231:. The term was used to describe the process of contemplating art objects as representation of our feelings. Lipps developed it into an aesthetic theory, which was refined further by other thinkers such as Roger Fry and Vernon Lee. This concept of aesthetic resonance finds parallels throughout aesthetic philosophy. In this concept, empathy is said to begin with both the object and the pleasure drawn together in a single act instead of a separate object with which we have aesthetic enjoyment or with pleasure taken in an object. According to Lipps, empathy incorporates movement or activity, which is bound up with observed object by: 1) being derived from it; and, 2) by being inseparable from it. For his works, he is considered one of the most important representatives of the psychology of aesthetics alongside
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252:(1893), he declared his "unlimited foundational logical psychologism", which is based on a partial identity of psychology of thinking and the logic of thinking. Here, logic is considered the "physics of thinking" rather than an "ethics of thinking". According to Lipps, "logic is a psychological discipline, as certain as the cognition occurs only in the psyche, and the thinking, which completes itself in the cognition, is a psychical event."
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Lipps was an important adherent of psychologism early in his career. This philosophy was based on the Neo-Kantianism that became influential in German philosophy during the second half of the nineteenth century. He became a spokesman of this school as evidenced in his early publications. In his work,
227:, literally translated to "feeling-into"). He was responsible for popularizing the term by modifying Vischer's conceptualization. Particularly, Lipps concealed some of the thinker's mysticism, hiding it within the sphere of scientific psychology in his work,
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690:, in: Aesthetics, Art, Life: A Collection of Articles, compiled by T. Lyubimova, M. Ovsyannikov; general editorship by A. Zis; translated from the Russian by Sergei Syrovatkin (Moscow: Raduga Publishers, 1988), pp. 200–211.
201:. There were at least two theories that made an impact on Freud's works. The first was Lipps' theory of the unconscious mental events. Lipps was then a main supporter of the idea of the
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Lipps was one of the most influential German university professors of his time, attracting many students from other countries. Lipps was very concerned with conceptions of
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Philosophy, Psychology, and
Psychologism: Critical and Historical Readings on the Psychological Turn in Philosophy
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and the aesthetic, focusing much of his philosophy around such issues. Among his fervent admirers was
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Gödel, Florian (2015), "An
Introduction to Moritz Geiger’s Psychological Contribution on Empathy."
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In the so-called aesthetics of "oughtness", Lipps attempted to reconcile "ought" with "is".
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Curtis, Robin; Elliott, Richard George (December 2014). "An
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and meaning of empathy in which the influence of Lipps is relevant. There was also
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Allesch, Christian G.. (2013). "STEPHAN WITASEK UND DIE PSYCHOLOGISCHE Ă„STHETIK".
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A Philosophical
Enquiry into the Origin of Our Ideas of the Sublime and Beautiful
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and dealt with
Husserlian phenomenology in his first publication,
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research in the overlap between psychology and philosophy.
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who wrote one of the first phenomenological essays on the
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The Work of Art in the Age of
Mechanical Reproduction
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as he developed in another direction. Disliking his
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Theodor
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205:. The second was Lipps' works on humor.
154:; 28 July 1851 – 17 October 1914) was a
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421:, 1995 Apr.; 76 (Part 2):237–56.
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279:who studied under Lipps at the
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1604:Aestheticization of politics
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285:Die phaenomenale Sphaere
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267:. Among them there was
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389:Smith, D. L. (2013).
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44:28 July 1851
1725:1914 deaths
1720:1851 births
1468:(c. 335 BC)
1458:(c. 390 BC)
1437:Work of art
1390:Picturesque
1246:Avant-garde
1203:Winckelmann
1078:Kierkegaard
1003:Collingwood
973:Baudrillard
900:Romanticism
870:Historicism
804:Mathematics
215:He adopted
203:unconscious
159:philosopher
1714:Categories
1407:Recreation
1385:Perception
1278:Creativity
978:Baumgarten
968:Baudelaire
850:Classicism
765:Aesthetics
661:9027215065
615:(1):161–8.
329:2018-11-07
306:References
225:EinfĂĽhlung
210:EinfĂĽhlung
179:perception
167:EinfĂĽhlung
163:aesthetics
119:Aesthetics
48:Wallhalben
1412:Reverence
1318:Eroticism
1288:Depiction
1261:Masculine
1163:Santayana
1123:Nietzsche
1068:Hutcheson
1058:Heidegger
1043:Greenberg
998:Coleridge
963:Balthasar
948:Aristotle
910:Theosophy
905:Symbolism
880:Modernism
865:Formalism
373:161752306
365:1756-1310
300:Otto Selz
189:Biography
1687:Category
1619:Axiology
1488:(c. 500)
1478:(c. 100)
1353:Judgment
1308:Emotions
1303:Elegance
1283:Cuteness
1256:Feminine
1219:Concepts
1188:Tanizaki
1168:Schiller
1153:Richards
1143:Rancière
1113:Maritain
1048:Hanslick
988:Benjamin
860:Feminism
829:Theology
809:Medieval
799:Japanese
794:Internet
294:See also
1682:Outline
1597:Related
1464:Poetics
1432:Tragedy
1422:Sublime
1395:Quality
1380:Mimesis
1338:Harmony
1323:Fashion
1298:Ecstasy
1293:Disgust
1209:more...
1178:Scruton
1103:Lyotard
1038:Goodman
1018:Deleuze
953:Aquinas
943:Alberti
916:more...
895:Realism
875:Marxism
855:Fascism
838:Schools
824:Science
779:Ancient
727:of the
713:at the
673:Sources
273:essence
221:empathy
171:empathy
147:German:
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1578:(1977)
1568:(1946)
1558:(1939)
1548:(1935)
1538:(1934)
1528:(1933)
1518:(1891)
1508:(1835)
1498:(1757)
1365:Kitsch
1343:Humour
1273:Comedy
1251:Beauty
1193:Vasari
1183:Tagore
1158:Ruskin
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156:German
102:School
91:Region
66:Munich
1677:Index
1446:Works
1427:Taste
1417:Style
1198:Wilde
1138:Plato
1133:Pater
1093:Lipps
1053:Hegel
1023:Dewey
1013:Danto
993:Burke
814:Music
789:India
772:Areas
719:Some
369:S2CID
250:Logik
1401:Rasa
1359:Kama
1333:Gaze
1268:Camp
1148:Rand
1083:Klee
1073:Kant
1063:Hume
983:Bell
656:ISBN
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361:ISSN
235:and
55:Died
41:Born
1328:Fun
1108:Man
1028:Fry
704:at
353:doi
195:art
81:Era
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