297:. The book traces the output of Collaborative Projects from the late 1970s through the mid 1980s and a testimonial about their particular practice of collaboration, collectivity, and social engagement, while reflecting an iconic period of NYC cultural history. In keeping with the democratic "by and for artists" ethos of Colab, the publication places this material alongside newly solicited texts from many of the group’s members – a mix of reflections and anecdotes, statements, manifestos, and excerpts from the ‘Colab Annual Report’, which provide a close perspective on the meaning of Colab for those who came into its orbit.
73:
60:
Advocating a form of cultural activism that was purely artist driven, the group created artworks, negotiated venues, curated shows, and engaged in discourse that responded to the political themes and predicaments of their time, among them the recessions of the 1970s, the Reagan era of budget cuts and
57:(NEA) Workshop Grant through Center for New Art Activities, Inc., a small not-for-profit organization formed in 1974. In 1978, Collaborative Projects was incorporated as a not-for-profit of its own. By raising its own sources of funding, Colab was in control of its own exhibitions and cable TV shows.
2478:
In the late 1970s Smith joined
Collaborative Projects, Inc., a loosely knit artists' cooperative that worked outside the commercial gallery system. Colab also ran a series of stores that sold inexpensive artworks and artist-made accessories. Smith was an avid participant and made her first
2413:
261:(1981). Membership in Colab shifted and evolved over the years, and some members of the original group are still highly visible active making art. In 1980, artists emulating 1970s Puerto Rican activists seized a building on New York's
27:
387:, a Colab-sponsored artists’ outlet for low-priced multiples from the early 1980s The selling exhibition included over 100 artworks from over 50 participating Colab members, including works on loan from historic
1376:
422:
835:
1955:
1262:
710:
Anderson, Fiona; Tobin, Amy (2017). "Collaboration is not an
Alternative: Artists Working Together in London and new York, 1974 –1981". In Brown, Meredith A.; Millar Fisher, Michelle (eds.).
64:
In order to become a member, an artist had to attend three consecutive meetings. Artists who proposed artistic projects for funding needed at least two Colab members involved in the project.
2057:
1407:
1464:
1993:
1641:
2526:
2451:
2316:
2172:
2095:
2887:
1824:
1588:
2215:
401:
and appeared shortly after on Broome Street in 1980 with the tag-line “You won’t pay more at the A. More Store”. Other iterations of the store were later presented at
1749:
1368:
727:
2897:
2882:
2253:
1029:
748:
2902:
1515:
1321:
2732:
827:
103:
From
November 1978, different artist members organized and installed original one-off group shows in their own studios or other temporary sites, such as
1947:
1254:
2134:
538:
294:
2049:
1399:
2493:
2407:
1912:
1189:
1123:
994:
871:
721:
594:
1456:
2375:
2345:
1977:
1283:
293:. It was edited by Max Schumann, the director of Printed Matter, and contained a Foreword and Afterword by art writer and Colab member
1633:
190:
1696:
2564:
772:
2397:
2510:
2435:
2300:
2274:
2156:
2079:
2856:
1346:
54:
1580:
1487:
239:
2662:
2199:
711:
2593:
1741:
1430:
1178:
Moore, Alan W. (2007). "Artists' collectives: focus on New York, 1975-2000". In
Stimson, Blake; Sholette, Gregory (eds.).
1008:
2237:
1203:
1137:
885:
608:
158:(201 W 41st, June 1980): a large open exhibition near the center of New York's entertainment (and pornography) district (
2826:
786:
169:
Seed money from the first Colab (Green Corp.) workshop grant through Center for New Art Inc. led to the creation of the
2796:, 1978 (NEA application document authored by Coleen Fitzgibbon, Andrea Callard and Ulli Rimkus) Andrea Callard Papers,
2622:
2022:
328:
was the first focused assessment of the landmark exhibition organized by the artist group
Collaborative Projects, Inc.
1550:
1224:
1051:
53:
Colab members came together as a collective in 1977, first using the name Green
Corporation, and initially received a
1892:
72:
807:
2780:, Blake Stimson & Gregory Sholette, (eds) University of Minnesota Press, Minneapolis, 2007, pp. 193–221.
1507:
1313:
2615:"The Deadly Art of Survival. 1979. Directed by Charlie Ahearn LES. 1976. Directed by Coleen Fitzgibbon | MoMA"
2015:"The Deadly Art of Survival. 1979. Directed by Charlie Ahearn LES. 1976. Directed by Coleen Fitzgibbon | MoMA"
1494:
357:
61:
nuclear armament, the housing crisis and gentrification in New York City, and other pressing social issues.
2479:
screenprint, a T-shirt, for the souvenir shop at Colab's sprawling 1980 exhibition The Times Square Show.
2126:
1818:
438:
397:
154:
2766:
1165:
587:
518:
432:
369:
344:
132:
125:
197:
Super 8 films transferred to video and projected on an Advent screen - the continued publication of
2490:
764:
Alternative art, New York, 1965-1985 : a cultural politics book for the Social Text
Collective
414:
380:
290:
222:
194:
93:
503:
2719:
2367:
2337:
1904:
1860:
1806:
1023:
801:
742:
679:
508:
2711:
2670:
2556:
2518:
2443:
2403:
2308:
2245:
2207:
2164:
2087:
1985:
1908:
1852:
1798:
1195:
1185:
1129:
1119:
1000:
990:
877:
867:
778:
768:
717:
671:
600:
590:
488:
447:
402:
365:
218:
89:
2892:
2834:
2701:
1900:
1788:
661:
523:
214:
85:
45:, which was formed after a series of open meetings between artists of various disciplines.
2758:
2690:"Colab Takes a Piece, History Takes It Back: Collectivity and New York Alternative Spaces"
2548:
2497:
1157:
650:"Colab Takes a Piece, History Takes It Back: Collectivity and New York Alternative Spaces"
451:
262:
257:
210:
81:
20:
1793:
1779:
Mallet, Ana Elena (2008). "El recuento. Algunas exploraciones a la obra de Kiki Smith".
1485:
1291:
2278:
1369:"Preserving That Great Performance - XFR STN Offers a Digital Update at the New Museum"
473:
463:
313:
226:
97:
2848:
2050:"A Legendary Guerilla Exhibit, 'The Real Estate Show,' Is Revived in a Proper Gallery"
1400:"A Legendary Guerilla Exhibit, 'The Real Estate Show,' Is Revived in a Proper Gallery"
767:. Julie Ault, Social Text Collective, Drawing Center. New York: Drawing Center. 2002.
2876:
2821:
1491:
1342:
553:
528:
513:
410:
38:
1688:
1071:
543:
498:
483:
478:
361:
163:
159:
713:
Collaboration and its (Dis)Contents: Art, Architecture, and
Photography since 1950
342:
In early 2014, there were four concurrent art exhibitions in New York City around
2585:
863:
493:
468:
427:
406:
274:
149:
2830:
2785:
1004:
548:
533:
443:
373:
349:
336:
266:
230:
186:
2733:"Sex and Death and Shock and Schlock: A Long Review of the Times Square Show"
2715:
2674:
2560:
2522:
2447:
2312:
2249:
2211:
2168:
2091:
1989:
1856:
1802:
1199:
1133:
881:
828:"Sex and Death and Shock and Schlock: A Long Review of the Times Square Show"
675:
604:
2614:
2014:
782:
273:
cultural center run by a collective with close ties to the publishing group
270:
1554:
1232:
986:
Duchamp is my lawyer : the polemics, pragmatics, and poetics of UbuWeb
984:
1179:
1113:
857:
581:
1948:"Gang of New York: Printed Matter Revisits the Colab Group in a New Book"
1255:"Gang of New York: Printed Matter Revisits the Colab Group in a New Book"
762:
2723:
1864:
1844:
1810:
683:
2751:
1043:
202:
26:
2778:
Collectivism After
Modernism: The Art of Social Imagination after 1945
1314:""A Show About Colab (and Related Activities)" at Printed Matter, Inc"
1181:
Collectivism after modernism: the art of social imagination after 1945
2706:
2689:
666:
649:
1634:"Thirty Years On, Colab Members Assess Their Successes and Failures"
904:
902:
2511:"When a South Bronx Collective Went International (Published 2012)"
2436:"When a South Bronx Collective Went International (Published 2012)"
2301:"When a South Bronx Collective Went International (Published 2012)"
2157:"When a South Bronx Collective Went International (Published 2012)"
2080:"When a South Bronx Collective Went International (Published 2012)"
936:
934:
352:, the Lodge Gallery, and Cuchifritos Gallery/Essex Street Market.
71:
25:
2491:
https://www.moma.org/documents/moma_catalogue_2099_300063001.pdf
1551:"A More Store & A Book About Colab (and Related Activities)"
1184:. Minneapolis: University of Minnesota Press. pp. 193–221.
952:
950:
305:
In 2011, Printed Matter, Inc. presented an exhibition entitled
2801:
1457:"The Real Estate Show Revisited at the James Fuentes Gallery"
1227:
A More Store & A Book About Colab (and
Related Activities
423:
Boom for Real: The Late Teenage Years of Jean-Michel Basquiat
269:
was passed on to successive managements until today it is an
1581:"Christy Rupp on Rats, Geese, and the Ecology of Public Art"
920:
918:
395:
evolved from the Gift Shop at the legendary Colab-organized
1044:"UbuWeb Film & Video: COLAB - All Color News Sampler"
2238:"'The Real Estate Show Was Then: 1980' (Published 2014)"
446:
through on-camera interviews with once Colab president
2849:"Guide to the Andrea Callard Papers 1966–2000 MSS 156"
265:
and opened it as a collectively run cultural center.
2763:
The Downtown Book: The New York Art Scene, 1974–1984
1162:
The Downtown Book: The New York Art Scene, 1974–1984
360:
also featured an interview and conversation between
233:(1980-82 - ongoing) that was created as a result of
2788:Dinero: The Story of a Lower East Side Art Gallery
2774:Artists' Collectives: Focus on New York, 1975-2000
583:A Book about Colab : (and related activities)
76:Colab poster for No Wave band benefit concert for
2476:. New York: The Museum of Modern Art. p. 3.
2399:Artists' Magazines: An Alternative Space for Art
1461:The Lo-Down : News from the Lower East Side
2811:, Edinburgh University Press, 2007, p. 223
2663:"ART: A JOYOUS MEMORIAL TO RICHARD STANKIEWICZ"
2200:"ART: A JOYOUS MEMORIAL TO RICHARD STANKIEWICZ"
1574:
1572:
2368:"Judy Rifka Exhibits New Work at The Yard, NY"
2338:"Judy Rifka Exhibits New Work at The Yard, NY"
1823:: CS1 maint: DOI inactive as of August 2024 (
575:
573:
571:
569:
1843:Sitney, P. Adams; Fitzgibbon, Coleen (2013).
1742:"Lower East Side: The Real Estate Show Redux"
1431:"Lower East Side: The Real Estate Show Redux"
821:
819:
817:
368:, and Becky Howland about Colab and the 1980
173:on Manhattan Cable (1978–1984) that included
8:
1286:A Show about Colab (and Related Activities)
307:A Show about Colab (and Related Activities)
287:A Book About Colab (and Related Activities)
281:A Book About Colab (and Related Activities)
1905:10.1093/gao/9781884446054.article.t2085677
1028:: CS1 maint: location missing publisher (
973:, Edinburgh University Press, 2007, p. 223
944:, Art in America September 1980, pp. 58-63
747:: CS1 maint: location missing publisher (
698:Art After Midnight: The East Village Scene
2888:Arts organizations based in New York City
2705:
1792:
665:
331:In 2013, an exhibition workshop entitled
37:is the commonly used abbreviation of the
1735:
1733:
1682:
1680:
1678:
912:, Village Voice 16, June 1980, pp. 31-32
2840:
2193:
2191:
2189:
2043:
2041:
2039:
1941:
1939:
1937:
1935:
1933:
1931:
1929:
1838:
1836:
1834:
1774:
1772:
1770:
1768:
1766:
1731:
1729:
1727:
1725:
1723:
1721:
1719:
1717:
1715:
1713:
1676:
1674:
1672:
1670:
1668:
1666:
1664:
1662:
1660:
1658:
1627:
1625:
1429:Kurchanova, Natasha (5 December 2014).
565:
2898:Arts organizations established in 1977
2883:American artist groups and collectives
2650:, University of Minnesota Press, 2002.
2586:"Projects 36: Erika Rothenberg | MoMA"
2474:Kiki Smith: Prints, Books & Things
2120:
2118:
2116:
2114:
2112:
1816:
1687:Spampinato, Francesco (30 July 2015).
1623:
1621:
1619:
1617:
1615:
1613:
1611:
1609:
1607:
1605:
1021:
910:The First Radical Art Show of the '80s
799:
740:
430:contains extensive coverage of Colab,
2783:Alan W. Moore and Marc Miller (eds),
2755:, Black Dog Publishing, London, 2007.
2372:Whitehot Magazine of Contemporary Art
2342:Whitehot Magazine of Contemporary Art
1886:
1884:
1882:
1880:
1878:
1876:
1874:
1467:from the original on 25 February 2021
960:, East Village Eye Summer 1980, p. 21
643:
641:
639:
637:
635:
633:
631:
629:
627:
625:
7:
2903:1977 establishments in New York City
2648:Alternative Art, New York, 1965-1985
1794:10.22201/cieg.2594066xe.2008.37.1356
2790:, Collaborative Projects, NY, 1985.
2549:"The Intuitionist (Published 2006)"
1978:"Preserving That Great Performance"
320:, an in-depth look at the original
229:); support and inspiration for the
162:) that was put on with Bronx-based
2125:Nguyen, Trong Gia (Jun 23, 2008).
1410:from the original on 16 April 2014
1118:. London: Black Dog. p. 141.
14:
2731:Lippard, Lucy R. (October 1980).
2547:Kimmelman, Michael (2006-11-05).
2127:"Colab Redux at Brooke Alexander"
1379:from the original on 1 April 2022
1312:Chamberlain, Colby (2011-11-07).
826:Lippard, Lucy R. (October 1980).
1553:. Printed Matter. Archived from
1367:Ryzik, Melena (11 August 2013).
928:, Arts September 1980, pp. 87-90
119:(5 Bleecker Street Store 1979),
111:(5 Bleecker Street Store 1979),
2859:from the original on 2014-05-07
2625:from the original on 2021-04-19
2596:from the original on 2021-04-11
2567:from the original on 2021-01-26
2529:from the original on 2023-04-09
2454:from the original on 2023-04-09
2416:from the original on 2024-06-20
2378:from the original on 2017-03-18
2348:from the original on 2017-03-18
2319:from the original on 2023-04-09
2256:from the original on 2022-01-29
2218:from the original on 2022-04-01
2175:from the original on 2023-04-09
2137:from the original on 2020-09-19
2098:from the original on 2023-04-09
2060:from the original on 2014-04-16
2025:from the original on 2024-06-20
1996:from the original on 2022-04-01
1958:from the original on 2021-04-20
1752:from the original on 2021-03-07
1699:from the original on 2015-09-06
1644:from the original on 2021-02-10
1591:from the original on 2021-02-13
1518:from the original on 9 May 2021
1398:Maurer, Daniel (7 April 2014).
1349:from the original on 2019-02-18
1324:from the original on 2022-04-01
1265:from the original on 2021-04-20
1206:from the original on 2024-06-20
1140:from the original on 2024-06-20
1054:from the original on 2021-02-12
1011:from the original on 2024-06-20
888:from the original on 2024-06-20
838:from the original on 2024-06-20
789:from the original on 2024-06-20
730:from the original on 2020-10-26
700:. St. Matins Press, 1986. p. 26
611:from the original on 2024-06-20
379:From April 15 to May 15, 2016,
191:8th Street and St. Mark's Place
55:National Endowment for the Arts
1946:Russeth, Andrew (2016-04-15).
1632:Morgan, Tiernan (2016-05-10).
1579:Morgan, Tiernan (2015-02-20).
1253:Russeth, Andrew (2016-04-15).
354:The Real Estate Show Revisited
240:Tellus Audio Cassette Magazine
136:(Delancey Street, Jan. 1980),
1:
2809:American Culture in the 1980s
2048:Maurer, Daniel (2014-04-07).
1891:Tinti, Mary M. (2010-02-24),
1343:"Times Square Show Revisited"
971:American Culture in the 1980s
348:: at James Fuentes Gallery,
2661:Glueck, Grace (1984-01-06).
2509:Hodara, Susan (2012-03-24).
2434:Hodara, Susan (2012-03-24).
2299:Hodara, Susan (2012-03-24).
2277:. 2009-12-06. Archived from
2198:Glueck, Grace (1984-01-06).
2155:Hodara, Susan (2012-03-24).
2078:Hodara, Susan (2012-03-24).
1976:Ryzik, Melena (2013-08-11).
1455:Litvak, Ed (26 March 2014).
716:. London. pp. 166–170.
2366:Bloch, Mark (August 2016).
2236:Johnson, Ken (2014-04-17).
1899:, Oxford University Press,
1746:www.studiointernational.com
1540:, Feral House, 2017, p. 333
1435:www.studiointernational.com
983:Goldsmith, Kenneth (2020).
326:Times Square Show Revisited
318:Times Square Show Revisited
130:(5 Bleecker Street Store),
16:New York City artists group
2919:
420:The 2017 documentary film
333:XFR STN (Transfer Station)
255:(established in 1986) and
231:ABC No Rio cultural center
18:
2688:Little, David E. (2007).
989:. New York. p. 274.
648:Little, David E. (2007).
383:presented a restating of
207:X Motion Picture Magazine
205:band benefit concert for
199:X Motion Picture Magazine
146:Island of Negative Utopia
144:(93 Grand Street, 1979),
113:Doctors and Dentists Show
78:X Motion Picture Magazine
2619:The Museum of Modern Art
2590:The Museum of Modern Art
2019:The Museum of Modern Art
942:Report from Times Square
316:Art Galleries presented
171:Colab artists' TV series
2798:The Downtown Collection
2472:Weitman, Wendy (2003).
1797:(inactive 2024-08-26).
1495:Art International Radio
358:Art International Radio
107:, (591 Broadway 1979),
2275:"ABC No Rio | History"
1112:Masters, Marc (2007).
856:Boch, Richard (2017).
806:: CS1 maint: others (
580:Schumann, Max (2015).
189:- a screening room on
109:Income and Wealth Show
100:
43:Collaborative Projects
31:
30:Collaborative Projects
19:For Google Colab, see
1740:Kurchanova, Natasha.
1072:Colab 78-80 (1978-80)
926:The Times Square Show
862:. Port Townsend, WA:
439:The Times Square Show
398:The Times Square Show
155:The Times Square Show
138:Jay Street Film Shows
123:(591 Broadway 1979),
115:(591 Broadway 1979),
75:
29:
2767:Princeton University
2657:, Feral House, 2017.
2396:Allen, Gwen (2011).
1508:"Clocktower - Radio"
1166:Princeton University
908:Goldstein, Richard,
588:Printed Matter, Inc.
433:The Real Estate Show
370:The Real Estate Show
345:The Real Estate Show
235:The Real Estate Show
133:The Real Estate Show
126:Just Another Asshole
2833:XFR STN project at
2827:Colab artists texts
1845:"Coleen Fitzgibbon"
415:Printed Matter, Inc
381:Printed Matter, Inc
291:Printed Matter, Inc
2667:The New York Times
2553:The New York Times
2515:The New York Times
2496:2022-01-06 at the
2440:The New York Times
2305:The New York Times
2242:The New York Times
2204:The New York Times
2161:The New York Times
2084:The New York Times
1982:The New York Times
1373:The New York Times
1096:Dance of the Leper
956:Sedgwick, Susana,
586:. New York, N.Y.:
504:Christof Kohlhofer
372:which birthed the
245:NightShift Theater
117:The Manifesto Show
101:
32:
2800:, Fales Library,
2409:978-0-262-01519-6
1914:978-1-884446-05-4
1897:Oxford Art Online
1693:Stedelijk Studies
1191:978-0-8166-4461-2
1125:978-1-906155-02-5
996:978-0-231-54691-1
958:Times Square Show
940:Deitch, Jeffrey,
873:978-1-62731-051-2
723:978-1-907485-07-7
596:978-0-89439-085-2
489:Coleen Fitzgibbon
448:Coleen Fitzgibbon
403:Barbara Gladstone
385:The A. More Store
376:cultural center.
366:Coleen Fitzgibbon
322:Times Square Show
289:was published by
251:(3 issues 1979),
219:Theoretical Girls
90:Theoretical Girls
2910:
2868:
2867:
2865:
2864:
2845:
2835:Internet Archive
2807:Graham Thompson,
2746:
2744:
2743:
2737:www.artforum.com
2727:
2709:
2707:10.2307/20068517
2684:
2682:
2681:
2634:
2633:
2631:
2630:
2611:
2605:
2604:
2602:
2601:
2582:
2576:
2575:
2573:
2572:
2544:
2538:
2537:
2535:
2534:
2506:
2500:
2488:
2482:
2481:
2469:
2463:
2462:
2460:
2459:
2431:
2425:
2424:
2422:
2421:
2393:
2387:
2386:
2384:
2383:
2363:
2357:
2356:
2354:
2353:
2334:
2328:
2327:
2325:
2324:
2296:
2290:
2289:
2287:
2286:
2271:
2265:
2264:
2262:
2261:
2233:
2227:
2226:
2224:
2223:
2195:
2184:
2183:
2181:
2180:
2152:
2146:
2145:
2143:
2142:
2122:
2107:
2106:
2104:
2103:
2075:
2069:
2068:
2066:
2065:
2054:Bedford + Bowery
2045:
2034:
2033:
2031:
2030:
2011:
2005:
2004:
2002:
2001:
1973:
1967:
1966:
1964:
1963:
1943:
1924:
1923:
1922:
1921:
1888:
1869:
1868:
1851:(123): 120–127.
1840:
1829:
1828:
1822:
1814:
1796:
1781:Debate Feminista
1776:
1761:
1760:
1758:
1757:
1737:
1708:
1707:
1705:
1704:
1684:
1653:
1652:
1650:
1649:
1629:
1600:
1599:
1597:
1596:
1576:
1567:
1566:
1564:
1562:
1547:
1541:
1534:
1528:
1527:
1525:
1523:
1504:
1498:
1483:
1477:
1476:
1474:
1472:
1452:
1446:
1445:
1443:
1441:
1426:
1420:
1419:
1417:
1415:
1404:Bedford + Bowery
1395:
1389:
1388:
1386:
1384:
1364:
1358:
1357:
1355:
1354:
1339:
1333:
1332:
1330:
1329:
1318:www.artforum.com
1309:
1303:
1302:
1300:
1299:
1290:. Archived from
1280:
1274:
1273:
1271:
1270:
1250:
1244:
1243:
1241:
1240:
1231:. Archived from
1221:
1215:
1214:
1212:
1211:
1175:
1169:
1155:
1149:
1148:
1146:
1145:
1109:
1103:
1088:Real Estate Show
1080:End of the World
1069:
1063:
1062:
1060:
1059:
1040:
1034:
1033:
1027:
1019:
1017:
1016:
980:
974:
969:Graham Thompson,
967:
961:
954:
945:
938:
929:
922:
913:
906:
897:
896:
894:
893:
853:
847:
846:
844:
843:
832:www.artforum.com
823:
812:
811:
805:
797:
795:
794:
759:
753:
752:
746:
738:
736:
735:
707:
701:
694:
688:
687:
669:
667:10.2307/20068517
645:
620:
619:
617:
616:
577:
524:Joseph Nechvatal
335:was held at the
249:Spanner Magazine
215:Boris Policeband
86:Boris Policeband
2918:
2917:
2913:
2912:
2911:
2909:
2908:
2907:
2873:
2872:
2871:
2862:
2860:
2847:
2846:
2842:
2829:concerning the
2818:
2772:Alan W. Moore,
2759:Carlo McCormick
2741:
2739:
2730:
2687:
2679:
2677:
2660:
2643:
2638:
2637:
2628:
2626:
2613:
2612:
2608:
2599:
2597:
2584:
2583:
2579:
2570:
2568:
2546:
2545:
2541:
2532:
2530:
2508:
2507:
2503:
2498:Wayback Machine
2489:
2485:
2471:
2470:
2466:
2457:
2455:
2433:
2432:
2428:
2419:
2417:
2410:
2395:
2394:
2390:
2381:
2379:
2365:
2364:
2360:
2351:
2349:
2336:
2335:
2331:
2322:
2320:
2298:
2297:
2293:
2284:
2282:
2273:
2272:
2268:
2259:
2257:
2235:
2234:
2230:
2221:
2219:
2197:
2196:
2187:
2178:
2176:
2154:
2153:
2149:
2140:
2138:
2124:
2123:
2110:
2101:
2099:
2077:
2076:
2072:
2063:
2061:
2047:
2046:
2037:
2028:
2026:
2013:
2012:
2008:
1999:
1997:
1975:
1974:
1970:
1961:
1959:
1945:
1944:
1927:
1919:
1917:
1915:
1890:
1889:
1872:
1842:
1841:
1832:
1815:
1778:
1777:
1764:
1755:
1753:
1739:
1738:
1711:
1702:
1700:
1686:
1685:
1656:
1647:
1645:
1631:
1630:
1603:
1594:
1592:
1578:
1577:
1570:
1560:
1558:
1549:
1548:
1544:
1535:
1531:
1521:
1519:
1506:
1505:
1501:
1497:Colab interview
1484:
1480:
1470:
1468:
1454:
1453:
1449:
1439:
1437:
1428:
1427:
1423:
1413:
1411:
1397:
1396:
1392:
1382:
1380:
1366:
1365:
1361:
1352:
1350:
1341:
1340:
1336:
1327:
1325:
1311:
1310:
1306:
1297:
1295:
1282:
1281:
1277:
1268:
1266:
1252:
1251:
1247:
1238:
1236:
1223:
1222:
1218:
1209:
1207:
1192:
1177:
1176:
1172:
1158:Carlo McCormick
1156:
1152:
1143:
1141:
1126:
1111:
1110:
1106:
1070:
1066:
1057:
1055:
1042:
1041:
1037:
1020:
1014:
1012:
997:
982:
981:
977:
968:
964:
955:
948:
939:
932:
923:
916:
907:
900:
891:
889:
874:
866:. p. 332.
855:
854:
850:
841:
839:
825:
824:
815:
798:
792:
790:
775:
761:
760:
756:
739:
733:
731:
724:
709:
708:
704:
695:
691:
647:
646:
623:
614:
612:
597:
579:
578:
567:
562:
539:Walter Robinson
460:
458:Notable members
452:Carlo McCormick
450:and art critic
303:
295:Walter Robinson
283:
263:Lower East Side
225:, Terminal and
211:The Contortions
105:The Batman Show
96:, Terminal and
82:The Contortions
70:
51:
41:artists' group
24:
21:Project Jupyter
17:
12:
11:
5:
2916:
2914:
2906:
2905:
2900:
2895:
2890:
2885:
2875:
2874:
2870:
2869:
2839:
2838:
2837:
2824:
2817:
2816:External links
2814:
2813:
2812:
2805:
2791:
2781:
2770:
2756:
2749:Marc Masters,
2747:
2728:
2685:
2658:
2653:Richard Boch,
2651:
2642:
2639:
2636:
2635:
2606:
2577:
2539:
2501:
2483:
2464:
2426:
2408:
2388:
2358:
2329:
2291:
2266:
2228:
2185:
2147:
2131:Art21 Magazine
2108:
2070:
2035:
2006:
1968:
1925:
1913:
1870:
1830:
1762:
1709:
1654:
1601:
1568:
1542:
1536:Boch, Richard.
1529:
1512:clocktower.org
1499:
1490:2014-05-07 at
1478:
1447:
1421:
1390:
1359:
1334:
1304:
1275:
1245:
1216:
1190:
1170:
1150:
1124:
1104:
1100:All Color News
1076:Anybody's Show
1064:
1035:
995:
975:
962:
946:
930:
914:
898:
872:
848:
813:
773:
754:
722:
702:
696:Hager, Steve.
689:
621:
595:
564:
563:
561:
558:
557:
556:
551:
546:
541:
536:
531:
526:
521:
516:
511:
506:
501:
496:
491:
486:
481:
476:
474:Andrea Callard
471:
466:
464:Charlie Ahearn
459:
456:
389:A. More Stores
314:Hunter College
302:
299:
282:
279:
253:MWF Video Club
175:All Color News
69:
66:
50:
47:
15:
13:
10:
9:
6:
4:
3:
2:
2915:
2904:
2901:
2899:
2896:
2894:
2891:
2889:
2886:
2884:
2881:
2880:
2878:
2858:
2854:
2850:
2844:
2841:
2836:
2832:
2828:
2825:
2823:
2822:Colab Archive
2820:
2819:
2815:
2810:
2806:
2803:
2799:
2795:
2792:
2789:
2787:
2782:
2779:
2775:
2771:
2768:
2764:
2760:
2757:
2754:
2753:
2748:
2738:
2734:
2729:
2725:
2721:
2717:
2713:
2708:
2703:
2699:
2695:
2691:
2686:
2676:
2672:
2668:
2664:
2659:
2656:
2655:The Mudd Club
2652:
2649:
2645:
2644:
2640:
2624:
2620:
2616:
2610:
2607:
2595:
2591:
2587:
2581:
2578:
2566:
2562:
2558:
2554:
2550:
2543:
2540:
2528:
2524:
2520:
2516:
2512:
2505:
2502:
2499:
2495:
2492:
2487:
2484:
2480:
2475:
2468:
2465:
2453:
2449:
2445:
2441:
2437:
2430:
2427:
2415:
2411:
2405:
2402:. MIT Press.
2401:
2400:
2392:
2389:
2377:
2373:
2369:
2362:
2359:
2347:
2343:
2339:
2333:
2330:
2318:
2314:
2310:
2306:
2302:
2295:
2292:
2281:on 2009-12-06
2280:
2276:
2270:
2267:
2255:
2251:
2247:
2243:
2239:
2232:
2229:
2217:
2213:
2209:
2205:
2201:
2194:
2192:
2190:
2186:
2174:
2170:
2166:
2162:
2158:
2151:
2148:
2136:
2132:
2128:
2121:
2119:
2117:
2115:
2113:
2109:
2097:
2093:
2089:
2085:
2081:
2074:
2071:
2059:
2055:
2051:
2044:
2042:
2040:
2036:
2024:
2020:
2016:
2010:
2007:
1995:
1991:
1987:
1983:
1979:
1972:
1969:
1957:
1953:
1949:
1942:
1940:
1938:
1936:
1934:
1932:
1930:
1926:
1916:
1910:
1906:
1902:
1898:
1894:
1887:
1885:
1883:
1881:
1879:
1877:
1875:
1871:
1866:
1862:
1858:
1854:
1850:
1846:
1839:
1837:
1835:
1831:
1826:
1820:
1812:
1808:
1804:
1800:
1795:
1790:
1786:
1782:
1775:
1773:
1771:
1769:
1767:
1763:
1751:
1747:
1743:
1736:
1734:
1732:
1730:
1728:
1726:
1724:
1722:
1720:
1718:
1716:
1714:
1710:
1698:
1694:
1690:
1689:"Colab Again"
1683:
1681:
1679:
1677:
1675:
1673:
1671:
1669:
1667:
1665:
1663:
1661:
1659:
1655:
1643:
1639:
1638:Hyperallergic
1635:
1628:
1626:
1624:
1622:
1620:
1618:
1616:
1614:
1612:
1610:
1608:
1606:
1602:
1590:
1586:
1585:Hyperallergic
1582:
1575:
1573:
1569:
1557:on 2017-12-29
1556:
1552:
1546:
1543:
1539:
1538:The Mudd Club
1533:
1530:
1517:
1513:
1509:
1503:
1500:
1496:
1493:
1492:archive.today
1489:
1486:
1482:
1479:
1466:
1462:
1458:
1451:
1448:
1436:
1432:
1425:
1422:
1409:
1405:
1401:
1394:
1391:
1378:
1374:
1370:
1363:
1360:
1348:
1344:
1338:
1335:
1323:
1319:
1315:
1308:
1305:
1294:on 2012-05-24
1293:
1289:
1287:
1279:
1276:
1264:
1260:
1256:
1249:
1246:
1235:on 2016-05-13
1234:
1230:
1228:
1220:
1217:
1205:
1201:
1197:
1193:
1187:
1183:
1182:
1174:
1171:
1167:
1163:
1159:
1154:
1151:
1139:
1135:
1131:
1127:
1121:
1117:
1116:
1108:
1105:
1101:
1097:
1093:
1089:
1085:
1081:
1077:
1073:
1068:
1065:
1053:
1049:
1045:
1039:
1036:
1031:
1025:
1010:
1006:
1002:
998:
992:
988:
987:
979:
976:
972:
966:
963:
959:
953:
951:
947:
943:
937:
935:
931:
927:
921:
919:
915:
911:
905:
903:
899:
887:
883:
879:
875:
869:
865:
861:
860:
859:The Mudd Club
852:
849:
837:
833:
829:
822:
820:
818:
814:
809:
803:
788:
784:
780:
776:
774:0-8166-3793-8
770:
766:
765:
758:
755:
750:
744:
729:
725:
719:
715:
714:
706:
703:
699:
693:
690:
685:
681:
677:
673:
668:
663:
659:
655:
651:
644:
642:
640:
638:
636:
634:
632:
630:
628:
626:
622:
610:
606:
602:
598:
592:
589:
585:
584:
576:
574:
572:
570:
566:
559:
555:
554:Robin Winters
552:
550:
547:
545:
542:
540:
537:
535:
532:
530:
529:Tom Otterness
527:
525:
522:
520:
517:
515:
514:Alan W. Moore
512:
510:
507:
505:
502:
500:
497:
495:
492:
490:
487:
485:
482:
480:
477:
475:
472:
470:
467:
465:
462:
461:
457:
455:
453:
449:
445:
441:
440:
435:
434:
429:
425:
424:
418:
416:
412:
411:White Columns
408:
404:
400:
399:
394:
393:A. More Store
390:
386:
382:
377:
375:
371:
367:
363:
359:
355:
351:
347:
346:
340:
338:
334:
329:
327:
323:
319:
315:
312:In 2012, The
310:
308:
300:
298:
296:
292:
288:
280:
278:
276:
272:
268:
264:
260:
259:
258:Bomb Magazine
254:
250:
246:
242:
241:
237:; support of
236:
232:
228:
224:
220:
216:
212:
208:
204:
200:
196:
192:
188:
184:
180:
176:
172:
167:
165:
161:
157:
156:
151:
147:
143:
139:
135:
134:
129:
127:
122:
118:
114:
110:
106:
99:
95:
91:
87:
83:
79:
74:
67:
65:
62:
58:
56:
48:
46:
44:
40:
39:New York City
36:
28:
22:
2861:. Retrieved
2853:dlib.nyu.edu
2852:
2843:
2808:
2797:
2794:The Red Book
2793:
2784:
2777:
2773:
2769:Press, 2006.
2762:
2750:
2740:. Retrieved
2736:
2700:(1): 60–74.
2697:
2693:
2678:. Retrieved
2666:
2654:
2647:
2646:Julie Ault,
2627:. Retrieved
2618:
2609:
2598:. Retrieved
2589:
2580:
2569:. Retrieved
2552:
2542:
2531:. Retrieved
2514:
2504:
2486:
2477:
2473:
2467:
2456:. Retrieved
2439:
2429:
2418:. Retrieved
2398:
2391:
2380:. Retrieved
2371:
2361:
2350:. Retrieved
2341:
2332:
2321:. Retrieved
2304:
2294:
2283:. Retrieved
2279:the original
2269:
2258:. Retrieved
2241:
2231:
2220:. Retrieved
2203:
2177:. Retrieved
2160:
2150:
2139:. Retrieved
2130:
2100:. Retrieved
2083:
2073:
2062:. Retrieved
2053:
2027:. Retrieved
2018:
2009:
1998:. Retrieved
1981:
1971:
1960:. Retrieved
1951:
1918:, retrieved
1896:
1848:
1819:cite journal
1784:
1780:
1754:. Retrieved
1745:
1701:. Retrieved
1692:
1646:. Retrieved
1637:
1593:. Retrieved
1584:
1559:. Retrieved
1555:the original
1545:
1537:
1532:
1520:. Retrieved
1511:
1502:
1481:
1469:. Retrieved
1460:
1450:
1438:. Retrieved
1434:
1424:
1412:. Retrieved
1403:
1393:
1381:. Retrieved
1372:
1362:
1351:. Retrieved
1337:
1326:. Retrieved
1317:
1307:
1296:. Retrieved
1292:the original
1285:
1278:
1267:. Retrieved
1258:
1248:
1237:. Retrieved
1233:the original
1226:
1219:
1208:. Retrieved
1180:
1173:
1161:
1153:
1142:. Retrieved
1114:
1107:
1099:
1095:
1091:
1087:
1084:July 4, 1980
1083:
1079:
1075:
1067:
1056:. Retrieved
1047:
1038:
1013:. Retrieved
985:
978:
970:
965:
957:
941:
925:
924:Levin, Kim,
909:
890:. Retrieved
858:
851:
840:. Retrieved
831:
791:. Retrieved
763:
757:
732:. Retrieved
712:
705:
697:
692:
660:(1): 60–74.
657:
653:
613:. Retrieved
582:
544:Christy Rupp
499:Jenny Holzer
484:Jane Dickson
479:Diego Cortez
437:
431:
421:
419:
396:
392:
391:. The first
388:
384:
378:
362:Jane Dickson
356:. That year
353:
343:
341:
332:
330:
325:
321:
317:
311:
306:
304:
286:
284:
256:
252:
248:
244:
238:
234:
206:
198:
182:
178:
174:
170:
168:
164:Fashion Moda
160:Times Square
153:
152:, 1984) and
145:
141:
137:
131:
124:
121:The Dog Show
120:
116:
112:
108:
104:
102:
77:
63:
59:
52:
42:
34:
33:
2694:Art Journal
1952:ARTnews.com
1787:: 117–120.
1383:21 February
1259:ARTnews.com
1168:Press, 2006
864:Feral House
654:Art Journal
519:Jamie Nares
494:Stefan Eins
469:John Ahearn
428:Sara Driver
407:Jack Tilton
301:Exhibitions
275:Autonomedia
183:Red Curtain
179:Potato Wolf
150:The Kitchen
2877:Categories
2863:2021-03-18
2831:New Museum
2786:ABC No Rio
2742:2021-03-18
2680:2021-03-22
2641:References
2629:2021-03-08
2600:2021-03-13
2571:2021-03-13
2533:2021-03-08
2458:2021-03-08
2420:2021-03-28
2382:2021-03-20
2352:2021-03-09
2323:2021-03-08
2285:2021-03-10
2260:2021-03-08
2222:2021-03-22
2179:2021-03-08
2141:2021-03-08
2102:2021-03-08
2064:2021-03-20
2029:2021-03-08
2000:2021-03-20
1962:2021-03-20
1920:2021-03-06
1756:2021-03-20
1703:2021-03-10
1648:2021-03-08
1595:2021-03-02
1353:2013-07-10
1328:2021-03-07
1298:2013-07-10
1269:2021-02-28
1239:2016-05-01
1210:2023-03-11
1144:2021-03-22
1058:2021-03-22
1015:2021-03-22
1005:1135910913
892:2023-03-12
842:2021-03-22
793:2021-03-22
734:2021-03-22
615:2021-03-08
549:Kiki Smith
534:Judy Rifka
444:ABC No Rio
374:ABC No Rio
350:ABC No Rio
337:New Museum
267:ABC No Rio
201:(1979) (a
187:New Cinema
80:including
2716:0004-3249
2675:0362-4331
2561:0362-4331
2523:0362-4331
2448:0362-4331
2313:0362-4331
2250:0362-4331
2212:0362-4331
2169:0362-4331
2092:0362-4331
1990:0362-4331
1857:0743-3204
1803:0188-9478
1200:645041774
1134:153560406
1092:Shipwreck
1024:cite book
882:972429558
802:cite book
743:cite book
676:0004-3249
605:945369534
560:Footnotes
509:Joe Lewis
409:Gallery,
405:Gallery,
271:anarchist
209:included
142:Exhibit A
2857:Archived
2724:20068517
2623:Archived
2594:Archived
2565:Archived
2527:Archived
2494:Archived
2452:Archived
2414:Archived
2376:Archived
2346:Archived
2317:Archived
2254:Archived
2216:Archived
2173:Archived
2135:Archived
2096:Archived
2058:Archived
2023:Archived
1994:Archived
1956:Archived
1865:24365423
1811:42625514
1750:Archived
1697:Archived
1642:Archived
1589:Archived
1516:Archived
1488:Archived
1465:Archived
1408:Archived
1377:Archived
1347:Archived
1322:Archived
1263:Archived
1204:Archived
1138:Archived
1052:Archived
1009:Archived
886:Archived
836:Archived
787:Archived
783:50253087
728:Archived
684:20068517
609:Archived
324:(1980).
285:In 2016
243:(1983),
195:new wave
140:(1979),
68:Projects
2893:No wave
2752:No Wave
1893:"Colab"
1561:8 March
1522:6 March
1471:8 March
1440:8 March
1414:8 March
1115:No Wave
1102:(Colab)
1048:ubu.com
227:Erasers
203:No Wave
98:Erasers
49:History
2722:
2714:
2673:
2559:
2521:
2446:
2406:
2311:
2248:
2210:
2167:
2090:
1988:
1911:
1863:
1855:
1809:
1801:
1198:
1188:
1132:
1122:
1003:
993:
880:
870:
781:
771:
720:
682:
674:
603:
593:
413:, and
247:1979,
185:, and
2720:JSTOR
1861:JSTOR
1807:JSTOR
680:JSTOR
35:Colab
2712:ISSN
2671:ISSN
2557:ISSN
2519:ISSN
2444:ISSN
2404:ISBN
2309:ISSN
2246:ISSN
2208:ISSN
2165:ISSN
2088:ISSN
1986:ISSN
1909:ISBN
1853:ISSN
1849:BOMB
1825:link
1799:ISSN
1563:2021
1524:2021
1473:2021
1442:2021
1416:2021
1385:2017
1196:OCLC
1186:ISBN
1130:OCLC
1120:ISBN
1030:link
1001:OCLC
991:ISBN
878:OCLC
868:ISBN
808:link
779:OCLC
769:ISBN
749:link
718:ISBN
672:ISSN
601:OCLC
591:ISBN
442:and
193:for
181:and
128:Show
2802:NYU
2776:in
2702:doi
1901:doi
1789:doi
662:doi
426:by
277:."
223:DNA
94:DNA
2879::
2855:.
2851:.
2765:,
2761:,
2735:.
2718:.
2710:.
2698:66
2696:.
2692:.
2669:.
2665:.
2621:.
2617:.
2592:.
2588:.
2563:.
2555:.
2551:.
2525:.
2517:.
2513:.
2450:.
2442:.
2438:.
2412:.
2374:.
2370:.
2344:.
2340:.
2315:.
2307:.
2303:.
2252:.
2244:.
2240:.
2214:.
2206:.
2202:.
2188:^
2171:.
2163:.
2159:.
2133:.
2129:.
2111:^
2094:.
2086:.
2082:.
2056:.
2052:.
2038:^
2021:.
2017:.
1992:.
1984:.
1980:.
1954:.
1950:.
1928:^
1907:,
1895:,
1873:^
1859:.
1847:.
1833:^
1821:}}
1817:{{
1805:.
1785:37
1783:.
1765:^
1748:.
1744:.
1712:^
1695:.
1691:.
1657:^
1640:.
1636:.
1604:^
1587:.
1583:.
1571:^
1514:.
1510:.
1463:.
1459:.
1433:.
1406:.
1402:.
1375:.
1371:.
1345:.
1320:.
1316:.
1261:.
1257:.
1202:.
1194:.
1164:,
1160:,
1136:.
1128:.
1098:;
1094:;
1090:;
1086:;
1082:;
1078:;
1074::
1050:.
1046:.
1026:}}
1022:{{
1007:.
999:.
949:^
933:^
917:^
901:^
884:.
876:.
834:.
830:.
816:^
804:}}
800:{{
785:.
777:.
745:}}
741:{{
726:.
678:.
670:.
658:66
656:.
652:.
624:^
607:.
599:.
568:^
454:.
436:,
417:.
364:,
339:.
309:.
221:,
217:,
213:,
177:,
166:.
92:,
88:,
84:,
2866:.
2804:.
2745:.
2726:.
2704::
2683:.
2632:.
2603:.
2574:.
2536:.
2461:.
2423:.
2385:.
2355:.
2326:.
2288:.
2263:.
2225:.
2182:.
2144:.
2105:.
2067:.
2032:.
2003:.
1965:.
1903::
1867:.
1827:)
1813:.
1791::
1759:.
1706:.
1651:.
1598:.
1565:.
1526:.
1475:.
1444:.
1418:.
1387:.
1356:.
1331:.
1301:.
1288:"
1284:"
1272:.
1242:.
1229:"
1225:"
1213:.
1147:.
1061:.
1032:)
1018:.
895:.
845:.
810:)
796:.
751:)
737:.
686:.
664::
618:.
148:(
23:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.