51:(that occurred in January 1980), but unlike it, was open 24 hours a day, 7 days a week, in what was then a Times Square full of porno theaters, peep shows, and red light establishments. In addition to experimental painting and sculpture, the exhibition incorporated music, fashion, and an ambitious program of performance and video. For many artists the exhibition served as a forum for the exchange of ideas, a testing-ground for social-directed figurative work in progress, and a catalyst for exploring new political-artistic directions.
696:
70:
Art
Galleries that was curated by Shawna Cooper, post-war art historian and graduate of the Hunter College Master’s Program in Art History, in association with Karli Wurzelbacher, also a Hunter alumnae and a PhD candidate in twentieth-century American art at the University of Delaware, that ran from
207:
or The Harlem
Workshop. There were films, videos, poetry, music, and art performances and the audience would sometimes get into fights over whether it was a good performance or a bad performance. Some Colab artists would stay overnight.
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88:
was the first art exhibition to overtly transcended the trappings of class and culture by bringing together people who would not necessarily come together under any other circumstances.
22:
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exhibition was accompanied by a catalogue and comprehensive website, which includes extensive interviews with the participants in the original exhibition.
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in the summer of 1980 through Colab's advertising on television and on the giant
Spectacolor digital board in Times Square, made possible by Colab member
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over the doorway (later somebody else spray-painted over it). Justen Ladda created a monumental installation drawing in the basement,
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and Cara
Perlman. Colab members also widely distributed street posters, placards, and flyers made by Colab artists. Also,
21:
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643:
273:
135:
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was an open access art show open twenty-four hours a day for thirty days. Most of the artists who participated in
33:
was an influential collaborative, self-curated, and self-generated art exhibition held by New York artists' group
1073:, Blake Stimson & Gregory Sholette, (eds) University of Minnesota Press, Minneapolis, 2007, pp. 193–221.
440:
386:
420:, Tom Warren, Francine Keery, Teri Slotkin and Lisa Kahane photographed the show and performance events. The
272:
did live plaster casting sculptures of people off the street and occasionally made castings on the sidewalk,
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self-promotion drew a wide variety of audiences curious see an art show in the sordid Times Square area.
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in a shuttered massage parlor at 201 W. 41st and 7th Avenue during the entire month of June in 1980.
376:
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and Julie
Harrison made videotapes inside and outside the show, often interviewing spectators and
307:, that sold low-priced multiples made by the participating Colab artists. Included were Bobby G's
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284:(with filmmaker Ruth Peyser) did an art performance with a rubber inflatable porno doll and
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147:
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1036:
Colab Takes a Piece, History Takes It Back: Collectivity and New York
Alternative Spaces
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1042:
Vol.66, No. 1, Spring 2007, College Art
Association, New York, pp. 60–74 (Article
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Who You
Staring At: Culture visuelle de la scène no wave des années 1970 et 1980
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Fales
Library and Special Collections Guide to the Andrea Callard Papers 1966-2000
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Fales
Library and Special Collections Guide to the Andrea Callard Papers 1966-2000
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Who You Staring At?: Visual culture of the no wave scene in the 1970s and 1980s
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also had a collectors’ night that invited the art world cognoscenti like
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Collectivism After Modernism: The Art of Social Imagination after 1945
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February 1 – June 19, 2023, Film, Video, Sound and Digital Collections
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wallpaper, Cara Perlman showed her large portrait paintings on paper,
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also appeared shortly after on Broome Street with the tag-line
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showed a spray of broken Night Train fortified wine bottles.
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editor Betsy Sussler also appear in a video ad created by
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Visual culture of the no wave scene in the 1970s and 1980s
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The Real Estate Show and The Times Square Show Revisited
130:. Colab made three thirty-second TV spots that ran on
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was featured in one of these ads that was created by
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The Downtown Book: The New York Art Scene, 1974–1984
808:
The Downtown Book: The New York Art Scene, 1974–1984
218:(1980) was placed in the front window next to where
214:'s half-skeleton/half-man painted plaster sculpture
45:
was largely inspired by the more radical Colab show
1084:Dinero: The Story of a Lower East Side Art Gallery
1067:Artists' Collectives: Focus on New York, 1975-2000
984:"Inside & Out: An Interview with Kiki Smith"
242:showed hand painted enamel on metal signs, like
1145:Non-profit organizations based in New York City
982:SMITH, KIKI; Schleifer, Kristen Brooke (1991).
8:
971:https://archives.nypl.org/scm/24872#overview
1093:Printed Matter, Inc, 2016. pp. 100–119
1091:A Book about Colab (and Related Activities)
908:A Book About Colab (and Related Activities)
337:Three Card Monte Times Square Advertisement
62:s historic significance was established in
276:performed in a haze of hemp smoke in his
741:
353:You won’t pay more at the A. More Store
71:September 14th to December 8th in 2012.
1031:, University of Minnesota Press, 2002.
845:Changed The New York Art World in 1980
244:Living: Many Dogs Run Wild in the City
171:The First Radical Art Show of the '80s
122:The New York art world first heard of
37:(aka Collaborative Projects, Inc) in
7:
1120:Art exhibitions in the United States
1029:Alternative Art, New York, 1965-1985
789:Alternative Art, New York, 1965-1985
16:1980 art exhibition in New York City
1086:, Collaborative Projects, NY, 1985.
902:Printed Matter, Inc Exhibition for
303:area, that would come to be called
14:
1115:Cultural history of New York City
254:showed their collaboration video
1155:Performance art in New York City
988:The Print Collector's Newsletter
694:
436:Participating artists included:
959:The Times Square Show Revisited
825:The Times Square Show Revisited
673:Sophie Vieille (aka Sophie VDT)
278:Exotic Landlordism of the World
73:The Times Square Show Revisited
64:The Times Square Show Revisited
409:were among those who visited.
1:
792:University of Minnesota Press
165:for the June 16th edition of
509:Bobby G (aka Robert Goldman)
99:in a Nicolas Ballet curated
95:was featured in 2023 at the
837:Elena Martinique writes in
329:Nuclear War Table Placemats
234:showed their collaboration
173:. This article and Colab's
78:Elena Martinique writes in
1171:
134:. The eccentric performer
412:Bobby G, Mathew Geller,
387:Brooke Alexander Gallery
339:poster, Robin Winters’s
169:a long article entitled
1079:and Marc Miller (eds),
550:Candace Hill-Montgomery
341:Plaster Colab Portraits
66:exhibition held at The
1096:Francesco Spampinato,
919:Boch, Richard (2017).
749:Boch, Richard (2017).
428:performed live there.
359:, other iterations of
311:pins, Becky Howland's
60:The Times Square Show'
25:
1125:1980 in New York City
925:. Port Townsend, WA:
843:The Times Square Show
755:. Port Townsend, WA:
432:Participating artists
383:The Times Square Show
357:The Times Square Show
293:The Times Square Show
280:one-man performance,
193:The Times Square Show
189:The Times Square Show
183:The Times Square Show
163:The Times Square Show
124:The Times Square Show
117:The Times Square Show
93:The Times Square Show
86:The Times Square Show
55:Historic significance
43:The Times Square Show
30:The Times Square Show
24:
1089:Max Schumann (ed.),
1057:Princeton University
812:Princeton University
720:Just Another Asshole
456:Jean-Michel Basquiat
321:Bloody-Hand Ashtrays
220:Jean-Michel Basquiat
103:exhibition entitled
48:The Real Estate Show
377:Printed Matter, Inc
343:and Jenny Holzer’s
313:Love Canal Potatoes
898:2016-05-13 at the
839:WideWalls Magazine
677:Peter Von Ziegesar
568:Christof Kohlhofer
461:Scott B and Beth B
397:. The art writers
363:were presented at
140:Scott B and Beth B
26:
936:978-1-62731-051-2
766:978-1-62731-051-2
500:Coleen Fitzgibbon
399:Richard Goldstein
365:Barbara Gladstone
361:The A. More Store
349:The A. More Store
305:The A. More Store
236:Gun, Money, Plate
228:Coleen Fitzgibbon
167:The Village Voice
159:Richard Goldstein
155:Coleen Fitzgibbon
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325:Joseph Nechvatal
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216:Symbolic Anatomy
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759:. p. 332.
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623:Walter Robinson
505:Fab Five Freddy
451:Peter Angermann
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256:The Sparkle End
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333:Charlie Ahearn
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994:(3): 84–87.
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904:A More Store
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787:Julie Ault.
783:
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702:1980s portal
640:Teri Slotkin
633:Kenny Scharf
628:Christy Rupp
608:Cara Perlman
599:Group Normal
572:Justen Ladda
555:Jenny Holzer
542:Keith Haring
519:Ilona Granet
482:Jane Dickson
471:Mitch Corber
435:
426:The Raybeats
414:Mitch Corber
411:
407:Lucy Lippard
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252:Kenny Scharf
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1130:1980 in art
1040:Art Journal
927:Feral House
814:Press, 2006
757:Feral House
659:Jolie Stahl
654:Seton Smith
637:Jane Sherry
575:Mary Lemley
490:Stefan Eins
486:Debby Davis
478:Eva DeCarlo
475:Jody Culkin
446:John Ahearn
369:Jack Tilton
309:Money Talks
266:John Ahearn
1109:Categories
1082:ABC No Rio
1025:Julie Ault
736:References
715:ABC No Rio
664:Diane Torr
649:Kiki Smith
644:Jack Smith
618:Judy Rifka
614:Uli Rimkus
584:Aline Mare
527:Mimi Gross
515:Mike Glier
495:Peter Fend
424:rock band
391:Mary Boone
317:Kiki Smith
299:-inspired
282:Diane Torr
274:Jack Smith
195:came from
136:Jack Smith
115:Promoting
1000:0032-8537
945:972429558
775:972429558
730:Post-punk
579:Joe Lewis
563:Alex Katz
403:Kim Levin
371:Gallery,
367:Gallery,
347:posters.
345:Manifesto
301:Gift Shop
132:Channel 5
80:WideWalls
1008:24554359
896:Archived
688:See also
286:sex toys
224:Free Sex
151:magazine
82:magazine
1150:No wave
1019:Sources
794:, 2002.
422:No wave
101:No Wave
1006:
998:
943:
933:
906:&
773:
763:
375:, and
297:Fluxus
295:had a
291:Also,
222:wrote
1004:JSTOR
710:Colab
197:Colab
84:that
35:Colab
996:ISSN
941:OCLC
931:ISBN
841:How
771:OCLC
761:ISBN
405:and
393:and
268:and
258:and
250:and
230:and
149:Bomb
146:and
1069:in
335:’s
327:'s
319:’s
175:DIY
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