256:. Jordan's killing spree began with a young former art student, Joe, whom he meets at a pub. After the two have drinks, Joe returns home with Jordan. Jordan finds Joe attractive, agrees to let Joe stay in his flat until he can regain stability. The next morning, Jordan spies on Joe as he takes a bath. Joe and Jordan have coffee at a cafe, but their conversation soon turns contentious. After Jordan departs for work, Joe
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in a storm drain. Meanwhile, the plumber inspecting the building notices a stench of decay, and finds remnants of human flesh in the pipes, leading him to contact the police. Jordan is arrested, and his flat dismantled by police. Beneath the floorboards, they uncover Joe's corpse, along with the dismembered bodies of the two other men.
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home movie—heads cut off, lots of static shots of men on sofas—and a soundtrack composed of deep breathing, the pounding of a demolition ball, and church bells. Little light is thrown by March in the police interrogations on the reasons for his actions ('I didn't mean to. It just happened') or by the
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The next day, Julie, another tenant who lives beneath Jordan's flat, finds her bathroom plumbing appears to be clogged, and phones the landlord to inspect it. She informs Jordan of this, which causes him to panic. Jordan brings pieces of
Stephen's flesh and organs outside, where he disposes of them
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Jordan soon become possessive of the young and freewheeling Joe, who gradually unabashedly takes advantage of him. One morning, while Joe lies sleeping, Jordan strangles him to death, before collapsing atop his body. He then experiences a flashback of the death of his grandfather as a child.
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him in his bathtub. After the murder, Jordan falls into a drunken sleep, and has nightmares about his grandfather's death, which he witnessed as a child. The following day, Jordan dismembers and skins the man's corpse, flushing heaps of flesh down the toilet, and boiling his severed head.
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in 1989. Louise would later recollect that, at the screening "at least a quarter of the audience walked out, but the people who remained stood up and applauded afterwards. They either loved it, or hated it, which was great. There can't be a better compliment for a young filmmaker."
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Later, Jordan returns to the cafe and is approached by a young homeless man who asks for a cigarette. Though Jordan is annoyed, the man manages to convince Jordan to let him stay with him. Once at his flat, Jordan attacks the man, strangling him as he sits in an armchair before
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Jordan encounters another young punk, Stephen, on the streets of London, and saves him from a drug overdose. Stephen returns with Jordan to his flat, where he locks himself in the bathroom and injects himself with
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who ushers him into her flat. She attempts to seduce him, but he rebuffs her efforts; nonetheless, he pays her for her efforts before nervously departing.
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Playing the Victim: An
Interview with Martin Byrne-Quinn
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wrote that the film "has the lighting and look of an
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484:. 10 October 2011. Archived from
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674:English-language horror films
505:(Blu-ray documentary short).
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619:1980s English-language films
322:Mark Hawkins as The Poor Boy
248:, middle-aged civil servant
331:Bill Merrow as Albert Green
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325:Andrew Edmans as Stephen
669:Films about necrophilia
639:1989 LGBT-related films
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644:British horror films
164:Venice Film Festival
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269:necrophilia
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603:Categories
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396:Home media
343:Production
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194:80 minutes
179:London ICA
173:1990-08-03
125:Production
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542:Time Out
384:Time Out
285:drowning
227:Bob Flag
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509:. 2020.
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362:Release
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210:English
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