31:
152:, had come to Marburg through Brahms' intercession and had established a stronghold for the cultivation of Brahms. I immediately began to emphasize the care of Bruckner, tried to build a bridge between Marburg's classicistic attitude and the music of that time and anchored the choir's activities in four major performances a year. The last German St. Matthew Passion before the collapse of Marburg sounded during air-raid warning on March 11, 1945; with it, I bid farewell to the office I had become fond of" (from the curriculum vitae 1945).
358:
90:"Musikwissenschaftliches Seminar" (Musicology Seminar), which he had newly founded in 1925, introduced musicology as a major subject in 1927, was appointed as a professor and was soon appointed "Staatlichen Musikfachberater". Stephani remained an unofficial professor until 1942, when he turned 65, and continued to teach from May 1942 to May 1945 with a teaching assignment.
118:
170:, first edited in 1904 under the title "Judas Makkabäus. Oratorio in three acts by G. F. Handel" (published Leipzig: Kistner & Siegel; 150 performances until 1933, including in the United States); edited a second time in 1939 under the title "Der Feldherr. Freiheits-Oratorio by G. F. Händel" (published Leipzig: Kistner & Siegel). Also for
346:
89:
director. In 1921, he was appointed first professor of musicology at the
University of Marburg. He habilitated there on 12 November 1921 and held his inaugural lecture the same day. In the following year, he founded the Collegium musicum (instrumentale), reorganised the choir, became director of the
176:, first edited in 1911 under the title "Jephta. Oratorio v. G. F. Händel" (published: Leipzig: Leuckart; until 1941 a total of 150 performances); edited a second time in 1941 under the title "Das Opfer. Oratorio by G. F. Händel" (published Leipzig: Leuckart).
30:
383:
398:
388:
265:
77:
and became the first director of the "Felix-Draeseke-Gesellschaft". After several positions as choir and orchestra conductor, he settled in
114:
134:
119:
Vow of allegiance of the
Professors of the German Universities and High-Schools to Adolf Hitler and the National Socialistic State
227:"Er lebte nur seiner Musik …" – Hermann Stephani als Gründer des Marburger Musikwissenschaftlichen Seminars und Collegium musicum
94:
324:
378:
110:
336:
144:, with lectures on Bach, Mozart or Beethoven, on classical and romantic music, on German song, opera and musical drama.
413:
393:
166:
157:
137:. As a father of four, he was under strong economic pressure, and as such he was under great economic pressure.
328:
350:
164:. In doing so, he tried to change their Jewish Old Testament character without any outside pressure. For
50:
186:
Das
Erhabene insonderheit in der Tonkunst und das Problem der Form im Musikalisch-Schönen und Erhabenen
408:
403:
130:
17:
281:
261:
234:
98:
126:
106:
293:
231:
362:
141:
74:
66:
372:
149:
70:
201:
86:
42:
280:, ed. by Anne Christine Nagel and Ulrich Sieg, Steiner, Stuttgart 2000, pp. 341f (
278:
Philipps-Universität
Marburg im Nationalsozialismus: Dokumente zu ihrer Geschichte
258:
The
Cultural Encyclopaedia on the Third Reich. Who was what before and after 1945.
253:
122:
102:
233:, edited by Kai Köhler, Burghard Dedner and Waltraud Strickhausen. Munich:
305:
172:
161:
82:
78:
46:
62:
156:
Stephani's lasting significance lies above all in his treatment of
29:
34:
Hermann
Stephani (1877–1960) 1927 © Georg Fayer (1892–1950) OeNB
237:
105:
and its Jewish originators in 1926 in a paper. After the
140:
One of his main topic was "German" music from Bach to
334:
65:, Stephani received his doctorate in psychology from
41:(23 June 1877 – 3 December 1960) was a German
8:
384:Academic staff of the University of Marburg
148:"My two predecessors , Richard Barth and
325:Literature by and about Hermann Stephani
308:Zur Psychologie des musikalischen Hörens
214:Zur Psychologie des musikalischen Hörens
117:. In November 1933, Stephani signed the
341:
246:
101:, after he had already turned against
7:
93:In 1932, he signed an appeal of the
115:National Socialist Teachers League
25:
135:German Society for Racial Hygiene
399:20th-century classical composers
356:
344:
121:. On 1 May 1937, he joined the
18:Collegium musicum instrumentale
194:In Die Musik 8 (1908), S. 2–7.
129:. He was also a member of the
113:. He was also a member of the
1:
95:Kampfbund fĂĽr deutsche Kultur
260:S. Fischer, Frankfurt 2007,
208:Grundfragen des Musikhörens
111:supporting member of the SS
430:
389:Förderndes Mitglied der SS
198:Der Charakter der Tonarten
73:. He studied music under
192:Händels Judas Makkabäus.
329:German National Library
225:Sabine Henze-Döhring:
158:Georg Friedrich Händel
35:
51:University of Marburg
33:
379:German musicologists
216:. Gustav Bosse, 1956
188:, Privatdruck 1903.
67:Universität München
27:German musicologist
414:People from Grimma
394:Nazi Party members
131:Reichskolonialbund
125:, and in 1939 the
36:
266:978-3-10-039326-5
235:K. G. Saur Verlag
16:(Redirected from
421:
361:
360:
359:
349:
348:
347:
340:
312:
303:
297:
294:Hermann Stephani
291:
285:
275:
269:
251:
99:Alfred Rosenberg
39:Hermann Stephani
21:
429:
428:
424:
423:
422:
420:
419:
418:
369:
368:
367:
357:
355:
351:Classical music
345:
343:
335:
321:
316:
315:
304:
300:
292:
288:
276:
272:
252:
248:
243:
223:
221:Further reading
182:
167:Judas Maccabeus
133:and the German
127:NS-Dozentenbund
107:Machtergreifung
59:
28:
23:
22:
15:
12:
11:
5:
427:
425:
417:
416:
411:
406:
401:
396:
391:
386:
381:
371:
370:
366:
365:
353:
333:
332:
320:
319:External links
317:
314:
313:
298:
286:
270:
268:, p. 532.
245:
244:
242:
239:
222:
219:
218:
217:
211:
210:, Leipzig 1926
205:
200:, Regensburg:
195:
189:
181:
178:
154:
153:
142:Anton Bruckner
75:Felix Draeseke
69:in 1902 under
58:
55:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
426:
415:
412:
410:
407:
405:
402:
400:
397:
395:
392:
390:
387:
385:
382:
380:
377:
376:
374:
364:
354:
352:
342:
338:
330:
326:
323:
322:
318:
310:
309:
302:
299:
296:on Musicalics
295:
290:
287:
283:
279:
274:
271:
267:
263:
259:
255:
250:
247:
240:
238:
236:
232:
228:
220:
215:
212:
209:
206:
203:
199:
196:
193:
190:
187:
184:
183:
179:
177:
175:
174:
169:
168:
163:
159:
151:
150:Gustav Jenner
147:
146:
145:
143:
138:
136:
132:
128:
124:
120:
116:
112:
108:
104:
103:atonale music
100:
96:
91:
88:
84:
80:
76:
72:
71:Theodor Lipps
68:
64:
56:
54:
52:
48:
44:
40:
32:
19:
307:
301:
289:
277:
273:
257:
249:
230:
226:
224:
213:
207:
204:Verlag 1923.
202:Gustav Bosse
197:
191:
185:
180:Publications
171:
165:
155:
139:
109:, he became
92:
87:church music
60:
43:musicologist
38:
37:
409:1960 deaths
404:1877 births
311:on WorldCat
81:in 1906 as
373:Categories
254:Ernst Klee
241:References
123:Nazi Party
331:catalogue
162:oratorios
173:Jephthah
83:organist
79:Eisleben
61:Born in
47:lecturer
363:Germany
337:Portals
327:in the
49:at the
282:online
264:
63:Grimma
229:; in
262:ISBN
85:and
57:Life
45:and
160:'s
97:of
375::
306:''
256::
53:.
339::
284:)
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
