the start of the fifth and final song on side one. 404:, replaced them. Ten-inch children's records were made as well, but the 7-inch size was more compatible with small hands. The 7-inch size was also used for flexi discs which were popular in Japan where they were known as sound-sheets and were often in traditional round format. In other areas, flexi discs were usually square and often included in a magazine (see 233: 2867:

passages were most audibly affected. Since some music, especially classical music, tends to start quietly and mount to a loud climax, such distortion could be minimized if the disc was recorded to play beginning at the inner end of the groove. A few such records were issued, but the domination of automatic record changers, and the fact that

1761:

out, yielding a record with a larger hole to be used in jukeboxes or certain record-stacking players; this approach was common in the United Kingdom from the 1950s until the early 1980s, with standard, solid centres becoming gradually more common. Some 7-inch singles in the early-mid-1990s had large holes also, but this was a rarity.

3764:

before paper labels were widely used, had their titles and other information etched or incised into the master, or embossed into the stamper (or both) – either way therefore appearing on all the pressings. Many early Edison Diamond Discs did have etched labels as well, with many (if not all) also featuring a little etched picture of

2026:

duration of the recording that could be engraved (on average, 55 minutes on a 33 rpm record). The Trimicron process was created by Dr. Rabe, a music lover in his spare time, and was originally intended for classical music listeners who could not stand having to flip a record in the middle of a piece. For example, all six

4126:, another product of Third Man Records, was pressed in a process dubbed "Single Signal", in which the B-side has different content on the left and right channels of the stereo groove. Listeners with a balance knob on their stereo are instructed to turn it either to the left or the right to play the record correctly. 3584:

78 rpm picture discs were made by Sav-Way Industries in 1946 and 1947 and were of high quality both physically and sonically. Their playing surfaces were clear vinyl and there was a sturdy aluminum core disc between the printed sheets. The imagery was usually gaudy and done in 1940s calendar art

2915:

When using a modern stereo cartridge to play these or other vertical-cut monophonic recordings, the polarity of one channel must be inverted at some point before the two channels are combined to produce a mono signal, as is desirable; otherwise, they largely cancel each other out, leaving little more

2247:

released a track on the B-side of their "Sex Bomb" single, called "Brainwash" which includes a use of the lock-groove concept. The song is a simple punk groove, with barely audible singing, lasting less than 30 seconds, over which one of the vocalists apparently attempts to tell a story, reciting the

1342:

rpm records began to be produced (normally in 10-inch format, although 12-inch and 7-inch discs were also produced). This recording format's development was sponsored by the American Foundation for the Blind. One 10-inch record holds four hours of speech with the 12-inch variety holding six hours and

3573:

Picture discs have been around since the 1920s—or since about 1910, if postcard-size rectangular picture records are included. In the early 1930s, they were a minor gimmick in an attempt to stimulate abysmal depression-era record sales. Most of these early picture discs were simply a very thin clear

3253:

RPM discs feature folk music and tourism information. Not very practical for actual postal use and rarely seen canceled, they were designed as revenue-generating novelties and were initially scorned as such by most stamp collectors. Their small diameters (approximately 7 and 10 cm or 2.75 and 4

3216:

that would be played on a turntable and dubbed onto a cassette. It was also possible to connect the record player's output to the computer's cassette (analog signal) input port and load the data into the computer directly. This method of storing computer data later expanded to include non-flexi-disc

3062:

techniques, but rather one side of each record consisted of two long, continuous tracks — one containing the left channel, and the other containing the right channel. It was intended that the buyer purchase an adapter from Cook Laboratories or a tonearm from Livingston that allowed two cartridges to

2033:

However, this process suffered from a major problem: the finer groove decreased the dynamics and the level of recorded signal by nearly 40 percent. It is therefore necessary to play Trimicron records on silent, high performance turntables, equipped with new diamonds and very high performance. Almost

1708:

released a number of ten inch EPs in 78 rpm. A series of 78 rpm microgroove records was issued by the "Audiophile" label during the early LP era. They were supposed to provide higher quality sound than 33 rpm by virtue of their faster rotation speed combined while also providing significantly longer

1696:

The first instance of what could be considered a "microgroove" record could be traced back to the 1920s. More exactly, in 1926 the Edison Phonograph Company released a "Long-Playing" Diamond Disc, that could reproduce up to 12 minutes (10 inch) or 20 minutes (12 inch) per side, thanks to an increase

1673:

In the 1970s, Atlantic Records started producing a series of albums later designated on a label known as Syntonic Research. Each album consisted of two full-side tracks, usually at least half an hour long per side, of sounds recorded of various locations. For example, one side would have ocean waves

2836:

In 1975, Ronco UK released a parallel groove game called "They're Off," which featured four 12-inch discs each containing eight possible outcomes on a horse race. It featured Noel Whitcomb, a well-known horse-racing commentator of the day and the game revolved around betting which "horse" would win

2608:

When automatic record changers, auto replay adapters and jukeboxes began appearing in the 1920s the need arose to find a more reliable and forgiving way to accurately direct the stylus to the start of the recorded area as well as signal the end of a performance. Appearing near the outer edge of the

2124:

you hear the deafening sound of needle scratched across grooves, then "Oh, sorry squire, I've scratched the record," ad infinitum. Singles by the Sweet, Yellow Dog and P.I.L. have sounds in the locked groove. Comic Chris Hill made use of the locked groove on both of his hit singles, made up of bits

576:

made of bright yellow plastic were a common sight in children's playrooms in the United States from the late 1940s to the early 1960s. The 78 RPM speed was used for some children's records of all sizes well into the 1960s, as nearly all record players still included it and it allowed an old disused

399:

The most common diameter sizes for gramophone records are 12-inch, 10-inch, and 7-inch (300 mm, 250 mm, and 180 mm). Early American shellac records were all 7-inch until 1901, when 10-inch records were introduced. 12-inch records joined them in 1903. By 1910, other sizes were retired

3870:

was remarkable not only for its multiple cover releases (in different color patterns), but for the laser-etching process used on the vinyl. The logo from the album cover, as well as other shapes, were etched into the vinyl in a manner that, if hit by a light, would reflect in polychromatic colors.

861:

Some 78 rpm stamper/test plates were pressed using bigger shellac cakes than the final product (possibly to minimise damage if the outer edge of the plate broke before starting production), being the most notable example Bix Beiderbecke's "Thou Swell" take A, where in a small fragment of the outer

3763:

Usually taking up a blank side of vinyl, rather than containing music, one side of a disc can be pressed with etched or embossed images. This can take the form of autographs, part of the artwork or logos. Earliest records produced by Emile Berliner, and those by other early companies as Zonophone

2042:

Some records are cut with completely independent bands on the same side. In this case, the bands appear as separate tracks on the record and are not intertwined as with parallel grooves. This has most often been used on educational records but is also sometimes used on discs of commercial pop and

1922:

Some records had more than one hole in the label area. Early Zonophone records (essentially Berliner Gramophone pirated copies) employed a second spindle hole just outside the centre rim to guarantee that the records didn't slip because of the felt turntable carpet (early gramophone machines were

1760:

Most 7-inch records in the USA continue to be pressed with a large hole, requiring an adapter to be used on standard turntables. In other territories such as Europe, 7-inch records intended for home use have standard-sized holes. Many such 7-inch records had a center which could be easily snapped

3163:

Beginning in the 1940s, flexible records began to be used in the form of "book records"–spiral bound paper publications and four or five flexible record sheets bound in. A spindle hole went through the entire assembly. Book records could be opened to one of the records and completely folded back

2443:

is pressed on two 7-inch colored discs (one yellow, one transparent brown), all four sides end in recorded locked grooves. One side ends with repeated burping, one side ends with repeated toilet flushing, one side ends with what sounds like tape/record scratching, and one side ends with repeated

1039:

recordings in-house to delay the broadcast of live network feeds or to prerecord some of their own local programming. These "standard groove" discs used roughly the same large groove dimensions and spacing found on 78 RPM records and typically played for about 15 minutes per side, with very good

434:

Peabrain zine released a 2" compilation – the ADHD EP – which includes 6 bands from Southampton and Portsmouth (The Shorts, Joythief, Shooting Fish, Black Anchor, Chemical Threat, and Baby Jugglers) who recorded a 10-second song each. It was pressed on green vinyl and limited to 300 copies, each

3650:

Shaped discs contain an ordinary grooved centre (typically the same as a standard 7-inch) but with a non-grooved outer rim that can be cut to any shape that does not cut into the grooves. These oddly shaped records were frequently combined with picture discs (see above); a trend that was pushed

3181:

record. Only seen occasionally in the 1950s, these recordings were increasingly used as inserts in magazines that included audio supplements from the 1960s through the 1980s. The recordings were pressed on very thin, flexible sheets of vinyl (or laminated paper), providing a mixture of economy,

2866:

Almost all analog disc records were recorded at a constant angular speed, resulting in a decreasing linear speed toward the disc's center. The result was a maximum level of signal distortion due to low groove velocity nearest the center of the disc, called "end-groove distortion". Loud musical

2025:

Developed in the mid-1970s by the firm MDR (Magnetic Disc Recording), the Trimicron record enjoyed a brief success. The principle was to remove the empty space between each groove. On average, this empty space is as wide as two grooves, and because of this, its removal effectively triples the

3632: 2900:

or 78) but starting from the inside. An example was those made by the New York Judson Studios, starting in about 1928 or 1929 and running into the 1930s. Each record was 12 inches, made of standard shellac, started in the inner groove and had a locked groove at the outer edge. Some radio

3357:

When RCA Victor launched the 7-inch 45 rpm record, they initially had eight musical classifications (pop, country, blues, classical, children's, etc.) each with not only its own uniquely colored label but with a corresponding color vinyl. According to experts at the Sarnoff Center in

2799:

released a one-sided 7-inch called "NOYFB Escapes from Hell" (side 2 has a groove, but there is no audio encoded in the groove), with 2 grooves that started from the center and ended on the outside of the disc. One groove ran at 45 rpm, while the other ran at 33 rpm. UK punk rocker

3336:

were black, and that has been the standard color for gramophone records ever since. But as early as 1899, the Vitaphone Talking Machine Co. made records that were brownish-red in color. 7" and 10" Nicole Records, about 1904–1908 made of laminated cardboard, were brown. The

1040:

fidelity—when heard over the air, indistinguishable from live to a casual, but not to a critical listener. Old 16-inch turntables are sometimes still found in radio broadcast studios, but it is now very unlikely that any disc larger than 12-inch will ever be played on them.

3651:

particularly hard by UK record company branches in the mid-1980s. Curiously, uncut test pressings of shaped discs in their original 12-inch form – with the clear vinyl surrounds still intact – are much more sought-after by collectors than the "regular" shapes themselves.

1174:

revolutions per minute (rpm), 45 rpm, and 78 rpm. Established as the only common rotational speed prior to the 1940s, the 78 became increasingly less common throughout the 1950s and into more modern decades as the 33 and the 45 became established as the new standards for

3425:

to release records of different colors at the same time, and press a smaller number of one color than the other. This has created a culture of hardcore record collecting based on having the same release multiple times, each copy with a different and more rare color.

2478:. Sides 1, 2 and 4 played normally. Side 3 played from the inside out and side 5 was on a 7-inch single. The side consisted of one recorded groove in the center of the record and was a perfectly timed loop of the music of a non-album song called "All the Shit U Do." 1149: 2066:

This concept has been extended to the production of records consisting entirely of circular multiple bands to provide collections of infinite loop sound samples of duration limited to one revolution of the disc. Notable examples of this are the releases from

2660:). Columbia also issued a few 10-inch 78s in 1931 with concentric grooves for their cheap Harmony, Clarion, and Velvet Tone labels. In the blank edge of the record, there was a stamp 'A' and 'B', which indicated where each of the concentric grooves started. 2276:, the last song on side one continues into the inner spiral and into the inner groove with a loop of a male voice providing a spoken percussion effect of "boom boom crash crash," which, however, when it reaches the inner groove is not strictly in the same 3082:

In the 1970s and 1980s, more than a thousand audiophile records were produced with audio tracks specially encoded to be played back through various noise reduction systems in order to reduce noise and increase the dynamic range. Systems employed include

2786:

released a 10-inch single called "LSD" on clear pink vinyl with pink glitter inside the vinyl. One side of the single had one song that played from inside out and, on the other side, there were two songs that were pressed as concentric grooves. Many of

2771:(see "flexidisc" above), playable on a standard turntable. It had eight interlaced grooves, each track starts with the same happy and upbeat "Super Spectacular Day" beginning of the song but have eight different dark and gloomy endings. In the 1980s, 2063:, like the CD release, features the remix of "Clint Eastwood" as a bonus track but the LP has a recorded locked groove after what is meant to be the final track of the album so the needle has to be physically lifted and moved to play the bonus track. 3369:

In the 1970s, such gimmicks started to reappear on records, especially on 7-inch and 12-inch singles. These included using colored acetate instead of black vinyl. Available colors included clear, translucent white, red, blue, yellow and multi-hued.

1757:, which mechanically place the "45" onto a turntable with a conical spindle having a matching diameter at its base, making the placement operation easier, safer, and surer than it was with the small-diameter holes and spindles in 78 rpm jukeboxes. 2260:

has a locked groove at the end of each side, with the inner spiral on side one leading to the inner groove with the spoken phrase "Turn me over," and the inner spiral of side two leading to the inner groove with the spoken phrase "Play me again."

3578:. One US series was more substantial. Some suffered from audible defects such as low-frequency noise due to a surface texture or were rapidly worn to shreds by the very heavy pickups and crude steel needles used to play records at that time. 3197:

In the late 1970s and early 1980s, when computer programs and other binary data were often stored on audio cassettes, a number of microcomputer hobbyist magazines published "flexible program sheets" under various trademarked names including

3700:) which was in the shape of the United States. This record was problematic because record players whose tonearms returned automatically after the record finished playing often did just that before the needle actually reached the song. 3140:

With their origin stretching back to the dawn of recorded sound at the turn of the 20th century, flexible recording media have been made from a variety of materials including foil, paper, and–in the 1950s–thin flexible vinyl known as

2837:

the race on that occasion. This appears to have been based on a Canadian product called "They're at the Post" by Maas Marketing, which is more or less the same game with different recordings on the discs to reflect the target market.

2588:

soundtrack featured a locked groove on each face of the records. Each locked groove features a different instrument from the song Travelers, which is featured at the end of the game when characters come together to play the song.

3703:

Canadian hardcore punk bands Left For Dead and Acrid released a split LP on No Idea Records on 31 July 1997 as a saw-blade shaped vinyl record. When these spun on the record player, they resembled a spinning saw. The rap duo

2509:, features two 10-inch locked groove albums, each containing 20 looped tracks from the record label's most popular artists. Both album sleeves contain correct turntable pitch speed settings for each track. Another example is 3341:

produced records made of blue shellac for their flagship label, although pressings for client labels were made in standard black. Unusual colors, and even multi-colored shellac first appeared in the 1910s on such labels as

1697:

in the density of grooves per cm (totalling to ca. 450 TPI). Nevertheless, the fragility and hyper-specificity of the new format proved them to be commercially unsuccessful, and only 14 different records were ever released.

3993: 3793: 4016: 1268:

to create extra-high density discs so that a book or magazine could be contained on fewer records. Test pressings were made at the normal 12-inch and 10-inch sizes in addition to the 7-inch sizes noted below for both

1228:

rpm. However, as no recording lathe can engrave a record accurately at such a slow speed, in actuality the disc was mastered at four-times speed or 16 rpm with the program material similarly being played at quadruple

2874:

Until the 1920s, French Pathé Records used inside start and other commercially distinctive grooving. At that time they cut all discs vertically, meaning the vibrations in the grooves were "hill and dale", as their

3828:

Although these etchings cannot be seen while the record is playing, some are pressed on clear vinyl so the etchings can be seen from both sides. An example of this is the 1997 7-inch of "Freeze the Atlantic" by

3473:

in 1978 and the "Translumadefractadisc" (Han-O-Disc) punk sampler picture disc (which had a silk screened luminous ink under the litho on Mylar film image of Medusa) was released by The Label (U.K) in 1979. The

2647:

Also known as concentric grooves, it is possible to master recordings with two or more separate, interlaced spiral grooves on a side. Such records have occasionally been made as novelties. There were so-called

3974: 1466:

7-inch discs. Some manufacturers of very low-speed discs such as Highway Hi-Fi used shallow and narrow "ultra-microgrooves," requiring a 0.25 mil stylus – modern styluses of 0.7–1.0 mil will damage these fine

3768:. The Gramophone company pressed their logo at the blank side of their single sided records in the early 1900s, in the same way. Some later single-sided Red Seal records by Victor had a pattern with the word 4465: 1923:

very harsh on the records, so engineers had to make them very abrasive and resistant to being tracked, which decreased sound quality in the long run). Busy Bee, in a marketing scheme similar to Standard

2383:). On the vinyl release of this album, at the end of the song "Bleak, Uncertain, Beautiful..." there is a string phrase recorded on the locked groove. The title's "infinity" refers to this phrase. The 3232:

Chocolate records about three inches in diameter, and small players made for them, were marketed as a novelty in Europe in 1903–1904. After a record or its amusement power wore out, it could be eaten.

2908:, who always favored the cylinder for all its advantages, also cut his discs with vertically modulated grooves from their introduction in 1912 until a year or two before his company's demise in 1929 ( 745:– Popular in Japan where they were known as sound-sheets, these releases were often in traditional round format. In other areas, flexi discs were usually square and often included in a magazine (see 669:– Popular in Japan where they were known as sound-sheets, these releases were often in traditional round format. In other areas, flexi discs were usually square and often included in a magazine (see 586:– Popular in Japan where they were known as sound-sheets, these releases were often in traditional round format. In other areas, flexi discs were usually square and often included in a magazine (see 3441:

with a slightly pink center label (as opposed to the usual buff color that A&M uses), and had strawberry scent embedded into the plastic to make the record give off the odor of strawberries.

3421:

Some recordings were released in several different colors, in a deliberate effort to sell the same product to one person multiple times as collector's items. Currently, it is common practice for

1509:

in Europe. During the same period, especially in the UK, producers manufactured this speed prior to the days when 16 rpm could provide intelligible voice recognition quality over repeated plays.

4165:

is a floating hologram image of a spinning angel that appears when the record is played and viewed at from a certain angle. Additionally, alongside a standard vinyl release, the soundtrack for

3689:

released a split in the shape of a skull. The record was considered a 10-inch. It spun at 45 rpm and was one sided. Some came in glow in the dark, some in blood red, and some black and white.

537:

RPM vinyl recording of "If I Didn't Love You", backed with "Another Nail In My Heart" (A&M Records AM-1616 / SP-4802). Due to space restrictions of the grooves, both songs were mixed as

3585:

style. They sold for US$ 1.05 each, only about 50 percent more than ordinary shellac records, but the list of available titles was short and the recording artists were second-rank at best.

1409:

rpm speed was used almost exclusively for spoken word content, in particular for earlier versions of the "talking books" used by the visually impaired, though it was also employed in the

555:

Children's records were manufactured in this size from the early 1900s (Little Wonder Records) all the way up to the late 1950s (Spear, Lincoln, Little John, Robin Hood, Simon Says, etc.)

3553:

on tri-colored vinyl. Divided like a pie, one third was red, one third was black, and one third was tan/gold. Other bands have released records with 2 colors, divided down the middle.

2675:" offered a song with four different "fortunes" as endings. Due to the space consumed by the multiple grooves, the song itself played for only about one minute. In the 1960s, promoter 1927:

would employ a second cut-out area. This allowed the Busy Bee disc to also be played on a standard phonograph in addition to the proprietary format sold by the O'Neill-James Company.

3666:" is cited as the first shaped release. Commercially released shaped picture discs followed in the 1980s. A well known release, also by Toto, is a shaped picture disc with the song " 3942:

has a Double Vinyl release but it had music only on three sides, Side A, Side B and Side C featured all the tracks from the CD release. Side D had etched artwork instead of music.

2125:

of other hit records (in the style of Buchanan & Goodman, 1956). The last fragment on "Bionic Santa" (1976) would have Demis Roussos singing "Forever and Ever"... for ever. On

1700:

A small number of 78 rpm microgroove vinyl recordings have been issued by smaller and underground performers, mainly as novelty items, from the 1970s to the present. In 2006, the

612:

Between 1892 and 1900, the Berliner Gramophone Company released 7" records, to be played with a recently upgraded Gram-O-Phone reproducing machine. The descendants of its legacy (

2501:

There are also many techno records featuring loops as recorded locked grooves, which will continuously repeat the beats and musical phrases, which can then be utilized by a DJ.

1986: 1113: 353: 148: 51: 2652:

produced by the Gramophone Company in London in 1898 and 1899: these were discs with two interleaved tracks, issued as E5504, 9290, 9296. Their most famous was a three-track

1626:— Before 1930, particularly before 1925, a number of proprietary formats existed, with recordings made at speeds including 130 rpm (although most were between 72 and 82 rpm). 1183:

respectively. Throughout the history of the recording industry, however, numerous unusual turn-speeds ranging from 3 to 130 rpm have been utilized for a variety of purposes.

3182:

practical utility and novelty appeal. Flexi discs or Soundsheets were often provided by music publishers to their customers, frequently school band and orchestra directors,

2746:

featured on the second side a double groove that would either play the first track of side two or the hidden song that was found at the end of the CD version. The Marillion

1607:- Before complying to the standard in ca. 1927, records made by the Columbia Graphophone Company in ca. 1908 and later were recorded at around 80 rpm. Acoustically recorded 639:

introduced 8-inch records to replace their inexpensive 7-inch product, but they were soon discontinued. A similar scenario occurred in Europe for Emerson and Melodiya discs.

4099:'s Alan Palomo. It was pressed at United Record Pressing in Nashville at the same time as Jack White's liquid-filled "Sixteen Saltines" 12-inch, and the first copy of the 3261:

in the 1930s and 1960s, bootleg copies of banned Western music were individually recorded onto used medical x-ray film and sold on the black market. These were called "

438:

Hardcore punk band 2Minute Minor released a 20-second song called Soda Tax on a single-sided 2" lathe cut record, limited to 50 copies. This song is in response to the

3213: 2389: 1717:, containing the songs "Good Vibrations" and "Heroes And Villains". In 2019, Rivermount Records released an audiophile 78rpm microgroove record, containing 4 classic 314:

and disc records were invented), a wide variety of records have also been produced that do not fall into these categories, and they have served a variety of purposes.

3509: 4147:

personal computer. The short BASIC program shows a static screen containing a lightly paraphrased quotation from Albert Einstein and a Biblical verse (John 14:27).

781:

background music system (1959 to mid-1980s) used 9-inch, 16-rpm records with an unusual 2-inch center hole. Each record had a capacity of about 40 minutes per side.

1494:

The Prestige Jazz double-album MONO series are 12-inch 16-rpm discs. They can be played with a normal mono or stereo stylus (0.7 to 1.0 mil) stylus without damage.

2716: 411:

Numerous unusual diameters have been produced since the early 1900s ranging from 2 to 19.7 inches (51 to 500 mm). Oddly shaped discs were also produced (see

3074:

records present four channels of audio, requiring specialized pickups and decoding equipment to reproduce the two additional channels' signals from the groove.

3005:

released a Parallel Groove 12-inch, "Are you more than just a product of your influence" that plays from the inside out on both sides at both 16 and 78 speeds.

2207:

contains a locked groove at the end of the final track, "Expressway to yr. Skull (Madonna, Sean, and Me)" and the track's length is indicated on the label as "

951:– Between 1903 and 1910, American companies made recordings of 14-inch records that played at the unusual speed of 60 rpm. The 14-inch size was soon abandoned. 3400:

called "Samson And Delilah" that was pressed on clear vinyl, with a clear label and clear print on the label and it came in a clear sleeve. In 1983, American

2871:

movements, for example, varied greatly in length and could be difficult to arrange appropriately on 20-minute disc sides, made them no more than curiosities.

2083:

from drifting into the label area. However, it is possible to record sound in this groove, and some artists have included looping audio in the locked groove.

461:

Also known as "8ban," (for "8cm Bandai") these were developed in Japan by record pressing company Toyokasei and released in "blind-bag" format by toy company

3871:

This laser etching does not affect the playing grooves. This same process was also used for the 45 single of the band's song "One Step Ahead" from the album

2825:

Records with parallel grooves have been used in games to provide multiple outcomes, chosen either deliberately or randomly, depending on the game. In 1971,

2240:

released the single "Play At Your Own Risk" in 1982. The original 12-inch release sees the A-side repeating its persistent echoed vocal in the lock-groove.

1739: in (6.4 mm) in diameter. The only common exception to this is the 7-inch 45 rpm record, which was designed with a center hole slightly more than 5741: 5267: 1909:

of St. Joseph, Michigan. The rarest edition comes with a fibreboard insert to adapt the 3-inch hole of the vinylite discs to a standard phonograph hole.

600:

sounds called "Songs of the Humpback Whale." With a production order of 10.5 million, it became the largest single press run of any record at the time.

4191:

features a hologram of a spinning Red Star of the Federation. All three of these were produced by Tristan Duke for his studio Infinity Light Science.

3410: 254: 241: 2092: 1343:

the 7-inch variety holding roughly 90 minutes. The format was later used to distribute magazines on nine-inch "flexible discs" recorded at the same

57: 1050:

were dubbed from recordings which had been mastered on 16-inch lacquer discs in anticipation of eventual release in a smaller "microgroove" format.

5308: 2498:, the locked groove at the end of the disc continues the instrumental lead-out of the track indefinitely as long as the DJ wished to let it play. 195: 2525:

was released on CD with 15 songs segued together, but the double LP version consists of 200 locked grooves, each with its own four-letter title.

3160:

have been produced as integral promotional novelties on packaging, most notably on the backs of cereal boxes in the late 1960s and early 1970s.

660:– Mostly seen as Japanese pressed records in the 1980s and 1990s, and after 1992 in the US (one record plant started producing them after then). 167: 3533: 4853: 4055:

colored silicone fluids and oils that freely move around was produced; however, leakage proved too great a problem and it was never released.

1427:

speed setting on turntables became standard roughly between the mid-1950s and very early 1970s despite the records themselves being a rarity.

5321: 4267: 2983:

released his first ever record, "His Master's Voices" a transparent two sided LP. Both sides play from the inside to the outside of the disc.

1261: 2403:(1985) features a recorded lock groove on the final song ("Anything") which results in the final note of the album slowly repeating itself. 2333: 174: 3917: 3556:

Colored vinyl records became increasingly popular in later years, with some albums having multiple releases in various different colors.

3120:

was a system of proprietary records and players designed for use in automobiles, utilizing a slower play speed and high stylus pressure.

2703:

consisted of three parallel grooves of the same song, each containing different lyrics (an assortment of humorous, macabre retellings of

2222:" EP in 1977. On the original 7 inch, the A-side track "Cat on a Wall" ends with sustained guitar feedback repeating in the lock-groove. 5736: 3782: 5091: 2932:(samplers of various Mercury popular artists at the time) which played from the inside-out and had a locking groove at the disc's edge. 2229:

released their single "I Am the Beat" in 1980, which ended with the distinctive drum beat and vocal being repeated in the lock-groove.

1905:

The 3-inch spindle format would be resurrected some 40 years later for the Holy Bible Old and New Testaments produced at 16 RPM by the

3588:

The first 'modern' rock picture disc was introduced as an assortment of artists such as MC5 and The Doors. It was released in 1969 by

4070:" on a liquid-filled disc, calling it "the first-ever disc of its kind to be made available to the public" and noting the unreleased 3593: 181: 93: 89: 4702: 4427: 4295: 4083: 4032: 4012: 3537: 3529: 2819: 2079:

Most records have a locked groove at the end of each side or individual band. It is usually a silent loop that keeps the needle and

2012: 1367:. The National Library Service for the Blind ceased using analog discs as a format for audio book and magazine distribution in 2001. 1265: 1135: 375: 279: 214: 65: 5154: 5117: 4413: 3289: 5190: 5159: 5122: 3806: 1796: 568: 4336: 2901:

transcription discs had both outside and inside-start as a way to maintain the fidelity levels when the record was turned over.

2695:

number. Garabedian's records were made to be given away as premiums, usually by potato chip manufacturers. The opening track of

654:, in New York City in 1932. Priced at 10 cents, they were replaced by a 10-inch Electradisk later that year, priced at 20 cents. 163: 4794: 4254:

Bartmanski, Dominik; Woodward, Ian (2015). "Thing: Qualities and Entanglements - Formats: Diameter and Speed Differentiation".

3825:

for the track "Magic Window", albeit to replace the 1 minute 46 second long silent track that appears on digital versions.

3496: 3866: 3852: 3570:

A picture disc has graphics visible in the grooved playing area, rather than just on an unplayable back side or large label.

3023:

In the 2010s, German classical music label Tacet issued some classical recordings that played from the inside out, including

1990: 1543: 1117: 736:

made nine inch black shellac records in the second half of the 1910s, these also appeared on client labels such as Medallion.

636: 617: 591: 357: 152: 5490: 2939:

song named "Back To Zero" by Francis Lowe that played from the edge of the label outwards on side B, and normally on side A.

2332:

includes a locked groove at the end of side A (AKA "side alpha") which repeats the sound heard at the beginning of the song

2071:

of the 7-inch RRR-100 (with 100 individual bands) and the 12-inch RRR-500 (with 500 bands) and RRR-1000 (with 1,000 bands.)

292:

The overwhelming majority of records manufactured have been of certain sizes (7, 10, or 12 inches), playback speeds (33

2487:: The applause at the end of side 4 would continue into the locked groove, rather than fading out like on the other sides. 1639:

At least one attempt to lengthen playing time was made in the early 1920s. World Records produced records that played at a

3910:

had a special edition with the Superman "S" shield logo etched five times on each side of the standard black vinyl album.

3187: 2792: 2435:, features a recorded locked groove at the end of side one which continuously plays the last note of "The Last Film." The 2810:

has a lead track with a parallel groove listed on the label as "0. Mystery Track," which runs parallel to the track. The

2600:, there is a locked groove at the end of Side A, which features an eerie ambience that loops until the needle is lifted. 2321:

rhythm again) in the lead-in groove opening Side Two of the album, which then leads to the first selection on that side.

4354: 4167: 3733: 3458: 3298: 2557: 1565:— Between 1901 and ca. 1908, the Columbia Graphophone Company recorded single-sided plates at a speed of around 76 rpm. 4200: 4111: 3949: 2593: 2413:

contains a locked groove at the end of the first disc repeating the words "turn me over." The second side of the live

2370: 2164: 2121: 1153: 5580: 4311: 3063:

be mounted together, with the proper spacing, on a single tone arm. Over 50 records were released using this format.

2779:

as a series of concentric grooves, which they call a "Trick-Track Master". Each side of the album has four grooves.

2565:

ends with a locked groove resulting in the group repeating the phrase "waiting" until the listener lifts the needle.

1975: 1363: 3513:

album featured spattered-color vinyl, with a grey/white marbled base with splashes of color on the top of that. The

3194:. The director could then hear a sample recording of the piece as they looked at an excerpt from the musical score. 1361:

transparency sheet. The first magazine to be circulated widely in the flexible disc format to blind individuals was

4903: 3740:" on limited edition shaped discs. The "Jet City Woman" picture disc is in the shape of the band's Tri-Ryche logo. 3034: 2796: 2545: 2173: 3136:"Floppy ROM" were distributed by computer hobbyist and video game magazines during the late 1970s and early 1980s. 1994: 1979: 1106: 346: 246: 141: 105: 2629: 2424: 2193: 2183: 2113: 188: 5277: 4004: 3886: 3606: 3414:; a limited number of copies were pressed on clear vinyl and included in an elaborate plastic case designed by 2419: 2203: 1648: 1640: 446: 4774: 3777:

After having already released both colored vinyl singles and picture discs in the 1980s, Canadian rock artist

3517:

pressing came in multiple (solid) colors of vinyl and a picture disc edition that came with a flexi-disc (the

2149:, the feedback at the end of "If Work Permits" continues into the lock-groove, which repeats. Early copies of 504:

record, to be usable in most compact disc players, the record can be no bigger than 120 mm or about 4.7".

2672: 971:- 16-inch discs were used, but also 12-inch and 10-inch discs, as part of an early sound-film system made by 5717:

Vinyl Underground, a Gallery of Picture Discs and Colored Vinyl Records. Contains hundreds of discs to view.

5412: 4617: 3532:", originally on both black and clear green vinyl and later reissued on red vinyl, and a 12-inch single of " 3338: 3319: 3149: 2966: 2748: 1491:

Another notable example of a "16 RPM" record was a 7-inch single of the song Orouburous by drone band Earth.

770:. The record featured two songs on the first side, and an etching of the album's promotional logo (a coiled 5504: 1512:

Dictation records in the U.S. such as the Edison Voicewriter which recorded on thin flexible plastic discs.

473:

singles in this format. Disks in this format continue to be manufactured, particularly in association with

5731: 3709: 2470: 2136: 1855: 1644: 643: 4419: 4259: 4226: 4216: 4063: 3686: 3536:" on silver colored vinyl in 1992, in order to commemorate the massive sales of his earlier hit single " 3359: 3303: 2131: 1906: 1471: 1203: 573: 3589: 3273: 2676: 2533: 395:"Move Away" 5-inch picture disc, example of the 5-inch format resting on a 7-inch single for comparison 5011: 4952: 4087:, which was filled with a diluted mix of blood contributed by several of the collaborators, including 2393:

ends with the song "Lock Groove Lullaby" which, as the name suggests, extends into the locked groove.

4134: 3961: 3830: 3697: 3692:

Some extreme examples required smaller grooving than standard 7-inch such as the single "Montana" by

3434: 3430: 3106: 3102: 3031: 3017: 3013: 2951: 2783: 2680: 2340: 2273: 2027: 302:, 45, or 78 RPM), and appearance (round black discs). However, since the commercial adoption of the 5365: 4569: 4211: 3977:

of the studio layout with the various instrument stations as laid out in the studio for recording.

3663: 3415: 3333: 2876: 2757: 2668: 2465: 2453: 2359: 2034:

30 Trimicron records were released, though copies are nowadays rare, especially in good condition.

766: 4734: 4509: 4443: 3243:

that are playable miniature phonograph records. These thin plastic single-sided adhesive-backed 33

2375: 496:

released the single for "The Occurrence" on a disc that is a gramophone record on one side, and a

5639: 5613: 5465: 5313: 5243: 4754: 3981: 3946: 3788: 3756: 3717: 3705: 3667: 3466: 3059: 2909: 2573: 1768:

schemes that sold a phonograph cheaply, but required purchase of compatible discs at full-price.

1578: 1547: 1358: 1032: 613: 5505:"Harry Manfredini – Friday The 13th (Vinyl, LP, Album, Limited Edition, Blood-Filled) | Discogs" 5437: 4393: 3901:" The Quad: Final Mix on side A and the etched image of a rose and a hand-drawn "DM" on side B. 3002: 2806: 2756:

or less so with water noise. In 2005, a 7-inch single titled "The Road Leads Where It's Led" by

2135:, there is cheering and applause recorded before and on the locked groove of the B side, after " 3631: 2955: 2760:

was released in UK that contained both tracks on one side on parallel grooves. The Summer 1980

2423:

has a locked groove that contains the first few seconds of applause after they finish playing "

1662:

The CLV format would reemerge in the 1940s and 1950s in office dictation machines known as the

5469: 5317: 5172: 5168: 5135: 5131: 4698: 4659: 4423: 4291: 4263: 4173: 4161: 4081:

released an extremely limited (and expensive) edition of their double album of collaborations

4059: 3898: 3351: 3262: 3236: 2830: 2642: 2436: 2404: 2353: 2349:, the chimes heard at the end of "By-Tor & the Snow Dog" continue into the locked groove. 2178: 2160: 2155: 1765: 1207: 1152:

In the early 1920s, the Edison Records "Diamond Disc" label–here featuring the popular duo of

906: 761: 549: 303: 4979: 4925: 3167:

In the 1950s, advances in vinyl production technology led to the development of the 7-inch 33

4643: 4602: 4078: 4067: 3934: 3925: 3814: 3675: 3654:

Shaped picture discs were first manufactured in the late 1970s for promotional purposes. An

3597: 3548: 3343: 3314: 3157: 3099: 3055: 3020:

album, featuring one side that plays the song "Closing Theme" from the inside out at 45 rpm.

3009: 2619: 2428: 2102: 2060: 1710: 1066: 925: 878: 824: 797: 753: 706: 677: 647: 474: 442: 5710: 5555: 4878: 3164:

around itself, so that the whole thing could be placed on the turntable and played intact.

5272: 4130: 4107: 3953: 3797:

with side four having etched artwork on it incorporating the band's logo. The "B side" of

3635: 3462: 3347: 2925: 2886:

A number of radio transcriptions were standard lateral grooved records (either playing at

2795:," which has "Nothing at All" and "Split Needles (Alt. Version)" on the b-side.) The band 2614: 2537: 2458: 2409: 2233: 2226: 2219: 1899: 855: 757: 733: 732:– Prior to 1910, nine-inch brown shellac records were issued under the Zon-O-Phone label. 577:

78-only player to be put to work as a toy, expendable if it got damaged by rough handling.

311: 5006: 1934:

have multiple holes (usually three or four) intended to prevent slippage during cutting.

972: 4375: 3748: 3224: 5303: 5033: 4984: 4957: 4930: 4553: 4047: 4037: 3873: 3822: 3737: 3729: 3671: 3514: 3479: 3438: 3397: 3153: 2980: 2943: 2811: 2761: 2752:

vinyl has a double groove on side four, ending the album either happily with the track

2742: 2541: 2495: 2244: 2215: 1718: 1714: 1663: 1180: 1031:

rpm discs—shellac in the early 1930s, but vinyl in later years—were used to distribute

1018: 524: 517: 465:

in 2004. They experienced a resurgence in the United States because of the interest of

5198: 3916: 2969:," on 12-inch blue vinyl with both sides running from the inside of the disc outwards. 1357:

rpm. These discs were made of thin plastic and were literally flexible, similar to an

5725: 5529: 5451: 5299: 3997: 3765: 3682: 3581: 3518: 3422: 3405: 3377: 3346:. In the 1920s, several companies made records of various shades of brown, including 3240: 3183: 3117: 3024: 2987: 2973: 2917: 2905: 2829:

introduced a game called "Talking Football," in which two players simulate a game of

2772: 2696: 2692: 2688: 2624: 2578: 2400: 2265: 2252: 2237: 2188: 2168: 2049: 1608: 1449: 1428: 1176: 1070: 967: 929: 882: 828: 801: 710: 470: 4181:

on the other, both spinning at the speed of the record. The deluxe vinyl edition of

3843: 1206:

held a party to celebrate the third anniversary of his Nashville label/record store

477:

during which 3" singles are made available exclusively through participating stores.

5584: 4522: 4206: 4186: 4144: 4092: 4008: 3985: 3970: 3894: 3837: 3722: 3693: 3618: 3575: 3565: 3475: 3444: 3381: 3373: 3258: 3228:

A short stack of small chocolate records, with a special record player made in 1904

3218: 3071: 3051: 2801: 2711: 2704: 2684: 2529: 2506: 2475: 2414: 2395: 2363: 2145: 2117: 1931: 1884: 1729:

The vast majority of records used a standard small spindle hole slightly more than

1705: 1652: 1410: 1148: 1065:– In the first three decades of the twentieth century European companies including 1036: 924:– In the first three decades of the twentieth century European companies including 877:– In the first three decades of the twentieth century European companies including 823:– In the first three decades of the twentieth century European companies including 796:– In the first three decades of the twentieth century European companies including 778: 705:– In the first three decades of the twentieth century European companies including 497: 401: 392: 317: 3128: 760:

released a limited edition series of 9-inch discs to aid in promoting the single "

5701: 5697: 2457:

ends side 3 with a continuous loop of the repeated piano chord heard throughout "

2159:

have the sound of a dripping tap repeating at the end of side two. The B-side of

2043:

rock music. These individual bands need not be cut at the same speed. The second

4182: 4178: 4096: 4052: 3906: 3881: 3798: 3778: 3713: 3659: 3543: 3525: 3486:

also released a glow-in-the-dark 11-inch EP in 2000. In late 2010 – early 2011,

3483: 3393: 3366:

was at one point going to be printed on colored vinyl, but this never happened.

3191: 3095: 2947: 2936: 2768: 2737: 2721: 2585: 2510: 2483: 2448: 2346: 2198: 2087: 1964: 1942: 1095: 977: 851: 682: 439: 335: 130: 4480: 4143:

at the end of their 1984 vinyl, containing a computer software program for the

5635: 5605: 4721: 4231: 4156: 3989: 3966: 3939: 3921: 3810: 3712:, in the shape of the album's "Joker Card", the Wraith. Alternative rock band 3622: 3601: 3574:

plastic laminated onto a sheet of printed cardboard before being stamped in a

3277: 3199: 3178: 3142: 3088: 2815: 2664: 2597: 2257: 2150: 2140: 2044: 1594: 1323: 1255: 902: 741: 665: 651: 582: 545: 493: 466: 388: 307: 5338: 5176: 5139: 4663: 4460: 975:. The discs were synchronised to a motion picture film, and were played on a 17: 4598: 4538:

World Records, Vocalion "W" Fetherflex and Penny Phono Recordings: A listing

4221: 3913:

Disturbed Immortalized (LP) Side 4 is Decorated with etching on whole side.

3861: 3847: 3785:" in autumn 1991, which had the front cover photography etched onto side B. 3614: 3454: 3451:

was produced on opaque yellow vinyl, in reference to the name of the album.

3401: 3310: 3288: 3148:

Thin, flexible paper-based records were briefly popularized in the 1930s by

3092: 2846: 2788: 2562: 2384: 2329: 2100:

responded by putting a musical locked groove at the end of their 1967 album

2068: 1937: 1611:

plates may also be found to be recorded at 80 rpm (also in 1927 and before).

1598: 1074: 1047: 1001:"talking picture" system developed in the mid-1920s, the first use of the 33 998: 933: 886: 832: 805: 771: 714: 3528:

released a small number of singles on colored vinyl. Notable examples are "

3254:

inches) make them unplayable on turntables with automatic return tonearms.

3058:, released a number of "binaural" recordings. These were not created using 3027: 2994:

released their second untitled album, the A side of which plays inside out.

1445:

rpm talking books require a 0.5 (half) mil stylus to avoid being destroyed.

232: 5221: 4795:"The Outer Wilds Vinyl is Incredibly Cool and Very Rare - Resell Calendar" 5609: 5062: 4717: 4171:

was made available on a holographic record that displays an image of the

4020: 3818: 3802: 3491: 3084: 2991: 2962: 2880: 2868: 2518: 2109: 2057: 538: 321:

Polish sound postcards, one example of unusual gramophone records (1950s)

5705: 5690: 5686: 4911: 4031: 2552:

6006-491 that included a recorded locked groove at the end of the side.

1709:

playing time than standard groove 78 rpm records. In 2011, to celebrate

963:

Early Pathé "Cinéma" mood music was recorded in 16 inch shellac records.

520:

recorded a few 5" records under the toy company Krammer & Reinhardt.

5689:

Site devoted entirely to "strange but true recorded anomalies" such as

5244:"Record stamps of Bhutan shown unused and canceled on first day covers" 4779: 4759: 4739: 4400: 4382: 4337:"The resurrection of an obscure, niche vinyl format: The 3-inch record" 3655: 3487: 3380:

with transparent vinyl and cover in 1971, and a transparent 12-inch of

3293: 2549: 2116:

has sound in the locked groove. And in 1971, at the end of one side of

2097: 2080: 1754: 1701: 1688:

rpm) depending on the effect desired by the person playing the record.

1667: 1120: in this section. Unsourced material may be challenged and removed. 1035:

of prerecorded programming. Radio stations also made their own 16-inch

360: in this section. Unsourced material may be challenged and removed. 5713:

A short article looking at the history of the 45 RPM spindle adaptor.

5390: 3643: 3047: 2826: 2570: 462: 5366:"Are Colored Vinyl Records Rare? Here's Why You Should Collect Them" 2208: 1583:— Standardized to run at 80 rpm, these records were vertically cut, 5661: 3794:

Good Apollo, I'm Burning Star IV, Volume Two: No World for Tomorrow

2791:' 7-inch records have parallel grooves (such as their 2007 single " 2366:

after the instrumental title track on side 2 to loop indefinitely.

2167:" ends the song "Suicide" with an eternal yell in the lock-groove. 5716: 4879:"Barry S. Goldberg's Silly Song Project – "Super-Spectacular Day"" 4088: 4030: 3915: 3842: 3747: 3630: 3309: 3287: 3272: 3223: 3127: 2998: 2325: 1147: 597: 387: 316: 5691:

a Chinese frozen-food package lid that was also a playable record

4828: 4816: 4695:

American Record Labels and Companies: An Encyclopedia (1891–1943)

4466:

National Library Service for the Blind and Physically Handicapped

2536:. A few years later, in December 1975, a British artist known as 1659:

use the CLV format to make efficient use of their surface areas.

858:

were the first band to release an 11-inch record in October 1984.

5066: 4854:"Great Big Beautiful Wonderful Incredible Super Spectacular Day" 4722:

RetroTech: Seeburg 1000 BMS1 Background Music System (1959–1986)

3708:

released a sample vinyl featuring songs from their studio album

3504: 2528:

The first known hit single to have a recorded locked groove is "

2126: 1431:

proved to be a far more popular format for such spoken content.

4510:

https://voyager.jpl.nasa.gov/golden-record/whats-on-the-record/

3674:" on side 2. It was originally pressed in 1983 and reissued on 3202:", "Flexisoft", and "Discoflex". These bound-in thin plastic 33 1212:

The First Three Years of Blue Series Singles On One LP at 3 RPM

5581:"Jack White's New ULTRA LP Generates A Hologram When It Spins" 3716:

released a specially created web-shaped vinyl for the single "

3540:", which was featured in its full-length version on the disc. 3389: 1958: 1656: 1089: 329: 226: 124: 72: 31: 4644:"Lowdown On New RCA Disk—Changer Is Heart of New Player Unit" 4444:"The Beloved Voices | American Foundation for the Blind" 2683:

created a "Magic Record" which would randomly play a tune by

1413:

Background Music System. For this reason, the inclusion of a

1160:

The most common rotational speeds for gramophone records are

3524:

From the mid 1980s to the early 1990s, Canadian rock singer

2883:

stylus and a vertically responsive reproducer for playback.

2306:("boom boom crash crash ") This motif reappears (in strict 936:

made recordings in a variety of sizes, including 35 cm.

835:

made recordings in a variety of sizes, including 27 cm.

808:

made recordings in a variety of sizes, including 25 cm.

717:

made recordings in a variety of sizes, including 21 cm.

862:

rim can be found the only recorded instance of Bix's voice.

4551:

Dutton, G. F. (June 1951). "Gramophone Turntable Speeds".

4312:"Soda Tax (Single): 2" Lathe Cut Record (Limited Edition)" 3890:

had a laser-etched design of the band's logo on side two.

2972:

In 1994, the Cyrus 12-inch single "Inversion" released by

1713:, Capitol Records released a 78rpm Microgroove record of 1542:— Before the 78 rpm was considered a worldwide standard, 1210:. The attendees were each given a copy of an LP entitled 905:

bands in the 1990s started releasing EPs on all sizes of

548:

bands in the 1990s started releasing EPs on all sizes of

4536:

Frank Andrews; Arthur Badrock; Edward S. Walker (1992).

2581:

repeating the phrase "Oh, Mercy!" at the end of Side B.

4155:

One of the many features added to the vinyl version of

3482:" was available on 12-inch glow-in-the-dark vinyl, and 3469:

released a luminous vinyl limited edition of the album

2841:

Inside-to-outside recording and hill-and-dale recording

1077:

made recordings in a variety of sizes, including 50 cm.

889:

made recordings in a variety of sizes, including 29 cm.

101: 5007:""They're At the Post" Horse Racing Game With Records" 4355:"The Vinyl And CD Release On One Disc From Jeff Mills" 4062:

announced a limited edition 12-inch single release of

4045:

For the release of the soundtrack for the Disney film

2928:

released a pair of dealer-only promotional LPs called

838:

Edison Diamond Discs were of around 10 inch on average

596:'s January 1979 issue included a 6-inch flexi disc of 4775:"Planet Patrol – Play at Your Own Risk (1982, Vinyl)" 4290:. United States: Routledge Publishing. p. 1320. 4140: 4110:

released a blood-filled record for the soundtrack of

4103:

blood vinyl was traded for two copies of "Saltines."

2946:

in Germany released a limited-edition version of the

2086:

One of the best-known examples of this technique was

5391:"The Association of Vogue Picture Record Collectors" 2369:

Another example of recorded locked groove record is

5606:"Hologram Vinyl – Star Wars TFA Soundtrack (in 4K)" 3956:has program code from the game etched into side D. 3190:leaders and others, with their printed catalogs of 2481:An example of a live album with a locked groove is 620:

in US) continued issuing 7" plates for a few years.

155:. Unsourced material may be challenged and removed. 3212:rpm audio recordings stored computer data such as 2577:have a locked groove of lead singer and guitarist 1764:Early on, some 78 rpm records had larger holes in 5491:"Wayne Coyne Tweets Show How Blood Vinyl Is Made" 5195:René Rondeau's Antique Phonograph Gallery website 4481:"Latest Advances in Extra Fine Groove Recording" 3613:In the 1950s, "movie" discs showing a repeating 3042:Early multiple track (i.e., stereophonic) format 2958:that played from the edge of the label outwards. 2879:had always been. The records required a special 2736:parallel grooves of different Rush songs. Also 2691:' novelty song "Peanut Butter," or an imitation 2390:Transient Random Noise Bursts With Announcements 1721:songs, as recorded by The Chicago Cellar Boys. 4003:First US vinyl pressings of American rock band 3904:The original soundtrack recording for the film 3813:"sculpture" embossed on its surface. Side 6 of 3594:Psychedelic Underground - Off 2, Hallucinations 746: 670: 587: 405: 4129:An album by Christian Contemporary Rock band, 5191:"Stollwerck and Eureka Chocolate Phonographs" 5092:"Disposable Pop: A History of the Flexi Disc" 4523:"16 RPM — the forgotten vinyl speed • DJWORX" 4256:Vinyl: The Analogue Record in the Digital Age 3050:system circa 1957, at least three companies: 1260:. In 1966, experiments were conducted by the 27:Gramophone records with non standard features 8: 5556:"35 Year-Old C64 Easter Egg Hidden On Vinyl" 4249: 4247: 3046:Before the development of the single-groove 2775:re-released the Henny Youngman comedy album 2935:In 1984, Many Records in Italy released an 1993:. Unsourced material may be challenged and 590:below). For example, the American magazine 412: 66:Learn how and when to remove these messages 5056: 5054: 4415:Alice Guy Blaché: Lost Visionary of Cinema 3494:released a limited 500 copy run of his EP 3429:The 1977 release of the 45 rpm single of " 646:test marketed 8-inch records on their own 5638:. Rush's YouTube page. 21 February 2015. 5432: 5430: 4735:"Squeeze – Packet of Three (1977, Vinyl)" 4688: 4686: 4684: 4682: 4680: 4281: 4279: 2013:Learn how and when to remove this message 1550:records were often recorded at 73.29 rpm. 1136:Learn how and when to remove this message 376:Learn how and when to remove this message 280:Learn how and when to remove this message 215:Learn how and when to remove this message 5085: 5083: 4755:"The Look – I Am the Beat (1980, Vinyl)" 4485:Journal of the Audio Engineering Society 3217:novelty releases from musicians such as 1770: 1185: 445:where some stores were taxing the drink 417: 257:of all important aspects of the article. 104:by adding descriptive text and removing 5309:The Complete Beatles Recording Sessions 5262: 5260: 4618:"They're Still Releasing 78 rpms!" 4570:"Featured Item: Cinematone Penny Phono" 4243: 2845:In the late 1920s and early 1930s, the 4540:. Spalding, Lincolnshire: The Authors. 4455: 4453: 3893:The 1990 Mute XL12Bong18 release from 3596:". The second release was the British 3364:Sgt. Pepper's Lonely Heart's Club Band 3132:Flexi disc program sheets such as the 2517:, which also ends in a locked groove. 1156:–were intended for playback at 80 rpm. 253:Please consider expanding the lead to 5642:from the original on 21 December 2021 5616:from the original on 21 December 2021 5364:Holdener, Michele (21 January 2022). 3759:on the back of a single sided record. 3720:," a song which was used in the film 3016:released a two-disc reissue of their 2849:sound system used large sixteen-inch 2513:'s "Diesel Drudge," from his 1994 EP 2093:Sgt. Pepper's Lonely Hearts Club Band 1262:American Printing House for the Blind 164:"Unusual types of gramophone records" 7: 5452:"Nine Inch Nails – Quake Soundtrack" 5063:"The Bendable Sounds of Flexi-Discs" 4654:(2). Nielsen Business Media, Inc: 3 4348: 4346: 3521:edition, however, was plain black). 2976:had one side that played inside out. 2613:(mentioned above) has this feature. 2505:, the 20th anniversary box set from 1991:adding citations to reliable sources 1118:adding citations to reliable sources 764:" from their full length 1994 album 358:adding citations to reliable sources 153:adding citations to reliable sources 3534:Thought I'd Died And Gone To Heaven 3500:on 12-inch glow-in-the-dark vinyl. 2767:Super Special included a one-sided 2030:could fit on one Trimicron record. 5742:Lists of things considered unusual 5554:Harbron, Robin (19 October 2019). 3510:Q: Are We Not Men? A: We Are Devo! 3030:(2013) and the fourth movement of 2633:also start in the lead-in groove. 1887:records have a 2-inch center hole. 25: 5662:"Infinity Light Science homepage" 5276:. 22 October 1945. Archived from 4084:The Flaming Lips and Heady Fwends 3538:(Everything I Do) I Do It For You 3054:, Livingston Audio Products, and 2604:Sound recorded in lead-in grooves 2339:On the original vinyl release of 1266:American Foundation for the Blind 47:This article has multiple issues. 5155:"News: From Punk to Programming" 5153:Wolpe, Toby, ed. (August 1983). 4479:Goldmark, Peter C. (July 1958). 4461:NLS: That All May Read – History 3783:Can't Stop This Thing We Started 3388:was released. In the 1980s, the 2075:Sound recorded in locked grooves 1963: 1635:Varying and variable play-speeds 1094: 516:Between 1888 and ca. 1892-1894, 500:on the other. Although dubbed a 334: 231: 129: 77: 36: 5636:"RUSH 2112 Hologram Sneak Peek" 5337:Havoc, Felix (1 January 2005). 5268:"New Products: Plastic Records" 5197:. November 2005. Archived from 4953:""They're Off" Horse Race Game" 4908:Equalizing X Distort radio show 4839:advertised in (amongst others) 4051:, a prototype disc filled with 4023:outline featured on the cover. 3880:The 1981 A&M Records LP of 3860:The 1980 A&M Records LP of 3658:-shaped promotional release of 3497:Scary Monsters and Nice Sprites 2362:allows a sample of laughter by 2171:'s second album (also known as 1105:needs additional citations for 345:needs additional citations for 310:record in the U.S., where both 245:may be too short to adequately 140:needs additional citations for 55:or discuss these issues on the 5687:The Internet museum of records 5530:"BP Fallon | Fame #9 7" Vinyl" 4829:https://www.kellydatabase.org/ 4817:https://www.kellydatabase.org/ 4288:Encyclopedia of Recorded Sound 4114:, limited to under 75 copies. 3457:released a 12-inch single of " 2979:In 1997, English Sound Artist 2730:Rare Rock: A Collector's Guide 2243:San Francisco noise-punk band 997:rpm provided the sound in the 949:Early American shellac records 730:Early American shellac records 633:Early American shellac records 255:provide an accessible overview 1: 4353:Pinter, Dave (10 June 2010). 2961:In 1993, American metal band 2797:None of Your Fucking Business 2717:Matching Tie and Handkerchief 2401:Scraping Foetus Off The Wheel 2324:The 12-inch vinyl reissue of 1474:was mastered for playback at 987:– 16-inch discs playing at 33 5339:"MRR #267 Record collecting" 5090:Foley, Ryan (18 June 2007). 4697:. Denver: Mainspring Press. 4642:Caida, J. (8 January 1949). 4622:www.78rpmcommunity.com/blogs 4168:Star Wars: The Force Awakens 4122:A BP Fallon single entitled 3928:has etched artwork on Side D 3920:The Double Vinyl release of 3791:released their fourth album 3621:technique, an example here: 3078:Disc noise reduction formats 2197:also utilize the technique. 1364:U.S. News & World Report 985:Vitaphone "talking pictures" 909:including 13 inches in size. 5696:Articles from Kempa.com on 5222:"Record stamps from Bhutan" 5116:Bennett, Bill (June 1982). 4724:, YouTube, 28 February 2017 4201:Capacitance Electronic Disc 3449:Something New Under the Sun 2548:) called, "Renta Santa" on 2540:did a break-in record (see 2371:Godspeed You! Black Emperor 1820:Harmony Disc Records had a 1507:Talking books for the blind 1154:Billy Jones and Ernest Hare 1033:"electrical transcriptions" 552:including 5 inches in size. 456:3.15 in (8.0 cm) 435:wrapped in a 24-page cover. 5758: 5737:History of sound recording 4469:. Accessed 20 August 2015. 3563: 3124:Unusual materials and uses 2640: 2381:F-sharp, A-sharp, Infinity 1624:Pre-standardization period 1605:Pre-standardization period 1593:inch thick with a core of 1563:Pre-standardization period 1540:Pre-standardization period 1525:Pre-standardization period 1057:19.7 in (50 cm) 1044:Early classical recordings 916:13.8 in (35 cm) 869:11.4 in (29 cm) 815:10.6 in (27 cm) 588:Unusual materials and uses 523:In 1980, the British band 406:Unusual materials and uses 5393:. Voguepicturerecords.org 4910:. CIUT-FM. Archived from 4013:The Battle of Los Angeles 3982:unofficial vinyl releases 3617:were produced, using the 3592:of Germany and entitled " 3503:The Canadian pressing of 3323:on glow-in-the-dark vinyl 3113:Vibration-resistant discs 2710:A more recent example is 2630:Plastic Surgery Disasters 2584:The double record of the 2490:On the 12-inch single of 2425:21st Century Schizoid Man 2270:Songs for Swinging Larvae 2256:, the debut album by the 2194:Plastic Surgery Disasters 2184:The Fine Art of Surfacing 1470:The audio portion of the 788:9.8 in (25 cm) 697:8.3 in (21 cm) 484:4.7 in (12 cm) 5664:. Infinity Light Science 5209:– via Archive.org. 4512:Retrieved 20 April 2023. 4412:McMahan, Alison (2003). 4005:Rage Against the Machine 3945:The 2020 release of the 3781:issued a 12" single of " 3732:released their singles " 3546:released their first EP 2592:On the vinyl release of 1649:constant linear velocity 1641:constant linear velocity 1264:in cooperation with the 1063:European shellac records 1037:lacquer ("acetate") disc 1015:Early radio broadcasting 958:16 in (41 cm) 943:14 in (36 cm) 922:European shellac records 896:13 in (33 cm) 875:European shellac records 845:11 in (28 cm) 821:European shellac records 794:European shellac records 703:European shellac records 429:2 in (5.1 cm) 5466:"Record Store Day 2012" 5413:"The Vinyl Underground" 5034:"His Masters Voices LP" 4841:Illustrated London News 4286:Hoffman, Frank (2004). 3836:The Japanese rock band 3833:which has etched fish. 3339:American Record Company 3320:Your Weight on the Moon 3239:issued several unusual 3150:Hit of the Week Records 2782:In the 1980s, the band 2728:(mentioned in the book 2720:. A promotional EP by 2673:The Fortune Teller Song 1894:3 in (76 mm) 1879:2 in (51 mm) 1448:Chrysler's short-lived 1046:– Some early classical 724:9 in (23 cm) 627:8 in (20 cm) 562:6 in (15 cm) 511:5 in (13 cm) 106:less pertinent examples 5438:"Shaped picture discs" 5415:. vinylunderground.com 4904:"Equalizing X Distort" 4693:Sutton, Allan (2000). 4491:(3). CBS Labs: 152–153 4042: 3929: 3857: 3760: 3710:The Wraith: Shangri-La 3647: 3627:Unusually shaped discs 3324: 3307: 3285: 3265:" or 'Roentgenizdat'. 3229: 3137: 2534:Captain & Tennille 2471:Rings Around The World 2291:rhythm, being more in 2225:English new wave band 2137:The Way Old Friends Do 1902:had a three-inch hole. 1850: in (38 mm) 1815: in (19 mm) 1791: in (13 mm) 1645:Noel Pemberton Billing 1157: 644:F.W. Woolworth Company 443:Sweetened Beverage Tax 413:Unusually shaped discs 396: 322: 4980:"They're at the Post" 4595:Environments – Disc 1 4260:Bloomsbury Publishing 4227:Voyager Golden Record 4217:List of picture discs 4034: 3919: 3846: 3751: 3634: 3610:, a UK issue (1970). 3396:released a single on 3360:Princeton, New Jersey 3313: 3291: 3284:(1996) on pink vinyl. 3276: 3227: 3131: 2474:as a 3-record set on 2028:Brandenburg concertos 1799:had a half-inch hole. 1472:Voyager Golden Record 1328:— Beginning in 1969, 1151: 901:Underground hardcore 774:) on the second side. 574:Little Golden Records 544:Underground hardcore 391: 320: 5220:Cumella, M. (2003). 3821:has an etching of a 3698:They Might Be Giants 3435:The Brothers Johnson 3431:Strawberry Letter 23 3067:Quadraphonic formats 3014:Camper Van Beethoven 2952:Talking to the Night 2515:Planetary Funk Vol 4 2494:released in 1990 by 2274:Renaldo and the Loaf 1987:improve this section 1114:improve this article 527:released a 5-inch 33 354:improve this article 149:improve this article 5201:on 24 November 2005 5118:"All in the Groove" 4574:www.pickerswife.com 4525:. 22 November 2015. 4212:Lenticular printing 4027:Liquid-filled discs 3416:Robert Rauschenberg 3411:Speaking in Tongues 3408:released the album 3334:Berliner Gramophone 3332:The first discs by 3214:video game programs 2965:released a single " 2930:Counter-Revolutions 2910:Edison Disc Records 2758:The Secret Machines 2740:'s 1992 EP release 2669:The Fontane Sisters 2468:released the album 2466:Super Furry Animals 2334:The National Anthem 1579:Edison Disc Records 1393:Spoken word records 767:The Downward Spiral 593:National Geographic 102:improve the article 5698:"parallel grooves" 5440:. rarerecords.net. 5370:The Sound of Vinyl 5280:on 14 January 2009 4926:"Talking Football" 4858:Junkyard Clubhouse 4815:see for instance: 4797:. 10 February 2023 4262:. pp. 89–90. 4177:on one side and a 4043: 4000:etched on side B. 3930: 3858: 3789:Coheed and Cambria 3761: 3757:Gramophone Company 3706:Insane Clown Posse 3648: 3642:, in the shape of 3325: 3308: 3286: 3269:Unusual appearance 3230: 3138: 3060:binaural recording 3008:In 2014, American 2986:In 1998, American 2777:128 Greatest Jokes 2732:by Tony Rees) had 2568:Some pressings of 2214:British rock band 1955:"Trimicron" discs 1918:Multi-hole records 1907:Audio Book Company 1830:-inch center hole. 1774:Spindle hole size 1548:Gramophone Company 1359:overhead projector 1202:On 28 March 2012, 1158: 1019:radio broadcasting 614:Gramophone Company 569:Children's records 397: 323: 5534:thirdmanstore.com 5470:Third Man Records 5323:978-0-600-55798-2 5169:Sutton Publishing 5132:Sutton Publishing 4883:barrygoldberg.net 4568:Thoburn, Sheree. 4269:978-0-85785-731-6 4174:Millennium Falcon 4060:Third Man Records 4041:soundtrack album. 3899:Enjoy the Silence 3670:" on side 1 and " 3662:'s 1979 single " 3640:Warsaw in the Sun 3590:Elektra/Metronome 3465:plastic in 1978. 3386:The Invisible Man 3352:Grey Gull Records 3282:You Got The Power 3237:Kingdom of Bhutan 3158:cardboard records 3105:(1981–1982), and 2997:In 1999, English 2831:American football 2677:George Garabedian 2667:45 rpm single by 2643:Multisided record 2437:Otto von Schirach 2405:Portugal. The Man 2358:by the rock band 2355:Difficult To Cure 2179:The Boomtown Rats 2156:Atom Heart Mother 2023: 2022: 2015: 1915: 1914: 1766:freebie marketing 1632: 1631: 1452:format also used 1208:Third Man Records 1146: 1145: 1138: 1083: 1082: 762:March of the Pigs 747:Unusual materials 671:Unusual materials 635:– Prior to 1910, 386: 385: 378: 304:gramophone record 290: 289: 282: 272: 271: 225: 224: 217: 199: 123: 122: 70: 16:(Redirected from 5749: 5706:"locked grooves" 5674: 5673: 5671: 5669: 5658: 5652: 5651: 5649: 5647: 5632: 5626: 5625: 5623: 5621: 5612:. 17 June 2016. 5602: 5596: 5595: 5593: 5591: 5577: 5571: 5570: 5568: 5566: 5551: 5545: 5544: 5542: 5540: 5526: 5520: 5519: 5517: 5515: 5501: 5495: 5494: 5487: 5481: 5480: 5478: 5476: 5462: 5456: 5455: 5454:. 28 April 2021. 5448: 5442: 5441: 5434: 5425: 5424: 5422: 5420: 5409: 5403: 5402: 5400: 5398: 5387: 5381: 5380: 5378: 5376: 5361: 5355: 5354: 5352: 5350: 5334: 5328: 5327: 5296: 5290: 5289: 5287: 5285: 5264: 5255: 5254: 5252: 5250: 5240: 5234: 5233: 5231: 5229: 5217: 5211: 5210: 5208: 5206: 5187: 5181: 5180: 5150: 5144: 5143: 5113: 5107: 5106: 5104: 5102: 5087: 5078: 5077: 5075: 5073: 5058: 5049: 5048: 5046: 5044: 5030: 5024: 5023: 5021: 5019: 5012:Retro Thing Geek 5003: 4997: 4996: 4994: 4992: 4976: 4970: 4969: 4967: 4965: 4949: 4943: 4942: 4940: 4938: 4922: 4916: 4915: 4900: 4894: 4893: 4891: 4889: 4875: 4869: 4868: 4866: 4864: 4850: 4844: 4837: 4831: 4825: 4819: 4813: 4807: 4806: 4804: 4802: 4791: 4785: 4784: 4771: 4765: 4764: 4751: 4745: 4744: 4731: 4725: 4715: 4709: 4708: 4690: 4675: 4674: 4672: 4670: 4639: 4633: 4632: 4630: 4628: 4616:Farrell, Shane. 4613: 4607: 4606: 4603:Atlantic Records 4591: 4585: 4584: 4582: 4580: 4565: 4559: 4558: 4548: 4542: 4541: 4533: 4527: 4526: 4519: 4513: 4507: 4501: 4500: 4498: 4496: 4476: 4470: 4457: 4448: 4447: 4440: 4434: 4433: 4409: 4403: 4391: 4385: 4373: 4367: 4366: 4364: 4362: 4350: 4341: 4340: 4339:. 30 March 2019. 4333: 4327: 4326: 4324: 4322: 4308: 4302: 4301: 4283: 4274: 4273: 4251: 4079:The Flaming Lips 4068:Sixteen Saltines 3996:of Glenn's band 3988:'s 1992 release 3935:Unfamiliar Faces 3926:Unfamiliar Faces 3887:Paradise Theatre 3850:'s laser-etched 3815:Boards of Canada 3807:Just like Heaven 3676:Record Store Day 3607:Air Conditioning 3604:'s first album, 3598:progressive rock 3478:' debut single " 3463:glow-in-the-dark 3437:was produced by 3344:Vocalion Records 3315:Man or Astro-man 3252: 3251: 3247: 3211: 3210: 3206: 3176: 3175: 3171: 3096:High-Com II 3056:Atlantic Records 3010:alternative rock 2967:Sweating Bullets 2899: 2898: 2894: 2891: 2862: 2861: 2857: 2854: 2726:Rush 'n Roulette 2637:Parallel grooves 2620:Wonderwall Music 2555:The debut album 2429:Kissing the Pink 2320: 2319: 2318: 2317: 2305: 2304: 2303: 2302: 2290: 2289: 2288: 2287: 2218:released their " 2114:1970 debut album 2103:The Who Sell Out 2018: 2011: 2007: 2004: 1998: 1967: 1959: 1871: 1870: 1866: 1863: 1849: 1848: 1844: 1841: 1829: 1828: 1824: 1814: 1813: 1809: 1797:Standard Records 1790: 1789: 1785: 1771: 1752: 1751: 1747: 1744: 1738: 1737: 1733: 1711:Record Store Day 1692:Microgrooved 78s 1687: 1686: 1682: 1679: 1643:, controlled by 1592: 1591: 1587: 1487: 1486: 1482: 1479: 1465: 1464: 1460: 1457: 1444: 1443: 1439: 1436: 1426: 1425: 1421: 1418: 1408: 1407: 1403: 1400: 1386: 1385: 1381: 1378: 1356: 1355: 1351: 1348: 1341: 1340: 1336: 1333: 1316: 1315: 1311: 1308: 1296: 1295: 1291: 1288: 1282: 1281: 1277: 1274: 1248: 1247: 1243: 1240: 1227: 1226: 1222: 1219: 1186: 1173: 1172: 1168: 1165: 1141: 1134: 1130: 1127: 1121: 1098: 1090: 1030: 1029: 1025: 1010: 1009: 1005: 996: 995: 991: 754:industrial music 536: 535: 531: 492:. Techno artist 475:Record Store Day 418: 381: 374: 370: 367: 361: 338: 330: 312:cylinder records 301: 300: 296: 285: 278: 267: 264: 258: 235: 227: 220: 213: 209: 206: 200: 198: 157: 133: 125: 118: 115: 109: 81: 80: 73: 62: 40: 39: 32: 21: 5757: 5756: 5752: 5751: 5750: 5748: 5747: 5746: 5722: 5721: 5683: 5678: 5677: 5667: 5665: 5660: 5659: 5655: 5645: 5643: 5634: 5633: 5629: 5619: 5617: 5604: 5603: 5599: 5589: 5587: 5579: 5578: 5574: 5564: 5562: 5553: 5552: 5548: 5538: 5536: 5528: 5527: 5523: 5513: 5511: 5509:www.discogs.com 5503: 5502: 5498: 5489: 5488: 5484: 5474: 5472: 5464: 5463: 5459: 5450: 5449: 5445: 5436: 5435: 5428: 5418: 5416: 5411: 5410: 5406: 5396: 5394: 5389: 5388: 5384: 5374: 5372: 5363: 5362: 5358: 5348: 5346: 5345:(Press release) 5336: 5335: 5331: 5324: 5316:. p. 114. 5304:McCartney, Paul 5298: 5297: 5293: 5283: 5281: 5266: 5265: 5258: 5248: 5246: 5242: 5241: 5237: 5227: 5225: 5219: 5218: 5214: 5204: 5202: 5189: 5188: 5184: 5152: 5151: 5147: 5115: 5114: 5110: 5100: 5098: 5096:Stylus Magazine 5089: 5088: 5081: 5071: 5069: 5061:Cumella, Mike. 5060: 5059: 5052: 5042: 5040: 5032: 5031: 5027: 5017: 5015: 5005: 5004: 5000: 4990: 4988: 4978: 4977: 4973: 4963: 4961: 4951: 4950: 4946: 4936: 4934: 4924: 4923: 4919: 4914:on 6 July 2007. 4902: 4901: 4897: 4887: 4885: 4877: 4876: 4872: 4862: 4860: 4852: 4851: 4847: 4838: 4834: 4826: 4822: 4814: 4810: 4800: 4798: 4793: 4792: 4788: 4773: 4772: 4768: 4753: 4752: 4748: 4733: 4732: 4728: 4716: 4712: 4705: 4692: 4691: 4678: 4668: 4666: 4641: 4640: 4636: 4626: 4624: 4615: 4614: 4610: 4593: 4592: 4588: 4578: 4576: 4567: 4566: 4562: 4550: 4549: 4545: 4535: 4534: 4530: 4521: 4520: 4516: 4508: 4504: 4494: 4492: 4478: 4477: 4473: 4458: 4451: 4442: 4441: 4437: 4430: 4411: 4410: 4406: 4392: 4388: 4374: 4370: 4360: 4358: 4352: 4351: 4344: 4335: 4334: 4330: 4320: 4318: 4310: 4309: 4305: 4298: 4285: 4284: 4277: 4270: 4253: 4252: 4245: 4240: 4197: 4153: 4141:"locked groove" 4120: 4112:Friday the 13th 4108:Waxwork Records 4029: 3954:Nine Inch Nails 3932:The 2008 album 3753:Recording Angel 3746: 3636:Tangerine Dream 3629: 3568: 3562: 3439:A&M Records 3376:released their 3348:Perfect Records 3330: 3328:Colored records 3271: 3249: 3245: 3244: 3208: 3204: 3203: 3173: 3169: 3168: 3126: 3115: 3080: 3069: 3044: 2926:Mercury Records 2896: 2892: 2889: 2887: 2859: 2855: 2852: 2850: 2843: 2820:Me Myself and I 2804:'s debut album 2784:Pink Slip Daddy 2681:Mark 56 Records 2645: 2639: 2615:George Harrison 2606: 2459:We Used to Wait 2410:Censored Colors 2373:'s debut album 2352:The 1981 album 2316: 2311: 2310: 2309: 2308: 2307: 2301: 2296: 2295: 2294: 2293: 2292: 2286: 2281: 2280: 2279: 2278: 2277: 2220:Packet of Three 2077: 2040: 2019: 2008: 2002: 1999: 1984: 1968: 1957: 1952: 1950:Unusual grooves 1920: 1868: 1864: 1861: 1859: 1846: 1842: 1839: 1837: 1826: 1822: 1821: 1811: 1807: 1806: 1787: 1783: 1782: 1749: 1745: 1742: 1740: 1735: 1731: 1730: 1727: 1694: 1684: 1680: 1677: 1675: 1637: 1589: 1585: 1584: 1484: 1480: 1477: 1475: 1462: 1458: 1455: 1453: 1441: 1437: 1434: 1432: 1423: 1419: 1416: 1414: 1405: 1401: 1398: 1396: 1383: 1379: 1376: 1374: 1353: 1349: 1346: 1344: 1338: 1334: 1331: 1329: 1313: 1309: 1306: 1304: 1293: 1289: 1286: 1284: 1279: 1275: 1272: 1270: 1245: 1241: 1238: 1236: 1224: 1220: 1217: 1215: 1170: 1166: 1163: 1161: 1142: 1131: 1125: 1122: 1111: 1099: 1088: 1027: 1023: 1022: 1007: 1003: 1002: 993: 989: 988: 856:Alien Sex Fiend 758:Nine Inch Nails 734:Emerson Records 650:label, made by 607:7 inch (17 cm) 533: 529: 528: 382: 371: 365: 362: 351: 339: 328: 298: 294: 293: 286: 275: 274: 273: 268: 262: 259: 252: 240:This article's 236: 221: 210: 204: 201: 158: 156: 146: 134: 119: 113: 110: 99: 82: 78: 41: 37: 28: 23: 22: 15: 12: 11: 5: 5755: 5753: 5745: 5744: 5739: 5734: 5724: 5723: 5720: 5719: 5714: 5711:The 45 Adaptor 5708: 5694: 5682: 5681:External links 5679: 5676: 5675: 5653: 5627: 5597: 5572: 5546: 5521: 5496: 5482: 5457: 5443: 5426: 5404: 5382: 5356: 5329: 5322: 5300:Lewisohn, Mark 5291: 5256: 5235: 5212: 5182: 5145: 5108: 5079: 5050: 5038:www.audioh.com 5025: 4998: 4985:Boardgame Geek 4971: 4958:Boardgame Geek 4944: 4931:Boardgame Geek 4917: 4895: 4870: 4845: 4843:, 9 March 1901 4832: 4820: 4808: 4786: 4766: 4746: 4726: 4710: 4703: 4676: 4634: 4608: 4586: 4560: 4554:Wireless World 4543: 4528: 4514: 4502: 4471: 4449: 4435: 4428: 4422:. p. 44. 4404: 4386: 4368: 4342: 4328: 4303: 4296: 4275: 4268: 4242: 4241: 4239: 4236: 4235: 4234: 4229: 4224: 4219: 4214: 4209: 4204: 4196: 4193: 4159:'s 2014 album 4152: 4151:Hologram discs 4149: 4119: 4118:Other concepts 4116: 4077:Also in 2012, 4048:The Black Hole 4038:The Black Hole 4035:Prototype for 4028: 4025: 3975:representation 3823:nuclear family 3745: 3742: 3738:Jet City Woman 3681:Screamo bands 3628: 3625: 3564:Main article: 3561: 3558: 3530:Christmas Time 3480:This Is a Call 3471:Moving Targets 3447:'s 1979 album 3398:Magnet Records 3329: 3326: 3270: 3267: 3241:postage stamps 3154:Durium Records 3125: 3122: 3114: 3111: 3079: 3076: 3068: 3065: 3043: 3040: 3039: 3038: 3035:Ninth Symphony 3021: 3006: 2995: 2984: 2981:Janek Schaefer 2977: 2970: 2959: 2944:Memory Records 2940: 2933: 2842: 2839: 2818:'s 1989 song " 2814:for rap group 2812:12-inch single 2641:Main article: 2638: 2635: 2605: 2602: 2542:Dickie Goodman 2521:'s 2002 album 2407:'s 2008 album 2312: 2297: 2282: 2201:'s 1986 album 2076: 2073: 2039: 2038:Multiple bands 2036: 2021: 2020: 1971: 1969: 1962: 1956: 1953: 1951: 1948: 1919: 1916: 1913: 1912: 1911: 1910: 1903: 1895: 1891: 1890: 1889: 1888: 1880: 1876: 1875: 1874: 1873: 1851: 1834: 1833: 1832: 1831: 1816: 1803: 1802: 1801: 1800: 1792: 1779: 1778: 1775: 1726: 1723: 1719:Dixieland jazz 1715:The Beach Boys 1693: 1690: 1664:Gray Audograph 1636: 1633: 1630: 1629: 1628: 1627: 1619: 1615: 1614: 1613: 1612: 1602: 1573: 1569: 1568: 1567: 1566: 1558: 1554: 1553: 1552: 1551: 1535: 1531: 1530: 1529: 1528: 1520: 1516: 1515: 1514: 1513: 1510: 1502: 1498: 1497: 1496: 1495: 1492: 1489: 1468: 1446: 1429:Cassette tapes 1388: 1371: 1370: 1369: 1368: 1318: 1301: 1300: 1299: 1298: 1250: 1233: 1232: 1231: 1230: 1198: 1194: 1193: 1190: 1144: 1143: 1102: 1100: 1093: 1087: 1086:Unusual speeds 1084: 1081: 1080: 1079: 1078: 1058: 1054: 1053: 1052: 1051: 1041: 1012: 982: 964: 959: 955: 954: 953: 952: 944: 940: 939: 938: 937: 917: 913: 912: 911: 910: 897: 893: 892: 891: 890: 870: 866: 865: 864: 863: 859: 846: 842: 841: 840: 839: 836: 816: 812: 811: 810: 809: 789: 785: 784: 783: 782: 775: 750: 737: 725: 721: 720: 719: 718: 698: 694: 693: 692: 691: 685: 674: 661: 655: 640: 628: 624: 623: 622: 621: 616:in Europe and 608: 604: 603: 602: 601: 578: 563: 559: 558: 557: 556: 553: 542: 521: 518:Emile Berliner 512: 508: 507: 506: 505: 490:120 mm records 485: 481: 480: 479: 478: 457: 453: 452: 451: 450: 436: 430: 426: 425: 422: 384: 383: 342: 340: 333: 327: 324: 288: 287: 270: 269: 249:the key points 239: 237: 230: 223: 222: 137: 135: 128: 121: 120: 85: 83: 76: 71: 45: 44: 42: 35: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 5754: 5743: 5740: 5738: 5735: 5733: 5732:Audio storage 5730: 5729: 5727: 5718: 5715: 5712: 5709: 5707: 5703: 5702:"vinyl video" 5699: 5695: 5692: 5688: 5685: 5684: 5680: 5663: 5657: 5654: 5641: 5637: 5631: 5628: 5615: 5611: 5607: 5601: 5598: 5586: 5582: 5576: 5573: 5561: 5557: 5550: 5547: 5535: 5531: 5525: 5522: 5510: 5506: 5500: 5497: 5493:. 2 May 2012. 5492: 5486: 5483: 5471: 5467: 5461: 5458: 5453: 5447: 5444: 5439: 5433: 5431: 5427: 5414: 5408: 5405: 5392: 5386: 5383: 5371: 5367: 5360: 5357: 5344: 5340: 5333: 5330: 5325: 5319: 5315: 5311: 5310: 5305: 5301: 5295: 5292: 5279: 5275: 5274: 5269: 5263: 5261: 5257: 5245: 5239: 5236: 5223: 5216: 5213: 5200: 5196: 5192: 5186: 5183: 5178: 5174: 5170: 5166: 5162: 5161: 5160:Your Computer 5156: 5149: 5146: 5141: 5137: 5133: 5129: 5125: 5124: 5123:Your Computer 5119: 5112: 5109: 5097: 5093: 5086: 5084: 5080: 5068: 5064: 5057: 5055: 5051: 5039: 5035: 5029: 5026: 5014: 5013: 5008: 5002: 4999: 4987: 4986: 4981: 4975: 4972: 4960: 4959: 4954: 4948: 4945: 4933: 4932: 4927: 4921: 4918: 4913: 4909: 4905: 4899: 4896: 4884: 4880: 4874: 4871: 4859: 4855: 4849: 4846: 4842: 4836: 4833: 4830: 4824: 4821: 4818: 4812: 4809: 4796: 4790: 4787: 4782: 4781: 4776: 4770: 4767: 4762: 4761: 4756: 4750: 4747: 4742: 4741: 4736: 4730: 4727: 4723: 4719: 4714: 4711: 4706: 4704:0-9671819-0-9 4700: 4696: 4689: 4687: 4685: 4683: 4681: 4677: 4665: 4661: 4657: 4653: 4649: 4648:The Billboard 4645: 4638: 4635: 4623: 4619: 4612: 4609: 4604: 4600: 4596: 4590: 4587: 4575: 4571: 4564: 4561: 4556: 4555: 4547: 4544: 4539: 4532: 4529: 4524: 4518: 4515: 4511: 4506: 4503: 4490: 4486: 4482: 4475: 4472: 4468: 4467: 4462: 4456: 4454: 4450: 4445: 4439: 4436: 4431: 4429:0-8264-5158-6 4425: 4421: 4417: 4416: 4408: 4405: 4402: 4398: 4396: 4390: 4387: 4384: 4380: 4378: 4372: 4369: 4356: 4349: 4347: 4343: 4338: 4332: 4329: 4317: 4313: 4307: 4304: 4299: 4297:0-415-93835-X 4293: 4289: 4282: 4280: 4276: 4271: 4265: 4261: 4257: 4250: 4248: 4244: 4237: 4233: 4230: 4228: 4225: 4223: 4220: 4218: 4215: 4213: 4210: 4208: 4205: 4202: 4199: 4198: 4194: 4192: 4190: 4189: 4184: 4180: 4176: 4175: 4170: 4169: 4164: 4163: 4158: 4150: 4148: 4146: 4142: 4139:, included a 4138: 4137: 4132: 4127: 4125: 4117: 4115: 4113: 4109: 4104: 4102: 4098: 4094: 4090: 4086: 4085: 4080: 4075: 4073: 4069: 4065: 4061: 4056: 4054: 4050: 4049: 4040: 4039: 4033: 4026: 4024: 4022: 4018: 4017:faint etching 4014: 4010: 4006: 4001: 3999: 3995: 3991: 3987: 3983: 3978: 3976: 3972: 3968: 3964: 3963: 3957: 3955: 3951: 3948: 3943: 3941: 3937: 3936: 3927: 3923: 3918: 3914: 3911: 3909: 3908: 3902: 3900: 3896: 3891: 3889: 3888: 3883: 3878: 3876: 3875: 3869: 3868: 3863: 3855: 3854: 3849: 3845: 3841: 3839: 3834: 3832: 3826: 3824: 3820: 3816: 3812: 3808: 3804: 3800: 3796: 3795: 3790: 3786: 3784: 3780: 3775: 3773: 3772: 3767: 3766:Thomas Edison 3758: 3754: 3750: 3743: 3741: 3739: 3735: 3731: 3727: 3725: 3724: 3719: 3715: 3711: 3707: 3701: 3699: 3696:(of the band 3695: 3690: 3688: 3684: 3683:Jeromes Dream 3679: 3677: 3673: 3669: 3665: 3661: 3657: 3652: 3645: 3641: 3637: 3633: 3626: 3624: 3623: 3620: 3616: 3611: 3609: 3608: 3603: 3599: 3595: 3591: 3586: 3583: 3582:Vogue Records 3579: 3577: 3571: 3567: 3560:Picture discs 3559: 3557: 3554: 3552: 3550: 3545: 3541: 3539: 3535: 3531: 3527: 3522: 3520: 3516: 3512: 3511: 3506: 3501: 3499: 3498: 3493: 3489: 3485: 3481: 3477: 3472: 3468: 3464: 3460: 3456: 3452: 3450: 3446: 3442: 3440: 3436: 3432: 3427: 3424: 3423:hardcore punk 3419: 3417: 3413: 3412: 3407: 3406:Talking Heads 3403: 3399: 3395: 3391: 3387: 3383: 3379: 3375: 3371: 3367: 3365: 3361: 3355: 3353: 3349: 3345: 3340: 3335: 3327: 3322: 3321: 3316: 3312: 3306:yellow vinyl. 3305: 3301: 3300: 3295: 3290: 3283: 3279: 3275: 3268: 3266: 3264: 3260: 3255: 3242: 3238: 3235:In 1973, the 3233: 3226: 3222: 3220: 3215: 3201: 3195: 3193: 3189: 3185: 3184:marching band 3180: 3165: 3161: 3159: 3155: 3151: 3146: 3144: 3135: 3134:Interface Age 3130: 3123: 3121: 3119: 3118:Highway Hi-Fi 3112: 3110: 3109:(1983–1989). 3108: 3104: 3101: 3098:(1979–1982), 3097: 3094: 3090: 3087:(1973–1982), 3086: 3085:dbx disc 3077: 3075: 3073: 3066: 3064: 3061: 3057: 3053: 3049: 3041: 3036: 3033: 3029: 3026: 3022: 3019: 3015: 3011: 3007: 3004: 3000: 2996: 2993: 2989: 2988:hardcore punk 2985: 2982: 2978: 2975: 2974:Basic Channel 2971: 2968: 2964: 2960: 2957: 2953: 2949: 2945: 2941: 2938: 2934: 2931: 2927: 2923: 2922: 2921: 2919: 2918:surface noise 2913: 2911: 2907: 2906:Thomas Edison 2902: 2884: 2882: 2878: 2877:wax cylinders 2872: 2870: 2864: 2848: 2840: 2838: 2834: 2832: 2828: 2823: 2821: 2817: 2813: 2809: 2808: 2803: 2798: 2794: 2790: 2785: 2780: 2778: 2774: 2773:Rhino Records 2770: 2766: 2764: 2759: 2755: 2751: 2750: 2745: 2744: 2739: 2735: 2731: 2727: 2723: 2719: 2718: 2713: 2708: 2706: 2702: 2698: 2694: 2693:Tijuana Brass 2690: 2689:The Marathons 2686: 2682: 2678: 2674: 2670: 2666: 2661: 2659: 2658:Puzzle Record 2655: 2651: 2650:Puzzle Plates 2644: 2636: 2634: 2632: 2631: 2626: 2625:Dead Kennedys 2622: 2621: 2616: 2612: 2603: 2601: 2599: 2595: 2590: 2587: 2582: 2580: 2579:Billy Gibbons 2576: 2575: 2572: 2566: 2564: 2560: 2559: 2553: 2551: 2547: 2546:Bill Buchanan 2543: 2539: 2535: 2531: 2526: 2524: 2520: 2516: 2512: 2508: 2504: 2499: 2497: 2493: 2488: 2486: 2485: 2479: 2477: 2473: 2472: 2467: 2462: 2460: 2456: 2455: 2450: 2445: 2442: 2438: 2434: 2430: 2427:." The first 2426: 2422: 2421: 2416: 2412: 2411: 2406: 2402: 2398: 2397: 2392: 2391: 2386: 2382: 2378: 2377: 2372: 2367: 2365: 2361: 2357: 2356: 2350: 2348: 2344: 2343: 2337: 2335: 2331: 2327: 2322: 2315: 2300: 2285: 2275: 2271: 2267: 2266:Ralph Records 2262: 2259: 2255: 2254: 2249: 2246: 2241: 2239: 2238:Planet Patrol 2235: 2230: 2228: 2223: 2221: 2217: 2212: 2210: 2206: 2205: 2200: 2196: 2195: 2190: 2189:Dead Kennedys 2186: 2185: 2180: 2176: 2175: 2170: 2169:Peter Gabriel 2166: 2162: 2158: 2157: 2152: 2148: 2147: 2142: 2138: 2134: 2133: 2132:Super Trouper 2128: 2123: 2119: 2115: 2111: 2107: 2105: 2104: 2099: 2095: 2094: 2089: 2084: 2082: 2074: 2072: 2070: 2064: 2062: 2059: 2054: 2052: 2051: 2050:Wow/Grape Jam 2046: 2037: 2035: 2031: 2029: 2017: 2014: 2006: 1996: 1992: 1988: 1982: 1981: 1977: 1972:This section 1970: 1966: 1961: 1960: 1954: 1949: 1947: 1945: 1944: 1939: 1935: 1933: 1932:acetate discs 1928: 1926: 1917: 1908: 1904: 1901: 1898: 1897: 1896: 1893: 1892: 1886: 1883: 1882: 1881: 1878: 1877: 1857: 1854: 1853: 1852: 1836: 1835: 1819: 1818: 1817: 1805: 1804: 1798: 1795: 1794: 1793: 1781: 1780: 1776: 1773: 1772: 1769: 1767: 1762: 1758: 1756: 1725:Unusual holes 1724: 1722: 1720: 1716: 1712: 1707: 1703: 1698: 1691: 1689: 1671: 1669: 1665: 1660: 1658: 1654: 1653:Compact discs 1650: 1646: 1642: 1634: 1625: 1622: 1621: 1620: 1617: 1616: 1610: 1606: 1603: 1600: 1596: 1582: 1580: 1576: 1575: 1574: 1571: 1570: 1564: 1561: 1560: 1559: 1556: 1555: 1549: 1545: 1541: 1538: 1537: 1536: 1533: 1532: 1526: 1523: 1522: 1521: 1518: 1517: 1511: 1508: 1505: 1504: 1503: 1500: 1499: 1493: 1490: 1473: 1469: 1451: 1450:Highway Hi-Fi 1447: 1430: 1412: 1394: 1391: 1390: 1389: 1373: 1372: 1366: 1365: 1360: 1327: 1326:for the blind 1325: 1321: 1320: 1319: 1303: 1302: 1267: 1263: 1259: 1258:for the blind 1257: 1253: 1252: 1251: 1235: 1234: 1213: 1209: 1205: 1201: 1200: 1199: 1196: 1195: 1191: 1188: 1187: 1184: 1182: 1178: 1155: 1150: 1140: 1137: 1129: 1119: 1115: 1109: 1108: 1103:This section 1101: 1097: 1092: 1091: 1085: 1076: 1072: 1068: 1064: 1061: 1060: 1059: 1056: 1055: 1049: 1045: 1042: 1038: 1034: 1020: 1016: 1013: 1000: 986: 983: 980: 979: 974: 970: 969: 965: 962: 961: 960: 957: 956: 950: 947: 946: 945: 942: 941: 935: 931: 927: 923: 920: 919: 918: 915: 914: 908: 904: 900: 899: 898: 895: 894: 888: 884: 880: 876: 873: 872: 871: 868: 867: 860: 857: 853: 849: 848: 847: 844: 843: 837: 834: 830: 826: 822: 819: 818: 817: 814: 813: 807: 803: 799: 795: 792: 791: 790: 787: 786: 780: 776: 773: 769: 768: 763: 759: 755: 751: 748: 744: 743: 738: 735: 731: 728: 727: 726: 723: 722: 716: 712: 708: 704: 701: 700: 699: 696: 695: 690:by Caboladies 689: 686: 684: 680: 679: 675: 672: 668: 667: 662: 659: 656: 653: 649: 645: 641: 638: 634: 631: 630: 629: 626: 625: 619: 615: 611: 610: 609: 606: 605: 599: 595: 594: 589: 585: 584: 579: 575: 571: 570: 566: 565: 564: 561: 560: 554: 551: 547: 543: 540: 526: 522: 519: 515: 514: 513: 510: 509: 503: 499: 495: 491: 488: 487: 486: 483: 482: 476: 472: 471:White Stripes 469:who released 468: 464: 460: 459: 458: 455: 454: 448: 444: 441: 437: 433: 432: 431: 428: 427: 423: 420: 419: 416: 414: 409: 407: 403: 402:picture discs 394: 390: 380: 377: 369: 359: 355: 349: 348: 343:This section 341: 337: 332: 331: 326:Unusual sizes 325: 319: 315: 313: 309: 305: 284: 281: 266: 256: 250: 248: 243: 238: 234: 229: 228: 219: 216: 208: 197: 194: 190: 187: 183: 180: 176: 173: 169: 166: – 165: 161: 160:Find sources: 154: 150: 144: 143: 138:This article 136: 132: 127: 126: 117: 107: 103: 97: 95: 91: 86:This article 84: 75: 74: 69: 67: 60: 59: 54: 53: 48: 43: 34: 33: 30: 19: 18:Colored vinyl 5666:. Retrieved 5656: 5644:. Retrieved 5630: 5618:. Retrieved 5600: 5588:. Retrieved 5585:Gawker Media 5575: 5563:. Retrieved 5559: 5549: 5537:. Retrieved 5533: 5524: 5512:. Retrieved 5508: 5499: 5485: 5473:. Retrieved 5460: 5446: 5417:. Retrieved 5407: 5395:. Retrieved 5385: 5373:. Retrieved 5369: 5359: 5347:. Retrieved 5343:havocrex.com 5342: 5332: 5307: 5294: 5282:. Retrieved 5278:the original 5271: 5247:. Retrieved 5238: 5226:. Retrieved 5215: 5203:. Retrieved 5199:the original 5194: 5185: 5164: 5158: 5148: 5127: 5121: 5111: 5099:. Retrieved 5095: 5070:. Retrieved 5041:. Retrieved 5037: 5028: 5016:. Retrieved 5010: 5001: 4989:. Retrieved 4983: 4974: 4962:. Retrieved 4956: 4947: 4935:. Retrieved 4929: 4920: 4912:the original 4907: 4898: 4886:. Retrieved 4882: 4873: 4861:. Retrieved 4857: 4848: 4840: 4835: 4823: 4811: 4799:. Retrieved 4789: 4778: 4769: 4758: 4749: 4738: 4729: 4713: 4694: 4667:. Retrieved 4655: 4651: 4647: 4637: 4625:. Retrieved 4621: 4611: 4594: 4589: 4577:. Retrieved 4573: 4563: 4552: 4546: 4537: 4531: 4517: 4505: 4493:. Retrieved 4488: 4484: 4474: 4464: 4438: 4414: 4407: 4397:– Caboladies 4394: 4389: 4376: 4371: 4359:. Retrieved 4331: 4319:. Retrieved 4315: 4306: 4287: 4255: 4207:Hidden track 4187: 4172: 4166: 4160: 4154: 4145:Commodore 64 4136:Electric Eye 4135: 4128: 4123: 4121: 4105: 4100: 4093:Chris Martin 4082: 4076: 4071: 4057: 4046: 4044: 4036: 4009:studio album 4002: 3986:Glenn Danzig 3979: 3971:Foo Fighters 3960: 3959:The 2018 EP 3958: 3944: 3933: 3931: 3912: 3905: 3903: 3895:Depeche Mode 3892: 3885: 3879: 3872: 3867:True Colours 3865: 3859: 3853:True Colours 3851: 3835: 3827: 3801:'s cover of 3792: 3787: 3776: 3770: 3769: 3762: 3755:logo by the 3752: 3744:Etched discs 3728: 3723:Spider-Man 3 3721: 3702: 3694:John Linnell 3691: 3680: 3664:Georgy Porgy 3653: 3649: 3639: 3619:Praxinoscope 3612: 3605: 3587: 3580: 3576:record press 3572: 3569: 3566:Picture disc 3555: 3547: 3542: 3523: 3508: 3502: 3495: 3476:Foo Fighters 3470: 3453: 3448: 3445:Adrian Snell 3443: 3428: 3420: 3409: 3385: 3372: 3368: 3363: 3356: 3331: 3318: 3299:Road to Ruin 3297: 3281: 3259:Soviet Union 3256: 3234: 3231: 3219:Chris Sievey 3196: 3166: 3162: 3147: 3139: 3133: 3116: 3081: 3072:Quadraphonic 3070: 3052:Cook Records 3045: 3018:Key Lime Pie 2929: 2914: 2903: 2885: 2873: 2865: 2844: 2835: 2824: 2805: 2802:Johnny Moped 2793:Phantom Limb 2781: 2776: 2762: 2753: 2747: 2741: 2733: 2729: 2725: 2715: 2712:Monty Python 2709: 2705:Mother Goose 2700: 2685:Arthur Lyman 2662: 2657: 2654:Puzzle Plate 2653: 2649: 2646: 2628: 2618: 2610: 2607: 2591: 2583: 2569: 2567: 2556: 2554: 2530:Muskrat Love 2527: 2522: 2514: 2507:Warp Records 2502: 2500: 2491: 2489: 2482: 2480: 2476:Epic Records 2469: 2463: 2452: 2446: 2440: 2432: 2418: 2415:King Crimson 2408: 2394: 2388: 2380: 2379:(pronounced 2374: 2368: 2364:Oliver Hardy 2354: 2351: 2342:Fly by Night 2341: 2338: 2323: 2313: 2298: 2283: 2269: 2263: 2251: 2250: 2242: 2231: 2224: 2213: 2202: 2192: 2182: 2172: 2154: 2146:Dog Problems 2144: 2130: 2122:second album 2118:Monty Python 2108: 2101: 2091: 2085: 2078: 2065: 2055: 2048: 2041: 2032: 2024: 2009: 2000: 1985:Please help 1973: 1941: 1936: 1929: 1924: 1921: 1885:Seeburg 1000 1763: 1759: 1728: 1706:Duke Special 1699: 1695: 1672: 1666:and the CGS/ 1661: 1638: 1623: 1604: 1597:and, later, 1577: 1562: 1539: 1524: 1506: 1411:Seeburg 1000 1392: 1362: 1322: 1254: 1211: 1159: 1132: 1123: 1112:Please help 1107:verification 1104: 1062: 1043: 1021:, 16-inch 33 1014: 984: 976: 973:Léon Gaumont 966: 948: 921: 874: 820: 793: 779:Seeburg 1000 765: 739: 729: 702: 687: 676: 663: 657: 632: 592: 580: 567: 501: 498:compact disc 489: 449:by accident. 410: 398: 393:Culture Club 372: 363: 352:Please help 347:verification 344: 291: 276: 260: 244: 242:lead section 211: 202: 192: 185: 178: 171: 159: 147:Please help 142:verification 139: 111: 100:Please help 88:may contain 87: 63: 56: 50: 49:Please help 46: 29: 5249:24 February 4801:11 November 4627:20 February 4579:20 February 4377:The Red Sea 4179:TIE fighter 4097:Neon Indian 4053:aniline dye 3907:Superman II 3799:Dinosaur Jr 3779:Bryan Adams 3730:Queensrÿche 3718:Signal Fire 3714:Snow Patrol 3526:Bryan Adams 3484:Luke Vibert 3467:Penetration 3461:," made of 3459:Neon Lights 3394:Bad Manners 3378:debut album 3304:transparent 3192:sheet music 3143:flexi discs 3032:Beethoven's 2948:Italo disco 2937:Italo disco 2769:sound sheet 2701:Scary Tales 2699:'s 1962 LP 2586:Outer Wilds 2511:Luke Slater 2484:Eagles Live 2464:Welsh band 2454:The Suburbs 2449:Arcade Fire 2199:Sonic Youth 2163:'s single " 2088:The Beatles 2061:debut album 1943:Pagan Muzak 1930:Many blank 1872:-inch hole. 1283:as well as 1189:Turn speed 1126:August 2015 978:Chronophone 742:flexi discs 678:The Red Sea 666:flexi discs 648:Electradisk 583:flexi discs 440:Cook County 366:August 2015 205:August 2015 5726:Categories 5668:13 October 5646:13 October 5620:28 October 5565:3 February 5312:. London: 5224:. WFMU.org 4557:: 227–228. 4420:Bloomsbury 4395:Kind Glaze 4357:. Psfk.com 4316:Big Cartel 4238:References 4232:VinylVideo 4157:Jack White 4072:Black Hole 4064:Jack White 3990:Black Aria 3967:Dave Grohl 3950:soundtrack 3940:Matt Costa 3922:Matt Costa 3897:features " 3811:bas-relief 3678:in 2017. 3602:Curved Air 3200:Floppy ROM 3188:drum corps 3179:flexi disc 3103:CX 20 3089:Telefunken 3003:Paul Nomex 2816:De La Soul 2807:Cycledelic 2754:Made Again 2665:RCA Victor 2598:Black Midi 2574:Eliminator 2558:the record 2538:Chris Hill 2444:vomiting. 2258:James Gang 2253:Yer' Album 2187:, and the 2161:The Damned 2151:Pink Floyd 2141:The Format 2045:Moby Grape 1599:china clay 1595:wood flour 1534:73.29 rpm 1519:60-75 rpm 1324:Audiobooks 1256:Audiobooks 1204:Jack White 1011:rpm speed. 968:Phonoscène 688:Kind Glaze 658:8-inch EPs 652:RCA Victor 494:Jeff Mills 467:Jack White 308:phonograph 306:(called a 263:April 2023 175:newspapers 114:April 2012 94:irrelevant 52:improve it 5539:21 August 5177:0263-0885 5140:0263-0885 5134:: 31–33. 5101:20 August 5072:20 August 4937:1 October 4664:0006-2510 4599:LP record 4222:Shaped CD 4162:Lazaretto 4133:, titled 4106:In 2014, 4074:release. 4058:In 2012, 4015:, have a 4007:'s third 3924:'s album 3884:'s album 3864:'s album 3862:Split Enz 3848:Split Enz 3615:animation 3455:Kraftwerk 3402:post-punk 3093:Nakamichi 2956:Brian Ice 2942:In 1985, 2924:In 1977, 2920:audible. 2904:Inventor 2847:Vitaphone 2789:The Shins 2707:rhymes). 2563:boygenius 2523:Loudboxer 2385:Stereolab 2330:Radiohead 2181:'s album 2165:Love Song 2153:'s album 2143:'s album 2129:'s album 2069:RRRecords 2003:July 2018 1974:does not 1755:jukeboxes 1075:Fonotipia 999:Vitaphone 934:Fonotipia 887:Fonotipia 833:Fonotipia 806:Fonotipia 772:centipede 715:Fonotipia 572:– 6-inch 247:summarize 90:excessive 58:talk page 5640:Archived 5614:Archived 5610:Techmoan 5475:21 April 5375:28 April 5306:(1988). 5228:15 March 5018:28 March 4991:28 March 4964:28 March 4718:Techmoan 4459:Staff. " 4195:See also 4131:Prodigal 4021:graffiti 3992:had the 3973:) has a 3819:Geogaddi 3809:" has a 3803:The Cure 3492:Skrillex 2992:Dropdead 2963:Megadeth 2881:sapphire 2869:symphony 2765:magazine 2697:Zacherle 2663:A 1950s 2623:and the 2594:Hellfire 2571:ZZ Top's 2519:Speedy J 2441:Pukology 2268:release 2227:The Look 2110:Yoko Ono 2058:Gorillaz 1618:130 rpm 1467:grooves. 752:Popular 539:monaural 415:below). 408:below). 96:examples 5560:YouTube 5514:24 June 5419:25 June 5349:17 June 5284:1 March 5205:1 March 5043:1 March 4888:1 March 4863:1 March 4780:Discogs 4760:Discogs 4740:Discogs 4605:. 1970. 4495:1 March 4401:Discogs 4383:Discogs 4124:Fame #9 4019:of the 3774:on it. 3736:" and " 3672:Rosanna 3656:octagon 3646:(1984). 3549:Red Sea 3490:artist 3488:dubstep 3294:Ramones 3257:In the 3248:⁄ 3207:⁄ 3172:⁄ 3037:(2016). 3025:Ravel's 3001:Artist 2895:⁄ 2858:⁄ 2550:Philips 2431:album, 2360:Rainbow 2264:On the 2245:Flipper 2234:electro 2216:Squeeze 2174:Scratch 2098:The Who 2081:tonearm 1995:removed 1980:sources 1900:Aretino 1867:⁄ 1845:⁄ 1825:⁄ 1810:⁄ 1786:⁄ 1748:⁄ 1734:⁄ 1704:singer 1702:Belfast 1683:⁄ 1668:Memovox 1588:⁄ 1572:80 rpm 1557:76 rpm 1501:24 rpm 1483:⁄ 1461:⁄ 1440:⁄ 1422:⁄ 1404:⁄ 1382:⁄ 1352:⁄ 1337:⁄ 1312:⁄ 1292:⁄ 1278:⁄ 1244:⁄ 1223:⁄ 1181:singles 1169:⁄ 1026:⁄ 1006:⁄ 992:⁄ 749:below). 740:9-inch 673:below). 664:8-inch 581:6-inch 532:⁄ 525:Squeeze 447:LaCroix 297:⁄ 189:scholar 5397:20 May 5320: 5314:Hamlyn 5175: 5171:: 42. 5138: 4701: 4669:17 May 4662: 4656:et seq 4426: 4379:– Isis 4361:17 May 4321:23 May 4294: 4266: 4101:Fwends 3998:Danzig 3874:Waiata 3771:Victor 3734:Empire 3687:Orchid 3668:Africa 3644:Poland 3296:album 3048:stereo 3028:Boléro 3012:group 2827:Mattel 2743:Opiate 2503:Warp20 2451:album 2439:album 2417:album 2387:album 2191:album 2139:". On 2047:album 1925:et al. 1858:had a 1856:United 1544:Victor 1395:— The 1229:speed. 1197:3 rpm 1177:albums 1073:, and 932:, and 885:, and 831:, and 804:, and 756:group 713:, and 637:Victor 618:Victor 502:5-inch 463:Bandai 191: 184: 177: 170: 162: 5590:6 May 5167:(8). 5130:(6). 4827:see: 4203:(CED) 4089:Kesha 3980:Some 3947:Quake 3856:album 3838:Boris 3831:Cable 3600:band 3433:" by 3404:band 3392:band 3382:Queen 3374:Faust 2999:Noise 2990:band 2954:" by 2950:hit " 2916:than 2749:Brave 2532:" by 2492:Spice 2433:Naked 2376:F#A#∞ 2326:Kid A 1777:Uses 1609:Odeon 1192:Uses 1071:Odeon 1067:Pathé 1017:– In 930:Odeon 926:Pathé 907:vinyl 883:Odeon 879:Pathé 854:band 829:Odeon 825:Pathé 802:Odeon 798:Pathé 711:Odeon 707:Pathé 598:whale 550:vinyl 424:Uses 421:Size 196:JSTOR 182:books 5704:and 5670:2017 5648:2017 5622:2016 5592:2014 5567:2020 5541:2020 5516:2023 5477:2012 5421:2016 5399:2014 5377:2023 5351:2007 5318:ISBN 5286:2010 5273:Time 5251:2015 5230:2007 5207:2010 5173:ISSN 5136:ISSN 5103:2015 5074:2015 5067:WFMU 5045:2018 5020:2014 4993:2014 4966:2014 4939:2019 4890:2018 4865:2018 4803:2023 4699:ISBN 4671:2012 4660:ISSN 4629:2014 4581:2014 4497:2018 4424:ISBN 4363:2012 4323:2018 4292:ISBN 4264:ISBN 4188:2112 4183:Rush 4095:and 4066:'s " 3994:logo 3969:(of 3962:Play 3882:Styx 3805:'s " 3685:and 3660:Toto 3544:Isis 3505:Devo 3350:and 3292:The 3263:ribs 3186:and 3177:rpm 3152:and 2738:Tool 2722:Rush 2447:The 2396:Nail 2347:Rush 2236:act 2232:The 2204:Evol 2127:ABBA 2056:The 1978:any 1976:cite 1657:DVDs 1655:and 1546:and 1488:rpm. 1387:rpm 1317:rpm 1249:rpm 1179:and 903:punk 852:goth 777:The 683:Isis 642:The 546:punk 168:news 4601:). 4463:". 4399:at 4381:at 4185:'s 3984:of 3965:by 3952:by 3938:by 3817:'s 3638:'s 3507:'s 3418:. 3390:ska 3384:'s 3317:'s 3302:on 3280:'s 3278:QFX 3100:CBS 2763:Mad 2734:six 2714:'s 2679:of 2671:, " 2617:'s 2611:USA 2596:by 2561:by 2544:or 2496:Eon 2461:." 2420:USA 2399:by 2345:by 2328:by 2272:by 2211:". 2177:), 2120:'s 2112:'s 1989:by 1940:'s 1938:NON 1116:by 1048:LPs 850:UK 681:by 356:by 151:by 92:or 5728:: 5700:, 5608:. 5583:. 5558:. 5532:. 5507:. 5468:. 5429:^ 5368:. 5341:. 5302:; 5270:. 5259:^ 5193:. 5163:. 5157:. 5126:. 5120:. 5094:. 5082:^ 5065:. 5053:^ 5036:. 5009:. 4982:. 4955:. 4928:. 4906:. 4881:. 4856:. 4777:. 4757:. 4737:. 4720:: 4679:^ 4658:. 4652:61 4650:. 4646:. 4620:. 4572:. 4487:. 4483:. 4452:^ 4418:. 4345:^ 4314:. 4278:^ 4258:. 4246:^ 4091:, 4011:, 3877:. 3726:. 3519:US 3515:UK 3354:. 3221:. 3145:. 3107:UC 2888:33 2851:33 2724:, 2687:, 2627:' 2336:. 2106:. 2090:' 1676:16 1476:16 1454:16 1433:16 1415:16 1397:16 1375:16 1285:16 1162:33 1069:, 928:, 881:, 827:, 800:, 709:, 61:. 5693:. 5672:. 5650:. 5624:. 5594:. 5569:. 5543:. 5518:. 5479:. 5423:. 5401:. 5379:. 5353:. 5326:. 5288:. 5253:. 5232:. 5179:. 5165:3 5142:. 5128:2 5105:. 5076:. 5047:. 5022:. 4995:. 4968:. 4941:. 4892:. 4867:. 4805:. 4783:. 4763:. 4743:. 4707:. 4673:. 4631:. 4597:( 4583:. 4499:. 4489:6 4446:. 4432:. 4365:. 4325:. 4300:. 4272:. 3551:' 3250:3 3246:1 3209:3 3205:1 3198:" 3174:3 3170:1 3091:/ 2897:3 2893:1 2890:+ 2860:3 2856:1 2853:+ 2314:4 2299:8 2284:4 2209:∞ 2016:) 2010:( 2005:) 2001:( 1997:. 1983:. 1869:2 1865:1 1862:+ 1860:1 1847:2 1843:1 1840:+ 1838:1 1827:4 1823:3 1812:4 1808:3 1788:2 1784:1 1750:2 1746:1 1743:+ 1741:1 1736:4 1732:1 1685:3 1681:2 1678:+ 1601:. 1590:4 1586:1 1581:/ 1485:3 1481:2 1478:+ 1463:3 1459:2 1456:+ 1442:3 1438:2 1435:+ 1424:3 1420:2 1417:+ 1406:3 1402:2 1399:+ 1384:3 1380:2 1377:+ 1354:3 1350:1 1347:+ 1345:8 1339:3 1335:1 1332:+ 1330:8 1314:3 1310:1 1307:+ 1305:8 1294:3 1290:2 1287:+ 1280:3 1276:1 1273:+ 1271:8 1246:6 1242:1 1239:+ 1237:4 1225:6 1221:1 1218:+ 1216:4 1171:3 1167:1 1164:+ 1139:) 1133:( 1128:) 1124:( 1110:. 1028:3 1024:1 1008:3 1004:1 994:3 990:1 981:. 541:. 534:3 530:1 379:) 373:( 368:) 364:( 350:. 299:3 295:1 283:) 277:( 265:) 261:( 251:. 218:) 212:( 207:) 203:( 193:· 186:· 179:· 172:· 145:. 116:) 112:( 108:. 98:. 68:) 64:( 20:)

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

Knowledge (XXG)

Unusual types of gramophone records

Index