230:. The two bands of the diadem fall heavily down the back to the waist and widen from top to bottom. Around twenty horizontal, parallel furrows cross on these bands. The head of the sculpture has been carved out in all its particulars symmetrically. The hairstyle of the colossal statue shows a high degree of sculptural definition. The mass of hair on the left side of the sculpture has remained intact while the ends of strands of hair on the right side are broken off. Of the left arm of the sculpture, only half remains. The missing left hand of the sculpture must have once rested on the
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have been emphasized. The sculpted ornaments on the upper garment are quite remarkable insofar as they resemble flames flickering downward. These are varyingly long, shaped in several different ways and irregularly arranged. At the waist, the upper garment is held together tightly by a belt while a second belt, which is hanging loosely around the hips, functions to fasten on the sword scabbard.
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feet of the sculpture at irregular intervals. It stands to reason that the sculptor designed the length of the trousers not only for aesthetical reasons but also to increase the sculpture's stability. The long trousers would have functioned to enlarge contact area with the ground and to spread the stress of the colossal statue, which weighs several tonnes.
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that the korymbos could not have been of stone, but consisted of metal. The korymbos of the colossal statue was originally 1.5 m high and 1 m wide. After research and experimentation at the
University of Basel, it was found that a korymbos of metal of a suitable size would have weighed more than a tonne even with a very low wall thickness.
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stylized, nearly spherical curls differ. The end of the top strand is rolled up on each side of the head like a snail. The underlying strands have differing forms of braided knots at their ends. The wavy strands billow out on each side across the shoulders with the curl of the lowest and shortest strand lying on the shoulder.
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Shapur I is not always shown wearing a crenellated crown, but he is never represented with a crenellated crown without a korymbos. A korymbos, or globular-shaped structure, sat originally on the top of the crown of the sculpture standing in the cave. The presence of a borehole on the vertex indicates
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was also involved in this work. The metalsmith was responsible for making the korymbos of metal and had to fix it firmly onto the crown of the colossal statue. The addition of a metal korymbos was indeed an innovation and is not known from any other statue in the ancient Near East. In the
Sassanian
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can be only seen on those rock reliefs of Shapur I that were carved after 260 AD and is, therefore, the most important criterion for the precise dating of the colossal statue of Shapur I. Due to the details of the hairstyle, G. Reza Garosi succeeded to date the colossal statue exactly in the second
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The two feet of the sculpture are slightly spread. The left foot is lying a little ahead of the right foot. The original shoes of the colossal statue now have a contrasting conservation status. The right shoe is largely destroyed. The left shoe is virtually intact and has a round toe cap. The broad
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Only small parts of the legs of the sculpture have remained. The small remaining piece of the left thigh supports a conclusion that the ruler was wearing fluted trousers. The fact that the trousers of Shapur I originally reached the ground is evident from the traces of folds encircling the original
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The clothing of the colossal statue consists of three pieces: an undervest, an upper garment and wide trousers. The upper garment of the sculpture fits tightly to the body and appears to be made of a sheer fabric. Through its skin-tight fit, the shoulders, the upper arms and the chest of the king
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grown in situ, but it no longer stands exactly in its original position. After its fall (probably caused by an earthquake), the sculpture was raised onto two concrete pillars, which are located near the original feet. The head and the body of the sculpture have remained quite well preserved while
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Below the diadem, the hair springs thickly up. There are four rows of strands that are very clearly distinguishable from each other and lying in waves on top of each other, on both sides of the face. The wave patterns of the individual strands are almost identical, but at their tips, the heavily
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of Iran, had a group of
Iranian military raise it again on its feet and repair the broken foot with iron and cement. The project of raising the statue, building the roads from Bishapur to the area and paths in the mountain, stairs and iron fences on the route to the cave took six months in 1957.
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The statue is about 35 m from the cave entrance, on the fourth of five terraces, lying approximately 3.4 m below the level of the cave entrance. Its height of about 6.7 m and breadth across the shoulders of more than 2 m make it one of the most impressive sculptures from the
308:. It is certain that he succeeded in finishing the colossal statue. According to post-Sassanian reports, the sculpture, which weighed several tonnes, stood on its own feet at least until the 14th century AD. An adept sculptor was not the only master for creating this sculpture – a skilled
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In the
Sassanian period, the crowns' details were subject to stringent regulations and varied from one king to another. Each Sassanian king possessed his own crown, designed at the time of his accession to power. Because of the shape of the crown (diadem, the crenellated part and
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and collapse of the
Sasanian Empire, the statue was pulled down and a part of one of its legs was broken. About 70 years ago, again, parts of his arms were also broken in an earthquake. The statue had been lying on the ground for about 14 centuries until 1957 when
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era, no other statues with similar dimensions have been discovered. Thus, the colossal statue of Shapur I must be considered as an absolute exception in the history of
Sassanian sculptural art.
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handle. The right arm is broken off just below the axilla. A small part of the right underarm is still attached. The right hand is strongly weathered and rests on the waist.
226:. A large piece of the front crenellation is missing, while the crenellations of both sides and the rear are well preserved. At the lower end of the crown, there is a wide
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Although the colossal statue of Shapur I is known in Europe since at least 1811, it was not dealt with in detail until recently. It was mentioned, for example, by
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The colossal statue is rich in detail. It is chiseled on every side with the same amount of extraordinary care and attention. The king wears a crenellated
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A journey from India to
England, through Persia, Georgia, Russia, Poland, and Prussia, in the year 1817. By Lieut. Col. John Johnson. 1818
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James
Justinian Morier. A journey through Persia, Armenia, and Asia Minor, to Constantinople, in the years 1808 and 1809. 1812
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333:. The first comprehensive research about the cave and the colossal statue of Shapur I was done by G. Reza Garosi.
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The anonymous sculptor of the colossal statue of Shapur I must be considered one of the greatest sculptors in the
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On the colossal statue of Shapur I, there are three pieces of jewellery: a necklace, earrings made of large
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considerations, the colossal statue can be clearly identified as Shapur I, the second
Sassanian king.
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shoelaces, pleated lengthways, meander in an S-shape onto the ground.
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The
Colossal Statue of Shapur I in the Context of Sasanian Sculptures
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Die Kolossal-Statue Šāpūrs I. im Kontext der sasanidischen Plastik
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parts of its arms and almost all of both legs are missing.
478:. Publisher: Persian Heritage Foundation, New York (2012).
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Hairstyle as an important criterion for dating the statue
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cave located about 6 km from the ancient city of
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Statue of the 2nd Sassanid shah in Fars Province, Iran
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List of cities, towns and villages in Fars Province
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49:. Unsourced material may be challenged and removed.
214:The monumental sculpture is chiseled from a huge
190:Characteristic features of the colossal statue
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460:. Impressum Oxford: Elsevier-Phaidon (1977).
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1750:Buildings and structures in Fars province
296:half of the sixties of third century AD.
109:Learn how and when to remove this message
471:, Mainz & Darmstadt, Germany (2009).
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448:Die Kunst Irans zur Zeit der Sasaniden
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47:adding citations to reliable sources
404:List of colossal sculptures in situ
1745:Sculpture of the Ancient Near East
253:and an armlet on the right wrist.
137:: پیکره شاپور یکم) is a statue of
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168:About 1400 years ago, after the
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198:Fallen statue of Shapur I, 1817
141:(AD 240–272), the second
125:The Colossal Statue of Shapur I
34:needs additional citations for
1591:Tomb of Ali ibn Hamzah, Shiraz
450:. 2. Aufl.; Kupferberg (1969).
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1601:Tomb of Seyed Alaeddin Husayn
432:. Universum der Kunst. Hrsg.
58:"Colossal statue of Shapur I"
257:Identification of the statue
1577:Colossal Statue of Shapur I
430:Iran, Parther und Sasaniden
274:Reconstruction of the crown
131:colossal statue of Shapur I
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1567:Sarvestan Sassanian palace
1695:. TripYar. Archived from
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671:Chenar Shahijan County
467:. Publishing company:
266:) and on the basis of
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1664:29.77778°N 51.57083°E
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175:Mohammad Reza Pahlavi
170:Arab invasion of Iran
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206:A reconstruction by
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1699:on 24 November 2018
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1512:Kazerun fire temple
1408:Zarrin Dasht County
458:The Iranian revival
149:. It stands in the
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1529:Palace of Ardashir
469:Philipp von Zabern
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1563:Saadi's mausoleum
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454:Georgina Herrmann
331:Georgina Herrmann
317:State of research
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60: –
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54:Find sources:
48:
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38:
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32:This article
30:
26:
21:
20:
1730:Sasanian art
1701:. Retrieved
1697:the original
1687:
1645:
1619:Vakil Mosque
1614:Vakil Bazaar
1572:Shah Cheragh
1436:Khafr County
1247:Saadat Shahr
1059:Alamarvdasht
1000:Khonj County
967:Konartakhteh
926:Kavar County
832:Now Bandegan
712:Eqlid County
702:Jannat Shahr
689:Darab County
635:Beyza County
607:Abadeh Tashk
475:
464:
457:
447:
444:Kurt Erdmann
429:
327:Kurt Erdmann
320:
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130:
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105:
99:January 2021
96:
86:
79:
72:
65:
53:
41:Please help
36:verification
33:
1703:23 November
1667: /
1581:Shapur cave
1559:Qur'an Gate
1554:Qavam House
1539:Pars Museum
1493:Eram Garden
1426:Shahr-e Pir
1178:Mohr County
819:Fasa County
763:Evaz County
177:, the last
151:Shapur cave
1719:Categories
1679:References
1655:51°34′15″E
1652:29°46′40″N
1609:Vakil Bath
1549:Persepolis
1544:Pasargadae
1473:Amir's dam
1196:Galleh Dar
1135:Khumeh Zar
1097:Banaruiyeh
842:Zahedshahr
799:Farashband
579:Izadkhvast
410:Literature
310:metalsmith
216:stalagmite
69:newspapers
1462:Landmarks
1416:Hajjiabad
1352:Hamashahr
1329:Sarvestan
1153:Marvdasht
1069:Chah Varz
1031:Qaderabad
1026:Safashahr
860:Firuzabad
293:hairstyle
155:limestone
153:, a huge
1725:Shapur I
1605:Tounbbot
1596:Hāfezieh
1485:Bishapur
1449:Khavaran
1444:Bab Anar
1421:Dowbaran
1229:Qatruyeh
1168:Seyyedan
1158:Kamfiruz
1064:Eshkanan
990:Kharameh
916:Qotbabad
837:Sheshdeh
776:Bidshahr
743:Estahban
679:Qaemiyeh
625:Arsanjan
547:Counties
398:See also
300:Sculptor
264:korymbos
159:Bishapur
139:Shapur I
1498:Istakhr
1347:Ardakan
1224:Meshkan
1163:Ramjerd
1130:Nurabad
957:Baladeh
952:Kazerun
865:Meymand
781:Fishvar
521:Capital
440:(1962).
337:Gallery
135:Persian
83:scholar
1398:Darian
1393:Shiraz
1375:Zarqan
1311:Korehi
1293:Masiri
1275:Karzin
1219:Neyriz
1201:Varavi
1112:Latifi
1092:Beyram
1049:Lamerd
972:Nowdan
962:Khesht
906:Jahrom
883:Gerash
804:Dehram
661:Surian
589:Surmaq
584:Soghad
574:Bahman
569:Abadeh
552:cities
528:Shiraz
515:, Iran
251:pearls
228:diadem
210:, 1876
85:
78:
71:
64:
56:
1370:Lapui
1270:Efzar
1102:Juyom
1008:Khonj
934:Kavar
911:Duzeh
809:Nujin
753:Runiz
725:Sedeh
720:Eqlid
697:Darab
643:Beyza
232:sword
224:crown
90:JSTOR
76:books
1705:2018
1191:Asir
1186:Mohr
1107:Khur
1054:Ahel
888:Arad
827:Fasa
771:Evaz
550:and
329:and
179:Shah
163:Iran
143:shah
129:The
62:news
1579:in
1265:Qir
1087:Lar
45:by
1721::
748:Ij
456::
446::
436:;
428::
325:,
165:.
1707:.
505:e
498:t
491:v
133:(
112:)
106:(
101:)
97:(
87:·
80:·
73:·
66:·
39:.
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